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Itakhola Mura is an archaeological site in Mainamati. This site is one of the most impressive ruins. It lies in three terraces on adjacent hillocks just opposite the Rupban Mura site across the Kotbari road in Comilla. Excavations have revealed here a grand stupa complex with an attached monastery, located 42m to its north. The cultural phases of the site are stated (or overstated) to be five; the earlier three being still buried underneath the later remains.

The Stupa Complex was originally built as a solid stupa in the traditional style on a 13.1 meter square basement. However, it has one peculiarity; a small sanctum (2.4 m x 2.1 m) built in the center of its eastern or front side.

Subsequently, the shrine was enlarged and elaborated by additions and alterations, especially by adding three long narrow chapels in the eastern side after blocking the old sanctum; thus giving the structure an oblong shape (41.4 m x 24m). In this particular feature, it is strikingly similar to the Rupban Mura shrine. The side chapels were ultimately blocked up, leaving space for a few cubicles for installing cult images, as in other parts of the shrine. This establishment is surrounded by a 2.6 m wide circumlocutory passage and is enclosed by a 1.2 m thick boundary wall.

This holy precinct is again enclosed within a much larger, well-defined, and better preserved boundary wall (79 m x 56 m), in the slightly lower second terrace. It contains three interesting subsidiary shrines, two in two corners of the eastern side, and the other, a slightly larger one, at the back in the west. An elaborate entrance with 22 broad steps at the Center of the eastern side leads to the much lower third terrace. The outer face of its damaged boundary wall in this front side is excellently decorated with offsets, sunken panels, and ornamental designs.

Five votive stupas lie at the base of the long staircase, three of them in a north south row within a well-defined enclosure, all semi-cruciform in shape, like that of the larger subsidiary shrines in the western side of the second terrace. They certainly represent an experimental early stage in the development of the cruciform style in Buddhist architecture that we see in mature form at shalvan vihara, paharpur, Vikramashila and many other sites. These structures may reasonably be dated as belonging to 7th-8th centuries AD.

The Monastery This medium sized monastery of the usual square shape with 19 cells and one entrance hall was built around an open courtyard, 16.2m. Square, on a separate mound. Its monumental gateway complex, 17.6m x 8.5m, projecting outwards, lies at the Centre of the eastern wing. Some of the cells have brick-built bedsteads. This structure was badly damaged by brick-hunters in 1944-45.

Mentionable antiquities from the site, besides the stucco image, are three round pellets of solid gold, (19 tolas), and a copperplate inscription, discovered during clearance work after the excavations. The copperplate has not yet been deciphered.

Teota Zamindar Palace (তেওতা জমিদার বাড়ী) is located at the Shibalaya (শিবালায়া) Upazila of Manikganj District. This palace is locally known as Teota Rajbari (তেওতা রাজবাড়ি) and Teota Zamindar Bari (তেওতা জমিদার বাড়ী). This palace is possibly over 300 years old. This old dilapidated palace was the home of two brothers named Babu Hemsankar Ray ( বাবু হেমসংকর রায়) and Babu Joy Sankar Ray (বাবু জয় সংকর রায়) who were the ruler of Teota. The whole premise has over 50 rooms. Currently those are occupied by the homeless people.

At the Western side of the building, there is a large pond and beside the pond a temple is located named as Noborotno Temple (নবরত্ন মন্দির). The temple is a four storied building having a glorious example of classical architecture.

The whole palace is situated just beside the bank of mighty river Jamuna. After a few miles from the palace premise, the river merged with another big river, Padma. The palace is a two storied building and from the roof you can easily see the Jamuna river.

This palace is the birth place of Promila Debi (প্রমীলা দেবী), the wife of our national poet Kazi Nazrul Islam (নজরুল ইসলাম). Poet first saw her in this palace when he came here to visit Promila's cousin-Dhiren Sen (ধীরেন সেন).

