




Brief
Locally this site is known as “Rupban Mura”. After excavation, the sign of a shrine, a monastery and an octagonal votive stupa were found. Among the antiquities, one Gupta imitation gold coin, 04 coins of debased metal, 3 silver coins and a bulky sand stone, Buddha image of post gupta period are mention worthy. On the basis of all the evidences found here, the original monastery and shrine may be dated prior to the 8th Century A.D.
Rupban Mura an important archaeological site of Mainamati lying on a hillock just between the modern BARD and BDR establishments in the Kotbari area on the south of the Comilla-Kalirbazar road. Excavations have revealed here the remains of a remarkable semi-cruciform shrine of medium size (28.2m east – west, 28m north – south), together with a number of subsidiary structures, including an octagonal stupa and another one on a square base. A boundary wall within the oblong stupa courtyard encloses all these. Its regular entrance is on the east, facing the monastery entrance. Deep diggings have revealed three main periods of building and repairs and rebuilding, the earliest corresponding to c.6th-7th centuries AD. Very few remains of the latest period (10th-11th century AD) survive now in this very heavily disturbed site.
The Cruciform Shrine Originally built as a solid stupa on a square base, it was subsequently converted into a semi-cruciform shrine in the second period (8th century AD). It has a peculiarity not noticed elsewhere. Instead of a single chapel built in each of the long arm of the cross, a group of three long narrow chapels was built in the eastern (front) side of the shrine.
In the middle chapel the colossal stone Buddha, now exhibited in Mainamati Museum, was discovered. The same peculiarity is noticed in the adjacent Itakhola Mura grand stupa, also on the eastern side facing the entrance. Fragments of bronze images found in other chapels suggest installation of such images there.
The Monastery The small 34.1m square monastery of the site was built separately, 31m.The South-east of the cruciform stupa. It has a prominent gateway complex (12.5m x 6.9m) projecting outwards in the middle of the northern wing. Built in the usual square plan, it originally had a total of 24 cells in four wings, subsequently reduced to 18 in the second period. The southern wing, occupying an area of 11.7m, was abandoned, due certainly too irreparable damages, and a row of new cells was built in its front, thus making the shape of the monastery oblong (34.1m x 24.8m). Corbelled niches and brick-built bedsteads can be noticed in the 2nd period cells. A broad corbelled drain was built in the courtyard to drain out rainwater. Significant discoveries from the site include, besides the colossal stone Buddha, five debased gold coins of Balabhatta, the Khadga ruler.
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[name] => {:en}Pailgaon Zamindar Bari{:}{:bn}পাইলগাঁও জমিদারবাড়ী{:}
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Pailgaon Zamindar Bari is one of the remarkable old structures of Jagannathpur in Sunamganj. This 300 years old palace was established on 5.5 acres of land.
The last person of this Zamindar family was Brajendra Narayan Chowdhury. He was a famous politician at that time and a member of the congress of Sylhet too at that time.
The place is situated near the bank of Kushiara river in Sunamganj District. It is at Pailgaon Union under Jagannathpur Upazila.
History of this place: Thousand years ago, decedents of Pal Dynasty lived here. As time goes, "Das" family took their place. Pir Mohammad Badsha (Muslim Rulers) gave them the title - "Chowdhury". Ram and Sreeram were two descendants of this bloodline. One of their descendants Madhab Ram gained much popularity in his locality at that time. He did a lot of social welfare.
Their descendants Brojnath had two sons. Their named were Roshomoy Chowdhury and Sukhumoy Chowdhury. The place is locally known by the name after of Zamindar Roshomoy Chowdhury. The last ruler of the family was famous Brajendra Narayan Chowdhury.
