Alexander Castle

Nahabatkhana (নহবতখানা) or Probeshdar (প্রবেশদ্বার) is one of the well known features in Mograpara, Sonargaon Upazila in Narayanganj. This gateway or entrance was built in at the end of 17^th century. According to the description of 'Zames Wise' (civil surgeon of Dhaka in 1860s), it is located at South Ward from the Hazrat Abu Tawama Mazar and Ibrahim Mosque. There are two doors being traced on north & south side of this feature.

A story has been circulated among the local people that there was a musical Instrument around this feature which was being used for different purposes. Mainly, this instrument being used to awake people to take Seheri (সেহরি) and Iftar (ইফতার) at the month of Ramadan. Another notion is said that, it was being used to notify poor people and Musafir for Kangalivoj (কাঙ্গালিভোজ). This instrument was used for inviting people too. Now, one of the doorways of Nahabatkhana is used by public, and another one is preserved with less care.

Panam Nagar (পানাম নগর), ancient Painam, a locality now in Sonargaon upazila of Narayanganj district. It is about 2.5 kilometre to the north of Dhaka-Chittagong highway at Mograpara point. It is said to have been the site of Hindu capital city of Sonargaon emerging in the seventh decade of the thirteenth century. The Panam area formed part of the Muslim metropolis developed on the south of the old city, and perhaps constituted the place of residence of the early Muslim governors'. After the Mughal conquest of Sonargaon (1611) the Panam area was connected with the ruling metropolis by construction of highways and bridges. Panam still possesses three brick bridges belonging to the Mughal period: Panam Bridge, Dalalpur Bridge and Panamnagar Bridge.

The existence of these bridges, and the canals enclosing the site on three sides is indicative of its being a suburban area of the medieval city. The pucca road which leads from the Mograpara crossing on the Dhaka-Chittagong highway in the direction of Panam extending up to the Neel-Kuthi looks like a dividing line between medieval Sonargaon and the present Panamnagar, the only surviving relics of the Panam area. The Panam township stands on the east of this road opposite Aminpur, and a one-arched humped bridge leads from the same road over a narrow canal to the main street of Panamnagar.

In all probability the present Panamnagar grew as a by-product of the commercial activities of the english east india company and of the Permanent Settlement. The East India Company established their factory in Panam for the purchase of muslin and other cotton fabrics. The Company, for the purchase of muslin, used to distribute annually to the weavers from their factory in Panam as much as a lakh of rupees as dadni (dadni system advance), and it is estimated that there were then 1400 families of Hindu and Muslim weavers in and around Panam.

Sonargaon developed into a center of trade in cotton fabrics, chiefly English piece goods, during the colonial period, and thereby grew the new township of Panamnagar. A group of Hindu talukdars, who came into being from among the traders in the nineteenth century, chose this site for their residence. The existing brick buildings of Panamnagar, obviously the residence of the Hindu merchant-talukdars, can be dated back to early nineteenth, and the later ones to late nineteenth and early twentieth centuries. Panamnagar which developed in the nineteenth century, continued to flourish till the end of the Second World War.

Panamnagar, a unique township, stretched in a single street 5 meter wide on the average and 600 meter in length. All the buildings have the character of urban street front houses and are lined up on either side of this street which ends up at the Panam bazar. Fifty-two houses exist in dilapidated and disused condition having 31 in the north side of the street and 21 on the south. Panamnagar appears to be well protected by artificial canals all around. Two fairly wide canals run parallel to the street on its either side and joined by a narrow canal on the western side over which is the entrance bridge (Panamnagar Bridge). On the eastern side, the canal on the south swerves rightward and goes eastward crossing the north-south road that passes through the Panam bazar. The northern canal, the Pankhiraj Khal, runs eastward to meet the Meghna-Menikhali stream.

Historic and archaeological importance of the majestic house of poet Quazi Kader Newaj, an icon of Bangla literature, has been lying uncared in Sreepur upazila town under Magura district, as the authorities concerned are ignoring its tourism potentials.

The poet is specially recalled for his masterpiece of poetry ‘Shikhaker Marjada’. The poet was also a freedom fighter as he played an important role during the liberation war. He was also a good teacher. The poet and his kin were buried along this majestic building.

The splendid building still stands tall along the bank of the Kumar River beckoning the people passing by it to have a look of its grandeur and magnificence. None can resist the temptation of taking a look at the captivating old structure when one passes by it.

In the absence of proper maintenance and renovation, weeds have grown in and around the house while the mossy bricks are crumbling down from the decaying structure. The house has lost much of its charm of terracotta due to the authorities’ negligence. Locals have already taken away many of the bricks, plaques, wooden doors and windows. The house has become a safe haven for drug addicts and gamblers due to lack of proper initiatives for its preservation and maintenance. Local people use the building as their cowshed and it has turned into the public toilet.

Unfortunately, the government has done nothing to renovate the palace, though the historic site can fetch a large amount of revenue every year.

Previously, the actual color of Khelaram Datar Kotha (খেলারাম দাতার কোঠা) was reddish (first three photographs added). But after a renovation done by the Department of archaeology, it is colored white now.

Possibly the most intriguing, interesting and uniquely confusing archeological structures of Nawabganj is the Khelaram Daata’r Kotha, which has recently been renovated. Yet they have not put up a sign board describing the building.

It is confusing, who was Khelaram? What was he known for? What is this building all about? What is the story behind it? When was it built? One could come up with several such questions, but apparently there isn’t much available documentation. It’s hardly possibly to rely on local folklore, as that is far more fiction than facts. To start with some confusion, some say the name of the founder of this structure was Khelaram Dutta, Banglapedia mentions him as Khelaram Dada, while the locals say he was known as Khelaram Daata.

According to Banglapedia he was a Zamindar, but the locals claim he was a dacoit. Since Banglapedia mentions nothing about him apart from naming him as Zamindar Khelaram Dada. So, there isn’t any other way except relating oral history along with the information of Banglapedia.

Some 200 years ago, there lived a ferocious dacoit named Khelaram, who was dreaded by the rich, but loved by the poor, because similar to Robin Hood, he generously donated much of his spoils from each mission amongst the poor people. Hence he was known as “Daata” the beneficent. But he still retained quite a bit and needed to store the loot. So he built this structure consisting of many rooms just overnight (within a short time). The building had five floors (it now has only two) and the roof had a large tank. There still is a large pond nearby. Poor people had to come to this pond to bathe, and anything they asked for was granted.

Oral History Or Myth :

Khelaram was extremely obedient to his mother. She once wanted to drink some milk and eat some ripened bananas, so Khelaram arranged the rooftop tank to be filled to the brim with ripened bananas and pure milk, so she could swim there and eat and drink to her heart’s content. But one day something Khelaram did severely angered his mother. She sternly rebuked and cursed him and then left for a bath in the pond. But as soon as she left the building, three floors of the building simply sank into the ground, leaving only the top two floors to be seen over the surface. Khelaram was not seen any more from then. Some believe he got trapped in one of the lower floors. Some believe he drowned in the pond, trying to save his mother. Within a short time, all his belongings got stolen, leaving behind just an empty house.