Array
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[0] => Array
(
[name] => {:en}Parulia Mosque{:}{:bn}পারুলিয়া মসজিদ{:}
[post_id] => 4137
[post_link] => http://offroadbangladesh.com/bn/places/parulia-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/DSCN1052-300x225.jpg
[post_content] => {:en}
Parulia Mosque,According to a Persy inscription attached in the main gateway of the mosque; Bibi Jainab, a daughter of Nasir shah and wife of Diwan Sharif, built this mosque in 1126 AH/ 1714 AD. Internally,it is 18.29m in long, 5.18m wide and the wall of the mosque is 1.52m thick. Two lateral arches divided the interior of the mosque into three square sections. Three domes cover the roof of these three sections. The domes are crowned with lotus and kalasa finials. There are banded octagonal corner towers at four corners of the mosque. It was an exception that all the corner towers reached up to the cornice. In the Mughal style corner towers generally reach above the cornice.
There are five archways in the mosque, three at the eastern wall and one each at northern and southern walls. The central archway is bigger than the other four which are all in same size and shape. The upper portion of the outer side of the main gateway is under a half-domed roof and is recessed in a rectangular structure. Three mihrabs are at the western wall corresponding to the three archways of the eastern wall. All the mihrabs and the archways are stuck in rectangular structure, which are ornamented with merlons. There are arched niches on both sides of the mihrabs and archways. Archways and mihrabs are marked by their outward projection. Rectangular and square panels decoration are in both sides of the outer face of the archways.
The mosque was partially damaged by earthquakes in 1897 and was renovated later on. There is a square shaped open courtyard in front of the mosque, which is surrounded by a wall not very high. A beautiful gateway is in the eastern side of this wall.
There are two ponds at the northern and southern side of the Mosque which has increased the beauty of Mosque. And it makes the environment of Mosque Premises cool.
There is a one domed square tomb of Diwan Sharif and Bibi Jainab on the western side of the mosque. Every year at some particular month many people of cultural diversity have come here to celebrate a fair (Local term oros). They open so many itinerant shop of snacks and different kinds of toys. People come to pray and wish to have something (Spiritual) which is related with the well being of their life.
{:}{:bn}
নরসিংদী জেলার পলাশ উপজেলার পারুলিয়ায় এই মসজিদটি অবস্থিত। মসজিদের মূল ফটকে রক্ষিত একটি পারস্য শিলালিপি থেকে জানা যায় ১১২৬ হিজরী/১৭১৪ সালে জনৈক নাসির নামক ব্যাক্তির কন্যা এবং দিওয়ান শরীফ নামক ব্যাক্তির স্ত্রী বিবি জয়নাব এই মসজিদটি নির্মাণ করেন। মসজিদটির অভ্যন্তরের দৈর্ঘ্য ১৮.২৯ মিটার, প্রস্থ ৫.১৮ মিটার এবং মসজিদের দেয়ালের ঘনত্ব ১.৫২ মিটার। দুটি ধনুকআকৃতির সমান্তরাল পথের মাধ্যমে মসজিদের অভ্যন্তরকে তিনটি বর্গাকারভাগে ভাগ করা হয়েছে। প্রতিটি ভাগের উপরেই একটি করে গম্বুজ রয়েছে। প্রতিটি গম্বুজে নকশা ও অলংকার খোদাই করা আছে। ব্যাতিক্রম হিসেবে মসজিদের চারকোণায় অষ্টভুজ টাওয়ার রয়েছে যেগুলোর প্রতিটির উচ্চতা কার্নিশ পর্যন্ত। মুঘল স্থাপত্যশৈলীতে কোনার টাওয়ারগুলোর উচ্চতা সাধারণত কার্নিশকে ছাড়িয়ে যায়। মসজিদটির মোট পাঁচটি ধনুকআকৃতির ফটকের মধ্যে পূর্বদিকের দেয়ালে তিনটি, উত্তর ও দক্ষিন দিকের দেয়ালে একটি ফটক রয়েছে। মসজিদের মাঝখানের ফটকটি অন্যান্য ফটকের চেয়ে বড়। মসজিদের মূল ফটকের বাইরের দিকটি উপরিভাগ অর্ধগম্বুজ আকৃতির ছাদের নীচে অবস্থিত যেটি একটি আয়াতক্ষেত্রাকার কাঠামোর উপর নির্মাণ করা হয়েছে। অন্যান্য ফটকগুলো সামান্য নিচু আয়াতক্ষেত্রাকার কাঠামোর উপর নির্মাণ করা হয়েছে। মসজিদের পশ্চিমদিকের দেয়ালে পূর্বদিকের ফটকগুলো বরাবর তিনটি মিহরাব অবস্থিত। সবকটি মিহরাব এবং ধনুকআকৃতির ফটকগুলো অলংকারখচিত আয়াতক্ষেত্রাকার কাঠামোর উপর নির্মাণ করা হয়েছে। মিহরাব এবং ফটকের উভয়দিকেই ধনুকআকৃতির কোটর রয়েছে। ফটকগুলোর বাইরের অংশে বর্গাক্ষেত্রাকার এবং আয়াতক্ষেত্রাকার নকশা রয়েছে। ১৮৯৭ সালের ভুমিকম্পে মসজিদটি আংশিক ক্ষতিগ্রস্ত হলেও পরবর্তীতে মসজিদটি মেরামত করা হয়। মসজিদের সামনের বর্গাক্ষেত্রাকার আঙ্গিনাটি প্রাচীর দিয়ে ঘেরা। তবে প্রাচীরের উচ্চতা খুব বেশি নয় তবে প্রাচীরের পূর্বদিকেএকটি চমৎকার ফটক রয়েছে।পারুলিয়া মসজিদের উত্তর ও দক্ষিণদিকে অবস্থিত দুটি পুকুর মসজিদ অঙ্গনকে ঠাণ্ডা রাখার পাশাপাশি মসজিদের সৌন্দর্য বহুগুনে বৃদ্ধি করেছে।
