Brief
On 21st February, a rally of students were coming towards Dhaka Medical College during the Language Movement in 1952. The police shoot towards the rally and instantly some of the protesters of the first line were killed immediately. One of them was Shahid Abul Barkat (1927-1952). Few days after, the Central Shaheed Minar was built in here and from 2000, UNESCO declared 21 February as the Mother Language Day.
Previous History: In 1947, Pakistan got independence from India. There was two parts of Pakistan- the east and the west. Eastern Pakistan was green by the bless of river God and populated with a lot of people and on the other hand, the western Pakistan was nothing but a desert, population was also low. Demographic, social and economical lifestyle of these two parts of land were completely different, language was different too. But the capital was established in the west and the rulers ruled the entire country living in the west. From 1947, Urdu was the only state language of Pakistan whereas the students of Dhaka university always wanted to make Bengali as a secondary language. Finally in 1952, after some students were killed in the language movement, the government decided to make Bengali as a second language. Later, the eastern part of Pakistan became an independent country by the liberation war in 1971 named Bangladesh.
Early Life of Abul Barkat: Abul Barkat was a student who came to Dhaka for his higher studies. He was born at Murshidabad, West Bengal (now India). He stayed at his maternal uncle’s home during his stay in Dhaka. He was a student of Masters level while he is being killed by the police open fire on 21 February, 1952 (aged 24).
The Abul Barkat Memorial Museum: Abul barkat was died in Dhaka Medical College hospital on 21st February after 8:30 PM. Many people were killed on that day. It is strongly believed that, more than 90% of the dead bodies were hidden by the government which did not receive any ritual and never found. Abul Barkats body might be one of them but fortunately his body was found and identified and buried in the Azimpur Graveyard, Dhaka according to proper procedures of Muslim believe. Many stories have written about the killings of 21 February in the Bengali Literature.
The Memorial Complex is actually a library, a seminar hall and a gallery of photographs of the language movement. It was built and inaugurated in 2012 in the Palashi, Dhaka University area by the funding of the government. It is actually a language martyr museum not only just for Abul Barkat. It is just named after Abul Barkat. The Museum is open 6 days a week from 10 AM to 4 PM, except Fridays and national holidays (only 21 February & 16 December is an exception). No ticket or entry fee is needed to enter into the two storied memorial complex. From December to March, the institute arranges special video programs for the young students to let them aware of the language movement and the liberation war.
The Language martyr Abul Barkat was honored with the “Ekushee Padak” (the highest non military achievement in Bangladesh) by the Governmnet of the Peoples Republic of Bangladesh in 2000. His grave is situated in Azimpur Graveyard in Dhaka.
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[name] => Lalon Academy and Museum
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[post_content] => Lalon Shah is the father of folk music in Bengali and the Emperor of the Baul (বাউল) empire. He was not only a singer and poet but also a great thinker and philosopher. He had knowledge on all religions and people did follow him for his diverse knowledge.
Nobody knows from where Lalon Shah came from. According to locals, in 1774 an honorable Muslim man of locality named Molom Shah found Lalon floating over a river. Lalon was very sick and was going to die almost. But Molom Shah took very well care and gradually Lalon became well. After getting a new life Lalon became a follower of a great thinker and singer Shiraj Shah. But Shiraj Shah found something strange inside of Lalon and he became the follower of Lalon.
Lalon Academy-Museum and The Shrine of Lalon Fakir is two adjacent building. The collection of this Museum is not so rich.
Lalon Academy:
The place where the tomb is situated is very nice. It has been developed now with a VIP Auditorium, an indoor and an outdoor Auditorium, a complex building of Lalon Academy, a car parking area, a market and a museum. There is also a beautifull garden inside of the area.
Lalon Museum:
If a traveler wants to see the tomb only then it’s free of cost. But if someone wants to see the museum then he/she will have to pay 5 taka for the Bangladeshi and 20 taka for foreigners as entry fee. In the gallery of this Museum traveler can discover some utensil being used by Lalon Shah. There are also some paintings of Lalon Shah inside the museum.
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[name] => Mymensingh Museum
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Mymensingh Museum (ময়মনসিংহ জাদুঘর), formerly known as Momenshahi Museum (মোমেনশাহী জাদুঘর) is located at the bagan bari (garden house) of Zamindar Madan Babu at 17 Amrita (অমৃত) Babu Road, Mymensingh, Bangladesh. The museum, which began as an important regional institution for preservation of locally collected historical evidence, lacks proper preservation. Its objective is to preserve the rare and unique relics of local architecture, sculpture, metal works,utensils, handwritten scripts on paper and leaf, and commercial products. Collected from the palaces of Mymensingh District Zamindars, the museum's initial collection included 214 articles. They are housed in three rooms within the museum.
