গুটিয়া মসজিদ

Korotia Zamindar Bari (করটিয়া জমিদার বাড়ি) is located at the Korotia of Tangail (করটিয়া, টাঙ্গাইল). The famous Zamindar (জমিদার) of Tangail, Wajed Ali Khan Panni (ওয়াজেদ আলী খান পান্নি) built that palace beside the Putia River (পুটিয়া নদী) at Korotia (করটিয়া). The whole Zamindar palace premise having 1000m x 500m dimension comprises of lot of old buildings and ponds.

The main gate of the building is currently locked and no outsiders are entertained to have an entry. So if you go there, make sure you can have an entry, or you have to return from there without visiting that archaic building. According to the local people, the palace is open for public at 1st and 12th boishak (বৈশাখ) of Bengali calendar, and the two Eid days.

Near the Zamindar Bari (জমিদার বাড়ি) an old mosque is available. The mosque is having eight domes in two rows. First row is having five equal sized smaller domes and the second one is having three domes where middle one is the largest. At the eastern side of the mosque, a 15 feet tall minaret is available with old stairs. I don't know the exact built date of the mosque. If you know, you can share as a comment at below.

টাঙ্গাইলের করটিয়ায় পুটিয়া নদীর পাশে ওয়াজেদ আলী খান পন্নী এই বিখ্যাত জমিদারবাড়িটি নির্মাণ করেন। ১০০০ মিটার x ৫০০ মিটার এলাকায় অবস্থিত জমিদারবাড়ির আশেপাশে বেশকিছু প্রাচীন ভবন ও পুকুর রয়েছে।

জমিদারবাড়ির মূল ফটকটি বর্তমানে তালাবদ্ধ রাখা হয় এবং বাইরের কাউকে এখানে ঢুকতে দেওয়া হয়না। তাই এই জমিদারবাড়িটি দেখতে গেলে নিশ্চিত করে যাওয়া উচিত যে আপনি ভিতরে ঢুকতে পারবেন। অন্যথায় এই ঐতিহাসিক স্থাপনাটি আপনাকে না দেখেই ফিরতে হবে। স্থানীয়দের কাছ থেকে জানা যায় যে, বাংলা বৈশাখ মাসের এক এবং বারো তারিখে ছাড়াও দুই ঈদের দিন জমিদারবাড়িটি জনসাধারণের জন্য উন্মুক্ত করে দেওয়া হয়।

জমিদারবাড়ির কাছেই রয়েছে একটি প্রাচীন মসজিদ। মসজিদটিতে দুই সারিতে আটটি গম্বুজ রয়েছে। প্রথম সারিতে পাঁচটি একই আকারের ছোট গম্বুজ রয়েছে এবং দ্বিতীয় সারির তিনটি গম্বুজের মধ্যে মাঝেরটি আকারে বড়। মসজিদের পূর্বদিকে পুরাতন সিঁড়ি বিশিষ্ট একটি ১৫ ফুট উঁচু মিনার রয়েছে। মসজিদটির নির্মাণের সময় সম্পর্কে জানা যায়নি।

Chowk Bazar Shahi Mosque also known as Chowk Mosque is one of the oldest Mosques in Dhaka. It is located in the Chowk Bazar area of the old town of Dhaka, south to the current city center.

The mosque was constructed in 1676 by Subahdar Shayesta Khan (সুবাহদার শায়েস্তা খান). It is called ‘Shahi Mosque’ as it is founded by Subahdar Shayesta Khan. The mosque is built above a raised platform. The three domed mosque above the platform, now transformed into a multi-storied structure was originally a copy of Shayesta Khan's another three domed mosque at the Mitford Hospital compound near the Buriganga River. Some square shaped rooms may be built for Imam and for students of the Madrashah. As a result of several renovation & reconstruction work, this mosque has lost its ancient original view.

History: This Mosque was constructed in 1676, as noted by an inscription in the Persian language over a gateway. The inscription attributes the project to Subahdar Shaista Khan. So far, this is known as the earliest dated mosque in the History of Muslim Architecture in Bengal, built on a high vaulted platform. Its architectural design was perhaps influenced by Tughlaq Architectures; such as Khirki Masjid or Kalan Mosque of Delhi. Influenced by this structure, some other mosques were built in Dhaka and Murshidabad.

