Array
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[0] => Array
(
[name] => {:en}Boktnagar Zamindar Bari and Mosque{:}{:bn}বক্তনগর জমিদার বাড়ী ও মসজিদ{:}
[post_id] => 5541
[post_link] => http://offroadbangladesh.com/places/boktnagar-zamindar-bari-and-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/boktonogor-jomidar-bari-bandura-11-300x225.jpg
[post_content] => {:en}
Beside the bank of the Ichhamoti river (ইছামতি নদী), you'll find an old house that is currently abandoned. No inscription was found about the house. From the architecture of the old house, you can only guess that it was a house of a wealthy man who could have been a Zamindar (জমিদার) or a rich merchant. Boktnogor/Boktonogor(বকতনগর/বক্তনগর) is a place located near the Shikari Para(শিকারী পারা) after Bandura bazaar(বান্দুরা বাজার).
This well-built edifice has lot of rooms inside. Front side of the house is still firm, but damaged at the back sides. Still now a days the house has a lot of open spaces around including ponds. At the south-west corner of the mansion, another edifice is available. This one is an old mosque. Again it is unsure about the builder of the mosque.
If the owner of the mosque and the house is the same person, then the owner must be a Muslim. The village name is Boktnagar (বক্তনগর) which should came from Bokht Nogor (বখত নগর). Possibly someone lived there named Bokht (বখত) and sounds a Muslim name, but all are predictions.
The mosque is a small one having three domes at the top. Middle one is a bit larger compare to other twos. Just above the main gate, and inscription is found written in Arabic. The mosque has a pond at the southern side and a graveyard at the eastern side.
{:}{:bn}
ইছামতি নদীর তীরে একটি পরিত্যাক্ত ভবন দেখতে পাবেন তবে কোন শিলালিপি না থাকায় এই ভবনটি সম্পর্কে বিস্তারিত জানা যায়নি। তবে, ভবনের স্থাপত্যশৈলী দেখে বোঝা যায় এটি ছিল একটি জমিদার বাড়ি। এই ভবনটির অভ্যন্তরে বেশকয়েকটি কক্ষ রয়েছে। জমিদারবাড়ির সামনের দিকটি এখনও মজবুত থাকলেও পেছনের দিকটি বেশ ক্ষতিগ্রস্থ হয়েছে।
এখনও ভবনটির চারপাশে একটি পুকুরসহ বেশকিছু খালি জায়গা রয়েছে। জমিদারবাড়ির দক্ষিন-পশ্চিম কোনায় একটি প্রাচীন মসজিদ রয়েছে। মসজিদটির নির্মাণের ব্যাপারেও কিছু জানা যায়নি। যদি জমিদারবাড়ি এবং মসজিদের মালিক একই ব্যাক্তি হয়ে থাকেন তবে ধরে নেওয়া যায় যে তিনি ছিলেন একজন মুসলিম। ধারনা করা হয়ে থাকে যে গ্রামতির নাম বক্তনগর হয়েছে বখতনগর শব্দ থেকে। এমনও হতে পারে যে, বখত নামক কোন মুসলিম ব্যাক্তির নামে গ্রামটির নামকরণ করা হয়েছে।
এখানে অবস্থিত মসজিদটি ছোট এবং তিনগম্বুজ বিশিষ্ট। তবে মাঝখানের গম্বুজটি অন্য দুটি গম্বুজের চেয়ে বড়। মসজিদের মূল প্রবেশ পথের উপরে আরবীতে লেখা শিলালিপি দেখা যায়। মসজিদের দক্ষিনে একটি পুকুর এবং পূর্বদিকে একটি কবরস্থান রয়েছে।
{:}
)
[1] => Array
(
[name] => Khwaja Shahbaz Mosque and Tomb
[post_id] => 7357
[post_link] => http://offroadbangladesh.com/places/khwaja-shahbaz-mosque-and-tomb/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/Khwaja-Shahbaz-Mosque-and-Tomb31-300x240.jpg
[post_content] =>
Khwaja Shahbaz, the founder of the mosque was a prominent merchant of Dhaka. In fact, prominent is not the paragon for him. People used to call him as "Merchant of Prince". According to the history of the mosque, it was built at 1679 AD in the surrounding of the Ramna Park.
The mosque has three large Domes, and the architecture is almost similar to the structures at the era of Mughal (Shaista Khan). The measurement of the mosque is exactly 20.73 m by 7.92m. It is comprises with three front doors, where the middle one is a bit larger compare if you compare with other two.
As a commemoration, the mosque premise has a tomb of the founder of the mosque. The tomb is decorated with only a single dome. The southern part of the tomb has a nicely shaped veranda with a curvy roof. Inside the tomb, there is something which is covered with red cloth.
