Gurudwara Nanak Shahi

Natore Rajbari (also known as Pagla Raja's Palace, Natore Palace) was a prominent royal palace in Natore, Bangladesh. It was the residence and seat of the Rajshahi Raj family of Zamindars. Famous queen Rani Bhabani lived here and after the death of her husband, expanded both the estate and the palace.

Natore Zamindars was one of the largest Zamindaris of Bengal. The originators of this Zamindari were Ramjivan and Raghunandan both sons of Kamdev. Ramjivan's daughter-in-law was Rani Bhabani (1716-1795), a legendary name in Bengal politics in the 18th century and an endearing personality in every home of the country due to her boundless generosity and public spirit. After becoming Zamindar Ramjivan built his Rajbari at Natore occupying a huge area of 50.42 acres of land and it is enclosed within two rings of defensive moats-one within the other. The moats are now dotted with large tanks, orchards and flower gardens surrounding the derelict ruins of the seven surviving detached palaces. Of these only four deserve description while the rest are in advanced stage of disintegration and are of no architectural significance.

After the death of the great queen, her adopted son Ramkrishna ruled the area. After his death, his two sons Sibnath and Vishwanath became the co-sharers of the Natore Zamindari in 1778. The whole Zamindari was divided between them, and the part of the eldest son was known as "Boro Taraf" and the part of the youngest son was known as "Chhoto Taraf". The Rajbari was protected on all sides by ditches. There were nine buildings in this Rajbari. They are the palace of Boro Taraf, The palace of Choto Taraf, Kachari Bhavan and Guard House of Boro taraf, Kachari Bhavan of Choto Taraf, Rani Bhavan, Guest House, Madhu Rani Bhavan etc.

The main palace block (Boro Torof), now housing the newly created deputy commissioner's office, faces a large open lawn to the south. Two other single-storied blocks, placed on the west and the south, look over the lawn and are laid out in the form of an English "U" with the open side on the east. The main northern block, facing south, has a frontage of about 100'-0" with a prominently projecting porch in the middle and two slightly projecting bays at either end, all carrying triangular pediments above. The elegant central porch is supported on a series of Corinthian columns and semi-circular arches in the typical classical Roman style and the veranda in front of the apartments are also similarly relieved. The whole facade is tastefully decorated with geometric and floral panels in plasterwork. This block contains twelve spacious apartments, disposed on either side of the large reception hall (7.47m × 16.01m) which is located in the middle. The access to the reception hall (60'-0"x 30'-0") is gained through another large hall and is backed by a 10'-0" wide veranda on the north.

The lofty ceiling of the central hall, rises to a height of 30'-0" and is lit by eighteen clerestory windows, originally fitted with colored glass panes, whilst the roof of the other rooms are considerably lower in height. The entire floor of this block is laid in black and white imported marble. The back veranda is supported on twenty pairs of Corinthian columns, the capitals of which contain within its acanthus leaves, some classical nude female figures. The western block, placed at right angles to the main block, has about a 200'-0" frontage and faces the lawn on the east. It is also a single-storied building with an arched projecting bay in the middle. A strip of veranda, supported on a series of paired Doric columns, runs the entire length of the block. Entering through the arched central bay there is access into an open of longed court, occupied by typical 'nat-mandap'. Beyond and further to the west, is a Krishna temple. This family shrine has a 50’-0” wide frontage, backed by a 10’-0” wide veranda which carried on a series of double Corinthian columns.

This ‘nat-mandap’ has a humped tin roof supported on a series of iron pillars. Placed at right angles to this block is another north facing single-storied building, which is about 150’-0” long and has central projecting porch. The porch entrance leads on to a long veranda running the entire length of the building behind which there are a series of apartments of varying sizes, somewhat similarly disposed as the former. A long veranda to the rear of this building overlooks a large tank. A series of Corinthian columns, which support veranda, projects as a semi-circle in the middle. The rear of this handsome block is tastefully decorated in plasterwork. The building at present is occupied by the office of the superintendent of police.

To the south-west rears of the second block a couple of very ruined single-storied residential buildings overlook a large tank from its northern bank. The smaller of these two structures presenting a 50’-0” frontage with a veranda, is relieved with a series of paired Doric columns while the larger adjacent block has a 100’-0” frontage with a veranda carried on a row of double Corinthian columns. Sadly both these ruins are now thickly covered with encroaching thickets and accumulating debris. However, the main palace block of the ‘Chhota-Taraf’, perched picturesquely on the western bank of this large tank and now occupied by the District Judge’s Court, is an imposing structure. The 70’-0” long façade has a prominently projecting central triple-arched portico.

The central part of the building, occupied by the reception hall projects above the flanking wings and is crowned by a pyramidal roof with clerestory windows. The parapet of the porch is decorated in plasterwork with two short projecting bays at either end of the building, each decorated with two pairs of Corinthian columns, which are topped by triangular pediments. Entering this palace block though the porch one encounters a long 10’-0” wide veranda with a black and white marble floor. Behind the veranda there is a row of apartments which lead on to the vast reception hall, measuring 7.32 meter x 15.55meter.

