Array
(
[0] => Array
(
[name] => {:en}Rose Garden Palace{:}{:bn}রোজ গার্ডেন প্যালেস{:}
[post_id] => 1529
[post_link] => http://offroadbangladesh.com/bn/places/rose-garden-palace/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/rose-garden-1-300x225.jpg
[post_content] => {:en}
The Rose Garden Palace was built by a Hindu Zamindar Hrikesh Das in the late 19th century. Around that time jalsas (parties) held at Baldha Garden were an important part of the social life of the city's wealthier Hindu residents. The story goes that Hrishikesh, a Zamindar of lower caste background, being insulted on this account by someone at one of the jalsas at Baldha Garden, decided to create his own garden to outshine that of Baldha. Here he staged jalsas of his own. The centerpiece of the garden is an elegant pavilion. However, this was not created as a residence, but rather a setting for entertainment such as musical performances (although subsequent owners did use it as a house). This extravagant lifestyle caused Hrikesh to go bankrupt and he was forced to sell the property.
The palace was bought by Khan Bahadur Kazi Abdur Rashid from Hrikesh in 1936 and renamed the building Rashid Manzil. His eldest son Kazi Mohammed Bashir (Humayun) who carried his name and fame until this generation.
The building, which remains a private property to date, has been renovated by its owners keeping the original character fully maintained. At present it is owned by Qazi Abdur Raqib, Barrister, who has leased it out to the Bengal Motion Picture Studios Limited.
The building has Corinthian columns and has eight apartments including a central hall on its ground floor. The upper floor has a further five apartments including a large dance hall in the middle. In the front yard, there was a fountain originally, the structure of which still remains. There are several classical marble statues in the garden, although the rosegarden that gave the mansion its name does not exist anymore.
The lodge contains on the ground floor eight apartments including a central hall whilst the upper floor has a further five apartments including a large dance hall measuring in the middle. At the back of the building to the east there is a veranda triple-arched entrance porch which leads to a staircase for the upper storey. Originally there was an ornamental fountain in the garden and a number of classical marble statue.
{:}{:bn}
১৯ শতকের শেষের দিকে হিন্দু জমিদার হৃষিকেস দাস রোজ গার্ডেন প্যালেসটি নির্মাণ করেন। সেসময়, বলধা গার্ডেনে অনুষ্ঠিত হওয়া জলসাগুলো শহরের বিত্তবান হিন্দুদের সামাজিক জীবনের গুরুত্বপূর্ণ অংশ ছিল। বলধা গার্ডেনের এমনই এক জলসায় হৃষিকেস দাস নামক এক নিম্নবর্ণের জমিদারকে অপমান করা হয় এবং এর ফলে তিনি নিজেই বাগানবাড়ি স্থাপনের সিদ্ধান্ত গ্রহন করেন। হৃষিকেস দাস তাঁর নিজস্ব বাগানবাড়িতে জলসার আয়োজন করতেন। তাঁর বাগানের মূল আকর্ষণ ছিল একটি নয়নাভিরাম সাজঘর। তবে বাগানবাড়িটি শুধুমাত্র বিনোদনের জন্য তৈরি করা হয়েছিল (যদিও পরবর্তী মালিকরা এটি বসবাসের জন্যেও ব্যবহার করতেন)। বিলাসবহুল জীবনযাপনের কারনে হৃষিকেস দাস দেউলিয়া হয়ে যান এবং ফলশ্রুতিতে তাঁকে তাঁর সম্পত্তি বিক্রি করে দিতে হয়েছিল।
১৯৩৬ সালে খান বাহাদুর কাজী আব্দুর রশিদ এই প্রাসাদটি হৃষিকেস দাসের কাছ থেকে কিনে নেন এবং প্রাসাদটির নামকরণ করেন রশিদ মঞ্জিল। তাঁর বড় ছেলে কাজী মোহাম্মদ বশির (হুমায়ুন) আজ অবধি তাঁদের নাম ও খ্যাতিকে ধরে রেখেছেন।
আজ অবধি ব্যাক্তিগত সম্পত্তি এই ভবনটির মূল আবেদন ধরে রেখে ভবনটিকে রক্ষনাবেক্ষন করা হচ্ছে। বর্তমানে এই প্রাসাদটির মালিক ব্যারিস্টার কাজী আব্দুর রকিব প্রাসাদটি বেঙ্গল মোশন পিকচার স্টুডিও লিমিটেডের কাছে ভাড়া দিয়েছেন।
প্রাসাদটির নীচতলায় একটি হলরুম ছাড়াও করিনথিয়ান কলাম এবং আটটি কক্ষ রয়েছে। প্রাসাদের উপর তলার মাঝে নৃত্য করার জন্য হল ছাড়াও আরও পাঁচটি কক্ষ রয়েছে। প্রাসাদের সামনে একটি ঝর্ণা ছিল যেটির চিহ্ন আজও বিদ্যমান। প্রাসাদের বাগানে কয়েকটি মার্বেলের তৈরি মূর্তি রয়েছে যদিও স্থানটির নামকরণ যে গোলাপ বাগানের জন্য করা হয়েছে সেই গোলাপ বাগানটি এখন আর নেই।
প্রাসাদের পিছনে পূর্বদিকে একটি বারান্দা আছে যেখানে প্রবেশের জন্য ধনুকাকৃতির তিনস্তর বিশিষ্ট একটি প্রবেশপথ রয়েছে যেটি দিয়ে উপরে ওঠার সিঁড়িতে যাওয়া যায়।
{:}
)
[1] => Array
(
[name] => Devi Chowdhurani Zamindar Bari
