Array
(
[0] => Array
(
[name] => {:en}Rose Garden Palace{:}{:bn}রোজ গার্ডেন প্যালেস{:}
[post_id] => 1529
[post_link] => http://offroadbangladesh.com/bn/places/rose-garden-palace/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/rose-garden-1-300x225.jpg
[post_content] => {:en}
The Rose Garden Palace was built by a Hindu Zamindar Hrikesh Das in the late 19th century. Around that time jalsas (parties) held at Baldha Garden were an important part of the social life of the city's wealthier Hindu residents. The story goes that Hrishikesh, a Zamindar of lower caste background, being insulted on this account by someone at one of the jalsas at Baldha Garden, decided to create his own garden to outshine that of Baldha. Here he staged jalsas of his own. The centerpiece of the garden is an elegant pavilion. However, this was not created as a residence, but rather a setting for entertainment such as musical performances (although subsequent owners did use it as a house). This extravagant lifestyle caused Hrikesh to go bankrupt and he was forced to sell the property.
The palace was bought by Khan Bahadur Kazi Abdur Rashid from Hrikesh in 1936 and renamed the building Rashid Manzil. His eldest son Kazi Mohammed Bashir (Humayun) who carried his name and fame until this generation.
The building, which remains a private property to date, has been renovated by its owners keeping the original character fully maintained. At present it is owned by Qazi Abdur Raqib, Barrister, who has leased it out to the Bengal Motion Picture Studios Limited.
The building has Corinthian columns and has eight apartments including a central hall on its ground floor. The upper floor has a further five apartments including a large dance hall in the middle. In the front yard, there was a fountain originally, the structure of which still remains. There are several classical marble statues in the garden, although the rosegarden that gave the mansion its name does not exist anymore.
The lodge contains on the ground floor eight apartments including a central hall whilst the upper floor has a further five apartments including a large dance hall measuring in the middle. At the back of the building to the east there is a veranda triple-arched entrance porch which leads to a staircase for the upper storey. Originally there was an ornamental fountain in the garden and a number of classical marble statue.
{:}{:bn}
১৯ শতকের শেষের দিকে হিন্দু জমিদার হৃষিকেস দাস রোজ গার্ডেন প্যালেসটি নির্মাণ করেন। সেসময়, বলধা গার্ডেনে অনুষ্ঠিত হওয়া জলসাগুলো শহরের বিত্তবান হিন্দুদের সামাজিক জীবনের গুরুত্বপূর্ণ অংশ ছিল। বলধা গার্ডেনের এমনই এক জলসায় হৃষিকেস দাস নামক এক নিম্নবর্ণের জমিদারকে অপমান করা হয় এবং এর ফলে তিনি নিজেই বাগানবাড়ি স্থাপনের সিদ্ধান্ত গ্রহন করেন। হৃষিকেস দাস তাঁর নিজস্ব বাগানবাড়িতে জলসার আয়োজন করতেন। তাঁর বাগানের মূল আকর্ষণ ছিল একটি নয়নাভিরাম সাজঘর। তবে বাগানবাড়িটি শুধুমাত্র বিনোদনের জন্য তৈরি করা হয়েছিল (যদিও পরবর্তী মালিকরা এটি বসবাসের জন্যেও ব্যবহার করতেন)। বিলাসবহুল জীবনযাপনের কারনে হৃষিকেস দাস দেউলিয়া হয়ে যান এবং ফলশ্রুতিতে তাঁকে তাঁর সম্পত্তি বিক্রি করে দিতে হয়েছিল।
১৯৩৬ সালে খান বাহাদুর কাজী আব্দুর রশিদ এই প্রাসাদটি হৃষিকেস দাসের কাছ থেকে কিনে নেন এবং প্রাসাদটির নামকরণ করেন রশিদ মঞ্জিল। তাঁর বড় ছেলে কাজী মোহাম্মদ বশির (হুমায়ুন) আজ অবধি তাঁদের নাম ও খ্যাতিকে ধরে রেখেছেন।
আজ অবধি ব্যাক্তিগত সম্পত্তি এই ভবনটির মূল আবেদন ধরে রেখে ভবনটিকে রক্ষনাবেক্ষন করা হচ্ছে। বর্তমানে এই প্রাসাদটির মালিক ব্যারিস্টার কাজী আব্দুর রকিব প্রাসাদটি বেঙ্গল মোশন পিকচার স্টুডিও লিমিটেডের কাছে ভাড়া দিয়েছেন।