মসজিদের পশ্চিমে দিওয়ান শরীফ এবং বিবি জয়নাবের এক গম্বুজবিশিষ্ট দরগা অবস্থিত। প্রতিবছর এখানে বছরের একটি নির্দিষ্ট মাসে মেলা (স্থানীয়ভাবে ওরশ বলা হয়) অনুষ্ঠিত হয় যেখানে বিভিন্ন সংস্কৃতির মানুষজন অংশ নিয়ে থাকে। এসময় এখানে বিভিন্ন খাবার ও খেলনা পাওয়া যায়। মানুষ এখানে এসে প্রার্থনা করে এবং নিজেদের জীবনের সমৃদ্ধির জন্য কিছু চেয়ে থাকে।
{:}
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[1] => Array
(
[name] => Mirzapur Jame Masjid
[post_id] => 3073
[post_link] => http://offroadbangladesh.com/bn/places/mirzapur-jame-masjid/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/Mirzapur-Jamei-Masjid-300x187.jpg
[post_content] =>
Mirzapur Jame Mosque is located in Mirzapur about six kilometer far away from Atwari subdistrict on the Atwari-Panchagarh road of Panchagar district.
An inscription wrote in Persian language on the eastern wall of the Masjid provide its reconstruction and reparation by one Shaikh Malik-Uddin in 1252 BS (1831 AD). But nobody don’t know its actual construction date. Recently Department of Archaeology, Bangladesh taking care of this Masjid. There are two ancient graves to the south side of the mosque and north-east side stands an old well.
The mosque has three domes, an open courtyard (17meter / 14meter) surrounded by wall. Access gate room of the courtyard (4.12m / 2.12m with 0.60m thick wall) is situated its east middle side. The gate room covered by sloping four-ways roof.
The mosque is rectangular externally length is 13m width is 5.40m with 3 entry doors on the east and 3 mihrabs on the west wall inside. The middle door and the middle mihrab are bigger than the others, which are of same size and height. There is 2 window in the center of the south and north walls. On the roof there are four towers four corners of the masjid. The walls outside are now whitewashed and the terracotta plaques are painted red creating a very colorful exterior.
)
[2] => Array
(
[name] => Nayabad Mosque
[post_id] => 1990
[post_link] => http://offroadbangladesh.com/bn/places/nayabad-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/Nayabad-mosque1-300x211.png
[post_content] =>
Nayabad Mosque is located in the bank of the river Dhepa, just 1.5 km south-west of the infamous Kantaji Temple at Dinajpur in Bangladesh. The mosque is named after the village “Nayabad” in which it stands in the Police Station of Kaharole. According to an inscription found on the central doorway, it was constructed at 1793 AD in the reign of Mughal Emperor Shah Alam II. During that period, Raja Baidyanath, the last of the Dinajpur Royal family, was the Zaminder (feudal land owner).
Nayabad Mosque was erected at a time when the soil of Dinajpur had already been enriched with one of the most remarkable Navaratna temples, the Kantajew Temple in 1752 AD. The founding Royal family of Dinajpur was still prominent. According to local traditions, the mosque was built by Muslim architectural workers who had come to this place from the west to build Kantaji Temple. They had settled in Nayabad, a village near the temple, and had built the mosque for their own use. There is a grave of an unknown person in the premises of the mosque. Local people believe, this is the grave of Kalu Khan, the master architect of Kantaji Temple.
It is an oblong three-domed mosque with octagonal towers at the four corners. There are three arched entrances to enter the mosque. Among them, the central one is bigger than the flanking ones. These are equal in height and width. There is an arched window each on the south and north sides. Inside in the western wall there are three Mihrabs in line with the three entrances. The central Mihrab is bigger than the flanking ones which are of equal size. Three hemispherical domes cover the mosque, of which the central one is bigger than the side ones. Pendentives have been used in their phase of transition. The parapet and cornice are straight.
Terracotta plaques have been used in decoration of the mosque. At present there are about 104 terracotta plaques rectangular in shape, used in the surface decoration of the mosque walls. The platform of the mosque is enclosed by a low brick wall with only one access from the east. On either side of the mosque are to be seen a number of tombs each of found fixed over the central doorway of the mosque.
