Tangail Airport

In Khulna, there is a memorial complex by the name of Rabindranath Tagore. It was his ancestors place in Bangladesh. At that time they were known as "Kushari" instead of Tagore. By and by, the family name became Thakur. However, some descendant of the bloodline still lives here and grow their own business.

A very brief History of Rabindra Tagore’s ancestors:

A descendant of the Kushari Family went near Kolkata (India) to spread his business. At that time in that place he was the only person from the “Brahman” class. That means his family members can do Hindu rituals. During that period, the Brahman class was called “Thakur” by the general people. In course of time, Thakur became their family title.

In that bloodline, the famous noble laurite Rabindranath Tagore was born. On the other hand, the root bloodline of Kushari family remain living in the greater Khulna area.

Kushari: Etymology

It is believed that, Five person came to spread Hinduism in the particular part of Khulna. Their descendants lately became the ruler of “Kush” village and the word Kushari became their family name.

Pithavoge Kushari bari:

After the demolition of the old house, the government of the people’s republic of Bangladesh established a one storied memorial complex in 2007 at Pithavoge where a bust of Tagore is established. There are a lot of photos of historical moments of Rabindranath Tagore to display. The unique thing is, Rabindranath drew a few artworks which are also displayed in here. The most mentionable is the self portrait of Rabindranath Tagore drew by himself.

Hemnagar Zamindar Bari (হেমনগর জমিদার বাড়ি) is a less highlighted edifice from Bangladesh. Not that much tourists use to travel here despite of having everything to become a promising tourist attraction from Bangladesh. Only local people from around use to visit here. It was built by the prominent Hindu Zamindar (জমিদার) from Tangail (টাংগাঈল) district named Hemchandra Choudhury (হেমচন্দ্র চৌধুরী) at 1890.

The Main building at the front side has two small statues of angel at the top. That's why local people know this as Porir Dalan (পরীর দালান) which means a Palace of Angel. Main building of this Zamindar Bari (জমিদার বাড়ি) is currently using as an administrative building of Hemnagar (হেমনগর) Degree College, but the other buildings at the back side is empty right now. There it has approximately 25 rooms inside.

Front side of the building is having the best styles from the whole premise. It is highly ornate at the walls using colorful glasses. Every inches of the walls, pillars, and the archways are flourished with flowers, vines, stars, etc formed using those colorful glasses.

The Zamindar (জমিদার) was slight cruel and rude on the peasants. They were coerced to follow few rules. For example, if anyone wanted to pass this palace premise, he/she must had to continuously keep vowing and walking backwards with bare feet. Such things must have poured the heart of locals with hatred and grief. That's why the powerful Zamindar (জমিদার) had to escape from the place during the country's separation. Along with the buildings, the whole premise was having 7 massive ponds (only few are right now available). Local people say those 7 ponds are for the seven ladies (daughters and sisters of the Zamindar). Dhonbari Zamindar Bari is very near from this place.

বাংলাদেশের অন্যতম আকর্ষণীয় পর্যটনস্পটে পরিনত হওয়ার সকল যোগ্যতা থাকার পরও হেমনগর জমিদার বাড়ি খুব একটা সুনাম অর্জন করতে পারেনি এবং খুব বেশি পর্যটকও এখানে আসেন না। মূলত এখানকার আশেপাশে স্থানীয় বসবাসকারীরা এখানে আসেন। ১৮৯০ সালে টাঙ্গাইলের বিশিষ্ট হিন্দু জমিদার হেমচন্দ্র চৌধুরী এই জমিদারবাড়িটি নির্মাণ করেন।

জমিদারবাড়ির মূল ভবনের সামনে দুটি পরীর ছোট মূর্তি রয়েছে আর এ কারনেই স্থানীয়রা এই জমিদারবাড়িকে বলে থাকে পরীর দালান। এই জমিদারবাড়ির মূল ভবনটি বর্তমানে হেমনগর ডিগ্রী কলেজের প্রশাসনিক ভবন হিসেবে ব্যবহার করা হচ্ছে তবে এখানকার পেছনদিকে অবস্থিত ভবনটি বর্তমানে খালি পড়ে আছে। জমিদারবাড়ির অভ্যন্তরে প্রায় ২৫টি কক্ষ আছে।

জমিদারবাড়ির সামনের দিকটি সবচেয়ে দৃষ্টি নন্দন। রঙ্গিন কাচ দিয়ে ভবনের দেয়ালে নকশা করা হয়েছে। জমিদারবাড়ির দেয়াল, পিলার, ফটকের প্রতিটি ইঞ্চিতে রঙ্গিন কাঁচ ব্যবহার করে ফুল, তারা, গাছ ইত্যাদি সৃষ্টি করা হয়েছে।

