Khwaja Shahbaz Mosque and Tomb

Beside the bank of the Ichhamoti river (ইছামতি নদী), you'll find an old house that is currently abandoned. No inscription was found about the house. From the architecture of the old house, you can only guess that it was a house of a wealthy man who could have been a Zamindar (জমিদার) or a rich merchant. Boktnogor/Boktonogor(বকতনগর/বক্তনগর) is a place located near the Shikari Para(শিকারী পারা) after Bandura bazaar(বান্দুরা বাজার).

This well-built edifice has lot of rooms inside. Front side of the house is still firm, but damaged at the back sides. Still now a days the house has a lot of open spaces around including ponds. At the south-west corner of the mansion, another edifice is available. This one is an old mosque. Again it is unsure about the builder of the mosque.

If the owner of the mosque and the house is the same person, then the owner must be a Muslim. The village name is Boktnagar (বক্তনগর) which should came from Bokht Nogor (বখত নগর). Possibly someone lived there named Bokht (বখত) and sounds a Muslim name, but all are predictions.

The mosque is a small one having three domes at the top. Middle one is a bit larger compare to other twos. Just above the main gate, and inscription is found written in Arabic. The mosque has a pond at the southern side and a graveyard at the eastern side.

ইছামতি নদীর তীরে একটি পরিত্যাক্ত ভবন দেখতে পাবেন তবে কোন শিলালিপি না থাকায় এই ভবনটি সম্পর্কে বিস্তারিত জানা যায়নি। তবে, ভবনের স্থাপত্যশৈলী দেখে বোঝা যায় এটি ছিল একটি জমিদার বাড়ি। এই ভবনটির অভ্যন্তরে বেশকয়েকটি কক্ষ রয়েছে। জমিদারবাড়ির সামনের দিকটি এখনও মজবুত থাকলেও পেছনের দিকটি বেশ ক্ষতিগ্রস্থ হয়েছে।

এখনও ভবনটির চারপাশে একটি পুকুরসহ বেশকিছু খালি জায়গা রয়েছে। জমিদারবাড়ির দক্ষিন-পশ্চিম কোনায় একটি প্রাচীন মসজিদ রয়েছে। মসজিদটির নির্মাণের ব্যাপারেও কিছু জানা যায়নি। যদি জমিদারবাড়ি এবং মসজিদের মালিক একই ব্যাক্তি হয়ে থাকেন তবে ধরে নেওয়া যায় যে তিনি ছিলেন একজন মুসলিম। ধারনা করা হয়ে থাকে যে গ্রামতির নাম বক্তনগর হয়েছে বখতনগর শব্দ থেকে। এমনও হতে পারে যে, বখত নামক কোন মুসলিম ব্যাক্তির নামে গ্রামটির নামকরণ করা হয়েছে।

এখানে অবস্থিত মসজিদটি ছোট এবং তিনগম্বুজ বিশিষ্ট। তবে মাঝখানের গম্বুজটি অন্য দুটি গম্বুজের চেয়ে বড়। মসজিদের মূল প্রবেশ পথের উপরে আরবীতে লেখা শিলালিপি দেখা যায়। মসজিদের দক্ষিনে একটি পুকুর এবং পূর্বদিকে একটি কবরস্থান রয়েছে।

Mahisantosh Mosque located near the India-Bangladesh edge about 13 km northern western of Dhamorihat Thana Sadar in Naogaon place. Mahisantosh, known from Pre-Muslim periods, came to reputation during the guideline of Sultan Ruknuddin Barbak shah (1459-1474) who raised its place to an excellent town and known as it Barbakabad after him. Many traditional hemorrhoids, located in different places of the town, can still be monitored. In 1916 the varendra analysis team conducted a traditional excavation at Mahisantosh in the remains of the Jami Masjid heap. A little element of the mosque was exposed. Very lately individuals, after removing weeds, vegetation and junk of the Jami Masjid heap have developed up a new chauchala tin shade kacha creating on the old ranking of the mosque to perform Sunday desires. From the present remains it is still possible to recover the exclusive design of the mosque.

The 2.25m large materials of the rectangle-shaped mosque (24m X 16.20m externally) with semi-octagonal place techniques at the four aspects were designed of rock and bricks; the main was designed of rocks and the inner and external activities were secured with rock places. The top aspect act was provided with five (arched) doorways. Most probably the main one was larger than the flanking ones. There were three (arched) areas each on the south east aspect of and southern region aspects.

