Brief
Locally this site is known as “Rupban Mura”. After excavation, the sign of a shrine, a monastery and an octagonal votive stupa were found. Among the antiquities, one Gupta imitation gold coin, 04 coins of debased metal, 3 silver coins and a bulky sand stone, Buddha image of post gupta period are mention worthy. On the basis of all the evidences found here, the original monastery and shrine may be dated prior to the 8th Century A.D.
Rupban Mura an important archaeological site of Mainamati lying on a hillock just between the modern BARD and BDR establishments in the Kotbari area on the south of the Comilla-Kalirbazar road. Excavations have revealed here the remains of a remarkable semi-cruciform shrine of medium size (28.2m east – west, 28m north – south), together with a number of subsidiary structures, including an octagonal stupa and another one on a square base. A boundary wall within the oblong stupa courtyard encloses all these. Its regular entrance is on the east, facing the monastery entrance. Deep diggings have revealed three main periods of building and repairs and rebuilding, the earliest corresponding to c.6th-7th centuries AD. Very few remains of the latest period (10th-11th century AD) survive now in this very heavily disturbed site.
The Cruciform Shrine Originally built as a solid stupa on a square base, it was subsequently converted into a semi-cruciform shrine in the second period (8th century AD). It has a peculiarity not noticed elsewhere. Instead of a single chapel built in each of the long arm of the cross, a group of three long narrow chapels was built in the eastern (front) side of the shrine.
In the middle chapel the colossal stone Buddha, now exhibited in Mainamati Museum, was discovered. The same peculiarity is noticed in the adjacent Itakhola Mura grand stupa, also on the eastern side facing the entrance. Fragments of bronze images found in other chapels suggest installation of such images there.
The Monastery The small 34.1m square monastery of the site was built separately, 31m.The South-east of the cruciform stupa. It has a prominent gateway complex (12.5m x 6.9m) projecting outwards in the middle of the northern wing. Built in the usual square plan, it originally had a total of 24 cells in four wings, subsequently reduced to 18 in the second period. The southern wing, occupying an area of 11.7m, was abandoned, due certainly too irreparable damages, and a row of new cells was built in its front, thus making the shape of the monastery oblong (34.1m x 24.8m). Corbelled niches and brick-built bedsteads can be noticed in the 2nd period cells. A broad corbelled drain was built in the courtyard to drain out rainwater. Significant discoveries from the site include, besides the colossal stone Buddha, five debased gold coins of Balabhatta, the Khadga ruler.
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[name] => Mahasthangarh
[post_id] => 1387
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[post_content] => Mahasthangarh (Bengali:
মহাস্থানগড় Môhasthangôṛ) is one of the earliest urban archaeological sites so far discovered in Bangladesh. The village Mahasthan in Shibganj thana of Bogra District contains the remains of an ancient city which was called Pundranagara or Paundravardhanapura in the territory of Pundravardhana. A limestone slab bearing six lines inPrakrit in Brahmi script, discovered in 1931, dates Mahasthangarh to at least the 3rd century BC. The fortified area was in use till the 18th century AD.
Together with the ancient and medieval ruins, the mazhar (holy tomb) of Shah Sultan Balkhi Mahisawar built at the site of a Hindu temple is located at Mahasthangarh. He was a dervish (holy person devoted to Islam) of royal lineage who came to the Mahasthangarh area, with the objective of spreading Islam among non-Muslims. He converted the people of the area to Islam and settled there.
Mahasthan means a place that has excellent sanctity and
garh means fort. Mahasthan was first mentioned in a Sanskrit text of the 13th century entitled
Vallalcharita. It is also mentioned in an anonymous text
Karatoya mahatmya, circumstantially placed in 12th–13th century. The same text also mentions two more names to mean the same place – Pundrakshetra, land of the Pundras, and Pundranagara, city of the Pundras. In 1685, an administrative decree mentioned the place as Mastangarh, a mixture of Sanskrit and Persian meaning fortified place of an auspicious personage. Subsequent discoveries have confirmed that the earlier name was Pundranagara or Paundravardhanapura, and that the present name of Mahasthangarh is of later origin.
Mahasthangarh, the ancient capital of Pundravardhana is located 11 km (6.8 mi) north of Bogra on the Bogra-Rangpur highway, with a feeder road (running along the eastern side of the ramparts of the citadel for 1.5 km) leading to Jahajghata and site museum. Buses are available for Bogra from Dhaka and take 4½ hours for the journey via Bangabandhu Jamuna Bridge across the Jamuna River. Buses are available from Bogra to Mahasthangarh. Rickshaws are available for local movement. Hired transport is available at Dhaka/ Bogra. Accommodation is available at Bogra. When travelling in a hired car, one can return to Dhaka the same day, unless somebody has a plan to visit Somapura Mahavihara at Paharpur in the district of Naogaon and other places, or engage in a detailed study.
It is believed that the location for the city in the area was decided upon because it is one of the highest areas in Bangladesh. The land in the region is almost 36 metres (118 ft) above sea level, whereas Dhaka, the capital of Bangladesh, is around 6 metres (20 ft) above sea level. Another reason for choosing this place was the position and size of the Karatoya, which as recently as in the 13th century was three times wider than Ganges.
