Brief
Locally the place is known as Moynamoti Ranir Kuthi or Moynamoti Ranir Banglo. According to Bengali textbook, the name is Moynamoti Ranir Bihar.
Mainamati’s Palace Mound is the largest and highest mound in the northern extremity of the ridge near Mainamati village, just east of Brahmanbaria road. The Gumti River, identified with the ancient river Ksiroda, has now shifted a few hundred yards to the east, but once flowed along its eastern edge, partly washing its northern and southern foot as well. Its old silted up bed is still very clearly traceable.
The site has been traditionally associated with the legendary Chandra Queen, Mainamati, mother of the last known Chandra King, Govinda Chandra, and is popularly regarded to have been the last seat of that dynasty.
Limited excavations here for a season or two have uncovered part of a massive defense wall round different parts of the site, probably a citadel, and the corner of a substantial structure, probably a palace at the center of the site. Scholars widely regard it as the center of Devaparvata, the capital of Samatata.
Written by-[M Harunur Rashid]
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[name] => Dayarampur Rajbari
[post_id] => 17288
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[post_content] =>
Dayarampur Rajbari (দয়ারামপুর রাজবাড়ি) is located in Bagatipara Upazila, inside of the Qadirabad Cantonment under the administration of Bangladesh Army. After taking the oath of the Zamindari, Pramadanath (প্রমদানাথ) Roy (1873-1925), the elder son of then Dighapatia King Promothonath (প্রমথনাথ) Roy (1849-1883), established the Junior Raj Dayarampur Estate in a place named Nondikuza (নন্দীকুজা) on the bank of river Boral and built this Rajbari for his three younger brothers. They are Kumar Bosontokumar Roy (1874-1925), Kumar Sharatkumar Roy (1876-1946) and Kumar Hemendrakumar Roy (1877-1943).
This place was named after Dayaram (দয়ারাম) Roy (1680-1760), the great efficient Dewan of Queen Bhabani (1716-1795) of Natore and the establisher of Dighapatia Royal Family. After the death of Kumar Bosontokumar Roy, Kumar Sharatkumar Roy took the responsibility of the whole Dayarampur Estate and stayed this palace till death. After the eradication of Zamindar dominion, they went to India.
Source: History of Natore, by Samar Pal
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[name] => Raja Viratnagar
[post_id] => 4446
[post_link] => http://offroadbangladesh.com/places/raja-biratnagar/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/DSC08731-Copy-300x225.jpg
[post_content] =>
Raja Viratnagar (রাজা বিরাটনগর) palace is the most valuable historical place of Gaibandha. Raja Virat and Panchopandob (পঞ্চপাণ্ডব) whose name are seen in the play Mahabharat. In 1960, Major Sherwill mentioned this as a “Brad Rajar Ghar”. Once upon a time, there was a huge fort in this place.
Great historian Rakhaldas Bondopaddhay (রাখালদাস বন্দ্যোপাধ্যায়) published a report in 1925-26 where he mentioned five bronze sculptures and 4-5 mound which were discovered in during the year 1910. Raja Virat had a huge barns (গোশালা) and about 60000 cows were about. The two younger brother of Panchapandob, namely Nakul (নকুল) and Shodeb (সহদেব), had the responsibility to take care of that barns. For that reason, the word Gaibandha came from the word barns.
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[name] => {:en}Raja Shitaram Palace{:}{:bn}রাজা সীতারামের প্রাসাদ{:}
[post_id] => 1904
[post_link] => http://offroadbangladesh.com/places/raja-shitaram-palace/
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[post_content] => {:en}
Raja Sitaram Ray (1658–1714) was a sovereign king. Raja Shitaram Palace has now almost been destroyed, but holds the history of many years in every corner of its building. He rebelled against the Mughal Empire and established a short-lived sovereign Hindu dominion in Bengal. In his early life he initiated Shaktism as he came from a Shakta family. He set up capital in Mohammadpur where the palace is located and established a Dashabhuja Temple there.
