Jowari Bishi Bari

The Betila (বেতিলা) House in Manikganj was built about a century ago by Jyoti Babu (জ্যোতি বাবু) and Satya Babu (সত্য বাবু), a couple of affluent merchants involved in the trade of Jute, the golden fibre of Bangladesh. This palatial house is located in a remote area named Betila which is within the parameters of the modern day Manikganj proper. Explorers/travelers searching for heritage sites in Manikganj over the internet may come across several links of the famous Baliati Zamindar’s Palace but never find any links on Betila. This is primarily because the Betila House was not a Zamindar’s (Land Owner) palace, and secondly since it is located in such a remote area, people hardly know about it. Rich people of those era are known to build such palatial houses in remote areas and live lavish lives, even though they were not 'Zamindars' or royalty.

For someone looking for heritage sites, the Betila Mitra Union of Manikganj would be a fabulous one to come across. It’s situated in semi rural setting (being not too distant from urban areas) and doesn't seem particularly unique on first impression but once you begin to explore it's culture and heritage, beautiful places like the Betila House amongst several others begin to surface. The seemingly tame Betila Canal runs across the area, connecting two major rivers Kaliganga (কালিগঙ্গা) and Dhaleshwari (ধলেশ্বরী) but like most waterways of Bangladesh, one can anticipate its ferocity in full monsoon season when rising water levels which is also evident in the way it has eroded both its banks, specially at the lone bridge that was constructed some time back.

On both the banks one will come across a series of heritage buildings, the pinnacle being on the eastern bank, the Betila Palatial house surrounded by rich foliage. It’s a combined structure of two separate buildings both of which are two-storied, standing almost intact, side by side and with an expansive open field before them.

Mirkadim bridge (মীরকাদিম ব্রিজ) spans the Mir Kadim canal (creek) which runs from Mir Kadim to Tangibari. It connects the village Abdullahpur and Panam area of Rampal Union Parishad under Munshigonj District. It is situated at a distance of about 5.50 km from the district headquarters. The local tradition claims it to have been built by King Ballal Sen, but the architectural features belie the local tradition. The bridge can architecturally be attributed to the Mughal period, not earlier than 17th century. The 53m long bridge consists of a central pointed arch of 4.40m span with two side arches of 2.25m span each. The central arch is 0.40m high from the water level of the creek and at present 31m wide. It is 6.15m wide with each wing measuring 16.80m in length. The central arch is flanked by an octagonal pilaster on each side. Similarly each of the side arches has a pilaster each crowned with a cupola. The plasters of the side arches rise above the spandrel of the arch but those of the central arch are shorter and so not reach the archivolt. The pier is 1.85m thick. It is reported that on either end of the bridge there were circular pillars but now these are buried under earth. It appears that there are 6 piers on each side of the bridge. The central arch is loftier and wider than the side ones and is set in a deep rectangular panel with plain plastered spandrel. Base of the arches provided with cut waters. The hump backed bridge rises to a central point from which its back gently slopes to either side. It has a 70 cm high parapet wall on either side. The surviving thickness of the bridge measures 4.34m.

It has been protected and repaired extensively by the Department of Archaeology.

Nahabatkhana (নহবতখানা) or Probeshdar (প্রবেশদ্বার) is one of the well known features in Mograpara, Sonargaon Upazila in Narayanganj. This gateway or entrance was built in at the end of 17^th century. According to the description of 'Zames Wise' (civil surgeon of Dhaka in 1860s), it is located at South Ward from the Hazrat Abu Tawama Mazar and Ibrahim Mosque. There are two doors being traced on north & south side of this feature.

A story has been circulated among the local people that there was a musical Instrument around this feature which was being used for different purposes. Mainly, this instrument being used to awake people to take Seheri (সেহরি) and Iftar (ইফতার) at the month of Ramadan. Another notion is said that, it was being used to notify poor people and Musafir for Kangalivoj (কাঙ্গালিভোজ). This instrument was used for inviting people too. Now, one of the doorways of Nahabatkhana is used by public, and another one is preserved with less care.

Sonarong (means golden color) is a lovely village at Tongibari Upazila of Munshiganj district. This village belong a beautiful "Moth(মঠ)"(a place for praying by Hindu religious people) which is known as "Sonarong Jora Moth" (সোনারং জোড়া মঠ) ("twin moth"). It is used to call twin moth/temple, because it has two towers side by side. It may be around 150 feet high from the ground. There is a large pond just in front of the Moth. This moth is not functioning now a days. Interviewing local people we came to know that, there are no praying activities take place in this moth. Every side of the moth is covered with trees and that gave a lovely golden and green color's illusional view of the moth.

The larger moth was made for "Shiva"(Hindu God), and made during 1843, and the smaller one for "Kali"(Hindu Goddess), and made during 1886. It was built by a Hindu merchant named "Rupchand" (রূপচাঁদ) From stone inscriptions fixed over the temple’s entrance.

The two towers of the moth are not equal sized. One is much larger than another one. The larger tower has hundreds of holes at the top of it, and each hole is occupied by parrots. Visitors may observe hundreds of parrots from the place, and they are making sweet sound together all the day long. During the breeding season, the top of the moth become green for the numerous numbers of parrots. Both the towers of the moth are ornamented nicely with different types of leafs motif and blind alcoves.

Architectural Features:

Two temples stand side by side on a single masonry platform surrounded by a moat on three sides and an access path on the eastern side.The western temple, loftier than the eastern one, is about 15m high over the square sanctum, and measures 5.35m x 5.35m and has a 1.90m wide veranda. A low hemispherical dome covers the square sanctuary, over which rises an octagonal sikhara(শিখর) crowned by the usual pinnacle with kalasa (কলস) finials. This terminates in a trident fixed with an iron rod. The outer surface of the sikhara is decorated with a semi-circular arched pattern in plaster, which is repeated on all sides. The entire sikhara is dotted with three pigeonholes under each arch pattern. The main sanctuary has two archways, one each on the south and west sides, flanked by arched panels on both sides,and a pattern of three arches on the other two sides. The western entrance consists of a two-centered arch. The top of the archway is decorated with a frieze of blind merlons. In front of the sanctum, the veranda is covered with a flat roof supported on columns, It has three arched openings on the south, one each on its east and west side.

It is one of the important historical & archaeological places in Munshiganj District. Very recently,renovation work is on go,undoubtedly a good initiative to protect this site from further destruction.