Each corner of the mosque or the tomb has a firmly built pillar, which are lovely to examine. The baroque style of the pillar will certainly impress you. Neither the mosque nor the tomb has any window. That's why when you'll look inside the tomb or mosque, you'll find it a bit darker, no matter how sunny the day is. Finally it is strictly forbidden for the women for "Jumma Prayer" at Friday. Using a notice board at the facade of the mosque, it’s proclaimed that they have no facilities for women for Jumma Prayer.
)
[2] => Array
(
[name] => {:en}Sadi Mosque{:}{:bn}সাদী মসজিদ{:}
[post_id] => 5092
[post_link] => http://offroadbangladesh.com/places/sadi-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/Sadi-Mosque-300x225.jpg
[post_content] => {:en}
Among many of the structures of Egarosindur, Sadi Mosque is one of the best-conserved monuments in the country. A pertain inscription tablet, fixed over the central mihrab, record that the mosque was built in 1062 AH (1652 AD) by one Sadi, son of Shaikh Shiroo, during the reign of Shahjahan.
Measuring 25 ft. a side, the single-domed square mosque was built on a raised piece of land. There are three arched entrances in the east, and one each in the middle of the north and the south sides. The central archway, which is larger, is set within a slightly projected rectangular frame, but the flanking archways are contained within slightly recessed rectangle. The Qibla wall is recessed with three semi-octagonal mihrabs, which correspond to the three eastern doorways. The mosque represents a happy blending of Mughal elements with the Sultanate architectural traits characteristic of Bengal.
Sadi Mosjid (সাদী মসজিদ) which is around half a kilometer apart from there, on your way by passing beside the Egarosindur (এগারোসিন্দুর) Fort (though nothing is remaining now a days). Sadi Mosque (সাদী মসজিদ) is a single domed mosque similar to the Shah Mahmud Mosque. A large dome is at the top of the mosque which almost cover the whole roof. The dome is quite large and bulbous. Also, the structure is quite difficult in nature and can easily be distinguished from others.
The mosque has decorative terracotta at the outer side and the inner side of the mosque. Sadi mosque (সাদী মসজিদ) was built by someone named Sadi (সাদী) who was the son of Shaikh Shiru (শাইখ শিরু). It was during 1652, the regime of Shahjahan (শাহজাহান).
{:}{:bn}
সাদী মসজিদকে বলা যায় দেশের অন্যতম শ্রেষ্ঠ সংরক্ষিত স্থাপনার একটি। মসজিদের কেন্দ্রস্থলের মিহরাবের উপর স্থাপিত শিলালিপি থেকে জানা যায় যে ১০৬২ হিজরী (১৬৫২ সালে) সম্রাট শাহজাহানের শাসনামলে জনৈক শাইখ শিরুর পুত্র সাদী এই মসজিদটি নির্মাণ করেছিলেন।
একটি গোলাকার গম্বুজবিশিষ্ট বর্গাক্ষেত্রাকার এই মসজিদটি উঁচু জমির উপর নির্মাণ করা হয়। প্রতি বাহু ২৫ ফুট দৈর্ঘ্যর এই মসজিদটির পূর্বে তিনটি, উত্তরদিকে মাঝ বরাবর একটি এবং দক্ষিন দিকে একটি ধনুকআকারের ফটক রয়েছে। মসজিদের মাঝখানের বড় ফটকটি একটি আয়াতক্ষেত্রাকার কাঠামোর উপর নির্মাণ করা হলেও অন্যান্য ফটকগুলো সামান্য নিচু আয়াতক্ষেত্রাকার কাঠামোর উপর নির্মাণ করা হয়েছে। মসজিদের কিবলার দেয়ালে পূর্বদিকের দরজা ফটকগুলো বরাবর তিনটি অর্ধ অষ্টভুজাকার মিহরাব রয়েছে। মসজিদের নির্মাণশৈলীতে মুঘল এবং সুলতানি আমলের স্থাপত্যশৈলীর চমৎকার মিশ্রণ লক্ষ্য করা যায় আর এজন্যই অন্যান্য স্থাপত্য থেকে খুব সহজেই এই মসজিদটিকে আলাদা করা যায়। মসজিদের ভেতরে ও বাইরে টেরাকোটার কাজ রয়েছে।
{:}
)
[3] => Array
(
[name] => Mahisantosh Mosque
[post_id] => 5809
[post_link] => http://offroadbangladesh.com/places/mahisantosh-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/offroadbangladeshlogo2-300x178.png
[post_content] =>
Mahisantosh Mosque located near the India-Bangladesh edge about 13 km northern western of Dhamorihat Thana Sadar in Naogaon place. Mahisantosh, known from Pre-Muslim periods, came to reputation during the guideline of Sultan Ruknuddin Barbak shah (1459-1474) who raised its place to an excellent town and known as it Barbakabad after him. Many traditional hemorrhoids, located in different places of the town, can still be monitored. In 1916 the varendra analysis team conducted a traditional excavation at Mahisantosh in the remains of the Jami Masjid heap. A little element of the mosque was exposed. Very lately individuals, after removing weeds, vegetation and junk of the Jami Masjid heap have developed up a new chauchala tin shade kacha creating on the old ranking of the mosque to perform Sunday desires. From the present remains it is still possible to recover the exclusive design of the mosque.