প্রাসাদটির নীচতলায় একটি হলরুম ছাড়াও করিনথিয়ান কলাম এবং আটটি কক্ষ রয়েছে। প্রাসাদের উপর তলার মাঝে নৃত্য করার জন্য হল ছাড়াও আরও পাঁচটি কক্ষ রয়েছে। প্রাসাদের সামনে একটি ঝর্ণা ছিল যেটির চিহ্ন আজও বিদ্যমান। প্রাসাদের বাগানে কয়েকটি মার্বেলের তৈরি মূর্তি রয়েছে যদিও স্থানটির নামকরণ যে গোলাপ বাগানের জন্য করা হয়েছে সেই গোলাপ বাগানটি এখন আর নেই।
প্রাসাদের পিছনে পূর্বদিকে একটি বারান্দা আছে যেখানে প্রবেশের জন্য ধনুকাকৃতির তিনস্তর বিশিষ্ট একটি প্রবেশপথ রয়েছে যেটি দিয়ে উপরে ওঠার সিঁড়িতে যাওয়া যায়।
{:}
)
[1] => Array
(
[name] => Kusumba Mosque
[post_id] => 3656
[post_link] => http://offroadbangladesh.com/bn/places/kusumba-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/84463426-300x199.jpg
[post_content] => Kusumba Mosque is named after the village of Kusumba, under the Manda upazila of Naogaon district, on the west bank of the Atrai River. It is inside a walled enclosure with a monumental gateway that has standing spaces for guards. It was built during the period of Afghan rule in Bengal under one of the last Suri rulers Ghiyasuddin Bahadur Shah, by one Suleiman who was probably a high ranking official. The inscription tablet in Arabic (only the word ‘built by’ is in Persian) dating the building to 966 AH (1558-59 AD) is fixed over its eastern central entrance.
Although built during Suri rule, it is not influenced at all by the earlier Suri architecture of North India, and is well grounded in the Bengal style. The brick building, gently curved cornice, and the engaged octagonal corner towers are typical features. The mosque, presently protected by the Department of Archaeology of Bangladesh, was badly damaged during the earthquake of 1897. Although the main fabric of the building is of brick the entire exterior walls, and the interior up to the arches of the pendentives have stone facing. The columns, platform, floor, and perforated side screens are of stone. The mosque has a rectangular plan with three bays and two aisles, three entrances on the east and two each on the north and south sides.
The central mihrab is projected in the west. The interior west (qibla) wall has two mihrabs on the floor level opposite the central and southeastern entrances, but the one in the northwestern bay is above a raised platform ascended by a staircase on the east. The presence of such a platform in a non-imperial mosque indicates that not only royalty, but nobility and high-ranking officials were also separated from the general public during prayers. The mihrabs have elaborate stone carving. They have cusped arches crowned with kalasa (water pot) motifs, supported on intricately carved stone pillars which have projections and tasseled decorations hanging from chains. Bunches of grapes and vines curve in an almost serpentine manner on the mihrab frames, and kalasas, tendrils and rosettes are reduced to dots.
The platform edge has grape vine decoration, and there are rosettes on the spandrels of the arches supporting the platform, as well as on the mihrab wall. The stone used in the exterior facing is of a coarse quality and carved in shallow relief. Mouldings are most prominent decorative feature on the outside. They divide the walls into upper and lower sections, run all along the curved cornice, around the corner towers, in a straight line below the cornice, and frame the rectangular panels in the east, south and north walls. The spandrels of the central entrance arch are filled with small kalasa and rosette motifs. The north and south sides have screened windows.