Architectural Properties: The western half of the 3.05 meter high vaulted platform (28.65 meter from north to south and 24.38 meter from east to west) is occupied by the original three-domed mosque. It measures, inclusive of the four octagonal towers on the exterior angles, 16.15 meter by 7.92 meter. There are three four-centered archways in the east, all opening out under half-domed vaults. The half-domed vault of the central archway still contains beautiful Muqarnas works in stucco.

Corresponding to the three eastern entrances, there are three Mihrabs inside the west wall, all now redesigned. The central mihrab still has a semi-octagonal aperture, while its flanking counterparts are rectangular in design. The mihrabs are now all studded with lustrous pieces of enamel. The rectangular frames enclosing the mihrabs are now topped by rows of painted cresting. The floor of the mosque is now laid with marble.

Three bays divides interior view of this Mosque- the central one square shaped and the side ones are rectangular. All these bays were covered with domes, the central one being bigger than its flanking counterparts. This can be deduced from the newly built three-domed prayer chamber exactly above the original one, where the central dome has been kept larger than the side ones.

Very uniquely designed and Space utilized Madrasa & Mosque: The promenade around the three domed prayer chamber, since there was no separate structure for study purpose, might have been used for open-air classes and the vaulted room with book-shelves on their walls underneath the platform may have been designed to provide residential accommodation for those who used to teach and study here. In that perspective, Chawk Mosque may be regarded as the first known example of Residential Madrasa Mosque.

It is an ingenious way of accommodating two structures-a madrasa and a mosque in a single building which not only saved space but also a considerable amount of money.

Walipur Alamgiri Mosque is situated in Walipur village under Hajiganj Upazila of Chandpur district. There are two mosques in the same locality - one known as Shahi Alamgiri Mosque and the other as Shah Shuja Mosque. The Alamgiri mosque has suffered much due to subsequent restoration works. Nevertheless, enough still survives to give an idea of its original plan and design. A Persian inscription in fine nastaliq character, fixed over the central doorway, records the construction of the mosque by one Abdullah in 1692 AD in the reign of Alamgir Aurangzeb.

In the middle of the eastern facade of the oblong mosque (15.24 m by 8.23 m) there is a projected fronton bordered with octagonal turrets through which opens out the main doorway. This has a higher arch with a half-dome within a rectangular frame. There are two more doorways in the eastern facade, one on either side of the central opening, having an outer arch with a half-dome below. Each of the north and south walls is pierced with a pair of arched doorways. The mosque has therefore seven archways in total -three in the east and two on each of the north and south walls. The four exterior angles of the building are strengthened by octagonal towers, which are carried beyond the horizontal parapets and topped over with kalasa finials, but have now been renovated.

Two massive octagonal brick pillars divide the interior of the mosque into five square bays - a large one in the middle (5.87m a side) and two smaller ones on its either side which are arranged in the east-west axis. Archways interconnect the bays; the arches are placed directly on two free standing octagonal pillars and engaged semi-octagonal pillars. It is worth noting that these arches are continued upwards as walls to make the bays above. This special device has given the mosque a two-storied appearance internally. All the five bays are roofed over with domes crowned with lotus and kalasa finials on cylindrical drums. The domes are carried on half-domed squinches on the upper corners and the blocked arches in between the square inches in the middle of the walls.

Octagonal turrets rising high above the horizontal parapets border the outside projection of the central mihrab, like that of the central archway. Inside, there are three mihrabs in the qibla wall. The central mihrab is semi-octagonal in design, but the flanking mihrabs are of the shallow rectangular type.

The original plastering of the building has been replaced by modern cement plaster. The horizontal parapet is now plain. The facade of the central archway projection is marked with shallow rectangular panels, each being further enriched with such motifs as plants and small trees with flowers in stucco. The central mihrab arch springs from beautifully decorated pilasters and has foliaged designs at its spandrels. The rectangular frame of the central mihrab, though now barely plain, is topped over with a frieze of blind merlons. A fine specimen of Mughal stucco ornamentation is still preserved in the squinches and blocked arches in between, which support the domes above. The extrados of the squinch arches and blocked arches are ornamented with interlocking scrolls, while the tympanums of the blocked arches are minutely embellished with floral scrolls with intertwining rosettes in the centers. Above them all round the interior base of the cylindrical drum runs a slightly sunken frieze decorated with floral scrolls.