The 2.25m large materials of the rectangle-shaped mosque (24m X 16.20m externally) with semi-octagonal place techniques at the four aspects were designed of rock and bricks; the main was designed of rocks and the inner and external activities were secured with rock places. The top aspect act was provided with five (arched) doorways. Most probably the main one was larger than the flanking ones. There were three (arched) areas each on the south east aspect of and southern region aspects.
The inner of the mosque (19.50m X 11.70m) was divided by two selections of rock assistance supports, each having four assistance supports. Each main was status on an office rock foundation. The foundation of each main was divided into three sections: the decreased place, about 0.40m, was rectangle-shaped shape with pie design on its face; the middle element, about 1.55m, was decagonal with pattern and gong components and the greater element, about 0.96m, was polygonal (16 sided) with pattern and gong components and suspended pearl-string of 50% team design.
The main nave of the mosque, larger than the element ones, had three rectangle-shaped places and was perhaps secured over by Persia chauchala bins. Hemispherical domes, 12 in all, might have secured the element chicken wings. Thus the ceiling top program was almost just like that of the shatgumbad mosque at Bagerhat (1459 AD).
There are five mihrabs in the Qibla materials invert the top side aspect possibilities. The main mihrab, a little bit larger than the element ones, was removed from here and is now managed in the varendra analysis collection. Originally it was designed from 1 product of rock with amazing eye-catching schemes; pattern and gong, lotus and palmetto are its main ingredients. The extant mihrab at the southern region end also contains amazing developed design. It seems to have been designed of three places of rock. The main element of the mihrab industry is developed with attractive pattern and gong art work. On the element of the pattern is suspended a hand crafted series. A complete bloomed lotus weighs from the end of the pattern. The sidepieces of the rock places have geometric styles in round and rectangle-shaped shape types. The rosettes in the top and platform increase the beauty of the mihrab. It may be described here that the pattern and gong design, a very familiar eye-catching program, is also seen in mosques like darasbari, chhota sona and kusumba.
Stone-blocks calming propagate in and around the mosque involved eye-catching components on their activities. These developed stone-blocks indicate that the external outside of the materials of the mosque may have been developed with rock styles. The attractive devices are mostly geometric in design with flowery styles, palmette, nailheads, pie styles, look for components, pattern and gong components and suspended 50 % round jewelry. Some developed clay-based rocks were also exposed at a lot of period of removing junk. These clay-based rocks might have been used on the inner encounter of the drums equipment of the domes. Similar eye-catching program is seen in other mosques e.g., Darasabari, Chhota Sona and Kusumba.
When the Varendra Research Community conducted excavation on the website they discovered an epigraph product. It authorized the growth of a mosque during the guideline of Alauddin Husain shah in 912 AH/1506 AD. Very lately, another epigraph product was exposed at a lot of period of removing junk from the mosque. Currently it is calming before aspect of the lately designed kacha mosque creating. The epigraph contains two selections of writing and is developed on dark-colored basalt rock. It keep in mind the development of a mosque in a lot of period of Sultan Ruknuddin Barbak Shah by Ulugh Khan Hasan in the 867 AH/1463 AD.
Growth of these two individual from the same ruinous mosque improves some issues about the period of your energy and energy of growth of the mosque. Was the mosque developed in a lot of period of Sultan Barbak Shah or during a lot of period of Alauddin Husain Shah? Was it developed in a lot of period of Barbak Shah and therefore redesigned (or reconstructed) during the guideline of Alauddin Husain Shah? Or, was one of these two individual collected from outside and kept in the mosque when the mosque was in an amazing condition of preservation? It is not possible to figure out any of the above possibilities. It is, however, quite likely that the mosque was developed during the guideline of Sultan Barbak Shah in 867 AH (1463 AD) and knowledgeable a renovating during a lot of period of Sultan Alauddin Husain Shah in 912 AH (1506 AD).
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