বিবিচিনি শাহী মসজিদ

Atkandi Nilkuthi Mosque (আটকান্দি নীলকুঠি মসজিদ ) is situated in the Atkandi village of Raypura upazila, Narsingdi. It was built by a man named ‘Alim Uddin’. Alim Uddin built this Mosque just beside the grave yard of his wife ‘Sadetunnesa’. To build this Mughal stylistic Mosque he brought some masons from far land Mohishur, India. Some even compare it with Tajmahal, given its architectural style and the emotions behind it.

Alim Uddin completed his education on Islamic religion from Deobond and later worked as Teacher in a madrasa, conducted by Khawaza Family in Dhaka. Later in 18th century, he built this Mosque, however the exact date of founding this Mosque could not be determined.

It is a rectangular shaped Mosque. Which can be divided into three specific spatial context. We can exemplify it as below- 1. Inner zone 2. Exterior Corridor zone 3. Exterior Porch zone (under open sky)

Inner Zone of this Mosque contains three domes, and a Mihrab. Among these, three bulbous domes, among which the middle one is the biggest. The inner zone contains two entrances.

Exterior corridor zone of this mosque is elongated in north-south forming a rectangular shape. It contains five bulbous domes, which is smaller than other three. This zone also contains five entrances which are arch shaped and decorated with multi foiled design. In parapet it’s decorated with the Merlon design. In the base line of outer wall it’s decorated with a pitcher design.

Exterior porch zone of this mosque was built considering the large gathering which take place. It’s a square shaped plastered floor, with one feet high bordered wall all around the porch. It contains a main gateway to enter into the Mosque.

Public gathering in different occasion:

In different kind of public occasions, like in the eve of Eid-festivals and in common vacations people from different parts of the country come here to visit this place. On the southern part of this Mosque there is an old Ghat (in the edge of a river) which has stepped down to the branch of Meghna river. So far we know, it was built by G.P. Wize when this region was a place to plant indigo in a massive scale.

Present Condition and ruins of several unrevealed structure:

Present condition of this Mosque is not so consistent in a sense of building strength. It is in very sensitive condition, where it is randomly being used without any treatment of conservation & preservation. That’s why we can observe some deterioration in the brick building both in Exterior & interior part.

In the northern part of the Mosque there are some ruins of buried structure. Some outer portion of that buried structure is seem like spherical shape. Which demands more exploration and systematic archaeological excavation to reveal the history behind this region.

It was built at a time when Sultani era was at its end and Mughal era had just set in. According to the inscription found in the mosque, it was built by Nawab Mirza Murad Khan, son of Jawahar Ali Khan Kakshal, in 1582 AD (989 Hijri).

The end of the 16th century AD is regarded as a tumultuous period in the history of Bengal due to anti-Mughal resistance spearheaded by the Bara Bhuiyans. During this era, the region, mentioned as ‘Sherpur Morcha’ in Ain-i Akbari by abul fazal, was the stronghold of the Kakshal rebels. They expressed solidarity with the bara bhuiyans of Bengal and the Afghan leader Masum Khan Kabuli. In fact Khherua mosque came into being to serve the community. As it was built while a political crisis was going on, a degree of negligence is evident in the construction and ornamentation of the mosque.

The rectangular mosque is 17.34 meters long from north to south while 7.5 meters wide from west to east. Its dimension from inside is 13.72 meters long and 3.8 meters wide. The walls are about 1.83 meters thick. The mosque has three entrances on the east, of which the central one is bigger than the two on its sides. Also, there is an entry on each side on the north and the south. Inside the mosque, on the west wall, there are three half-cylindrical concave mihrabs within a rectangular frame. The one in the middle is bigger than the other two and all three are devoid of any ornamentation.

Kherua mosque has three domes in a row, which look like three bowls of same size placed upside down. There is no motif or ornamentation on the domes. The construction looks similar to that of Sultani era. The two sides of the cornice are slightly curved taking after the traditional hut of Bengal. This type of roof treatment is seen in most of the 15th century architectural works. In the front walls some paneling work was done. There was some ornamentation with terracotta tiles, which are no longer there now. There were two inscriptions engraved on the two sides of the central entrance. One inscription is still there while the other is being preserved in the Karachi Museum. From the shape of the stone used for the inscription, it is assumed that the piece was the part of a statue; and the inscription was inscribed on the backside of the statue and placed on the wall. Kherua Mosque demands a great importance as an example of early mughal mosques in Bengal.