In course of time he became attracted to Vaishnavism and became a disciple of Krishna Vallabh Goswami of Murshidabad, who initiated belief in him. Sitaram established a pancharatna temple devoted to Hare Krishna in the village of Kanainagar to the west of the fort at Mohammadpur.
{:}{:bn}রাজা সীতারাম রায় ছিলেন একজন স্বাধীন রাজা। তিনি মুঘল রাজত্বের বিরুদ্ধে বিদ্রোহ করেন এবং বাংলায় একটি স্বল্পস্থায়ী হিন্দু অঞ্চল প্রতিষ্ঠা করেন। শাক্তা পরিবার থেকে আসায় তিনি জীবনের শুরুতে শক্তিবাদের প্রবর্তন করেন। মোহাম্মাদপুরে রাজধানী স্থাপন করে রাজা সীতারাম সেখানে দাশাভুজা মন্দির স্থাপন করেন। সময়ের সাথে সাথে রাজা সীতারাম বিষ্ণুবাদের প্রতি আকর্ষিত হন এবং মুর্শিদাবাদের কৃষ্ণ বল্লভ গোস্বামীর ভক্ত বনে যান যিনি রাজা সীতারামের মধ্যে বিশ্বাস স্থাপন করেন। মোহাম্মাদপুর দুর্গের পশ্চিমে কানাইনগর গ্রামে রাজা সীতারাম হরি কৃষ্ণকে উৎসর্গ করে একটি পঞ্চরত্ন মন্দির স্থাপন করেন।{:}
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[name] => Kusumba Mosque
[post_id] => 3656
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[post_content] => Kusumba Mosque is named after the village of Kusumba, under the Manda upazila of Naogaon district, on the west bank of the Atrai River. It is inside a walled enclosure with a monumental gateway that has standing spaces for guards. It was built during the period of Afghan rule in Bengal under one of the last Suri rulers Ghiyasuddin Bahadur Shah, by one Suleiman who was probably a high ranking official. The inscription tablet in Arabic (only the word ‘built by’ is in Persian) dating the building to 966 AH (1558-59 AD) is fixed over its eastern central entrance.
Although built during Suri rule, it is not influenced at all by the earlier Suri architecture of North India, and is well grounded in the Bengal style. The brick building, gently curved cornice, and the engaged octagonal corner towers are typical features. The mosque, presently protected by the Department of Archaeology of Bangladesh, was badly damaged during the earthquake of 1897. Although the main fabric of the building is of brick the entire exterior walls, and the interior up to the arches of the pendentives have stone facing. The columns, platform, floor, and perforated side screens are of stone. The mosque has a rectangular plan with three bays and two aisles, three entrances on the east and two each on the north and south sides.
The central mihrab is projected in the west. The interior west (qibla) wall has two mihrabs on the floor level opposite the central and southeastern entrances, but the one in the northwestern bay is above a raised platform ascended by a staircase on the east. The presence of such a platform in a non-imperial mosque indicates that not only royalty, but nobility and high-ranking officials were also separated from the general public during prayers. The mihrabs have elaborate stone carving. They have cusped arches crowned with kalasa (water pot) motifs, supported on intricately carved stone pillars which have projections and tasseled decorations hanging from chains. Bunches of grapes and vines curve in an almost serpentine manner on the mihrab frames, and kalasas, tendrils and rosettes are reduced to dots.
The platform edge has grape vine decoration, and there are rosettes on the spandrels of the arches supporting the platform, as well as on the mihrab wall. The stone used in the exterior facing is of a coarse quality and carved in shallow relief. Mouldings are most prominent decorative feature on the outside. They divide the walls into upper and lower sections, run all along the curved cornice, around the corner towers, in a straight line below the cornice, and frame the rectangular panels in the east, south and north walls. The spandrels of the central entrance arch are filled with small kalasa and rosette motifs. The north and south sides have screened windows.
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