Array
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[0] => Array
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[name] => {:en}Bibi Begni Mosque{:}{:bn}বিবি বেগনীর মসজিদ{:}
[post_id] => 6467
[post_link] => http://offroadbangladesh.com/places/bibi-begni-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/Bibi-Begni-Mosque-bagerhat-011-300x225.jpg
[post_content] => {:en}
Bibi Begni Mosque (বিবি বেগনীর মসজিদ) is located at the western side of the famous Shat Gombuj Mosque of Bagerhat. The department of archaeology has renovated the mosque thoroughly, but couldn't restore the vicinity area that is occupied by the local villagers these days. Bibi Begni Mosque is yet another traditional singled dome mosque from Bangladesh. The original history behind the mosque is unknown. Some people believe that Bibi Begni was one of the wives of Khan Jahan Ali, and some believe that she was a concubine (a mistress) of him. And also, they doubt whether it is really a mosque or a grave. Some scholars represent this type of edifice as a funerary mosque.
This is a single dome mosque having entrances at the three sides other than West. At the Eastern side of the mosque it has three gates, whereas the middle one is larger. And at Northern and Southern side of the wall it has single door each. These days only the door from Northern side remains open to enter inside. The dome atop of the mosque is having a regular shape of other contemporary mosques (of 15th century). The area around the mosque is occupied by the villagers and only a few portion remained around it. It is probably not a good idea to preserve antiquity in such a way. Government should free some spaces from around so that visitors can move around the mosque freely.
{:}{:bn}
বাগেরহাটের বিখ্যাত ষাট গম্বুজ মসজিদের পশ্চিম দিকে বিবি বেগনীর মসজিদটি অবস্থিত। প্রত্নতত্ত্ব অধিদফতর মসজিদটির ব্যাপক মেরামতের কাজ করলেও স্থানীয়দের দখল করা মসজিদের এলাকা উদ্ধার করতে পারেনি। তারপরও বিবি বেগনীর মসজিদ বাংলাদেশের ঐতিহ্যবাহী একটি একগম্বুজ বিশিষ্ট মসজিদ। মসজিদের প্রকৃত ইতিহাস জানা না গেলেও স্থানীয়রা মনে করেন বিবি বেগনী ছিলেন খান জাহান আলীর একজন স্ত্রী আবার অনেকে মনে করেন তিনি ছিলেন খান জাহান আলীর একজন দাসী। এছাড়া এটি প্রকৃতপক্ষে একটি মসজিদ নাকি কবর এ ব্যাপারেও সন্দেহ রয়েছে। কোন কোন ইতিহাসবিদ এ জাতীয় স্থাপনাকে মাজার ভিত্তিক মসজিদ হিসেবে গণ্য করে থাকে।
একগম্বুজ বিশিষ্ট এই মসজিদের পশ্চিম দিক ব্যাতিত অন্য তিন দিকেই প্রবেশের ফটক রয়েছে। মসজিদের পূর্বদিকের তিনটি ফটকের মধ্যে মাঝেরটি বড়। এছাড়া এই মসজিদে উত্তর এবং দক্ষিন দিকের দেয়ালে একটি করে ফটক রয়েছে। তবে আজকাল শুধুমাত্র মসজিদের উত্তর দিকের ফটকটি মসজিদে প্রবেশের জন্য উন্মুক্ত রাখা হয়। বিবি বেগনীর মসজিদের গম্বুজটির আকার সমসাময়িক (১৫শ শতকের) অন্যান্য মসজিদের গম্বুজের মতই। মসজিদের আশেপাশের বেশীরভাগ এলাকাই গ্রামবাসীরা দখল করে নিয়েছে আর এভাবে মসজিদের প্রাচীনতা ধরে রাখা কঠিন। সরকারের উচিত মসজিদের আশেপাশের জায়গা দখলমুক্ত করা যাতে করে পর্যটকরা মসজিদের আশেপাশে ঘুরে বেড়াতে পারে।
{:}
)
[1] => Array
(
[name] => Mahisantosh Mosque
[post_id] => 5809
[post_link] => http://offroadbangladesh.com/places/mahisantosh-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/offroadbangladeshlogo2-300x178.png
[post_content] =>
Mahisantosh Mosque located near the India-Bangladesh edge about 13 km northern western of Dhamorihat Thana Sadar in Naogaon place. Mahisantosh, known from Pre-Muslim periods, came to reputation during the guideline of Sultan Ruknuddin Barbak shah (1459-1474) who raised its place to an excellent town and known as it Barbakabad after him. Many traditional hemorrhoids, located in different places of the town, can still be monitored. In 1916 the varendra analysis team conducted a traditional excavation at Mahisantosh in the remains of the Jami Masjid heap. A little element of the mosque was exposed. Very lately individuals, after removing weeds, vegetation and junk of the Jami Masjid heap have developed up a new chauchala tin shade kacha creating on the old ranking of the mosque to perform Sunday desires. From the present remains it is still possible to recover the exclusive design of the mosque.
The 2.25m large materials of the rectangle-shaped mosque (24m X 16.20m externally) with semi-octagonal place techniques at the four aspects were designed of rock and bricks; the main was designed of rocks and the inner and external activities were secured with rock places. The top aspect act was provided with five (arched) doorways. Most probably the main one was larger than the flanking ones. There were three (arched) areas each on the south east aspect of and southern region aspects.