)
[3] => Array
(
[name] => Mahisantosh Mosque
[post_id] => 5809
[post_link] => http://offroadbangladesh.com/bn/places/mahisantosh-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/offroadbangladeshlogo2-300x178.png
[post_content] =>
Mahisantosh Mosque located near the India-Bangladesh edge about 13 km northern western of Dhamorihat Thana Sadar in Naogaon place. Mahisantosh, known from Pre-Muslim periods, came to reputation during the guideline of Sultan Ruknuddin Barbak shah (1459-1474) who raised its place to an excellent town and known as it Barbakabad after him. Many traditional hemorrhoids, located in different places of the town, can still be monitored. In 1916 the varendra analysis team conducted a traditional excavation at Mahisantosh in the remains of the Jami Masjid heap. A little element of the mosque was exposed. Very lately individuals, after removing weeds, vegetation and junk of the Jami Masjid heap have developed up a new chauchala tin shade kacha creating on the old ranking of the mosque to perform Sunday desires. From the present remains it is still possible to recover the exclusive design of the mosque.
The 2.25m large materials of the rectangle-shaped mosque (24m X 16.20m externally) with semi-octagonal place techniques at the four aspects were designed of rock and bricks; the main was designed of rocks and the inner and external activities were secured with rock places. The top aspect act was provided with five (arched) doorways. Most probably the main one was larger than the flanking ones. There were three (arched) areas each on the south east aspect of and southern region aspects.
The inner of the mosque (19.50m X 11.70m) was divided by two selections of rock assistance supports, each having four assistance supports. Each main was status on an office rock foundation. The foundation of each main was divided into three sections: the decreased place, about 0.40m, was rectangle-shaped shape with pie design on its face; the middle element, about 1.55m, was decagonal with pattern and gong components and the greater element, about 0.96m, was polygonal (16 sided) with pattern and gong components and suspended pearl-string of 50% team design.
The main nave of the mosque, larger than the element ones, had three rectangle-shaped places and was perhaps secured over by Persia chauchala bins. Hemispherical domes, 12 in all, might have secured the element chicken wings. Thus the ceiling top program was almost just like that of the shatgumbad mosque at Bagerhat (1459 AD).
There are five mihrabs in the Qibla materials invert the top side aspect possibilities. The main mihrab, a little bit larger than the element ones, was removed from here and is now managed in the varendra analysis collection. Originally it was designed from 1 product of rock with amazing eye-catching schemes; pattern and gong, lotus and palmetto are its main ingredients. The extant mihrab at the southern region end also contains amazing developed design. It seems to have been designed of three places of rock. The main element of the mihrab industry is developed with attractive pattern and gong art work. On the element of the pattern is suspended a hand crafted series. A complete bloomed lotus weighs from the end of the pattern. The sidepieces of the rock places have geometric styles in round and rectangle-shaped shape types. The rosettes in the top and platform increase the beauty of the mihrab. It may be described here that the pattern and gong design, a very familiar eye-catching program, is also seen in mosques like darasbari, chhota sona and kusumba.
Stone-blocks calming propagate in and around the mosque involved eye-catching components on their activities. These developed stone-blocks indicate that the external outside of the materials of the mosque may have been developed with rock styles. The attractive devices are mostly geometric in design with flowery styles, palmette, nailheads, pie styles, look for components, pattern and gong components and suspended 50 % round jewelry. Some developed clay-based rocks were also exposed at a lot of period of removing junk. These clay-based rocks might have been used on the inner encounter of the drums equipment of the domes. Similar eye-catching program is seen in other mosques e.g., Darasabari, Chhota Sona and Kusumba.
When the Varendra Research Community conducted excavation on the website they discovered an epigraph product. It authorized the growth of a mosque during the guideline of Alauddin Husain shah in 912 AH/1506 AD. Very lately, another epigraph product was exposed at a lot of period of removing junk from the mosque. Currently it is calming before aspect of the lately designed kacha mosque creating. The epigraph contains two selections of writing and is developed on dark-colored basalt rock. It keep in mind the development of a mosque in a lot of period of Sultan Ruknuddin Barbak Shah by Ulugh Khan Hasan in the 867 AH/1463 AD.
Growth of these two individual from the same ruinous mosque improves some issues about the period of your energy and energy of growth of the mosque. Was the mosque developed in a lot of period of Sultan Barbak Shah or during a lot of period of Alauddin Husain Shah? Was it developed in a lot of period of Barbak Shah and therefore redesigned (or reconstructed) during the guideline of Alauddin Husain Shah? Or, was one of these two individual collected from outside and kept in the mosque when the mosque was in an amazing condition of preservation? It is not possible to figure out any of the above possibilities. It is, however, quite likely that the mosque was developed during the guideline of Sultan Barbak Shah in 867 AH (1463 AD) and knowledgeable a renovating during a lot of period of Sultan Alauddin Husain Shah in 912 AH (1506 AD).
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