[post_id] => 1895
[post_link] => http://offroadbangladesh.com/bn/places/devi-chowdhurani-zamindar-bari/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/Devi-Chowdhuranir-Zamider-Bari-300x190-300x190.jpg
[post_content] =>
The lanlord of pirgacha sub district norendronarayan son of raghabendranarayan died in 1765 without any legacy. Then the wife landowner Joydurga manage the landlord for three decades. This Joydurga is popularly known as Devi Chowdhurani in history.In the time of Sonnasi Bidroho (Sannasi revolution) she keep peace with VobaniPathok and war against English. In this insurgency collector Richard Gudland and army commander lieutenantbrenan got feared and forfeit the landlord of DeviChowdhurani. This time Devi Chowdhurany Levant herself for some days. After that time she again came to manage the landlord and she manage it for 1791. Now all of the building of it damaged. Only the pond is also now there.
)
[2] => Array
(
[name] => {:en}Natore Rajbari{:}{:bn}নাটোর রাজবাড়ি{:}
[post_id] => 3706
[post_link] => http://offroadbangladesh.com/bn/places/natore-rajbari/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/IMG_20150723_053634-300x225.jpg
[post_content] => {:en}
Natore Rajbari (also known as Pagla Raja's Palace, Natore Palace) was a prominent royal palace in Natore, Bangladesh. It was the residence and seat of the Rajshahi Raj family of Zamindars. Famous queen Rani Bhabani lived here and after the death of her husband, expanded both the estate and the palace.
Natore Zamindars was one of the largest Zamindaris of Bengal. The originators of this Zamindari were Ramjivan and Raghunandan both sons of Kamdev. Ramjivan's daughter-in-law was Rani Bhabani (1716-1795), a legendary name in Bengal politics in the 18th century and an endearing personality in every home of the country due to her boundless generosity and public spirit. After becoming Zamindar Ramjivan built his Rajbari at Natore occupying a huge area of 50.42 acres of land and it is enclosed within two rings of defensive moats-one within the other. The moats are now dotted with large tanks, orchards and flower gardens surrounding the derelict ruins of the seven surviving detached palaces. Of these only four deserve description while the rest are in advanced stage of disintegration and are of no architectural significance.
After the death of the great queen, her adopted son Ramkrishna ruled the area. After his death, his two sons Sibnath and Vishwanath became the co-sharers of the Natore Zamindari in 1778. The whole Zamindari was divided between them, and the part of the eldest son was known as "Boro Taraf" and the part of the youngest son was known as "Chhoto Taraf". The Rajbari was protected on all sides by ditches. There were nine buildings in this Rajbari. They are the palace of Boro Taraf, The palace of Choto Taraf, Kachari Bhavan and Guard House of Boro taraf, Kachari Bhavan of Choto Taraf, Rani Bhavan, Guest House, Madhu Rani Bhavan etc.
The main palace block (Boro Torof), now housing the newly created deputy commissioner's office, faces a large open lawn to the south. Two other single-storied blocks, placed on the west and the south, look over the lawn and are laid out in the form of an English "U" with the open side on the east. The main northern block, facing south, has a frontage of about 100'-0" with a prominently projecting porch in the middle and two slightly projecting bays at either end, all carrying triangular pediments above. The elegant central porch is supported on a series of Corinthian columns and semi-circular arches in the typical classical Roman style and the veranda in front of the apartments are also similarly relieved. The whole facade is tastefully decorated with geometric and floral panels in plasterwork. This block contains twelve spacious apartments, disposed on either side of the large reception hall (7.47m × 16.01m) which is located in the middle. The access to the reception hall (60'-0"x 30'-0") is gained through another large hall and is backed by a 10'-0" wide veranda on the north.