The lofty ceiling of reception hall is another hall measuring 50’-0”x20’-0” with a projecting balcony at the far end which overlooks the encircling moat. Although there are fifteen apartments including the central hall. The rear of the building also is tastefully relieved with Ionic capitals, floral motifs and bearded human heads in stucco. The two large halls of the palace, probably flagged in marble, are now devoid of their original floor, but the other apartments have white and black marble floors. Curiously the capitals most of the columns are of composite character with acanthus leaves intertwining Ionic roundels.

নাটোর রাজবাড়ি পাগলা রাজার প্রাসাদ বলেও বহুল পরিচিত যেটি রাজ জমিদার পরিবারের বাসস্থান হিসেবে ব্যাবহার করা হত। রানী ভবানী এখানে বাস করতেন এবং মৃত্যুর পর তাঁর স্বামী এখানকার চা বাগান ও প্রাসাদের উন্নয়ন করেন। সাতটি আলাদা প্রাসাদের পরিত্যাক্ত ধ্বংসাবশেষ ঘিরে থাকা পরিখাগুলোতে এখন দেখা যায় ট্যাংক, অর্কিড এবং ফুলের বাগান। এই প্রাসাদগুলোর মধ্যে মাত্র চারটি এখন টিকে আছে কিন্তু বাকিগুলো ধ্বংসের দ্বারপ্রান্তে। রানীর মৃত্যুর পর তাঁর দত্তক পুত্র রামকৃষ্ণ এই এলাকা শাসন করেন। রামকৃষ্ণের মৃত্যুর পর তাঁর দুই পুত্র শিবনাথ এবং বিশ্বনাথ নাটোর জমিদারবাড়ির যৌথ মালিক হন ১৭৭৮ সালে। পুরো জমিদার বাড়ি তাদের তাঁদের মধ্যে ভাগ করে দেওয়া হয়। এরপর রাজবাড়িতে বড় পুত্রের অংশকে বলা হত “বড় তরফ” এবং ছোট পুত্রের অংশকে বলা হত “ছোট তরফ”।

রানী ভবানীর বড় পুত্র বড় তরফ নামে এবং ছোট পুত্র ছোট তরফ নামে পরিচিত ছিলেন। রানীর মৃত্যুর পর তাঁর দুই পুত্রের মধ্যে জমিদারী ভাগ হয়ে যায়। এখানে অনেক স্মৃতি স্তম্ভ আছে।

বাংলার অন্যতম বৃহত্তম জমিদারী ছিল নাটোরের জমিদারী। এই জমিদারীর সূচনা করেছিলেন কামদেবের দুই পুত্র রামজীবন এবং রঘুনন্দন। রামজীবনের পুত্রবধু ছিলেন রানী ভবানী। ১৮শ শতকে বাংলার রাজনীতিতে রানী ভবানী ছিলেন এক কিংবদন্তি। তাঁর জনপ্রিয়তা ও উদারতার কারনে দেশের প্রতিটি ঘরে তিনি আকর্ষণীয় ব্যাক্তিত্তে পরিণত হয়েছিলেন। জমিদার হবার পর রামজীবন ৫০.৪২ একর জায়গার ওপর দুই স্তরের পরিখার মধ্যে এই রাজবাড়িটি নির্মাণ করেন।

রাজবাড়িটির চতুর্দিক পরিখার মাধ্যমে সুরক্ষিত ছিল। রাজবাড়িতে নয়টি ভবন ছিল যেমনঃ বড় তরফের প্রাসাদ, ছোট তরফের প্রাসাদ, বড় তরফের কাচারি ভবন ও প্রহরী কক্ষ, ছোট তরফের কাচারি ভবন, রানী ভবন, অতিথিশালা, মধু রানী ভবন ইত্যাদি। ছোট তরফের প্রাসাদটি ১৯৮৪ সালে নাটোরের জজ কোর্ট হিসেবে ব্যাবহার করা হয়েছে। এখানে বেশ কিছু পুকুর আছে যার মধ্যে একটি ছিল ছোট তরফের এবং আরেকটি বড় তরফের।এখানে রানীমহল নামে একটি পরিত্যাক্ত প্রাসাদ আছে যেখানে রানী বাস করতেন।

Kal Bhairab Temple is a Hindu temple which is dedicated to the God Shiva. The temple is famous for the giant Shivalinga. Shivalinga is a 28-feet tall Shiva statue. No other statue in the world is assumed to be as big as it. Hindu Lord Shiva known as Kal Bhairab is the main attraction here, but Goddess Kali is also been worshiped. The location of statue of Kali is on the right side of the Kal Bhairab and the statue of the Goddess Saraswati on the left. The temple is a major pilgrimage place for Shaivites in Bangladesh.

