Rudrakar Moth

Pailgaon Zamindar Bari is one of the remarkable old structures of Jagannathpur in Sunamganj. This 300 years old palace was established on 5.5 acres of land.

The last person of this Zamindar family was Brajendra Narayan Chowdhury. He was a famous politician at that time and a member of the congress of Sylhet too at that time.

The place is situated near the bank of Kushiara river in Sunamganj District. It is at Pailgaon Union under Jagannathpur Upazila.

History of this place: Thousand years ago, decedents of Pal Dynasty lived here. As time goes, "Das" family took their place. Pir Mohammad Badsha (Muslim Rulers) gave them the title - "Chowdhury". Ram and Sreeram were two descendants of this bloodline. One of their descendants Madhab Ram gained much popularity in his locality at that time. He did a lot of social welfare.

Their descendants Brojnath had two sons. Their named were Roshomoy Chowdhury and Sukhumoy Chowdhury. The place is locally known by the name after of Zamindar Roshomoy Chowdhury. The last ruler of the family was famous Brajendra Narayan Chowdhury.

Locally this site is known as “Rupban Mura”. After excavation, the sign of a shrine, a monastery and an octagonal votive stupa were found. Among the antiquities, one Gupta imitation gold coin, 04 coins of debased metal, 3 silver coins and a bulky sand stone, Buddha image of post gupta period are mention worthy. On the basis of all the evidences found here, the original monastery and shrine may be dated prior to the 8th Century A.D.

Rupban Mura an important archaeological site of Mainamati lying on a hillock just between the modern BARD and BDR establishments in the Kotbari area on the south of the Comilla-Kalirbazar road. Excavations have revealed here the remains of a remarkable semi-cruciform shrine of medium size (28.2m east - west, 28m north - south), together with a number of subsidiary structures, including an octagonal stupa and another one on a square base. A boundary wall within the oblong stupa courtyard encloses all these. Its regular entrance is on the east, facing the monastery entrance. Deep diggings have revealed three main periods of building and repairs and rebuilding, the earliest corresponding to c.6th-7th centuries AD. Very few remains of the latest period (10th-11th century AD) survive now in this very heavily disturbed site.

The Cruciform Shrine Originally built as a solid stupa on a square base, it was subsequently converted into a semi-cruciform shrine in the second period (8th century AD). It has a peculiarity not noticed elsewhere. Instead of a single chapel built in each of the long arm of the cross, a group of three long narrow chapels was built in the eastern (front) side of the shrine.

In the middle chapel the colossal stone Buddha, now exhibited in Mainamati Museum, was discovered. The same peculiarity is noticed in the adjacent Itakhola Mura grand stupa, also on the eastern side facing the entrance. Fragments of bronze images found in other chapels suggest installation of such images there.

The Monastery The small 34.1m square monastery of the site was built separately, 31m.The South-east of the cruciform stupa. It has a prominent gateway complex (12.5m x 6.9m) projecting outwards in the middle of the northern wing. Built in the usual square plan, it originally had a total of 24 cells in four wings, subsequently reduced to 18 in the second period. The southern wing, occupying an area of 11.7m, was abandoned, due certainly too irreparable damages, and a row of new cells was built in its front, thus making the shape of the monastery oblong (34.1m x 24.8m). Corbelled niches and brick-built bedsteads can be noticed in the 2nd period cells. A broad corbelled drain was built in the courtyard to drain out rainwater. Significant discoveries from the site include, besides the colossal stone Buddha, five debased gold coins of Balabhatta, the Khadga ruler.

Itakhola Mura is an archaeological site in Mainamati. This site is one of the most impressive ruins. It lies in three terraces on adjacent hillocks just opposite the Rupban Mura site across the Kotbari road in Comilla. Excavations have revealed here a grand stupa complex with an attached monastery, located 42m to its north. The cultural phases of the site are stated (or overstated) to be five; the earlier three being still buried underneath the later remains.

The Stupa Complex was originally built as a solid stupa in the traditional style on a 13.1 meter square basement. However, it has one peculiarity; a small sanctum (2.4 m x 2.1 m) built in the center of its eastern or front side.

Subsequently, the shrine was enlarged and elaborated by additions and alterations, especially by adding three long narrow chapels in the eastern side after blocking the old sanctum; thus giving the structure an oblong shape (41.4 m x 24m). In this particular feature, it is strikingly similar to the Rupban Mura shrine. The side chapels were ultimately blocked up, leaving space for a few cubicles for installing cult images, as in other parts of the shrine. This establishment is surrounded by a 2.6 m wide circumlocutory passage and is enclosed by a 1.2 m thick boundary wall.

This holy precinct is again enclosed within a much larger, well-defined, and better preserved boundary wall (79 m x 56 m), in the slightly lower second terrace. It contains three interesting subsidiary shrines, two in two corners of the eastern side, and the other, a slightly larger one, at the back in the west. An elaborate entrance with 22 broad steps at the Center of the eastern side leads to the much lower third terrace. The outer face of its damaged boundary wall in this front side is excellently decorated with offsets, sunken panels, and ornamental designs.

Five votive stupas lie at the base of the long staircase, three of them in a north south row within a well-defined enclosure, all semi-cruciform in shape, like that of the larger subsidiary shrines in the western side of the second terrace. They certainly represent an experimental early stage in the development of the cruciform style in Buddhist architecture that we see in mature form at shalvan vihara, paharpur, Vikramashila and many other sites. These structures may reasonably be dated as belonging to 7th-8th centuries AD.

The Monastery This medium sized monastery of the usual square shape with 19 cells and one entrance hall was built around an open courtyard, 16.2m. Square, on a separate mound. Its monumental gateway complex, 17.6m x 8.5m, projecting outwards, lies at the Centre of the eastern wing. Some of the cells have brick-built bedsteads. This structure was badly damaged by brick-hunters in 1944-45.

Mentionable antiquities from the site, besides the stucco image, are three round pellets of solid gold, (19 tolas), and a copperplate inscription, discovered during clearance work after the excavations. The copperplate has not yet been deciphered.

Alexander Castle is one of the most amazing and renowned structure in Mymensingh District. It was built by Maharaja Suryo Kanta Acharya Chowdhury(মহারাজ সুর্যকান্ত আচার্য চৌধুরী) in 1879 in the memory of the 1st zilla magistrate of Mymensingh Mr. N .S Alexander at the time of Jubili festival. It covers an area of 27.155 acres.

It is a nice small archaic building having two Greek statue at both sides of the front gate. Though the arms of those statues are currently broken, but still those looks great. The whole building is placed over a high plinth, probably to avoid the flood from the nearness river.

It cost 45000 taka at that time. Alexander Castle is a two storied building made by metals and woods in a high concrete base. This building was used as a rest house for the guests of Maharaja Maharaja Soshi Kanta Acharya Chowdhury. Many great personalities of the world stayed at this castle when visiting Mymensingh city. Nobel Laureate poet Rabindranath Tagore arrived in Mymensingh around the midday of 15 February 1926. He stayed in the Alexander Castle as a guest for 4days. Mahatma Gandhi also stayed in this castle in 1926.

Lord carzon, Chittaranjan Das, Nawab Sir Salimullah, Kamal Pasha also visited Alexander Castle. This house was decorated by royal furnitures and items at that time. There is a big field in front of this house. You can see two fascinating silver statue which makes the place more beautiful. There is also a big garden and a pond still remains behind the castle. It is said that Maharaja used to keep big cats in his garden so he surrounded the garden with big still cages.At present this house is being used as library of teachers training college(male) in Mymensingh.