{:}{:bn}প্রাচীন পুরাকীর্তির অন্যতম নিদর্শন সুনামগঞ্জের জগন্নাথপুর উপজেলার পাইলগাঁও জমিদারবাড়ী। প্রায় সাড়ে ৫ একর ভূমির ওপর প্রতিষ্ঠিত তিন শত বছরেরও বেশী পুরানো এ জমিদার বাড়ীটি এ অঞ্চলের ইতিহাস-ঐতিহ্যের নিদর্শন ।এ জমিদার পরিবারের শেষ জমিদার ব্রজেন্দ্র নারায়ণ চৌধু রী ছিলেন প্র খ্যাত শিক্ষাবিদ ও রাজনীতিবিদ। তিনি ছিলেন সিলেট বিভাগের কংগ্রেস সভাপতি এবং আসাম আইন পরিষদের সদস্য। সিলেট বিভাগের সুনামগঞ্জ জেলায় জগন্নাথপুর উপজেলার অধীন ৯ নম্বার পাইলগাও ইউনিয়নের পাইলগাও গ্রামে ঐতিহ্যবাহি এ জমিদারীর অবস্থান। জমিদার বাড়ী দক্ষিণ দিকে সিলেটের কুশিয়ারা নদী বহমান। প্রখ্যাত ঐতিহাসিক অচ্যূতচরণ চৌধুরী পাইলগাও জমিদার বংশের রসময় বা রাসমোহন চৌধুরী হতে প্রাপ্ত সূত্রেলিখেছেন যে; পাইলগাওয়ে বহুপূর্বকালে পাল বংশীয় লোক বসবাস করত। এ গোষ্টিয় পদ্মলোচন নামক ব্যক্তির এক কন্যার নাম ছিল রোহিণী। কোন এক কারণে রাঢ দেশের মঙ্গলকোট হতে আগত গৌতম গোত্রীয় কানাইলাল ধর রোহিণীকে বিবাহ করত গৃহ-জামাতা হয়ে এখানেই বসবাস শুরুকরেন। কানাইলাল ধরের আট পুরুষ পরে বালক দাস নামের এক ব্যক্তির উদ্ভব হয়। এ বালক দাস থেকে এ বংশ বিস্তৃত হয়। বালক দাসের কয়েক পুরুষ পর উমানন্দ ধর ওরফে বিনোদ রায় দিল-ীর মোহাম্মদ শাহ বাদশা কর্তৃ ক চৌধুরী সনদ প্রাপ্তহন। বিনোদ রায়ের মাধব রাম ও শ্রীরাম নামে দুই পুত্রের জন্মহয়। তার মধ্যেমাধব রামজনহিতকর কর্মপালনে নিজ গ্রাম পাইলগাঁও এ এক বিরাট দীঘি খনন করে সুনাম অর্জন করেন। তার দেয়া উক্তদীঘি আজও ঐ অঞ্চলে মাধব রামের তালাব হিসেবে পরিচিতহচ্ছে। মাধব রামের দুই পুত্র মদনরাম ও মোহনরাম । উক্ত মোহনরামের ঘরে দুর্লভরাম, রামজীবন, হুলাসরাম ও যোগজীবন নামে চার পুত্রের জন্ম হয়। এই চার ভাই দশসনা বন্দোবস্তের সময় কিসমত আতুয়াজানের ১থেকে ৪ নং তালুকের যতাক্রমে বন্দোবস্তগ্রহন করে তালুকদার নাম ধারণ করে। এদের মধ্যে হুলাসরাম বানিয়াচং রাজ্যের দেওয়ানি কার্যালয়ে উচ্চ পদের কর্মচারীনিযুক্ত হন। হুলাসরাম চৌধুরী বানিয়াচং রাজ্যের রাজা দেওযান উমেদ রাজারঅনুগ্রহে আতুয়াজান পরগণায় কিছু ভূমি দান প্রাপ্তহন। হুলাসরামের প্রাপ্তভূমির কিছু কিছু চাষযোগ্যও কিছু ভূমি চাষ অযোগ্যছিল। পরবর্তিতে হুলাসরাম চাষ অযোগ্য ভূমিগুলোকে চাষযোগ্যকরে তুললে এগুলোই এক বিরাট জমিদারীতে পরিণত হয়ে উঠে। হুলাস রামের ভাতুষ্পুত্রবিজয়নারায়ণের একমাত্রপুত্রব্র জনাথ চৌধুরীজমিদারি বর্ধিত করে এক প্রভাবশালী জমিদারে পরিণত হন। ব্রজনাথ চৌধুরীর দুইপুত্ররসময় ও সুখময় চৌধুরী। রসময় চৌধুরীর পুত্র ব্রজেন্দ্রনারায়নই ছিলেন এবংশের শেষ জমিদার।{:}
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[name] => Charpatra Mura
[post_id] => 5158
[post_link] => http://offroadbangladesh.com/bn/places/charpatra-mura/
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Charpatra Mura is a small but interesting archaeological site in Mainamati. It is situated in the northern part of the Lalmai ridge at about the center of the Comilla Cantonment area. A small Hindu shrine, 45.7m × 16.8m, was uncovered here. The shape and architectural design and decoration are unique; differing basically both from the Buddhist architecture of Mainamati and the traditional Hindu temple architecture of the Gupta or other Indian types. It appears to represent a synthetic Bengal type that has evolved gradually by assimilating certain elements and features of local Buddhist architecture.