The temple dates back to the 19th century. It is said that approximately 200 years ago a sculptor named Durgacharan Acharjee saw a dream which motivated and influenced him to make preparations to build the statue from soil. Noor Muhammad, the famous landlord of Sarail donated the land to build this temple.

Before the Brahmanbaria city was established, Medda was the market located beside the famous Titas river. This market is almost 300 years old. Durgacharan first built this statue by the bank of the river with soil. Regular prayers were held by the local fans until 1971.

During the Bangladesh Liberation War the Pakistani soldiers damaged and looted a lot of Hindu temples in Bangladesh. This temple was one of the damaged temples. The soldiers damaged the parts of this statue using dynamite. Later the statue was made again. It took four years to build this statue again but it reached the height of 24 feet. The current statue is made of stone.

Both regular and annual prayers are held here. People from different regions come to visit this temple. This place is also referred as one of the tourist attractions of the Brahmanbaria district. There are management committees to look after the temple. The giant statue of the Shiva is mostly locked for maintenance issues. The Government of Bangladesh looks after the charges for maintenance.

A Buddhist temple has been discovered in the territory of 2500 years old fort city named Wari-Bateshwar,Narsingdi. It has been located 14 kilometer away from the mother site of Wari-Bateshwar. It has been discovered at the village of Tongir tek, Shibpur upazila, Narsingdi. After discovering, the team of Archaeologist from Jahangirnagar University named it as ‘Tongir tek Mandir Vita’. Researcher conducting excavation there, assuming that it might be 1500 years old ancient Buddhist temple. With the discovery of this feature, it has been evaluating as a milestone in Buddha religion.

Along with the extended excavation, Researcher also collecting the seeds and pollens from this site. This collection will help a broad-spectrum research to reveal the environment, life style and eventually food habits of ancient people.

Researcher came to knew about the temple in the year of 2011, and they started excavating the site in 2012 where they found a parent room (গর্ভগৃহ) of the temple. Currently, researchers said that they have completed one-fourth of the excavation. Along with parent room of this temple there are Mandap & a Corridor interconnected which is a great sign of a complete ‘Buddhist Temple’.

There is a copperplate named ‘ASHRAFPUR COPPERPLATE’ also discovered from the same Upazila, previously. Where it was mentioned that there were four ‘Buddhist Bihar or Biharika’ in that region. Now, Archaeologist trying to discover those by excavating this temple. Generally, Buddhist Bihar is a part of the Temple & located very near to the worshipping house. May be someday, Archaeologist will discover the Bihar along with this Temple which will bring a new dimension in Buddha religion of Bangladesh.

The Joy kali Temple of Dhaka, is situated in a place between Thathari (ঠাটারি) Bazar and Wari. The road was named after this temple itself. Now, literally it is 24 Joy Kali Temple street. Joy Kali Temple is a Hindu temple devoted to Goddess Kali Ma for worshipping. People of Hindu religion of every age come to this temple to worship Goddess Kali. The statue of Goddess Kali is of great significance to the Hindus. The visitors and committee members of this temple gather money for occasions, where sweets are later distributed among them which is called 'Prasad'.

History:

This temple is about 400 years old, established in the Bengali year 1001. During the reign of the Nawabs, Dewan of Nawabs Tulsi Narayan Ghosh and Nabh Narayan Ghosh established this temple with the inspection of Bancharam Saint. At that time they established twenty-one statues of Shiva, Kali, Lakshmi narayan, three Shalgram Chakra, Bandurga etc. A few beautiful monuments like Pancharatna, Nabratna, temple of Shiva, guest house, were built in the house of Joy Kali. Even market named Nawabpur Joy Kali bazar, and a market situated at the south of Kaliganj hut was dedicated to Joy Kali Devi.

Present condition:

The first caretaker of this Joy Kali Devi was Bancharam Saint, the third caretaker was Panachenand, who suffered a decline, so the responsibility to serve the Devi got into the hands of Bhraman Tanyar. Later the landlords of that time seized some of the land of this temple. Starting from that time the temple started to erode, due to lack of maintenance and shortage of money. This temple was damaged during the strike of 1990’s. The temple was renovated later on by Goddess Kali’s followers. Now the temple is much smaller than it was when it was first established. The temple was burgled and valuables looted by thieves in 2010.

Architectural significance:

Inside the boundary of this temple there is basically two temples. One of the temples is of Kali Devi, the other one, which has a dome, is of Shiv. The dome was made out of plaster and is visible from outside. Locals of that area refer to this dome as the Joy Kali Temple. The front of the temple complex is a busy stop for human haulers that go into old Dhaka. The temple has tiles on the walls all around, and the floor is made out of mosaic. There are pictures of Hindu Gods and Goddesses printed on the tiled walls of the temple. The entrance to the temple is welcomed by a logo made of stainless steel saying 'Om'- which is a Hindu divine symbol. In front of the Kali Devi statue is a bell hanging from above, it is a ritual to ring the bell after entering the temple and before leaving.