Five-domed type mosque, one of the important varieties of Bengal mosques, shows two sub-types: (a) a mosque with a large central dome and a pair of small domes on each side in the same line and (b) a mosque with a large central dome and four small domes on the corners. The present mosque is the culminating example of the second variety. Both in planning and in the execution of elevation details of the building, the architect and the artisans have left behind a clear mark of their skills and perfection of ideas. The division of the interior of the mosque into five squares has been very scientifically effected by the disposition of two octagonal short massive freestanding pillars instead of the two east-west wide arches of the previous examples of the series. Mosques on this model were not built in Bengal for a long time, but almost two centuries later the type reappeared in the Becharam Dewri Mosque (1872) in the city of Dhaka. In plan Becharam Dewri Mosque is an exact copy of the Alamgiri Mosque but inferior in quality and elevation details.

Such mosque design in Bengal started with austagram mosque and evolved through the sarail mosque and the Walipur Alamgiri Mosque. The design is really unique. Question may now arise as to the origin of this particular kind of Bengal mosques. In Turkey under the early Ottomans the mosque of Rustam Celebi (c first half of the 15th century) at Tokat provides perhaps the earliest known example of its kind with five domes - the large central one and a small one on four corners. Similar plan is also found in such other Ottoman mosques as the Guzelce Hasan Bey Mosque (1406) in Hayrabolu and the Uc Serefeli Cam (1437-47) at Edirne. These mosques are generally regarded as the precursors of the great Ottoman mosques at Istambul - Bayezid mosque (1501-06), Sulaymaniya Mosque (1550-59), and the beautiful Selimya Mosque (1569-75) at Edirne. The five-roomed or five-domed planning of the Ottoman mosques may perhaps be said to have been dictated by those of some early Muslim buildings of Syria.

In India the Jamat Khana Mosque (1310-16) at Delhi is a lone example of its kind. This mosque design continued to have been practiced in Northern India in an elaborated form in Humayun's Mosque (1530) at Agra, where four small domed-rooms, instead of two, are attached on either side of the large central domed chamber. It may, therefore, be said that the plan of the second variety of the five-domed type mosques in Bengal was not innovated by Bengal architects, and its idea is very likely to have been borrowed from the sources stated above, particularly perhaps from those of Turkey or Upper India.

Written by: MA Bari

It was built at a time when Sultani era was at its end and Mughal era had just set in. According to the inscription found in the mosque, it was built by Nawab Mirza Murad Khan, son of Jawahar Ali Khan Kakshal, in 1582 AD (989 Hijri).

The end of the 16th century AD is regarded as a tumultuous period in the history of Bengal due to anti-Mughal resistance spearheaded by the Bara Bhuiyans. During this era, the region, mentioned as ‘Sherpur Morcha’ in Ain-i Akbari by abul fazal, was the stronghold of the Kakshal rebels. They expressed solidarity with the bara bhuiyans of Bengal and the Afghan leader Masum Khan Kabuli. In fact Khherua mosque came into being to serve the community. As it was built while a political crisis was going on, a degree of negligence is evident in the construction and ornamentation of the mosque.

The rectangular mosque is 17.34 meters long from north to south while 7.5 meters wide from west to east. Its dimension from inside is 13.72 meters long and 3.8 meters wide. The walls are about 1.83 meters thick. The mosque has three entrances on the east, of which the central one is bigger than the two on its sides. Also, there is an entry on each side on the north and the south. Inside the mosque, on the west wall, there are three half-cylindrical concave mihrabs within a rectangular frame. The one in the middle is bigger than the other two and all three are devoid of any ornamentation.

Kherua mosque has three domes in a row, which look like three bowls of same size placed upside down. There is no motif or ornamentation on the domes. The construction looks similar to that of Sultani era. The two sides of the cornice are slightly curved taking after the traditional hut of Bengal. This type of roof treatment is seen in most of the 15th century architectural works. In the front walls some paneling work was done. There was some ornamentation with terracotta tiles, which are no longer there now. There were two inscriptions engraved on the two sides of the central entrance. One inscription is still there while the other is being preserved in the Karachi Museum. From the shape of the stone used for the inscription, it is assumed that the piece was the part of a statue; and the inscription was inscribed on the backside of the statue and placed on the wall. Kherua Mosque demands a great importance as an example of early mughal mosques in Bengal.