The temple has two distinct parts, an open pillared hall in the badly damaged front part and a cell at the back in the west. The latter part was found less damaged and decayed, that is to say, better preserved and undisturbed. It could therefore be properly excavated and uncovered. The exterior of this cella or temple proper at the back shows a fantastically complex and variegated shape produced by a multiplicity of angles and corners resulting from a combination of symmetrical projections and offsets at lateral and vertical planes, maintaining, nevertheless, a delicate balance between exotic growth and basic strength and proportions of the original form and the traditional plan. The overall effect is highly pleasing.
A few very significant objects were discovered in this monument. These are a bronze relic casket and four copperplate grants - three of them issued by the last two kings of the chandra dynasty and the fourth by a Later-Deva king, all in favor of a Ladaha Madhava (Visnu) temple situated in devaparvata. One record identifies the locality as Pattikeraka. On the basis of our present knowledge and information, it may be stated with absolute certainty that this new settlement was definitely located in the Lalmai -Mainamati area, and occupied a part or the whole of the old city of Devaparvata, and that the Ladaha Madhava temple of the inscriptions may reasonably be identified with the excavated Charpatra Mura temple.
The temple was probably reconstructed, if not originally built, by the Chandra King Shri-Ladahachandra (c 1000-1020 AD) who derived his name from that of the consecrated deity. Alternatively, the deity derived its name from that of the builder king who appears to have been especially devoted to him. This king issued two of the four grants found here. The appellation, Charpatra Mura, is related to the discovery of four copperplates.
Written by: M Harunur Rashid
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[name] => Shahrail Boro Bari
[post_id] => 17381
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If you are travelling Singair Upazila of Manikganj District then there will be a significant number of options come to your hand for paying a visit. A traveler or explorer who is interested in travelling old houses, then we may suggest whenever you will reach there at Singair Bazar, you would rather take a left turn and cover a distance of around 7-8 km to get there at the old house name Shahrail Boro Bari (সাহরাইল বড় বাড়ি) situated nearby Charigram Bazar. We could not revealed actual history as it is not being well documented anywhere about this Old House.
It seems hard for ORB (Offroad Bangladesh) team to recover the elaborate background history of this place until there is any publication or thesis report being found. We observed people calling this house a zamindar Palace as it is very common trends in our country to name a Old house Zamindar Bari .
So far our experts team can assume is that this House could be a part of Zamindari estate previously as we have discovered so many palatial houses around the same district. But considering the structure, the building layout, and the decorative patterns that are still visible in open eyes we can say at best, it was possibly the residential block of the eminent officials of the estate.
Interviewing the local folks we came to know that this property belonged to two Saha brothers named Ram Mohon Saha and Koushik Saha who allegedly sold off the property to its current owner a former Member of Parliament, before migrating to India. The owner we were told is planning on dismantling the damages and renovating the building.
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[name] => Betila House: The Forgotten Palace of Manikganj
[post_id] => 17193
[post_link] => http://offroadbangladesh.com/bn/places/betila-house/
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[post_content] =>
The Betila (বেতিলা) House in Manikganj was built about a century ago by Jyoti Babu (জ্যোতি বাবু) and Satya Babu (সত্য বাবু), a couple of affluent merchants involved in the trade of Jute, the golden fibre of Bangladesh. This palatial house is located in a remote area named Betila which is within the parameters of the modern day Manikganj proper. Explorers/travelers searching for heritage sites in Manikganj over the internet may come across several links of the famous Baliati Zamindar’s Palace but never find any links on Betila. This is primarily because the Betila House was not a Zamindar’s (Land Owner) palace, and secondly since it is located in such a remote area, people hardly know about it. Rich people of those era are known to build such palatial houses in remote areas and live lavish lives, even though they were not 'Zamindars' or royalty.
For someone looking for heritage sites, the Betila Mitra Union of Manikganj would be a fabulous one to come across. It’s situated in semi rural setting (being not too distant from urban areas) and doesn't seem particularly unique on first impression but once you begin to explore it's culture and heritage, beautiful places like the Betila House amongst several others begin to surface. The seemingly tame Betila Canal runs across the area, connecting two major rivers Kaliganga (কালিগঙ্গা) and Dhaleshwari (ধলেশ্বরী) but like most waterways of Bangladesh, one can anticipate its ferocity in full monsoon season when rising water levels which is also evident in the way it has eroded both its banks, specially at the lone bridge that was constructed some time back.
On both the banks one will come across a series of heritage buildings, the pinnacle being on the eastern bank, the Betila Palatial house surrounded by rich foliage. It’s a combined structure of two separate buildings both of which are two-storied, standing almost intact, side by side and with an expansive open field before them.
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