Array
(
[0] => Array
(
[name] => Mirzapur Jame Masjid
[post_id] => 3073
[post_link] => http://offroadbangladesh.com/bn/places/mirzapur-jame-masjid/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/Mirzapur-Jamei-Masjid-300x187.jpg
[post_content] =>
Mirzapur Jame Mosque is located in Mirzapur about six kilometer far away from Atwari subdistrict on the Atwari-Panchagarh road of Panchagar district.
An inscription wrote in Persian language on the eastern wall of the Masjid provide its reconstruction and reparation by one Shaikh Malik-Uddin in 1252 BS (1831 AD). But nobody don’t know its actual construction date. Recently Department of Archaeology, Bangladesh taking care of this Masjid. There are two ancient graves to the south side of the mosque and north-east side stands an old well.
The mosque has three domes, an open courtyard (17meter / 14meter) surrounded by wall. Access gate room of the courtyard (4.12m / 2.12m with 0.60m thick wall) is situated its east middle side. The gate room covered by sloping four-ways roof.
The mosque is rectangular externally length is 13m width is 5.40m with 3 entry doors on the east and 3 mihrabs on the west wall inside. The middle door and the middle mihrab are bigger than the others, which are of same size and height. There is 2 window in the center of the south and north walls. On the roof there are four towers four corners of the masjid. The walls outside are now whitewashed and the terracotta plaques are painted red creating a very colorful exterior.
)
[1] => Array
(
[name] => House of Poet Shamsur Rahman and Paratoly Mosque
[post_id] => 7325
[post_link] => http://offroadbangladesh.com/bn/places/house-of-poet-shamsur-rahman/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/IMG_20150411_121725462-300x169.jpg
[post_content] =>
Shamsur Rahman ( শামসুর রাহমান, 23 October 1929 – 17 August 2006) was a famous poet, columnist and journalist of Bangladesh. Shamsur Rahman, who emerged in the latter half of the 20th century, wrote more than sixty books of poetry and is considered a key figure in Bengali literature. He was regarded the ‘unofficial poet laureate’ of Bangladesh. Major themes in his poetry and writings include liberal humanism, human relations, romanticism, rebellion of youth, the emergence of and consequent events in Bangladesh, and opposition to religious fundamentalism.
Shamsur Rahman was born in his grandfather's house at Mahut-Tuli, Dhaka. His paternal home is situated on the bank of the river Meghna, a village named Paratoli, near the Raipura Upazila of Narshingdi district. He was the fourth of thirteen children. During leisure time, he used to go his Village and there beside the pond near to the house, he wrote one of the great poems
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“স্বাধীনতা তুমি”
স্বাধীনতা তুমি
রবিঠাকুরের অজর কবিতা, অবিনাশী গান।
স্বাধীনতা তুমি
কাজী নজরুল ঝাঁকড়া চুলের বাবরি দোলানো
মহান পুরুষ, সৃষ্টিসুখের উল্লাসে কাঁপা-
স্বাধীনতা তুমি
শহীদ মিনারে অমর একুশে ফেব্রুয়ারির উজ্জ্বল সভা
স্বাধীনতা তুমি
পতাকা-শোভিত শ্লোগান-মুখর ঝাঁঝালো মিছিল…
Still today, all the things are in same spatial context. But, the building of his house is in very poor condition. It’s almost on the way to decay.
Paratoly Shahi Jem-e Mosque:
There is a three domed mosque beside the house of Shamsur Rahman, which was built in the Islamic year 1299.This 137 years old mosque still architecturally fit and being used for regular prayers.
)
[2] => Array
(
[name] => {:en}Ronvijoypur Mosque{:}{:bn}রনবিজয়পুর মসজিদ{:}
[post_id] => 1581
[post_link] => http://offroadbangladesh.com/bn/places/ronvijoypur-mosque-3/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/Ronvijoypur-Mosque2-300x200.jpg
[post_content] => {:en}
Ronvijoypur Mosque has the largest dome in Bangladesh. It is of 11 meters (36 ft) width supported by arches. The corners have tapering circular towers while the external molding has a slight curve. The interior of the Ronvijoypur Mosque is plain. However the main mihrab consists of decorations of floral patterns. It was constructed according to khan Jahan style of architecture. Several renovations took place during the 1960s and 1970s. However, more repair work is required to prevent dampness inside the tomb, and also to the brick work on the exterior surfaces.
[This spot needs more detail. If you have more inform]ation and photos, please be advised to add in our website. Your name will be published as a Content Contributor]
{:}{:bn}খুলনা বিভাগের বাগেরহাট জেলায় (খুলনা-বাগেরহাট মহাসড়কে) খানা জাহানের সমাধির উল্টোদিকে রনবিজয়পুর মসজিদ অবস্থিত। বাংলাদেশের বৃহত্তম গম্বুজ রয়েছে এই মসজিদে। খিলানের উপর ভর করা এই মসজিদের গম্বুজটি প্রায় ১১ মিটার (৩৬ ফুট) প্রশস্ত। রনবিজয়পুর মসজিদের কোণায় সরু গোলাকার টাওয়ার রয়েছে এবং মসজিদের বাইরের নকশার কাজ সামান্য বাঁকানো। তবে মসজিদের মূল মিহরাবে ফুলের নকশা রয়েছে। খান জাহানের স্থাপত্যশৈলী অনুসরণ করে এই মসজিদটি নির্মাণ করা হয়। ষাট এবং সত্তরের দশকে রনবিজয়পুর মসজিদটি কয়েকদফা মেরামত করা হয়। তবে, মসজিদের গম্বুজের অভ্যন্তরের এবং বাইরের দেয়ালের আদ্রতা দূর করতে মসজিদটিকে আরো মেরামতের প্রয়োজন আছে।{:}
)
[3] => Array
(
[name] => Walipur Alamgiri Mosque
[post_id] => 5153
[post_link] => http://offroadbangladesh.com/bn/places/walipur-alamgiri-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/WalipurAlamgiriMosque-300x214.jpg
[post_content] =>
Walipur Alamgiri Mosque is situated in Walipur village under Hajiganj Upazila of Chandpur district. There are two mosques in the same locality - one known as Shahi Alamgiri Mosque and the other as Shah Shuja Mosque. The Alamgiri mosque has suffered much due to subsequent restoration works. Nevertheless, enough still survives to give an idea of its original plan and design. A Persian inscription in fine nastaliq character, fixed over the central doorway, records the construction of the mosque by one Abdullah in 1692 AD in the reign of Alamgir Aurangzeb.