The lofty ceiling of the central hall, rises to a height of 30'-0" and is lit by eighteen clerestory windows, originally fitted with colored glass panes, whilst the roof of the other rooms are considerably lower in height. The entire floor of this block is laid in black and white imported marble. The back veranda is supported on twenty pairs of Corinthian columns, the capitals of which contain within its acanthus leaves, some classical nude female figures. The western block, placed at right angles to the main block, has about a 200'-0" frontage and faces the lawn on the east. It is also a single-storied building with an arched projecting bay in the middle. A strip of veranda, supported on a series of paired Doric columns, runs the entire length of the block. Entering through the arched central bay there is access into an open of longed court, occupied by typical 'nat-mandap'. Beyond and further to the west, is a Krishna temple. This family shrine has a 50’-0” wide frontage, backed by a 10’-0” wide veranda which carried on a series of double Corinthian columns.
This ‘nat-mandap’ has a humped tin roof supported on a series of iron pillars. Placed at right angles to this block is another north facing single-storied building, which is about 150’-0” long and has central projecting porch. The porch entrance leads on to a long veranda running the entire length of the building behind which there are a series of apartments of varying sizes, somewhat similarly disposed as the former. A long veranda to the rear of this building overlooks a large tank. A series of Corinthian columns, which support veranda, projects as a semi-circle in the middle. The rear of this handsome block is tastefully decorated in plasterwork. The building at present is occupied by the office of the superintendent of police.
To the south-west rears of the second block a couple of very ruined single-storied residential buildings overlook a large tank from its northern bank. The smaller of these two structures presenting a 50’-0” frontage with a veranda, is relieved with a series of paired Doric columns while the larger adjacent block has a 100’-0” frontage with a veranda carried on a row of double Corinthian columns. Sadly both these ruins are now thickly covered with encroaching thickets and accumulating debris. However, the main palace block of the ‘Chhota-Taraf’, perched picturesquely on the western bank of this large tank and now occupied by the District Judge’s Court, is an imposing structure. The 70’-0” long façade has a prominently projecting central triple-arched portico.
The central part of the building, occupied by the reception hall projects above the flanking wings and is crowned by a pyramidal roof with clerestory windows. The parapet of the porch is decorated in plasterwork with two short projecting bays at either end of the building, each decorated with two pairs of Corinthian columns, which are topped by triangular pediments. Entering this palace block though the porch one encounters a long 10’-0” wide veranda with a black and white marble floor. Behind the veranda there is a row of apartments which lead on to the vast reception hall, measuring 7.32 meter x 15.55meter.
The lofty ceiling of reception hall is another hall measuring 50’-0”x20’-0” with a projecting balcony at the far end which overlooks the encircling moat. Although there are fifteen apartments including the central hall. The rear of the building also is tastefully relieved with Ionic capitals, floral motifs and bearded human heads in stucco. The two large halls of the palace, probably flagged in marble, are now devoid of their original floor, but the other apartments have white and black marble floors. Curiously the capitals most of the columns are of composite character with acanthus leaves intertwining Ionic roundels.
{:}{:bn}