Sonakanda Fort (সোনাকান্দা দুর্গ) a Mughal river-fort located on the eastern bank of the Shitalakshya (শীতলক্ষ্যা) at port area. A group of river forts, constructed by the Mughals, guarded the water routes to Dhaka and other places of strategic importance and the Sonakanda Fort is one of them. The fort, under the protection of the Department of Archaeology and Museums, has been restored and repaired several times. The defensive walls and the massive artillery platform are still in existence. It is quadrangular in plan,measuring 86.56 m × 57.0 m and surrounded by a 1.06 m thick brick-wall, 3.05 meter in height, with inner and intermediate bastions.

The wall is built solid at the bottom. There is a circular artillery platform with a staircase on the west side, which leads up to the raised artillery platform to be entered by a five-foil arched gateway. The artillery platform, meant for a big calibre cannon aiming at the attackers coming up the river, is a new feature of the Mughal river forts in Bengal.

The platform has two circles of which the inner is 15.70m and the outer is 19.35m in diameter respectively. It is 6.09m in height and surrounded by walls. The corner bastions on both sides of the western wing are wider than those of the eastern wing, which are 4.26m, while the two on the western wing are 6.85m in diameter. The fort has two main parts; one is a fortified rampart wall of enormous dimension, which has numerous wide and narrow loopholes. And the other part, the most important one, is a raised outwork on the western face. Excepting the artillery platform, there is no trace of any permanent structure within the fortification walls. All round, the walls are crowned by machicolated merlons, which are on average one metre high.

The fort is provided with a single entrance gate on the north. The arched gateway is placed within a rectangular frame and both the sides are decorated with several plastered panels. The lofty arch of the entrance gateway is of the four-centred variety. There are four corner bastions. Unlike the bastions of the forts at Hajiganj and Idrakpur the bastions of this fort are octagonal in plan.

The fort is not dated by any inscription. Though the construction of this fort is attributed to Mir Jumla, there is no evidence for this. On stylistic similarities with other Mughal river-forts in and around Dhaka it is datable to the mid-17th century.

Mahisantosh an important center of administration and learning in the medieval period. Present Mahiganj and Santosh under Patnitala in Naogaon district were known as Mahisantosh. There is a legend that a darvesh (saint) came to the place on the back of a fish and hence the name. There is also a tradition that the place was named after mahipala I (c 995-1043 AD). The general plan of the site and the discovery of some military weapons, particularly a gun and some swords, now on display at the varendra research museum, indicate that it was a fortified military outpost with ditches and ramparts and sprang up long before the coming of the Muslims. The discovery of an inscription in a mihrab with the inscribed images of Visnu and Surya on the reverse testify that Mahisantosh existed as an important centre before it was made the headquarters of a Sarkar by the Muslims.

The place emerged, in the mid thirteenth century, as a seat of learning. Shaikh Yahiya Maneri is reported to have received his education there under the guidance of the celebrated Shaikh Taqiuddin. Persian sources tend to suggest that this place became a repository for the saints of the Suhrawardi Order. It became a mint town in 1459 during the reign of Ruknuddin Barbak shah (1459-1474) and was renamed Barbakabad after the sultan. The construction of a good number of mosques during the Sultanate indicates that the town had been flourishing with a considerable number of Muslim populations. It continued to be a mint town up to 1521. Barbakabad occurs as a Sarkar and a city in the Ain-I-Akbari. As an urban centre it might have lost its importance towards the close of the sixteenth century. From the seventeenth century it ceases to be mentioned as a place of note.

The extensive area, now in ruins, is covered with thick jungle. There are 4 or 5 mosques, a tomb of Muhammad Shiran Khalji and two tombs of saints, all in ruins. The tomb of Shiran, mentioned in Tabaqat-I-Nasiri, is now unrecognizable in the scattered ruins of some brick structures, compounds, a tank, and a walled garh.

Written by: Md Akhtaruzzaman

মহীসন্তোষ নওগাঁ জেলা সদর থেকে প্রায় ৬২ কিলোমিটার দূরে অবস্থিত। রুকুনউদ্দিন বাবর শাহর শাসনকালে এটি প্রধান শহর ছিল। এখানে একটি প্রাচীন মসজিদ আছে এবং রাজিপুরের অবশিষ্ট এখানে দৃশ্যমান।