পারুলিয়া মসজিদ

Locally this site is known as “Rupban Mura”. After excavation, the sign of a shrine, a monastery and an octagonal votive stupa were found. Among the antiquities, one Gupta imitation gold coin, 04 coins of debased metal, 3 silver coins and a bulky sand stone, Buddha image of post gupta period are mention worthy. On the basis of all the evidences found here, the original monastery and shrine may be dated prior to the 8th Century A.D.

Rupban Mura an important archaeological site of Mainamati lying on a hillock just between the modern BARD and BDR establishments in the Kotbari area on the south of the Comilla-Kalirbazar road. Excavations have revealed here the remains of a remarkable semi-cruciform shrine of medium size (28.2m east - west, 28m north - south), together with a number of subsidiary structures, including an octagonal stupa and another one on a square base. A boundary wall within the oblong stupa courtyard encloses all these. Its regular entrance is on the east, facing the monastery entrance. Deep diggings have revealed three main periods of building and repairs and rebuilding, the earliest corresponding to c.6th-7th centuries AD. Very few remains of the latest period (10th-11th century AD) survive now in this very heavily disturbed site.

The Cruciform Shrine Originally built as a solid stupa on a square base, it was subsequently converted into a semi-cruciform shrine in the second period (8th century AD). It has a peculiarity not noticed elsewhere. Instead of a single chapel built in each of the long arm of the cross, a group of three long narrow chapels was built in the eastern (front) side of the shrine.

In the middle chapel the colossal stone Buddha, now exhibited in Mainamati Museum, was discovered. The same peculiarity is noticed in the adjacent Itakhola Mura grand stupa, also on the eastern side facing the entrance. Fragments of bronze images found in other chapels suggest installation of such images there.

The Monastery The small 34.1m square monastery of the site was built separately, 31m.The South-east of the cruciform stupa. It has a prominent gateway complex (12.5m x 6.9m) projecting outwards in the middle of the northern wing. Built in the usual square plan, it originally had a total of 24 cells in four wings, subsequently reduced to 18 in the second period. The southern wing, occupying an area of 11.7m, was abandoned, due certainly too irreparable damages, and a row of new cells was built in its front, thus making the shape of the monastery oblong (34.1m x 24.8m). Corbelled niches and brick-built bedsteads can be noticed in the 2nd period cells. A broad corbelled drain was built in the courtyard to drain out rainwater. Significant discoveries from the site include, besides the colossal stone Buddha, five debased gold coins of Balabhatta, the Khadga ruler.

আশরাফপুর গ্রামে যে স্থানে ৭ শতকের দুটো তাম্রফলক পাওয়া গিয়েছিল সেই স্থানের ১ কিলোমিটার দক্ষিনে আশরাফপুর মসজিদটি অবস্থিত। আশরাফপুর মসজিদের শিলালিপিটি বর্তমানে জাতীয় জাদুঘরে সংরক্ষিত আছে। শিলালিপি থেকে জানা যায় যে ৯৩০ হিজরী এবং ১৫২৪ খ্রিস্টাব্দে সুলতান নাসিরউদ্দিন আবুল মুজাফফর নুসরাত শাহ এর শাসনামলে (১৫১৯-১৫৩২) জনৈক দিলওয়ার খান এই মসজিদটি নির্মাণ করিয়েছিলেন। ১৮৯৭ সালের ভয়াবহ ভুমিকম্পে ক্ষতিগ্রস্থ হবার পর মসজিদটিকে পরিত্যাক্ত করা হয় এবং ধীরে ধীরে মসজিদটি জঙ্গলে ঢেকে যায়। ১৯৪০ সালে মওলানা সৈয়দ আলীর নেতৃত্বে জঙ্গল পরিষ্কারের পর মসজিদটিকে উদ্ধার করা হয়। সেসময় মসজিদের মিহরাব এবং পশ্চিমদিকের দেয়ালের অস্তিত্ব ছিল। এক গম্বুজ বিশিষ্ট ছোট এই মসজিদটি সুলতানাত শৈলীতে নির্মাণ করা হয়েছিল। পরবর্তীতে এই মসজিদের স্থানেই একটি তিন গম্বুজ বিশিষ্ট আধুনিক মসজিদ নির্মাণ করা হয়।

আশরাফপুরের তাম্রফলকের অভিলিখন:

