শাহ সুজা মসজিদ

Mughals subadar MANSUR KHAN donated 10.56 acres of land for Nidariya Mosque and built it in 1176. In that time there was Motayalli as Ijar Mahmood Sheikh, Bijara Sheikh Mahmud,and Khan Mahmud Sheikh. People says because Subedar Mansur Kha’s not of having dari(দাড়ী) for that the mosques was known as Nidariya. Now the local people pray in this mosque.

Mahisantosh Mosque located near the India-Bangladesh edge about 13 km northern western of Dhamorihat Thana Sadar in Naogaon place. Mahisantosh, known from Pre-Muslim periods, came to reputation during the guideline of Sultan Ruknuddin Barbak shah (1459-1474) who raised its place to an excellent town and known as it Barbakabad after him. Many traditional hemorrhoids, located in different places of the town, can still be monitored. In 1916 the varendra analysis team conducted a traditional excavation at Mahisantosh in the remains of the Jami Masjid heap. A little element of the mosque was exposed. Very lately individuals, after removing weeds, vegetation and junk of the Jami Masjid heap have developed up a new chauchala tin shade kacha creating on the old ranking of the mosque to perform Sunday desires. From the present remains it is still possible to recover the exclusive design of the mosque.

The 2.25m large materials of the rectangle-shaped mosque (24m X 16.20m externally) with semi-octagonal place techniques at the four aspects were designed of rock and bricks; the main was designed of rocks and the inner and external activities were secured with rock places. The top aspect act was provided with five (arched) doorways. Most probably the main one was larger than the flanking ones. There were three (arched) areas each on the south east aspect of and southern region aspects.

The inner of the mosque (19.50m X 11.70m) was divided by two selections of rock assistance supports, each having four assistance supports. Each main was status on an office rock foundation. The foundation of each main was divided into three sections: the decreased place, about 0.40m, was rectangle-shaped shape with pie design on its face; the middle element, about 1.55m, was decagonal with pattern and gong components and the greater element, about 0.96m, was polygonal (16 sided) with pattern and gong components and suspended pearl-string of 50% team design.

The main nave of the mosque, larger than the element ones, had three rectangle-shaped places and was perhaps secured over by Persia chauchala bins. Hemispherical domes, 12 in all, might have secured the element chicken wings. Thus the ceiling top program was almost just like that of the shatgumbad mosque at Bagerhat (1459 AD).

There are five mihrabs in the Qibla materials invert the top side aspect possibilities. The main mihrab, a little bit larger than the element ones, was removed from here and is now managed in the varendra analysis collection. Originally it was designed from 1 product of rock with amazing eye-catching schemes; pattern and gong, lotus and palmetto are its main ingredients. The extant mihrab at the southern region end also contains amazing developed design. It seems to have been designed of three places of rock. The main element of the mihrab industry is developed with attractive pattern and gong art work. On the element of the pattern is suspended a hand crafted series. A complete bloomed lotus weighs from the end of the pattern. The sidepieces of the rock places have geometric styles in round and rectangle-shaped shape types. The rosettes in the top and platform increase the beauty of the mihrab. It may be described here that the pattern and gong design, a very familiar eye-catching program, is also seen in mosques like darasbari, chhota sona and kusumba.

Stone-blocks calming propagate in and around the mosque involved eye-catching components on their activities. These developed stone-blocks indicate that the external outside of the materials of the mosque may have been developed with rock styles. The attractive devices are mostly geometric in design with flowery styles, palmette, nailheads, pie styles, look for components, pattern and gong components and suspended 50 % round jewelry. Some developed clay-based rocks were also exposed at a lot of period of removing junk. These clay-based rocks might have been used on the inner encounter of the drums equipment of the domes. Similar eye-catching program is seen in other mosques e.g., Darasabari, Chhota Sona and Kusumba.

When the Varendra Research Community conducted excavation on the website they discovered an epigraph product. It authorized the growth of a mosque during the guideline of Alauddin Husain shah in 912 AH/1506 AD. Very lately, another epigraph product was exposed at a lot of period of removing junk from the mosque. Currently it is calming before aspect of the lately designed kacha mosque creating. The epigraph contains two selections of writing and is developed on dark-colored basalt rock. It keep in mind the development of a mosque in a lot of period of Sultan Ruknuddin Barbak Shah by Ulugh Khan Hasan in the 867 AH/1463 AD.

Growth of these two individual from the same ruinous mosque improves some issues about the period of your energy and energy of growth of the mosque. Was the mosque developed in a lot of period of Sultan Barbak Shah or during a lot of period of Alauddin Husain Shah? Was it developed in a lot of period of Barbak Shah and therefore redesigned (or reconstructed) during the guideline of Alauddin Husain Shah? Or, was one of these two individual collected from outside and kept in the mosque when the mosque was in an amazing condition of preservation? It is not possible to figure out any of the above possibilities. It is, however, quite likely that the mosque was developed during the guideline of Sultan Barbak Shah in 867 AH (1463 AD) and knowledgeable a renovating during a lot of period of Sultan Alauddin Husain Shah in 912 AH (1506 AD).

