Kismat-Maria Mosque

Baba Adam Shahid Mosque (বাবা আদম শহীদ মসজিদ) is an archaeologically significant mosque situated in Munshiganj District.

Baba Adam's Mosque shows all the decorative and architectural characteristics of the sultanate architecture of Bengal. This mosque, in fact, bears the mature form of the sultanate mosque style of this region (Bangladesh).

It is a six-domed mosque. An inscription, fixed above the central doorway in the east, records 888 AH/1483 AD as the date of construction of the mosque. Malik Kafur built it during the reign of Sultan Fateh Shah. Baba Adam's Mosque is now protected monument under the Department of Archaeology, Bangladesh. It has been renovated and is in a comparatively good state of preservation. Besides the mosque there is a tomb known as Baba Adam's Mazar, where, according to a legend, baba adam shahid, who died in a holy war, was buried. It is difficult to ascertain the historicity of this tomb due to lack of authentic sources. There is a newly built small tomb structure situated on the south-east side of the courtyard of the mosque. Previously, there was no roof over the tomb.

The present tomb is square in plan (7.62m a side) and is undated and without any inscription tablet. The simple grave has no feature of architectural importance and the Department of Archaeology is not responsible for preserving it.

বাবা আদমের মসজিদ এবং দরগা মুন্সীগঞ্জ জেলার রামপাল থানার রিকাবিবাজার ইউনিয়নের কাজী কসবা গ্রামে অবস্থিত। বহুগম্বুজবিশিষ্ট আয়াতক্ষেত্রাকার এই মসজিদটির ভেতরের অংশের আয়তন ১০.৩৫ মিটার গুণিতক ৬.৭৫ মিটার এবং বাইরের অংশের আয়তন ১৪.৩০ মিটার গুণিতক ১১.৪৫ মিটার। মসজিদটির দেয়ালের পুরুত্ব প্রায় ২ মিটার। বাবা আদম মসজিদের তিনটি সারিতে প্রবেশের জন্য মোট দুটি পথ রয়েছে।   এই মসজিদের পশ্চিম দিকের দেয়ালের পেছনের অংশের তিনটি স্তর রয়েছে এবং মাঝখানের স্তরে নকশাকরা বহুখাঁজবিশিষ্ট খিলানের প্যানেল রয়েছে। মসজিদের ছাদে দুই সারিতে তিনটি করে মোট ছয়টি একই ধরনের গোলাকার গম্বুজ রয়েছে। বাবা আদম মসজিদে দুটি সরু স্তম্ভ রয়েছে যেগুলো কালো অগ্নিয়গিরিজাত শিলা দিয়ে নির্মিত। এই স্তম্ভগুলোর গোড়া অষ্টভুজাকার, ষোল পার্শ্বযুক্ত এবং শিকল ও ঘণ্টার আদলে নকশাকৃত। বাবা আদম মসজিদের মুসলিম আমল পূর্ববর্তী পাথরের পিলারগুলোর উপর মসজিদের সরু প্রজাতির খিলানগুলো দাড়িয়ে আছে যেখান থেকে ছয়টি গম্বুজের উদয় হয়েছে। মসজিদটি ইটের তৈরি হলেও এটির পিলার এবং আয়তাকার স্তম্ভগুলো পাথরের তৈরি।

সুলতানি আমলের বেশীরভাগ স্থাপনার মত এই মসজিদের কার্নিশ এবং ছাদ বক্ররেখা বেষ্টিত। মসজিদের পশ্চিম দিকের দেয়ালের মিহরাবের সাথে সমান্তরালভাবে পূর্বদিকে তিনটি চমৎকার বক্রাকার ফটক রয়েছে।

