Brief
Munshiganj, or Bikrampur as it was formerly known as home to a number of rich landlords and merchants, who lived in palatial houses, built on large estates. Most of these perished in course of time as the mighty Padma River devoured most of Bikrampur. Of all that remain in today’s Munshiganj, the largest is the house at Abdullahpur, known as Tokani Pal House (টোকানী পাল বাড়ি). There isn’t enough source to know about who built this house, but Tokani Pal, an elderly merchant from Barisal, bought this 7 acre estate and moved in here sometime in the early 1890s. His second wife Nabanga Sundary and all six sons from his two marriages accompanied him.
The estate now consists of 11 buildings and six ponds. The sprawling gardens have hundreds of trees – fruit bearing, medicinal, or for wood itself. And there were once several hundreds of flowering plants. But when Tokani arrived, the estate was in a mess. Kamini Pal, the eldest son of Tokani,took charge of cleaning up the estate. He chose a place to set up a temple, dedicated to Radha-Shyam, of whom they had been followers for generations. By this time, the masons of Abdullahpur had made a name in craftsmanship and expertise, and Arfan Ostagar was the most revered of all. He was hired, for a daily fee of five quarters and a pack of tobacco. His designer had to be paid an additional three quarters. A 15X6 feet room was planned to build, with a wide sprawling varanda, where followers could sing devotional songs every evening. The room would have a large platform, on which would rest a large metal statue of Radha-Shyam. The exterior wall would be decorated with fine ceramic designs. Once completed, the temple became a marvel, people from far and wide came over to see.
The Pal’s principal business was surrounded around the Kamala river port of Bikrampur, which was known as the Second Kolkata. Betelnuts, mustard, lentils etc would arrive from Barisal or Chandpur, and would be traded with Kolkata. Almost 20,000 laborers worked daily at this port, where the second largest wholesalers were the Pals. They set up warehouses at places as far as Barisal, Jhalokathhi or Shwarupkathhi, or Chandpur. Kamini Pal also became the most prominent money-lender. Dwarkanath became a prominent dealer in Kerosene oil. Other brothers also chipped in here and there. Business for the Pals was running well.
After the Partition of India, a large section of the family moved to Kolkata. Those who remained to protect the family businesses, soon found it difficult, as business with Kolkata became complicated. They had to explore new business avenues, but that wasn’t too easy.
In 1971, Hindus were being tortured or killed, their businesses were being shut down, their houses were being torched. The Pal estate being protected with a strong high boundary wall became a safe refuge, not only for members of this family, but for members of extended families, and also for friends and their families. About 500 people had found safe shelter here, until one dark night, when the Pakistani Army entered the compounds, killed several family members, and set the main houses of fire. The entire clan moved to India through Agartala.
Almost two years later, Shashadhar Pal, the second son of Dwarkanath Pal, who by then was head of the clan, returned with his family. But by this time major parts of the estate had been grabbed and taken over by others. He tried to revive some of the businesses, but did not quite succeed. His family members went back to Kolkata, but he decided to stay back, reminiscing his childhood memories, and gradually selling off part of their properties. He lived either in one of the houses within this estate, or in the other Pal House, which also was built by his uncle Kamini Pal several decades ago. He passed away in the late 1990s.
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[name] => Tengor Shahi Jame Mosque
[post_id] => 8140
[post_link] => http://offroadbangladesh.com/bn/places/tengor-shahi-jame-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/P_20150520_173352-169x300.jpg
[post_content] =>
Tengor Shahi Jame Mosque is a single-domed square shaped mosque and built entirely of brick.Through the analysis of An Arabic inscription, originally fixed over the central archway of eastern wall, can now be found fixed to an enclosure wall of a nearby newly built mosque, locally known as Pashchimpada masjid (mosque). According to the inscription, the Rikabi Bazar Mosque was built by one Malik Abdullah Miah, son of Amin Khan Fakir Miah, in 1569 AD during the reign of Sultan sulaiman karrani.
