Baitul Mukarram Mosque

Mohammad Ali Chowdhury Mosque is located at Sharshodi, Feni Sadar Upazila. The Naib Nazim of Dhaka appointed Muhammad Ali Chowdhury as the Fouzdar of Feni in 1762. Muhammad Ali Chowdhury revolted against the British; as a result he lost his Zamindari in 1790.

Mahisantosh Mosque located near the India-Bangladesh edge about 13 km northern western of Dhamorihat Thana Sadar in Naogaon place. Mahisantosh, known from Pre-Muslim periods, came to reputation during the guideline of Sultan Ruknuddin Barbak shah (1459-1474) who raised its place to an excellent town and known as it Barbakabad after him. Many traditional hemorrhoids, located in different places of the town, can still be monitored. In 1916 the varendra analysis team conducted a traditional excavation at Mahisantosh in the remains of the Jami Masjid heap. A little element of the mosque was exposed. Very lately individuals, after removing weeds, vegetation and junk of the Jami Masjid heap have developed up a new chauchala tin shade kacha creating on the old ranking of the mosque to perform Sunday desires. From the present remains it is still possible to recover the exclusive design of the mosque.

The 2.25m large materials of the rectangle-shaped mosque (24m X 16.20m externally) with semi-octagonal place techniques at the four aspects were designed of rock and bricks; the main was designed of rocks and the inner and external activities were secured with rock places. The top aspect act was provided with five (arched) doorways. Most probably the main one was larger than the flanking ones. There were three (arched) areas each on the south east aspect of and southern region aspects.

The inner of the mosque (19.50m X 11.70m) was divided by two selections of rock assistance supports, each having four assistance supports. Each main was status on an office rock foundation. The foundation of each main was divided into three sections: the decreased place, about 0.40m, was rectangle-shaped shape with pie design on its face; the middle element, about 1.55m, was decagonal with pattern and gong components and the greater element, about 0.96m, was polygonal (16 sided) with pattern and gong components and suspended pearl-string of 50% team design.

The main nave of the mosque, larger than the element ones, had three rectangle-shaped places and was perhaps secured over by Persia chauchala bins. Hemispherical domes, 12 in all, might have secured the element chicken wings. Thus the ceiling top program was almost just like that of the shatgumbad mosque at Bagerhat (1459 AD).

There are five mihrabs in the Qibla materials invert the top side aspect possibilities. The main mihrab, a little bit larger than the element ones, was removed from here and is now managed in the varendra analysis collection. Originally it was designed from 1 product of rock with amazing eye-catching schemes; pattern and gong, lotus and palmetto are its main ingredients. The extant mihrab at the southern region end also contains amazing developed design. It seems to have been designed of three places of rock. The main element of the mihrab industry is developed with attractive pattern and gong art work. On the element of the pattern is suspended a hand crafted series. A complete bloomed lotus weighs from the end of the pattern. The sidepieces of the rock places have geometric styles in round and rectangle-shaped shape types. The rosettes in the top and platform increase the beauty of the mihrab. It may be described here that the pattern and gong design, a very familiar eye-catching program, is also seen in mosques like darasbari, chhota sona and kusumba.

Stone-blocks calming propagate in and around the mosque involved eye-catching components on their activities. These developed stone-blocks indicate that the external outside of the materials of the mosque may have been developed with rock styles. The attractive devices are mostly geometric in design with flowery styles, palmette, nailheads, pie styles, look for components, pattern and gong components and suspended 50 % round jewelry. Some developed clay-based rocks were also exposed at a lot of period of removing junk. These clay-based rocks might have been used on the inner encounter of the drums equipment of the domes. Similar eye-catching program is seen in other mosques e.g., Darasabari, Chhota Sona and Kusumba.

When the Varendra Research Community conducted excavation on the website they discovered an epigraph product. It authorized the growth of a mosque during the guideline of Alauddin Husain shah in 912 AH/1506 AD. Very lately, another epigraph product was exposed at a lot of period of removing junk from the mosque. Currently it is calming before aspect of the lately designed kacha mosque creating. The epigraph contains two selections of writing and is developed on dark-colored basalt rock. It keep in mind the development of a mosque in a lot of period of Sultan Ruknuddin Barbak Shah by Ulugh Khan Hasan in the 867 AH/1463 AD.