The inner of the mosque (19.50m X 11.70m) was divided by two selections of rock assistance supports, each having four assistance supports. Each main was status on an office rock foundation. The foundation of each main was divided into three sections: the decreased place, about 0.40m, was rectangle-shaped shape with pie design on its face; the middle element, about 1.55m, was decagonal with pattern and gong components and the greater element, about 0.96m, was polygonal (16 sided) with pattern and gong components and suspended pearl-string of 50% team design.
The main nave of the mosque, larger than the element ones, had three rectangle-shaped places and was perhaps secured over by Persia chauchala bins. Hemispherical domes, 12 in all, might have secured the element chicken wings. Thus the ceiling top program was almost just like that of the shatgumbad mosque at Bagerhat (1459 AD).
There are five mihrabs in the Qibla materials invert the top side aspect possibilities. The main mihrab, a little bit larger than the element ones, was removed from here and is now managed in the varendra analysis collection. Originally it was designed from 1 product of rock with amazing eye-catching schemes; pattern and gong, lotus and palmetto are its main ingredients. The extant mihrab at the southern region end also contains amazing developed design. It seems to have been designed of three places of rock. The main element of the mihrab industry is developed with attractive pattern and gong art work. On the element of the pattern is suspended a hand crafted series. A complete bloomed lotus weighs from the end of the pattern. The sidepieces of the rock places have geometric styles in round and rectangle-shaped shape types. The rosettes in the top and platform increase the beauty of the mihrab. It may be described here that the pattern and gong design, a very familiar eye-catching program, is also seen in mosques like darasbari, chhota sona and kusumba.
Stone-blocks calming propagate in and around the mosque involved eye-catching components on their activities. These developed stone-blocks indicate that the external outside of the materials of the mosque may have been developed with rock styles. The attractive devices are mostly geometric in design with flowery styles, palmette, nailheads, pie styles, look for components, pattern and gong components and suspended 50 % round jewelry. Some developed clay-based rocks were also exposed at a lot of period of removing junk. These clay-based rocks might have been used on the inner encounter of the drums equipment of the domes. Similar eye-catching program is seen in other mosques e.g., Darasabari, Chhota Sona and Kusumba.
When the Varendra Research Community conducted excavation on the website they discovered an epigraph product. It authorized the growth of a mosque during the guideline of Alauddin Husain shah in 912 AH/1506 AD. Very lately, another epigraph product was exposed at a lot of period of removing junk from the mosque. Currently it is calming before aspect of the lately designed kacha mosque creating. The epigraph contains two selections of writing and is developed on dark-colored basalt rock. It keep in mind the development of a mosque in a lot of period of Sultan Ruknuddin Barbak Shah by Ulugh Khan Hasan in the 867 AH/1463 AD.
Growth of these two individual from the same ruinous mosque improves some issues about the period of your energy and energy of growth of the mosque. Was the mosque developed in a lot of period of Sultan Barbak Shah or during a lot of period of Alauddin Husain Shah? Was it developed in a lot of period of Barbak Shah and therefore redesigned (or reconstructed) during the guideline of Alauddin Husain Shah? Or, was one of these two individual collected from outside and kept in the mosque when the mosque was in an amazing condition of preservation? It is not possible to figure out any of the above possibilities. It is, however, quite likely that the mosque was developed during the guideline of Sultan Barbak Shah in 867 AH (1463 AD) and knowledgeable a renovating during a lot of period of Sultan Alauddin Husain Shah in 912 AH (1506 AD).
)
[2] => Array
(
[name] => Kutub Shahi Masjid
[post_id] => 5084
[post_link] => http://offroadbangladesh.com/places/kutub-shahi-masjid/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/Kutub-Shahi-Mosjid-astagram-05-by-Lonely-Traveler-300x225.jpg
[post_content] =>
Name of the mosque is Kutub Shahi Mosque (কুতুব শাহী মসজিদ). This is basically a five dome mosque. One larger dome is at the center, and other four domes are near at the corner of the mosque. This is a rectangular shaped mosque and typical smaller one. That's why all the domes atop are jammed together.
Central dome of the Kutub Shah Mosque (কুতুব শাহী মসজিদ) is slightly semi spherical shaped and the other four domes are the shape of oval (half of the oval). Each of the domes are having upside down like flowering ornate at the top.
There is a doubt available between the scholars regarding the building period of the mosque. Some believe its 16th century and some believe it’s from 17th century. Whatever it is, the mosque was built by a saint named Kutub Shah (কুতুব শাহ), and the name of the mosque is taken after him. His grave is located exactly beside the mosque along with other of his companions (locals’ assumption).
)
[3] => Array
(
[name] => Chini Masjid
[post_id] => 6237
[post_link] => http://offroadbangladesh.com/places/chini-masjid/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/Chini-mosque-300x225.jpg
[post_content] =>
Chini Masjid is located at Syedpur Upazila of Nilphamari district. Saidpur is the northern railway and industrial city of Bangladesh. Chini Masjid is one of the most fascinating and distinctive architect. Chini Masjid is also known as glass Mosque. Chini Masjid or Glass Mosque was established in 1883.
Glass mosque was built in only 1 year which seems unbelievable when we take our eyes to the design of external and internal part. To decorate Chini Masjid, 283 pieces of Cross Marble stones were used. Along with Cross Marble stones, 25 tons small chips of Chinaware-plate and pieces of glass (both color and non-color) porcelain were also used. This mosque has 27 towers from which 5 towers are still incomplete.
[This spot needs more detail. If you have more information and photos, please be advised to add in our website. Your name will be published as a Content Contributor]
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