The walls of this mosque are about 2.13m thick.There were four corner-towers in the four exterior angles of the building, but these were removed at the time of renovation work. The mosque has five arched-doorways, three in the east and one each on the north and south sides. The north and south doors are now used as windows. All the arches are of the two-centered pointed variety. The central archway in the east is bigger than the flanking ones. Corresponding to the three eastern archways there are three renovated semi-circular mihrabs inside the qibla wall that are set within rectangular frames. Like the central doorway, the central mihrab is bigger than its flanking counterparts. The north and south walls have two alcoves on either side of the archway. The square prayer hall of the mosque is covered with a large brick shouldered dome, which rests on the four blocked arches over the central mihrab and the three axial doorways springing from the brick pilasters, two inside each wall, in combination with Bengali pendentives and half-domed squinches on the upper angles.
Architectural Features: Architectural features of this mosque include massive walls, a large dome, two-centered pointed archways and a dome supported by blocked arches springing from brick pilanters in combination with pendentive and half-domed squinches. These are very feature similar to the Goaldi Mosque in sonargaon and baba saleh’s mosque in Bandar, both in narayanganj district
An octagonal drum can be seen externally in the lower part of the dome. The parapets and the inner side of the dome is decorated with rows of blind merlons, and each rectangular frame of the three mihrabs is crowned by a frieze of blind merlons. These are not original ornamentations. The outer walls of the mosque were once ornamented with terracotta plaques, but now these are all missing. The mosque is at present covered with cement plaster.
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[name] => Khelaram Datar Kotha
[post_id] => 10252
[post_link] => http://offroadbangladesh.com/bn/places/andharkotha-khelaram-datar-kotha/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/06/18-225x300.jpg
[post_content] =>
Previously, the actual color of Khelaram Datar Kotha (খেলারাম দাতার কোঠা) was reddish (first three photographs added). But after a renovation done by the Department of archaeology, it is colored white now.
Possibly the most intriguing, interesting and uniquely confusing archeological structures of Nawabganj is the Khelaram Daata’r Kotha, which has recently been renovated. Yet they have not put up a sign board describing the building.
It is confusing, who was Khelaram? What was he known for? What is this building all about? What is the story behind it? When was it built? One could come up with several such questions, but apparently there isn’t much available documentation. It’s hardly possibly to rely on local folklore, as that is far more fiction than facts. To start with some confusion, some say the name of the founder of this structure was Khelaram Dutta, Banglapedia mentions him as Khelaram Dada, while the locals say he was known as Khelaram Daata.
According to Banglapedia he was a Zamindar, but the locals claim he was a dacoit. Since Banglapedia mentions nothing about him apart from naming him as Zamindar Khelaram Dada. So, there isn’t any other way except relating oral history along with the information of Banglapedia.
Some 200 years ago, there lived a ferocious dacoit named Khelaram, who was dreaded by the rich, but loved by the poor, because similar to Robin Hood, he generously donated much of his spoils from each mission amongst the poor people. Hence he was known as “Daata” the beneficent. But he still retained quite a bit and needed to store the loot. So he built this structure consisting of many rooms just overnight (within a short time). The building had five floors (it now has only two) and the roof had a large tank. There still is a large pond nearby. Poor people had to come to this pond to bathe, and anything they asked for was granted.
Oral History Or Myth :
Khelaram was extremely obedient to his mother. She once wanted to drink some milk and eat some ripened bananas, so Khelaram arranged the rooftop tank to be filled to the brim with ripened bananas and pure milk, so she could swim there and eat and drink to her heart’s content. But one day something Khelaram did severely angered his mother. She sternly rebuked and cursed him and then left for a bath in the pond. But as soon as she left the building, three floors of the building simply sank into the ground, leaving only the top two floors to be seen over the surface. Khelaram was not seen any more from then. Some believe he got trapped in one of the lower floors. Some believe he drowned in the pond, trying to save his mother. Within a short time, all his belongings got stolen, leaving behind just an empty house.