বাবা আদম মসজিদের খিলান ও ছাদের মধ্যকার স্থানে গোলাপের নকশা রয়েছে এবং ছাঁচের নকশায় প্রস্তুতকৃত কুলুঙ্গির সারি রয়েছে। মসজিদে সবকটি ফটক এবং মিহরাবে আয়াতক্ষেত্রাকার নকশা খোদাই করা আছে এবং উত্তর ও দক্ষিন দিকের দেয়ালে আয়াতক্ষেত্রাকার কুলুঙ্গি রয়েছে। মসজিদটিতে কোন মিনার নেই এবং মাঝখানের ফটকের দুই পাশেই বহু খাঁজবিশিষ্ট দুটি আয়াতক্ষেত্রাকার প্যানেল রয়েছে। ছোট পিলারসমূহের উপরে বাবা আদম মসজিদের খিলানগুলো দাড়িয়ে আছে যেগুলোতে টেরাকোটার চমৎকার ঝুলে থাকা ফুলের নকশা করা আছে।  বাবা আদম মসজিদের বহিরাংশের মত নকশা সিরাজগঞ্জের শাহজাদপুর মসজিদের বহিরাংশেও দেখা যায়।

বাবা আদমের মসজিদের নকশা এবং স্থাপত্যশৈলীতে সেসময় বাংলায় সুলতানি আমলের স্থাপত্যশৈলীর চরিত্র দেখতে পাওয়া যায়। এই অঞ্চলের (বাংলাদেশের) মসজিদগুলোতে সুলতানি স্থাপত্যশৈলীর পূর্ণ রুপের মসজিদ ছাড়াও এখানে একটি দরগা রয়েছে যেটি বাবা আদমের মাজার নামে পরিচিত। লোককথায় আছে যে বাবা আদম শহিদ একটি ধর্মযুদ্ধে নিহত হবার পর তাঁকে এখানে দাফন করা হয়। নির্ভরযোগ্য সূত্রের অভাবে এই দরগার ইতিহাস সঠিকভাবে জানা যায়নি। মসজিদের উঠানের দক্ষিন-পূর্বদিকে একটি নবনির্মিত ছোট দরগা রয়েছে। পূর্বে দরগার উপর কোন ছাদ ছিল না। বর্তমানে অবস্থিত দরগাটি বর্গাকার (যার প্রতিটি বাহু ৭.৬২ মিটার এবং এটিতে কোন শিলালিপি নেই তাই কবে এটি নির্মিত হয়েছিল তারও কোন তারিখের উল্ল্যেখ নেই। দরগার পাশে অবস্থিত কবরটি অতি সাধারণ তাই এটির কোন স্থাপত্যশৈলীর দিক দিয়ে কবরটির কোন গুরুত্ব নেই আর তাই প্রত্নতাত্ত্বিক অধিদফতর কবরটি সংরক্ষণও করছে না।

Munshiganj, or Bikrampur as it was formerly known as home to a number of rich landlords and merchants, who lived in palatial houses, built on large estates. Most of these perished in course of time as the mighty Padma River devoured most of Bikrampur. Of all that remain in today’s Munshiganj, the largest is the house at Abdullahpur, known as Tokani Pal House (টোকানী পাল বাড়ি). There isn’t enough source to know about who built this house, but Tokani Pal, an elderly merchant from Barisal, bought this 7 acre estate and moved in here sometime in the early 1890s. His second wife Nabanga Sundary and all six sons from his two marriages accompanied him.

The estate now consists of 11 buildings and six ponds. The sprawling gardens have hundreds of trees – fruit bearing, medicinal, or for wood itself. And there were once several hundreds of flowering plants. But when Tokani arrived, the estate was in a mess. Kamini Pal, the eldest son of Tokani,took charge of cleaning up the estate. He chose a place to set up a temple, dedicated to Radha-Shyam, of whom they had been followers for generations. By this time, the masons of Abdullahpur had made a name in craftsmanship and expertise, and Arfan Ostagar was the most revered of all. He was hired, for a daily fee of five quarters and a pack of tobacco. His designer had to be paid an additional three quarters. A 15X6 feet room was planned to build, with a wide sprawling varanda, where followers could sing devotional songs every evening. The room would have a large platform, on which would rest a large metal statue of Radha-Shyam. The exterior wall would be decorated with fine ceramic designs. Once completed, the temple became a marvel, people from far and wide came over to see.