নাটোর রাজবাড়ি পাগলা রাজার প্রাসাদ বলেও বহুল পরিচিত যেটি রাজ জমিদার পরিবারের বাসস্থান হিসেবে ব্যাবহার করা হত। রানী ভবানী এখানে বাস করতেন এবং মৃত্যুর পর তাঁর স্বামী এখানকার চা বাগান ও প্রাসাদের উন্নয়ন করেন। সাতটি আলাদা প্রাসাদের পরিত্যাক্ত ধ্বংসাবশেষ ঘিরে থাকা পরিখাগুলোতে এখন দেখা যায় ট্যাংক, অর্কিড এবং ফুলের বাগান। এই প্রাসাদগুলোর মধ্যে মাত্র চারটি এখন টিকে আছে কিন্তু বাকিগুলো ধ্বংসের দ্বারপ্রান্তে। রানীর মৃত্যুর পর তাঁর দত্তক পুত্র রামকৃষ্ণ এই এলাকা শাসন করেন। রামকৃষ্ণের মৃত্যুর পর তাঁর দুই পুত্র শিবনাথ এবং বিশ্বনাথ নাটোর জমিদারবাড়ির যৌথ মালিক হন ১৭৭৮ সালে। পুরো জমিদার বাড়ি তাদের তাঁদের মধ্যে ভাগ করে দেওয়া হয়। এরপর রাজবাড়িতে বড় পুত্রের অংশকে বলা হত “বড় তরফ” এবং ছোট পুত্রের অংশকে বলা হত “ছোট তরফ”।
রানী ভবানীর বড় পুত্র বড় তরফ নামে এবং ছোট পুত্র ছোট তরফ নামে পরিচিত ছিলেন। রানীর মৃত্যুর পর তাঁর দুই পুত্রের মধ্যে জমিদারী ভাগ হয়ে যায়। এখানে অনেক স্মৃতি স্তম্ভ আছে।
বাংলার অন্যতম বৃহত্তম জমিদারী ছিল নাটোরের জমিদারী। এই জমিদারীর সূচনা করেছিলেন কামদেবের দুই পুত্র রামজীবন এবং রঘুনন্দন। রামজীবনের পুত্রবধু ছিলেন রানী ভবানী। ১৮শ শতকে বাংলার রাজনীতিতে রানী ভবানী ছিলেন এক কিংবদন্তি। তাঁর জনপ্রিয়তা ও উদারতার কারনে দেশের প্রতিটি ঘরে তিনি আকর্ষণীয় ব্যাক্তিত্তে পরিণত হয়েছিলেন। জমিদার হবার পর রামজীবন ৫০.৪২ একর জায়গার ওপর দুই স্তরের পরিখার মধ্যে এই রাজবাড়িটি নির্মাণ করেন।
রাজবাড়িটির চতুর্দিক পরিখার মাধ্যমে সুরক্ষিত ছিল। রাজবাড়িতে নয়টি ভবন ছিল যেমনঃ বড় তরফের প্রাসাদ, ছোট তরফের প্রাসাদ, বড় তরফের কাচারি ভবন ও প্রহরী কক্ষ, ছোট তরফের কাচারি ভবন, রানী ভবন, অতিথিশালা, মধু রানী ভবন ইত্যাদি। ছোট তরফের প্রাসাদটি ১৯৮৪ সালে নাটোরের জজ কোর্ট হিসেবে ব্যাবহার করা হয়েছে। এখানে বেশ কিছু পুকুর আছে যার মধ্যে একটি ছিল ছোট তরফের এবং আরেকটি বড় তরফের।এখানে রানীমহল নামে একটি পরিত্যাক্ত প্রাসাদ আছে যেখানে রানী বাস করতেন।
{:}
)
[3] => Array
(
[name] => Boro Katra
[post_id] => 9883
[post_link] => http://offroadbangladesh.com/bn/places/boro-katra/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/06/P_20150610_1254411-169x300.jpg
[post_content] =>
Boro Katra (বড় কাটরা) was built between 1644 and 1646 AD to be the official residence of Mughal prince Shah Shuja, the second son of emperor Shah Jahan. The prince endowed it to his diwan and the builder of the serai, Abul Qasim. The word Katra may have originated from Arabic word Katara which means colonnaded building.
It is a historical and architectural monument located in Old Dhaka, Bangladesh.‘Katra or katara’ in Arabic and Persian means ‘Caravan (Karwan) Sarai’ or simply a ‘Sarai’. It is a palatial building dating to the reign of the Mughal dynasty in the Bengal region. It is situated to the south of Chowk Bazar close to the north bank of the river Buriganga.
Words from the Second inscription of north gateway: “Sultan Shah Shuja Bahadur was famed for deeds of charity-Wherefore being hopeful of the mercy of God his slave Abul Qasim al-Husainia-Tabtaba, As Simnai, Built this sacred edifice endowing it with twenty two shops attached to it, o the rightful and lawful condition that the official in charge of the endowment should expend the income derived from them upon the repairs of the building and upon the poor, and that they should not take any rent from any deserving person alighting there in, so that the pious act may reflect upon the monarch in this world and they should not act otherwise, or else they would be called on the day of retribution. This inscription was composed by Sad-ud-din Muhammad Sherazi” (Dacca, p.193 by prof. A.H. Dani)
Architectural Property: The building's architecture follows the traditional pattern of the Central Asia's caravanserai and is embellished as per Mughal architecture. It originally enclosed a quadrangular courtyard surrounded by shops and was overlooked by a row of 22 living cells in each wing. Two gateways were built in the northern and southern wing. The southern wing is a two-storeyed structure and extends 223' along the river. It is marked in the middle by the southern gateway, an elaborate three storied central archway framed within a projected rectangular bay that provides access to the courtyard. The underside of the arched alcove of the gateway is adorned with intricate plasterwork. The wall surface around the spandrels with plastered panels in relief contain a variety of forms such as four-centred, cusped, horse shoe and flat arches. Each wing is two storied and the corners are marked by tall octagonal towers.
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