Nayabad Mosque is located in the bank of the river Dhepa, just 1.5 km south-west of the infamous Kantaji Temple at Dinajpur in Bangladesh. The mosque is named after the village “Nayabad” in which it stands in the Police Station of Kaharole. According to an inscription found on the central doorway, it was constructed at 1793 AD in the reign of Mughal Emperor Shah Alam II. During that period, Raja Baidyanath, the last of the Dinajpur Royal family, was the Zaminder (feudal land owner).

Nayabad Mosque was erected at a time when the soil of Dinajpur had already been enriched with one of the most remarkable Navaratna temples, the Kantajew Temple in 1752 AD. The founding Royal family of Dinajpur was still prominent. According to local traditions, the mosque was built by Muslim architectural workers who had come to this place from the west to build Kantaji Temple. They had settled in Nayabad, a village near the temple, and had built the mosque for their own use. There is a grave of an unknown person in the premises of the mosque. Local people believe, this is the grave of Kalu Khan, the master architect of Kantaji Temple.

It is an oblong three-domed mosque with octagonal towers at the four corners. There are three arched entrances to enter the mosque. Among them, the central one is bigger than the flanking ones. These are equal in height and width. There is an arched window each on the south and north sides. Inside in the western wall there are three Mihrabs in line with the three entrances. The central Mihrab is bigger than the flanking ones which are of equal size. Three hemispherical domes cover the mosque, of which the central one is bigger than the side ones. Pendentives have been used in their phase of transition. The parapet and cornice are straight.

Terracotta plaques have been used in decoration of the mosque. At present there are about 104 terracotta plaques rectangular in shape, used in the surface decoration of the mosque walls. The platform of the mosque is enclosed by a low brick wall with only one access from the east. On either side of the mosque are to be seen a number of tombs each of found fixed over the central doorway of the mosque.

This mosque is known as "Pathrail Mosque". But to the local people, it has other names, and it will be easier for you to find the place if you remember the other twos. People used to call this as "Dighir Par Mosque", also it has a name that is listed at Bangladesh government, "Majlis Awlia Mosque". This Masjid has three domes at the top of it. After taking the mosque under the Archaeological Heritages of Bangladesh, the government did some furnishing task over the mosque, so that it doesn't collapse, or doesn't become a ruin.

This mosque was built during anytime between 1393 AD to 1410 AD. The pundits are assuming that the mosque was built by the great ruler, Sultan Azam Shah. At the Southern side of the mosque, "Majlis Awlia Khan", the mosque was named after his name. There is a majar just near the mosque. The mazar was formed using the name of "Mastan Darbesh Nazimuddin Dewan" and "Fakir Salimuddin Dewan". There was a large Dighi(water tank) was created just near the mosque. The water tank was made to ease the water problem of the peasant. Thats why people used to call the mosque as "Dighir par jame moshjid".

পাথরাইল মসজিদ নামে পরিচিত এই মসজিদটির অন্য আরও দুটি নাম আছে। এগুলো হলঃ দীঘিরপাড় মসজিদ এবং মজলিশ আউলিয়া মসজিদ। মসজিদের নামগুলো মনে রাখলে আপনার মসজিদটিকে খুঁজে পেতে সুবিধা হবে। প্রত্নতত্ত্ব অধিদফতরের অধিগ্রহনের পর তিন গম্বুজ বিশিষ্ট এই মসজিদটি রক্ষার জন্য বেশকিছু রক্ষণাবেক্ষণের কাজ করে সরকার। সম্ভবত ১৩৯৩ থেকে ১৪১০ সালের মধ্যে মসজিদটি নির্মিত হয়েছিল। তবে, ইতিহাসবিদদের ধারনা সুলতান আজম শাহর শাসনামলে মসজিদটি নির্মিত হয়। মসজিদের দক্ষিনে রয়েছে ‘মজলিশ আউলিয়া খান’ যার নামে মসজিদের নামকরণ করা হয়েছে। মসজিদের কাছেই ‘মাস্তান দরবেশ নাজিমউদ্দিন দেওয়ান’ এবং ‘ফকির সালিমউদ্দিন দেওয়ানের মাজার রয়েছে। মসজিদের কাছে পানির সংকট নিরসনের জন্য একটি বিশাল দিঘীও খনন করা হয়েছিল আর একারনেই স্থানীয়রা মসজিদটিকে ‘দীঘিরপাড় জামে মসজিদ’ নামে বলে থাকে।