নরসিংদী জেলার শিবপুর উপজেলায় অবস্থিত আশরাফপুর গ্রামটি প্রত্নতাত্ত্বিক নিদর্শনের জন্য খুবই গুরুত্বপূর্ণ। ১১৮৫ সালে মিয়া বখশ খান নামের একজন গ্রামবাসী এখানে একটি মাটির স্তূপ থেকে ৭ শতকের দুটি তাম্রফলকের সন্ধান পান। তাম্রফলকের অভিলিখন থেকে জানা যায় খাডগা বংশের জনৈক দেবখাডগা এখানকার বৌদ্ধ সংঘ এবং বিহারকে কিছু জমি দান করেছিলেন। এখানে মাটি খনন করে কিছু প্রাচীন ইট এবং একটি ধ্বংসপ্রাপ্ত দেয়ালের অংশবিশেষও উদ্ধার করা হয়।

এই স্থানে আনুষ্ঠানিকভাবে খননকাজ করা না হলেও মানুষের বসতি নির্মাণের সময় কিছু খনন করার প্রয়োজন হয়েছিল। ইতিহাসবিদরা মনে করেন এখানে অবস্থিত বৌদ্ধ বিহারটি ছিল অত্র অঞ্চলে বৌদ্ধ ধর্ম চর্চা এবং শিক্ষার একটি কেন্দ্র।

The Betila (বেতিলা) House in Manikganj was built about a century ago by Jyoti Babu (জ্যোতি বাবু) and Satya Babu (সত্য বাবু), a couple of affluent merchants involved in the trade of Jute, the golden fibre of Bangladesh. This palatial house is located in a remote area named Betila which is within the parameters of the modern day Manikganj proper. Explorers/travelers searching for heritage sites in Manikganj over the internet may come across several links of the famous Baliati Zamindar’s Palace but never find any links on Betila. This is primarily because the Betila House was not a Zamindar’s (Land Owner) palace, and secondly since it is located in such a remote area, people hardly know about it. Rich people of those era are known to build such palatial houses in remote areas and live lavish lives, even though they were not 'Zamindars' or royalty.

For someone looking for heritage sites, the Betila Mitra Union of Manikganj would be a fabulous one to come across. It’s situated in semi rural setting (being not too distant from urban areas) and doesn't seem particularly unique on first impression but once you begin to explore it's culture and heritage, beautiful places like the Betila House amongst several others begin to surface. The seemingly tame Betila Canal runs across the area, connecting two major rivers Kaliganga (কালিগঙ্গা) and Dhaleshwari (ধলেশ্বরী) but like most waterways of Bangladesh, one can anticipate its ferocity in full monsoon season when rising water levels which is also evident in the way it has eroded both its banks, specially at the lone bridge that was constructed some time back.

On both the banks one will come across a series of heritage buildings, the pinnacle being on the eastern bank, the Betila Palatial house surrounded by rich foliage. It’s a combined structure of two separate buildings both of which are two-storied, standing almost intact, side by side and with an expansive open field before them.

Sat Masjid is located in the Mohammadpur area of Dhaka city, the building exhibits seven domes- three over the prayer chamber and four over the corner towers. Hence it is known as Sat Gombuz (seven domed) Mosque. The mosque occupies the western end of a slightly raised masonry plinth 26.82m by 25.60m, which is enclosed by a low wall with a gateway in the middle of the eastern side. This arched gateway with flanking ornamental turrets is exactly in alignment with the central doorway of the mosque proper. The top of the gateway could be approached from either the north or the south by an ascending flight of steps.

The mosque proper forms a large rectangle 14.33m by 4.88m on the inside and is emphasised with massive hollow domed towers of octagonal design on the exterior angles. The prayer chamber is entered through arched doorways - three in the east and one each on the north and south sides.

Corresponding to the three eastern archways there are three semi-octagonal mihrabs inside the western wall. Beside the central mihrab there is a three-stepped masonry pulpit. The central archway and the central mihrab, including two other archways on the north and south walls, have outwardly projected frontons depicting ornamental turrets on either flank.

The interior of the mosque is divided by two wide arches into three conventional divisions - a large central square bay and a smaller rectangular bay on either side. The roof is covered with three slightly bulbous domes on octagonal drums, the central one being bigger than its flanking counterparts. The large central dome is supported by the wide arches together with the two blocked arches over the central mihrab and central archway and the triangular pendentives on the upper angles. But in covering the side rectangles with domes a clever method has been adopted. In order to make a circular base for the dome, the rectangular space has first been made square above by creating half-domed vaults on the east and west walls. These half-domed vaults together with a further series of pendentives on the corners directly support the small domes.

The corner towers have flanking turrets like those in Khwaja Shahbaz’s Mosque and musa khan mosque, both in Dhaka city. Each of these consists of two storeys and is a monument by itself. The lower storey is pierced with four cardinally set arched openings in the north-south and east-west axis. Internally the roof of the lower storey is domical, but its reverse side is flat and forms the floor of the upper storey.