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[name] => Radha Krishna and Shiva Kali Temple
[post_id] => 9111
[post_link] => http://offroadbangladesh.com/bn/places/radha-krishna-and-shiva-kali-temple/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/05/shib-kali-1-169x300.jpg
[post_content] =>
Radha Krishna and Shiva Kali Temple is a Hindu religious Architecture situated in Munshiganj Sadar, which is very near to destruction.About 100 years old (now rebuilt) Radha-Krishna Temple and the other one is about 190 years old (locally informed) Shiva temple at Atpara, Sukhbaspur, Munshiganj Sadar Upazila. Adjacent to this temple there are two more temples which appear to have been erected recently. It is a 'Pancha ratna' temple resting on a square sanctum. Its south-east corner ratna along with large portion of the body is missing.
Architectural property of Temple:
The four turrets are set on the roof top corners while the large fifth central sikhara rises above those. The wall of the temple is 63cm thick. The temple has sharply curved cornices and an arched shape entrance on the south but its lower portion is in a dilapidated condition.
The char-Chala central ratna rests upon its rectangular base which has an arched entrance and panel decoration. The south and other sides are relieved with imitation doorway design and paneled bands. The central tapering tower rises above and terminates in an iron shike. The four miniature corner turrets are similar to the central one and have four openings each.This variety is the most popular type of temples that flourished in Bengal in the 19th century AD.
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[name] => {:en}Baba Adam Shahid Mosque{:}{:bn}বাবা আদমের মসজিদ এবং দরগা {:}
[post_id] => 7979
[post_link] => http://offroadbangladesh.com/bn/places/baba-adam-shahi-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/baba-adam-300x169.jpg
[post_content] => {:en}
Baba Adam Shahid Mosque (বাবা আদম শহীদ মসজিদ) is an archaeologically significant mosque situated in Munshiganj District.
Baba Adam's Mosque shows all the decorative and architectural characteristics of the sultanate architecture of Bengal. This mosque, in fact, bears the mature form of the sultanate mosque style of this region (Bangladesh).
It is a six-domed mosque. An inscription, fixed above the central doorway in the east, records 888 AH/1483 AD as the date of construction of the mosque. Malik Kafur built it during the reign of Sultan Fateh Shah. Baba Adam's Mosque is now protected monument under the Department of Archaeology, Bangladesh. It has been renovated and is in a comparatively good state of preservation. Besides the mosque there is a tomb known as Baba Adam's Mazar, where, according to a legend, baba adam shahid, who died in a holy war, was buried. It is difficult to ascertain the historicity of this tomb due to lack of authentic sources. There is a newly built small tomb structure situated on the south-east side of the courtyard of the mosque. Previously, there was no roof over the tomb.