The inner of the mosque (19.50m X 11.70m) was divided by two selections of rock assistance supports, each having four assistance supports. Each main was status on an office rock foundation. The foundation of each main was divided into three sections: the decreased place, about 0.40m, was rectangle-shaped shape with pie design on its face; the middle element, about 1.55m, was decagonal with pattern and gong components and the greater element, about 0.96m, was polygonal (16 sided) with pattern and gong components and suspended pearl-string of 50% team design.

The main nave of the mosque, larger than the element ones, had three rectangle-shaped places and was perhaps secured over by Persia chauchala bins. Hemispherical domes, 12 in all, might have secured the element chicken wings. Thus the ceiling top program was almost just like that of the shatgumbad mosque at Bagerhat (1459 AD).

There are five mihrabs in the Qibla materials invert the top side aspect possibilities. The main mihrab, a little bit larger than the element ones, was removed from here and is now managed in the varendra analysis collection. Originally it was designed from 1 product of rock with amazing eye-catching schemes; pattern and gong, lotus and palmetto are its main ingredients. The extant mihrab at the southern region end also contains amazing developed design. It seems to have been designed of three places of rock. The main element of the mihrab industry is developed with attractive pattern and gong art work. On the element of the pattern is suspended a hand crafted series. A complete bloomed lotus weighs from the end of the pattern. The sidepieces of the rock places have geometric styles in round and rectangle-shaped shape types. The rosettes in the top and platform increase the beauty of the mihrab. It may be described here that the pattern and gong design, a very familiar eye-catching program, is also seen in mosques like darasbari, chhota sona and kusumba.

Stone-blocks calming propagate in and around the mosque involved eye-catching components on their activities. These developed stone-blocks indicate that the external outside of the materials of the mosque may have been developed with rock styles. The attractive devices are mostly geometric in design with flowery styles, palmette, nailheads, pie styles, look for components, pattern and gong components and suspended 50 % round jewelry. Some developed clay-based rocks were also exposed at a lot of period of removing junk. These clay-based rocks might have been used on the inner encounter of the drums equipment of the domes. Similar eye-catching program is seen in other mosques e.g., Darasabari, Chhota Sona and Kusumba.

When the Varendra Research Community conducted excavation on the website they discovered an epigraph product. It authorized the growth of a mosque during the guideline of Alauddin Husain shah in 912 AH/1506 AD. Very lately, another epigraph product was exposed at a lot of period of removing junk from the mosque. Currently it is calming before aspect of the lately designed kacha mosque creating. The epigraph contains two selections of writing and is developed on dark-colored basalt rock. It keep in mind the development of a mosque in a lot of period of Sultan Ruknuddin Barbak Shah by Ulugh Khan Hasan in the 867 AH/1463 AD.

Growth of these two individual from the same ruinous mosque improves some issues about the period of your energy and energy of growth of the mosque. Was the mosque developed in a lot of period of Sultan Barbak Shah or during a lot of period of Alauddin Husain Shah? Was it developed in a lot of period of Barbak Shah and therefore redesigned (or reconstructed) during the guideline of Alauddin Husain Shah? Or, was one of these two individual collected from outside and kept in the mosque when the mosque was in an amazing condition of preservation? It is not possible to figure out any of the above possibilities. It is, however, quite likely that the mosque was developed during the guideline of Sultan Barbak Shah in 867 AH (1463 AD) and knowledgeable a renovating during a lot of period of Sultan Alauddin Husain Shah in 912 AH (1506 AD).

Nawabbari Mosque of Dhonbari is built at the outside of the Nawab Manzil premise, so that local people can access it during their prayer time. Initially, Nawabbari Mosque of Dhonbari was an old fashioned three domes mosque similar to the other ancient mosques from Bangladesh. But later this mosque was extended to accommodate more people. Extended part is having 10/12 minarets at top which are similar to Persian design. This extension with the old fashioned mosque made it a hybrid looking mosque. Not enough antiquities are left now a days.

But still, you'll love to see this mosque. It’s neat and clean everywhere. Apart from the mosque, there are few micro edifices are available around the mosque. I am not sure what those are.