Growth of these two individual from the same ruinous mosque improves some issues about the period of your energy and energy of growth of the mosque. Was the mosque developed in a lot of period of Sultan Barbak Shah or during a lot of period of Alauddin Husain Shah? Was it developed in a lot of period of Barbak Shah and therefore redesigned (or reconstructed) during the guideline of Alauddin Husain Shah? Or, was one of these two individual collected from outside and kept in the mosque when the mosque was in an amazing condition of preservation? It is not possible to figure out any of the above possibilities. It is, however, quite likely that the mosque was developed during the guideline of Sultan Barbak Shah in 867 AH (1463 AD) and knowledgeable a renovating during a lot of period of Sultan Alauddin Husain Shah in 912 AH (1506 AD).

The Shat Gombuj Mosque has existed for nearly for 6 centuries. It is also referred to as sixty Dome Mosque. It is one of the largest historical mosques in the Bangladesh. People in Indian subcontinent praise it for architectural beauty. Khan Jahan Ali built the Shat Gombuj Mosque. The walls are unusually thick, made from tapered brick. 77 low domes are located inside and one dome on every corner.

Many aisles serve as divisions in its interior. Most of its parts were decorated by terracotta. The structure looks like a fortress, three smaller mosques can be found near it. They are Bibi Begni’s Mosque, which is found on its western side; the Chunakhola Mosque, located half a mile northwest of Bibi Begni’s Mosque; and the Singar Mosque, which is a single-domed mosque like the Chunakhola, located nearly half a mile southeast of Shat Gombuj Mosque.

Among many of the structures of Egarosindur, Sadi Mosque is one of the best-conserved monuments in the country. A pertain inscription tablet, fixed over the central mihrab, record that the mosque was built in 1062 AH (1652 AD) by one Sadi, son of Shaikh Shiroo, during the reign of Shahjahan.

Measuring 25 ft. a side, the single-domed square mosque was built on a raised piece of land. There are three arched entrances in the east, and one each in the middle of the north and the south sides. The central archway, which is larger, is set within a slightly projected rectangular frame, but the flanking archways are contained within slightly recessed rectangle. The Qibla wall is recessed with three semi-octagonal mihrabs, which correspond to the three eastern doorways. The mosque represents a happy blending of Mughal elements with the Sultanate architectural traits characteristic of Bengal.

Sadi Mosjid (সাদী মসজিদ) which is around half a kilometer apart from there, on your way by passing beside the Egarosindur (এগারোসিন্দুর) Fort (though nothing is remaining now a days). Sadi Mosque (সাদী মসজিদ) is a single domed mosque similar to the Shah Mahmud Mosque. A large dome is at the top of the mosque which almost cover the whole roof. The dome is quite large and bulbous. Also, the structure is quite difficult in nature and can easily be distinguished from others.

The mosque has decorative terracotta at the outer side and the inner side of the mosque. Sadi mosque (সাদী মসজিদ) was built by someone named Sadi (সাদী) who was the son of Shaikh Shiru (শাইখ শিরু). It was during 1652, the regime of Shahjahan (শাহজাহান).

সাদী মসজিদকে বলা যায় দেশের অন্যতম শ্রেষ্ঠ সংরক্ষিত স্থাপনার একটি। মসজিদের কেন্দ্রস্থলের মিহরাবের উপর স্থাপিত শিলালিপি থেকে জানা যায় যে ১০৬২ হিজরী (১৬৫২ সালে) সম্রাট শাহজাহানের শাসনামলে জনৈক শাইখ শিরুর পুত্র সাদী এই মসজিদটি নির্মাণ করেছিলেন।

একটি গোলাকার গম্বুজবিশিষ্ট বর্গাক্ষেত্রাকার এই মসজিদটি উঁচু জমির উপর নির্মাণ করা হয়। প্রতি বাহু ২৫ ফুট দৈর্ঘ্যর এই মসজিদটির পূর্বে তিনটি, উত্তরদিকে মাঝ বরাবর একটি এবং দক্ষিন দিকে একটি ধনুকআকারের ফটক রয়েছে। মসজিদের মাঝখানের বড় ফটকটি একটি আয়াতক্ষেত্রাকার কাঠামোর উপর নির্মাণ করা হলেও অন্যান্য ফটকগুলো সামান্য নিচু আয়াতক্ষেত্রাকার কাঠামোর উপর নির্মাণ করা হয়েছে। মসজিদের কিবলার দেয়ালে পূর্বদিকের দরজা ফটকগুলো বরাবর তিনটি অর্ধ অষ্টভুজাকার মিহরাব রয়েছে। মসজিদের নির্মাণশৈলীতে মুঘল এবং সুলতানি আমলের স্থাপত্যশৈলীর চমৎকার মিশ্রণ লক্ষ্য করা যায় আর এজন্যই অন্যান্য স্থাপত্য থেকে খুব সহজেই এই মসজিদটিকে আলাদা করা যায়। মসজিদের ভেতরে ও বাইরে টেরাকোটার কাজ রয়েছে।