The present tomb is square in plan (7.62m a side) and is undated and without any inscription tablet. The simple grave has no feature of architectural importance and the Department of Archaeology is not responsible for preserving it.
{:}{:bn}
বাবা আদমের মসজিদ এবং দরগা মুন্সীগঞ্জ জেলার রামপাল থানার রিকাবিবাজার ইউনিয়নের কাজী কসবা গ্রামে অবস্থিত। বহুগম্বুজবিশিষ্ট আয়াতক্ষেত্রাকার এই মসজিদটির ভেতরের অংশের আয়তন ১০.৩৫ মিটার গুণিতক ৬.৭৫ মিটার এবং বাইরের অংশের আয়তন ১৪.৩০ মিটার গুণিতক ১১.৪৫ মিটার। মসজিদটির দেয়ালের পুরুত্ব প্রায় ২ মিটার। বাবা আদম মসজিদের তিনটি সারিতে প্রবেশের জন্য মোট দুটি পথ রয়েছে। এই মসজিদের পশ্চিম দিকের দেয়ালের পেছনের অংশের তিনটি স্তর রয়েছে এবং মাঝখানের স্তরে নকশাকরা বহুখাঁজবিশিষ্ট খিলানের প্যানেল রয়েছে। মসজিদের ছাদে দুই সারিতে তিনটি করে মোট ছয়টি একই ধরনের গোলাকার গম্বুজ রয়েছে। বাবা আদম মসজিদে দুটি সরু স্তম্ভ রয়েছে যেগুলো কালো অগ্নিয়গিরিজাত শিলা দিয়ে নির্মিত। এই স্তম্ভগুলোর গোড়া অষ্টভুজাকার, ষোল পার্শ্বযুক্ত এবং শিকল ও ঘণ্টার আদলে নকশাকৃত। বাবা আদম মসজিদের মুসলিম আমল পূর্ববর্তী পাথরের পিলারগুলোর উপর মসজিদের সরু প্রজাতির খিলানগুলো দাড়িয়ে আছে যেখান থেকে ছয়টি গম্বুজের উদয় হয়েছে। মসজিদটি ইটের তৈরি হলেও এটির পিলার এবং আয়তাকার স্তম্ভগুলো পাথরের তৈরি।
সুলতানি আমলের বেশীরভাগ স্থাপনার মত এই মসজিদের কার্নিশ এবং ছাদ বক্ররেখা বেষ্টিত। মসজিদের পশ্চিম দিকের দেয়ালের মিহরাবের সাথে সমান্তরালভাবে পূর্বদিকে তিনটি চমৎকার বক্রাকার ফটক রয়েছে।
বাবা আদম মসজিদের খিলান ও ছাদের মধ্যকার স্থানে গোলাপের নকশা রয়েছে এবং ছাঁচের নকশায় প্রস্তুতকৃত কুলুঙ্গির সারি রয়েছে। মসজিদে সবকটি ফটক এবং মিহরাবে আয়াতক্ষেত্রাকার নকশা খোদাই করা আছে এবং উত্তর ও দক্ষিন দিকের দেয়ালে আয়াতক্ষেত্রাকার কুলুঙ্গি রয়েছে। মসজিদটিতে কোন মিনার নেই এবং মাঝখানের ফটকের দুই পাশেই বহু খাঁজবিশিষ্ট দুটি আয়াতক্ষেত্রাকার প্যানেল রয়েছে। ছোট পিলারসমূহের উপরে বাবা আদম মসজিদের খিলানগুলো দাড়িয়ে আছে যেগুলোতে টেরাকোটার চমৎকার ঝুলে থাকা ফুলের নকশা করা আছে। বাবা আদম মসজিদের বহিরাংশের মত নকশা সিরাজগঞ্জের শাহজাদপুর মসজিদের বহিরাংশেও দেখা যায়।
বাবা আদমের মসজিদের নকশা এবং স্থাপত্যশৈলীতে সেসময় বাংলায় সুলতানি আমলের স্থাপত্যশৈলীর চরিত্র দেখতে পাওয়া যায়। এই অঞ্চলের (বাংলাদেশের) মসজিদগুলোতে সুলতানি স্থাপত্যশৈলীর পূর্ণ রুপের মসজিদ ছাড়াও এখানে একটি দরগা রয়েছে যেটি বাবা আদমের মাজার নামে পরিচিত। লোককথায় আছে যে বাবা আদম শহিদ একটি ধর্মযুদ্ধে নিহত হবার পর তাঁকে এখানে দাফন করা হয়। নির্ভরযোগ্য সূত্রের অভাবে এই দরগার ইতিহাস সঠিকভাবে জানা যায়নি। মসজিদের উঠানের দক্ষিন-পূর্বদিকে একটি নবনির্মিত ছোট দরগা রয়েছে। পূর্বে দরগার উপর কোন ছাদ ছিল না। বর্তমানে অবস্থিত দরগাটি বর্গাকার (যার প্রতিটি বাহু ৭.৬২ মিটার এবং এটিতে কোন শিলালিপি নেই তাই কবে এটি নির্মিত হয়েছিল তারও কোন তারিখের উল্ল্যেখ নেই। দরগার পাশে অবস্থিত কবরটি অতি সাধারণ তাই এটির কোন স্থাপত্যশৈলীর দিক দিয়ে কবরটির কোন গুরুত্ব নেই আর তাই প্রত্নতাত্ত্বিক অধিদফতর কবরটি সংরক্ষণও করছে না।
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