)
[2] => Array
(
[name] => Boro Katra
[post_id] => 9883
[post_link] => http://offroadbangladesh.com/bn/places/boro-katra/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/06/P_20150610_1254411-169x300.jpg
[post_content] =>
Boro Katra (বড় কাটরা) was built between 1644 and 1646 AD to be the official residence of Mughal prince Shah Shuja, the second son of emperor Shah Jahan. The prince endowed it to his diwan and the builder of the serai, Abul Qasim. The word Katra may have originated from Arabic word Katara which means colonnaded building.
It is a historical and architectural monument located in Old Dhaka, Bangladesh.‘Katra or katara’ in Arabic and Persian means ‘Caravan (Karwan) Sarai’ or simply a ‘Sarai’. It is a palatial building dating to the reign of the Mughal dynasty in the Bengal region. It is situated to the south of Chowk Bazar close to the north bank of the river Buriganga.
Words from the Second inscription of north gateway: “Sultan Shah Shuja Bahadur was famed for deeds of charity-Wherefore being hopeful of the mercy of God his slave Abul Qasim al-Husainia-Tabtaba, As Simnai, Built this sacred edifice endowing it with twenty two shops attached to it, o the rightful and lawful condition that the official in charge of the endowment should expend the income derived from them upon the repairs of the building and upon the poor, and that they should not take any rent from any deserving person alighting there in, so that the pious act may reflect upon the monarch in this world and they should not act otherwise, or else they would be called on the day of retribution. This inscription was composed by Sad-ud-din Muhammad Sherazi” (Dacca, p.193 by prof. A.H. Dani)
Architectural Property: The building's architecture follows the traditional pattern of the Central Asia's caravanserai and is embellished as per Mughal architecture. It originally enclosed a quadrangular courtyard surrounded by shops and was overlooked by a row of 22 living cells in each wing. Two gateways were built in the northern and southern wing. The southern wing is a two-storeyed structure and extends 223' along the river. It is marked in the middle by the southern gateway, an elaborate three storied central archway framed within a projected rectangular bay that provides access to the courtyard. The underside of the arched alcove of the gateway is adorned with intricate plasterwork. The wall surface around the spandrels with plastered panels in relief contain a variety of forms such as four-centred, cusped, horse shoe and flat arches. Each wing is two storied and the corners are marked by tall octagonal towers.
)
[3] => Array
(
[name] => {:en}Rayerkati Zamindar Bari{:}{:bn}রায়েরকাঠি জমিদার বাড়ি{:}
[post_id] => 1102
[post_link] => http://offroadbangladesh.com/bn/places/rayerkati-zamindar-bari/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/Rayerkathi-jomidar-bari-012-300x225.jpg
[post_content] => {:en}
Around 300 years ago, a landlord family established this Zamindar bari by their name. Parliament, ball-room, guest house and many Hindu temples were constructed near that landlord house. The number of places were amounting to almost 200. Among them, 40-50 were large. In 1658, Kaali (Hindu God) Mandir or temples were established here and The biggest Shiva Linga is also located here, weight is around 1000 kg.
Though this is a Zamindar Bari, but these days there is nothing left behind. Only few temples around (or probably there were few remnants). These are old temples which are in ruin, probably carrying the mark of 300 years or more. As per the reference, it should have the largest phallus of lord Shiva. There is a newly temple built beside the old ones and few people go there for the prayer. As per their information, it is an Iskon Temple (ইস্কন মন্দির).
[This spot needs more detail. If you have more information and photos, please be advised to add in our website. Your name will be published as a Content Contributor]
{:}{:bn}৩৫০ বছর পূর্বে এখানে একটি জমিদার পরিবার বাস করত। এখানে আইনসভা, বলরুম, অতিথিশালা, বেশকিছু হিন্দু মন্দিরসহ প্রায় দুইশর অধিক স্থাপনা নির্মাণ করা হয়েছিল। যেগুলোর মধ্যে চল্লিশ থেকে পঞ্চাশটি স্থাপনা ছিল বিশালাকৃতির। ১৬৫৮ সালে এখানে কালী মন্দির নির্মাণ করা হয়। দেশের সবচেয়ে বৃহৎ শিবলিঙ্গটি এখানেই অবস্থিত, যার ওজন প্রায় ১০০০ কেজি।{:}
)
)