There are few old graves available at the graveyard which is at the western side of the mosque. Since 1929, after the death of Nawab Ali Choudhury (নবাব আলী চৌধুরী) the Holy Qur'an has been recited continually beside his grave.

জনসাধারণ যেন নামাজ পড়তে পারেন সেজন্য এই মসজিদটি নবাব মঞ্জিলের সীমানার বাইরে নির্মাণ করা হয়েছিল। বাংলাদেশের অন্যান্য প্রাচীন মসজিদের মত এটিও একটি তিনগম্বুজ বিশিষ্ট মসজিদ ছিল। পরবর্তীতে ধারনক্ষমতা বাড়ানোর জন্য মসজিদটিকে বর্ধিত করা হয়। মসজিদটির বর্ধিত অংশে পারস্য নকশার সাথে মিল রেখে ১০ টি থেকে ১২ টি মিনার নির্মাণ করা হয়। বর্ধিতকরনের কারনে মসজিদটির প্রাচীন বৈশিষ্ট্য অনেকাংশেই লোপ পেয়েছে।

তবে এখনও পরিষ্কার পরিছন্ন মসজিদটি দেখে আপনার ভাল লাগবে। মসজিদের আশেপাশে কিছু ক্ষুদ্রাকৃতির স্তম্ভ রয়েছে যদিও এসব কি এবং কেন এখানে রয়েছে তা জানা যায়নি। মসজিদের পশ্চিমে অবস্থিত কবরস্থানে কিছু প্রাচীন কবর রয়েছে। ১৯২৯ সালে নবাব আলী চৌধুরীর মৃত্যুর পর তাঁর কবরের পাশে সবসময় পবিত্র কোরআন শরীফ পড়া হয়ে আসছে।

This mosque is known as "Pathrail Mosque". But to the local people, it has other names, and it will be easier for you to find the place if you remember the other twos. People used to call this as "Dighir Par Mosque", also it has a name that is listed at Bangladesh government, "Majlis Awlia Mosque". This Masjid has three domes at the top of it. After taking the mosque under the Archaeological Heritages of Bangladesh, the government did some furnishing task over the mosque, so that it doesn't collapse, or doesn't become a ruin.

This mosque was built during anytime between 1393 AD to 1410 AD. The pundits are assuming that the mosque was built by the great ruler, Sultan Azam Shah. At the Southern side of the mosque, "Majlis Awlia Khan", the mosque was named after his name. There is a majar just near the mosque. The mazar was formed using the name of "Mastan Darbesh Nazimuddin Dewan" and "Fakir Salimuddin Dewan". There was a large Dighi(water tank) was created just near the mosque. The water tank was made to ease the water problem of the peasant. Thats why people used to call the mosque as "Dighir par jame moshjid".

পাথরাইল মসজিদ নামে পরিচিত এই মসজিদটির অন্য আরও দুটি নাম আছে। এগুলো হলঃ দীঘিরপাড় মসজিদ এবং মজলিশ আউলিয়া মসজিদ। মসজিদের নামগুলো মনে রাখলে আপনার মসজিদটিকে খুঁজে পেতে সুবিধা হবে। প্রত্নতত্ত্ব অধিদফতরের অধিগ্রহনের পর তিন গম্বুজ বিশিষ্ট এই মসজিদটি রক্ষার জন্য বেশকিছু রক্ষণাবেক্ষণের কাজ করে সরকার। সম্ভবত ১৩৯৩ থেকে ১৪১০ সালের মধ্যে মসজিদটি নির্মিত হয়েছিল। তবে, ইতিহাসবিদদের ধারনা সুলতান আজম শাহর শাসনামলে মসজিদটি নির্মিত হয়। মসজিদের দক্ষিনে রয়েছে ‘মজলিশ আউলিয়া খান’ যার নামে মসজিদের নামকরণ করা হয়েছে। মসজিদের কাছেই ‘মাস্তান দরবেশ নাজিমউদ্দিন দেওয়ান’ এবং ‘ফকির সালিমউদ্দিন দেওয়ানের মাজার রয়েছে। মসজিদের কাছে পানির সংকট নিরসনের জন্য একটি বিশাল দিঘীও খনন করা হয়েছিল আর একারনেই স্থানীয়রা মসজিদটিকে ‘দীঘিরপাড় জামে মসজিদ’ নামে বলে থাকে।