Mirzapur Jame Masjid

Bandar Shahi Mosque (বন্দর শাহী মসজিদ )  is situated in the Bandar Municipal area. It was built in 1482 AD (886 AH) by Malik Al-Muazzam Baba Saleh, a high official under Sultan Jalaluddin Fateh Shah.

It is a square building measuring 6.20 meter a side in the interior and 9.70 meter in the exterior. It has four octagonal corner towers and a large hemispherical dome supported by two engaged black stone pillars embedded in each wall with square bases, capitals and octagonal shafts. The square inches which hold up the dome spring from the top of these pillars. The dome has a lotus and pitcher finial. The raising of the dome on a drum crowned with merlons seems to be part of Mughal renovations. There are three entrances in the east of which the central one is wider, measuring 2.20 meter high and 1.37 meter wide. The two other entrances each on the south and north sides are 2 meter high and 1 meter wide. The side entrances are of the same size as the front central one. Of the three semi-circular mihrabs, the central one is the largest and the northern mihrab is being used as a closet.

Dhamrai Mosque (Dhamrai Bazar Jame Masjid) is located at Dhamrai Bazar. Dhamrai is an Upazila of Dhaka district which is beside Manikganj District. At the Dhamrai Bazar, you'll find this nicely decorated mosque.

This looks a bit old fashioned and the Minaret of the mosque is designed flamboyantly. The minaret consist of small white colored marble stones. The mosque has around 6 domes at the top of it. All of them are white colored.

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Mahisantosh Mosque located near the India-Bangladesh edge about 13 km northern western of Dhamorihat Thana Sadar in Naogaon place. Mahisantosh, known from Pre-Muslim periods, came to reputation during the guideline of Sultan Ruknuddin Barbak shah (1459-1474) who raised its place to an excellent town and known as it Barbakabad after him. Many traditional hemorrhoids, located in different places of the town, can still be monitored. In 1916 the varendra analysis team conducted a traditional excavation at Mahisantosh in the remains of the Jami Masjid heap. A little element of the mosque was exposed. Very lately individuals, after removing weeds, vegetation and junk of the Jami Masjid heap have developed up a new chauchala tin shade kacha creating on the old ranking of the mosque to perform Sunday desires. From the present remains it is still possible to recover the exclusive design of the mosque.

The 2.25m large materials of the rectangle-shaped mosque (24m X 16.20m externally) with semi-octagonal place techniques at the four aspects were designed of rock and bricks; the main was designed of rocks and the inner and external activities were secured with rock places. The top aspect act was provided with five (arched) doorways. Most probably the main one was larger than the flanking ones. There were three (arched) areas each on the south east aspect of and southern region aspects.

The inner of the mosque (19.50m X 11.70m) was divided by two selections of rock assistance supports, each having four assistance supports. Each main was status on an office rock foundation. The foundation of each main was divided into three sections: the decreased place, about 0.40m, was rectangle-shaped shape with pie design on its face; the middle element, about 1.55m, was decagonal with pattern and gong components and the greater element, about 0.96m, was polygonal (16 sided) with pattern and gong components and suspended pearl-string of 50% team design.

The main nave of the mosque, larger than the element ones, had three rectangle-shaped places and was perhaps secured over by Persia chauchala bins. Hemispherical domes, 12 in all, might have secured the element chicken wings. Thus the ceiling top program was almost just like that of the shatgumbad mosque at Bagerhat (1459 AD).

There are five mihrabs in the Qibla materials invert the top side aspect possibilities. The main mihrab, a little bit larger than the element ones, was removed from here and is now managed in the varendra analysis collection. Originally it was designed from 1 product of rock with amazing eye-catching schemes; pattern and gong, lotus and palmetto are its main ingredients. The extant mihrab at the southern region end also contains amazing developed design. It seems to have been designed of three places of rock. The main element of the mihrab industry is developed with attractive pattern and gong art work. On the element of the pattern is suspended a hand crafted series. A complete bloomed lotus weighs from the end of the pattern. The sidepieces of the rock places have geometric styles in round and rectangle-shaped shape types. The rosettes in the top and platform increase the beauty of the mihrab. It may be described here that the pattern and gong design, a very familiar eye-catching program, is also seen in mosques like darasbari, chhota sona and kusumba.