জমিদার তার এলাকার মানুষকে কঠোর হাতে শাসন করতেন এবং তাঁদের কিছু নিয়ম মানতে বাধ্য করা হত যেমনঃ কাউকে জমিদারবাড়ির মধ্যে দিয়ে অতিক্রম করতে হলে তাঁকে খালি পায়ে ক্রমাগত মাথা ঝুঁকিয়ে আনুগত্য প্রকাশের পাশাপাশি উল্টো হয়ে হাটতে হত এবং এ কারনে স্থানীয়দের মনে জমিদারের উপর চরম ক্ষোভ ও ঘৃণার সৃষ্টি হয়। এই ঘৃণা এবং অসন্তোষের পরিপ্রেক্ষিতে জমিদার দেশবিভাগের সময় জমিদারবাড়ি থেকে পালিয়ে যান। মূল জমিদারবাড়ির পাশাপাশি এখানে সাতটি বিশালাকারের পুকুর ছিল যেগুলোর মধ্যে মাত্র কয়েকটি বর্তমানে টিকে রয়েছে। স্থানীয়রা বলে থাকে যে সাতটি পুকুর ছিল জমিদারের সাত ছেলে মেয়ের জন্য। ধনবাড়ি জমিদারবাড়ি এখান থেকে বেশ নিকটে অবস্থিত।

Charpatra Mura is a small but interesting archaeological site in Mainamati. It is situated in the northern part of the Lalmai ridge at about the center of the Comilla Cantonment area. A small Hindu shrine, 45.7m × 16.8m, was uncovered here. The shape and architectural design and decoration are unique; differing basically both from the Buddhist architecture of Mainamati and the traditional Hindu temple architecture of the Gupta or other Indian types. It appears to represent a synthetic Bengal type that has evolved gradually by assimilating certain elements and features of local Buddhist architecture.

The temple has two distinct parts, an open pillared hall in the badly damaged front part and a cell at the back in the west. The latter part was found less damaged and decayed, that is to say, better preserved and undisturbed. It could therefore be properly excavated and uncovered. The exterior of this cella or temple proper at the back shows a fantastically complex and variegated shape produced by a multiplicity of angles and corners resulting from a combination of symmetrical projections and offsets at lateral and vertical planes, maintaining, nevertheless, a delicate balance between exotic growth and basic strength and proportions of the original form and the traditional plan. The overall effect is highly pleasing.

A few very significant objects were discovered in this monument. These are a bronze relic casket and four copperplate grants - three of them issued by the last two kings of the chandra dynasty and the fourth by a Later-Deva king, all in favor of a Ladaha Madhava (Visnu) temple situated in devaparvata. One record identifies the locality as Pattikeraka. On the basis of our present knowledge and information, it may be stated with absolute certainty that this new settlement was definitely located in the Lalmai -Mainamati area, and occupied a part or the whole of the old city of Devaparvata, and that the Ladaha Madhava temple of the inscriptions may reasonably be identified with the excavated Charpatra Mura temple.

The temple was probably reconstructed, if not originally built, by the Chandra King Shri-Ladahachandra (c 1000-1020 AD) who derived his name from that of the consecrated deity. Alternatively, the deity derived its name from that of the builder king who appears to have been especially devoted to him. This king issued two of the four grants found here. The appellation, Charpatra Mura, is related to the discovery of four copperplates.

Written by: M Harunur Rashid

The Betila (বেতিলা) House in Manikganj was built about a century ago by Jyoti Babu (জ্যোতি বাবু) and Satya Babu (সত্য বাবু), a couple of affluent merchants involved in the trade of Jute, the golden fibre of Bangladesh. This palatial house is located in a remote area named Betila which is within the parameters of the modern day Manikganj proper. Explorers/travelers searching for heritage sites in Manikganj over the internet may come across several links of the famous Baliati Zamindar’s Palace but never find any links on Betila. This is primarily because the Betila House was not a Zamindar’s (Land Owner) palace, and secondly since it is located in such a remote area, people hardly know about it. Rich people of those era are known to build such palatial houses in remote areas and live lavish lives, even though they were not 'Zamindars' or royalty.

For someone looking for heritage sites, the Betila Mitra Union of Manikganj would be a fabulous one to come across. It’s situated in semi rural setting (being not too distant from urban areas) and doesn't seem particularly unique on first impression but once you begin to explore it's culture and heritage, beautiful places like the Betila House amongst several others begin to surface. The seemingly tame Betila Canal runs across the area, connecting two major rivers Kaliganga (কালিগঙ্গা) and Dhaleshwari (ধলেশ্বরী) but like most waterways of Bangladesh, one can anticipate its ferocity in full monsoon season when rising water levels which is also evident in the way it has eroded both its banks, specially at the lone bridge that was constructed some time back.

On both the banks one will come across a series of heritage buildings, the pinnacle being on the eastern bank, the Betila Palatial house surrounded by rich foliage. It’s a combined structure of two separate buildings both of which are two-storied, standing almost intact, side by side and with an expansive open field before them.