Mahasthangarh stands on the red soil of the Barind Tract which is slightly elevated within the largely alluvium area. The elevation of 15 to 25 metres above the surrounding areas makes it a relatively flood free physiographic unit.
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[name] => Charpatra Mura
[post_id] => 5158
[post_link] => http://offroadbangladesh.com/places/charpatra-mura/
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[post_content] =>
Charpatra Mura is a small but interesting archaeological site in Mainamati. It is situated in the northern part of the Lalmai ridge at about the center of the Comilla Cantonment area. A small Hindu shrine, 45.7m × 16.8m, was uncovered here. The shape and architectural design and decoration are unique; differing basically both from the Buddhist architecture of Mainamati and the traditional Hindu temple architecture of the Gupta or other Indian types. It appears to represent a synthetic Bengal type that has evolved gradually by assimilating certain elements and features of local Buddhist architecture.
The temple has two distinct parts, an open pillared hall in the badly damaged front part and a cell at the back in the west. The latter part was found less damaged and decayed, that is to say, better preserved and undisturbed. It could therefore be properly excavated and uncovered. The exterior of this cella or temple proper at the back shows a fantastically complex and variegated shape produced by a multiplicity of angles and corners resulting from a combination of symmetrical projections and offsets at lateral and vertical planes, maintaining, nevertheless, a delicate balance between exotic growth and basic strength and proportions of the original form and the traditional plan. The overall effect is highly pleasing.
A few very significant objects were discovered in this monument. These are a bronze relic casket and four copperplate grants - three of them issued by the last two kings of the chandra dynasty and the fourth by a Later-Deva king, all in favor of a Ladaha Madhava (Visnu) temple situated in devaparvata. One record identifies the locality as Pattikeraka. On the basis of our present knowledge and information, it may be stated with absolute certainty that this new settlement was definitely located in the Lalmai -Mainamati area, and occupied a part or the whole of the old city of Devaparvata, and that the Ladaha Madhava temple of the inscriptions may reasonably be identified with the excavated Charpatra Mura temple.
The temple was probably reconstructed, if not originally built, by the Chandra King Shri-Ladahachandra (c 1000-1020 AD) who derived his name from that of the consecrated deity. Alternatively, the deity derived its name from that of the builder king who appears to have been especially devoted to him. This king issued two of the four grants found here. The appellation, Charpatra Mura, is related to the discovery of four copperplates.
Written by: M Harunur Rashid
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[name] => Chilla kotha
[post_id] => 11310
[post_link] => http://offroadbangladesh.com/places/chilla-kotha/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/07/IMG_63031-300x225.jpg
[post_content] =>
Chilla kotha is a one storeyed rectangular shaped building which is locally known as Andhar kotha. There are three rooms existing inside the whole building. These rooms are almost same in dimension. The interesting thing is there is a secret room in the underground level, which is connected with a staircase to way out at the south-east corner of this building. The underground room is so dark as there is no ventilation system or window inside of it. There are some rectangular shaped panel outside the building.
The specific time period of this architecture is not known. Historians could dig the history as far as possible and from their review we got to know that the time period of Crori City of Panam Nogor and Chillakatha is the same.
Myth: Local people believes that it was being used as a meditation and praying place for different Muslim Saint & Sadhus. Specially, there is a belief among the local people that when some saints do their praying & meditation inside the Under ground room of this building then it was enlightened with a picture of Mekka Sharif. Some people also said that it was being used as a torcher cell for punishing people commited crime went against the rituals of Islam. In every year from the 25th of January a very local festival named ‘Oros sharif’ has been celebrated annually. Many people from different direction come to join this event.
Recently this building is almost being abandoned. The outer front side has been demolished and being decaying day by day. Necessary steps should be taken to conserve and preserve it for future generation.
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[name] => Panam Rajbari
[post_id] => 11576
[post_link] => http://offroadbangladesh.com/places/panam-rajbari/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/07/SAM_01811-240x300.jpg
[post_content] =>
Poddar bari, or according to the local people, the "Panam Rajbari". This is a bit eastern side to the panam city. If someone wants to visit the place, then there is no way except passing through the panam city. This is currently a private property, and there is a picnic spot inside the boundary of the place. The owner of the place used to live at the newly built building beside the old one. But the old one is still empty.
After getting permission you can easily enter the area. Its not known when the building was actually built. But from the structure, and the design, it appears that it was built by some rich merchant during the 1900 AD. The structure and the design is almost identical to the Sonargaon Folk art and craft Museum. Inside the building, the yard is identical to the museum building of sonargaon.
The building comprises of numerous number of rooms. And interestingly you can move from one room to another one easily. There is no window at the rooms, and also no doors, most of those are taken down, or stolen, or something else. Since its a bit darker inside the building, its a hideout for the bats. When camera flashed, we have seen several bats were flying and making noisy sound. Also there nest of other birds which are making continuum sound, but we bet you won't feel bored by those. Those are really nice to hear. So if you are at sonargaon, please don't leave the place by only visiting the panam city. It will worth if you visit the place.
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