In the middle of the eastern facade of the oblong mosque (15.24 m by 8.23 m) there is a projected fronton bordered with octagonal turrets through which opens out the main doorway. This has a higher arch with a half-dome within a rectangular frame. There are two more doorways in the eastern facade, one on either side of the central opening, having an outer arch with a half-dome below. Each of the north and south walls is pierced with a pair of arched doorways. The mosque has therefore seven archways in total -three in the east and two on each of the north and south walls. The four exterior angles of the building are strengthened by octagonal towers, which are carried beyond the horizontal parapets and topped over with kalasa finials, but have now been renovated.
Two massive octagonal brick pillars divide the interior of the mosque into five square bays - a large one in the middle (5.87m a side) and two smaller ones on its either side which are arranged in the east-west axis. Archways interconnect the bays; the arches are placed directly on two free standing octagonal pillars and engaged semi-octagonal pillars. It is worth noting that these arches are continued upwards as walls to make the bays above. This special device has given the mosque a two-storied appearance internally. All the five bays are roofed over with domes crowned with lotus and kalasa finials on cylindrical drums. The domes are carried on half-domed squinches on the upper corners and the blocked arches in between the square inches in the middle of the walls.
Octagonal turrets rising high above the horizontal parapets border the outside projection of the central mihrab, like that of the central archway. Inside, there are three mihrabs in the qibla wall. The central mihrab is semi-octagonal in design, but the flanking mihrabs are of the shallow rectangular type.
The original plastering of the building has been replaced by modern cement plaster. The horizontal parapet is now plain. The facade of the central archway projection is marked with shallow rectangular panels, each being further enriched with such motifs as plants and small trees with flowers in stucco. The central mihrab arch springs from beautifully decorated pilasters and has foliaged designs at its spandrels. The rectangular frame of the central mihrab, though now barely plain, is topped over with a frieze of blind merlons. A fine specimen of Mughal stucco ornamentation is still preserved in the squinches and blocked arches in between, which support the domes above. The extrados of the squinch arches and blocked arches are ornamented with interlocking scrolls, while the tympanums of the blocked arches are minutely embellished with floral scrolls with intertwining rosettes in the centers. Above them all round the interior base of the cylindrical drum runs a slightly sunken frieze decorated with floral scrolls.
Five-domed type mosque, one of the important varieties of Bengal mosques, shows two sub-types: (a) a mosque with a large central dome and a pair of small domes on each side in the same line and (b) a mosque with a large central dome and four small domes on the corners. The present mosque is the culminating example of the second variety. Both in planning and in the execution of elevation details of the building, the architect and the artisans have left behind a clear mark of their skills and perfection of ideas. The division of the interior of the mosque into five squares has been very scientifically effected by the disposition of two octagonal short massive freestanding pillars instead of the two east-west wide arches of the previous examples of the series. Mosques on this model were not built in Bengal for a long time, but almost two centuries later the type reappeared in the Becharam Dewri Mosque (1872) in the city of Dhaka. In plan Becharam Dewri Mosque is an exact copy of the Alamgiri Mosque but inferior in quality and elevation details.
Such mosque design in Bengal started with austagram mosque and evolved through the sarail mosque and the Walipur Alamgiri Mosque. The design is really unique. Question may now arise as to the origin of this particular kind of Bengal mosques. In Turkey under the early Ottomans the mosque of Rustam Celebi (c first half of the 15th century) at Tokat provides perhaps the earliest known example of its kind with five domes - the large central one and a small one on four corners. Similar plan is also found in such other Ottoman mosques as the Guzelce Hasan Bey Mosque (1406) in Hayrabolu and the Uc Serefeli Cam (1437-47) at Edirne. These mosques are generally regarded as the precursors of the great Ottoman mosques at Istambul - Bayezid mosque (1501-06), Sulaymaniya Mosque (1550-59), and the beautiful Selimya Mosque (1569-75) at Edirne. The five-roomed or five-domed planning of the Ottoman mosques may perhaps be said to have been dictated by those of some early Muslim buildings of Syria.
In India the Jamat Khana Mosque (1310-16) at Delhi is a lone example of its kind. This mosque design continued to have been practiced in Northern India in an elaborated form in Humayun's Mosque (1530) at Agra, where four small domed-rooms, instead of two, are attached on either side of the large central domed chamber. It may, therefore, be said that the plan of the second variety of the five-domed type mosques in Bengal was not innovated by Bengal architects, and its idea is very likely to have been borrowed from the sources stated above, particularly perhaps from those of Turkey or Upper India.
Written by: MA Bari
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