The museum was established in 1969 at the initiative of the-then Deputy Commissioner of Mymensingh. Initially run by the Mymensingh Municipality. The Department of Archaeology, Cultural Affairs Ministry took charge of the museum in 1989. By 1995, it was enlisted in the gazette.
The collection includes manuscripts and coins, though many are not on display due to insufficient showcase space. A peacock mummy comes from Mymensingh Medical College. Bamboo and cane items, preserved birds, photographs and pottery were damaged during a renovation in 1999–2001.
Several articles were collected from Zamindar palaces. The Muktagacha zamindar palace contribution includes a stone flower vase, a compass, antique clocks, Bakharee (an ornament), pottery, weaving machines, ornamental flower tub stands, candle stands, iron shelves and sports items. Statuary and sculptures include those of Saraswati, Vishnu, and a dragon.
Natural history items include a tiger head, two deer heads, and the head of a wild bull. Elephant heads, a sofa set, Italian statues, and a huge shade used during hunting come from the Gouripur(গৌরীপুর) zamindar palace. A rhinoceros hide and a table with a marble stone top were acquired from the Atharabari (আঠারোবাড়ি) zamindar palace .The museum contains many paintings of rural Bengal.
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[name] => Nilphamari Museum
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The past administration office of Nilphamari mahakuma (sub-division) is now known as Nilphamari Museum. Many signs of the history and heritage of Nilphamari are restored here. It is situated in Nilphamari headquarters.
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The Museum was established in 1913 is a four storied building with forty galleries under its 4 departments of natural history, History and Classical Art, Ethnography and decorative art and Contemporary art and World civilization.
The museum has a vast and elaborate collection of old coins, books on art, ivory and silver filigree works, images made with metal, many textiles including the famed Muslin fabric and Nakshi Kantha, arms and ammunitions from the Mughal time, series of painting and sculptures dating back to the Buddhist and Muslim period, handicrafts and models of the village and city life and most importantly- priceless articles of the liberation war of Bangladesh which signifies the backbone of the history of Bangladesh can be found there.
The ground floor consists of some old guns at the entrance and the hall where the people book their tickets or assemble to hear the history of the museum. The hall leads to a grand staircase. Beside the hall, there is a smaller room which also acts like the hall (it is also used by the guides to tell the visitors about the history) and a simple staircase.
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১৯১৩ সালে একটি চারতলা ভবনে এই জাদুঘরটি প্রতিষ্ঠিত হয়। এখানে প্রকৃতির ইতিহাস, বিশ্বসভ্যতা, মানবজাতির বিবর্তন, সমসাময়িক চিত্রকর্ম সহ বিভিন্ন বিভাগে মোট চল্লিশটি গ্যালারি রয়েছে।
জাদুঘরের বিশাল সংগ্রহের মধ্যে রয়েছেঃ প্রাচীনমুদ্রা, শিল্পকর্ম, রুপার গয়না, হাতিরদাঁত, নকশীকাঁথা ও বিখ্যাত মসলিন কাপড়, মুঘল আমলের অস্ত্র ও গোলাবারুদ, বৌদ্ধ এবং মুসলিম শাসনামলের চিত্রকর্ম এবং মূর্তি, বিষ্ণুমূর্তি, শহর এবং গ্রামের জীবনযাত্রার বিন্যাস, গ্রামবাংলার হাতেরকাজ, বাংলাদেশের মহান মুক্তিযুদ্ধের অমূল্য স্মারক ও দলিল সহ বহু মূল্যবান এবং দুর্লভ জিনিস।
জাদুঘরের মূল ভবনে প্রবেশের ঠিক আগেই (যেখানে দর্শনার্থীরা জাদুঘরের ইতিহাস শুনতে জড়ো হন) এবং প্রবেশের সাথে সাথে হলরুমে বেশকিছু প্রাচীন কামান চোখে পরবে। জাদুঘরে প্রবেশের পর হল রুম অতিক্রম করে বিভিন্ন তলায় যাওয়ার জন্য সিঁড়ি দেখতে পাবেন। জাদুঘরের বিভিন্ন গ্যালারির পাশাপাশি একটি ছোট কক্ষও রয়েছে যেখানে গাইডরা দর্শনার্থীদের ইতিহাস সম্পর্কে বর্ণনা করে থাকেন।
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