Stone-blocks calming propagate in and around the mosque involved eye-catching components on their activities. These developed stone-blocks indicate that the external outside of the materials of the mosque may have been developed with rock styles. The attractive devices are mostly geometric in design with flowery styles, palmette, nailheads, pie styles, look for components, pattern and gong components and suspended 50 % round jewelry. Some developed clay-based rocks were also exposed at a lot of period of removing junk. These clay-based rocks might have been used on the inner encounter of the drums equipment of the domes. Similar eye-catching program is seen in other mosques e.g., Darasabari, Chhota Sona and Kusumba.

When the Varendra Research Community conducted excavation on the website they discovered an epigraph product. It authorized the growth of a mosque during the guideline of Alauddin Husain shah in 912 AH/1506 AD. Very lately, another epigraph product was exposed at a lot of period of removing junk from the mosque. Currently it is calming before aspect of the lately designed kacha mosque creating. The epigraph contains two selections of writing and is developed on dark-colored basalt rock. It keep in mind the development of a mosque in a lot of period of Sultan Ruknuddin Barbak Shah by Ulugh Khan Hasan in the 867 AH/1463 AD.

Growth of these two individual from the same ruinous mosque improves some issues about the period of your energy and energy of growth of the mosque. Was the mosque developed in a lot of period of Sultan Barbak Shah or during a lot of period of Alauddin Husain Shah? Was it developed in a lot of period of Barbak Shah and therefore redesigned (or reconstructed) during the guideline of Alauddin Husain Shah? Or, was one of these two individual collected from outside and kept in the mosque when the mosque was in an amazing condition of preservation? It is not possible to figure out any of the above possibilities. It is, however, quite likely that the mosque was developed during the guideline of Sultan Barbak Shah in 867 AH (1463 AD) and knowledgeable a renovating during a lot of period of Sultan Alauddin Husain Shah in 912 AH (1506 AD).

In every single part of Bangladesh there are some Archaeological & Historical remains, which has enriched our cultural history. Lack of awareness and proper knowledge in common people results in gradual ruining of many Historical & Archaeological sites in our country.

One of the great example of deteriorations of an Archaeological site in Narsingdi district is ‘Single domed Mosque and Tomb of Shah Mansur’ located at Kumradi, Shibpur upazila.

It was built in eighteenth century by a Muslim saint named Shah Mansur. In course of time, the existence of the mosque is totally replaced by a new built Madrasa. But, still now the remaining of ‘Tomb of Shan Mansur’ is existing, although it is hard to assume how the original structure was.

Architectural Property and Layout:

Tomb of Shah Mansur, A massive structure which is architecturally rich and decorated with different kinds of design. It is in rectangular shape and built in very unique way. In the western wall of this building there are five arch shaped entrance, among them middle one is open and decorated with multi foil design. Others are Closed arch & also contains the same design like the opened one. The southern side of the tomb is severely disturbed, broken and ruined. Main entrance of the tomb is totally vanished, but still we can observe some three archways very close to the grave of Shah Mansur. It seems like there are two grave inside the building. We assume that other grave might be Shah Mansur’s wife.

There is another unique structure situated in the southern side of the tomb. It is just a square shaped Minar containing open space inside of it, in the roof top it contains a bulbous shaped dome. It has four arch shaped ways in four brick wall.

In the most eastern part of this tomb there is a large pond. Which is probably same years old as the tomb is.

Myth related to this Structure:

There are several myths interrelated with this feature. People say that Shah Mansur used to pet a tiger inside of square shaped structure which is situated in the eastern side of the tomb. Although, It’s a myth but it contains some evidences which might prove it true. Inside of this square shaped structure there are two iron’s ring attached with brick wall.

And it is also said, Once there were some big fishes in the pond. Local people believe that, those fish were actually cursed human being and for this reason they buried those death fish in a grave yard near to Pond.

Present Condition and Immediate Conservation Issue:

Present condition of the features situated in this complex is in very sensitive condition. One domed Mosque built by Shah Mansur is vanished and a new Madrasa replacing it. The tomb of Shah Mansur is near to destruction. The whole brick building contains several banyan tree and different species of trees.
The unique square shaped Minar is also near to ruin. Beside this structure there is bathroom built very recently for Madrasa students.

Immediate steps should be taken to conserve and preserve these features from its deterioration.