The Pal’s principal business was surrounded around the Kamala river port of Bikrampur, which was known as the Second Kolkata. Betelnuts, mustard, lentils etc would arrive from Barisal or Chandpur, and would be traded with Kolkata. Almost 20,000 laborers worked daily at this port, where the second largest wholesalers were the Pals. They set up warehouses at places as far as Barisal, Jhalokathhi or Shwarupkathhi, or Chandpur. Kamini Pal also became the most prominent money-lender. Dwarkanath became a prominent dealer in Kerosene oil. Other brothers also chipped in here and there. Business for the Pals was running well.

After the Partition of India, a large section of the family moved to Kolkata. Those who remained to protect the family businesses, soon found it difficult, as business with Kolkata became complicated. They had to explore new business avenues, but that wasn’t too easy.

In 1971, Hindus were being tortured or killed, their businesses were being shut down, their houses were being torched. The Pal estate being protected with a strong high boundary wall became a safe refuge, not only for members of this family, but for members of extended families, and also for friends and their families. About 500 people had found safe shelter here, until one dark night, when the Pakistani Army entered the compounds, killed several family members, and set the main houses of fire. The entire clan moved to India through Agartala.

Almost two years later, Shashadhar Pal, the second son of Dwarkanath Pal, who by then was head of the clan, returned with his family. But by this time major parts of the estate had been grabbed and taken over by others. He tried to revive some of the businesses, but did not quite succeed. His family members went back to Kolkata, but he decided to stay back, reminiscing his childhood memories, and gradually selling off part of their properties. He lived either in one of the houses within this estate, or in the other Pal House, which also was built by his uncle Kamini Pal several decades ago. He passed away in the late 1990s.

Pakutia Zamindar Bari resides under the administration of Nagarpur of Tangail district. This Zamindar Bari complex comprises of three main buildings. Out of these three, one is much larger compared to other two’s. The larger one is using as a Degree college these days and also the college authority holds the ownership of other two edifices as well. But they have rented Pakutia Zamindar Bari to other organization.

Initially the Zamindari was established by the hand of Ramkrishna Shaha Mondol at the early of 19th century. He has two sons named Radha Gobinda and Brindaban Chandra. Radha Gobinda didn't have any children but Brindaban Chandra had three. They are Brojendro Mohon, Upendra Mohon and Jogendra Mohon. Childless Radha Gobinda adopted the second son of his brother and later gave his whole property to him.

These three brothers later built three separate buildings for them in 1915 (almost 100 years from now). Each of the buildings are having extreme artwork & design, stylish columns, and small statues. Each inches of the building is having a delicate design that impresses everyone even these days. Top of the building is having a lovely sculpture type architecture that is rich in design, concept, and artwork (more if I consider the building period) in this modern days. Apart from these, there are several large ponds located at the backyard of the building.

This Zamindar family was friendly towards the villagers. They have established a school during 1916 named as Brindaban Chandra Radha Gobinda School (in short B.C.R.G. School) for their father and uncle. They have left this country during the 1947 separation. Later in 1967, the government established B.C.R.G Degree College on these buildings to commemorate the friendly Zamindar family. Apart from the Zamindar Bari, the premise now has a temple which probably used by the families who lived here. Also there is an open theater available that was used to arrange the local play or drama known as Jatra/Pala (যাত্রা/পালা).

Jowari Bishi Bari (জোয়ারী বিশি বাড়ি) is located in Jowari Village. Promothonath Bishi, The prominent literary of the then Indian Sub-continent, was born in this village. His house was popularly named after him, as his blessed memory is still visible. This house is considered to be the oldest house in that area, built around 150 years ago as the local said.

Now a days, this house becomes a total ruin. Trees and bushes are everywhere surrounding the house. There were used to be a main gate called “Elephant Gate” which had been destroyed by the local people. Already half of the house totally became a mess; people are staying on the other half. Only that used portion remains intact. Locals say, this place needs to be taken care of for spreading the fame work of Promothonath Bishi.