Baba Adam Shahid Mosque (বাবা আদম শহীদ মসজিদ) is an archaeologically significant mosque situated in Munshiganj District.

Baba Adam's Mosque shows all the decorative and architectural characteristics of the sultanate architecture of Bengal. This mosque, in fact, bears the mature form of the sultanate mosque style of this region (Bangladesh).

It is a six-domed mosque. An inscription, fixed above the central doorway in the east, records 888 AH/1483 AD as the date of construction of the mosque. Malik Kafur built it during the reign of Sultan Fateh Shah. Baba Adam's Mosque is now protected monument under the Department of Archaeology, Bangladesh. It has been renovated and is in a comparatively good state of preservation. Besides the mosque there is a tomb known as Baba Adam's Mazar, where, according to a legend, baba adam shahid, who died in a holy war, was buried. It is difficult to ascertain the historicity of this tomb due to lack of authentic sources. There is a newly built small tomb structure situated on the south-east side of the courtyard of the mosque. Previously, there was no roof over the tomb.

The present tomb is square in plan (7.62m a side) and is undated and without any inscription tablet. The simple grave has no feature of architectural importance and the Department of Archaeology is not responsible for preserving it.

বাবা আদমের মসজিদ এবং দরগা মুন্সীগঞ্জ জেলার রামপাল থানার রিকাবিবাজার ইউনিয়নের কাজী কসবা গ্রামে অবস্থিত। বহুগম্বুজবিশিষ্ট আয়াতক্ষেত্রাকার এই মসজিদটির ভেতরের অংশের আয়তন ১০.৩৫ মিটার গুণিতক ৬.৭৫ মিটার এবং বাইরের অংশের আয়তন ১৪.৩০ মিটার গুণিতক ১১.৪৫ মিটার। মসজিদটির দেয়ালের পুরুত্ব প্রায় ২ মিটার। বাবা আদম মসজিদের তিনটি সারিতে প্রবেশের জন্য মোট দুটি পথ রয়েছে।   এই মসজিদের পশ্চিম দিকের দেয়ালের পেছনের অংশের তিনটি স্তর রয়েছে এবং মাঝখানের স্তরে নকশাকরা বহুখাঁজবিশিষ্ট খিলানের প্যানেল রয়েছে। মসজিদের ছাদে দুই সারিতে তিনটি করে মোট ছয়টি একই ধরনের গোলাকার গম্বুজ রয়েছে। বাবা আদম মসজিদে দুটি সরু স্তম্ভ রয়েছে যেগুলো কালো অগ্নিয়গিরিজাত শিলা দিয়ে নির্মিত। এই স্তম্ভগুলোর গোড়া অষ্টভুজাকার, ষোল পার্শ্বযুক্ত এবং শিকল ও ঘণ্টার আদলে নকশাকৃত। বাবা আদম মসজিদের মুসলিম আমল পূর্ববর্তী পাথরের পিলারগুলোর উপর মসজিদের সরু প্রজাতির খিলানগুলো দাড়িয়ে আছে যেখান থেকে ছয়টি গম্বুজের উদয় হয়েছে। মসজিদটি ইটের তৈরি হলেও এটির পিলার এবং আয়তাকার স্তম্ভগুলো পাথরের তৈরি।

সুলতানি আমলের বেশীরভাগ স্থাপনার মত এই মসজিদের কার্নিশ এবং ছাদ বক্ররেখা বেষ্টিত। মসজিদের পশ্চিম দিকের দেয়ালের মিহরাবের সাথে সমান্তরালভাবে পূর্বদিকে তিনটি চমৎকার বক্রাকার ফটক রয়েছে।

বাবা আদম মসজিদের খিলান ও ছাদের মধ্যকার স্থানে গোলাপের নকশা রয়েছে এবং ছাঁচের নকশায় প্রস্তুতকৃত কুলুঙ্গির সারি রয়েছে। মসজিদে সবকটি ফটক এবং মিহরাবে আয়াতক্ষেত্রাকার নকশা খোদাই করা আছে এবং উত্তর ও দক্ষিন দিকের দেয়ালে আয়াতক্ষেত্রাকার কুলুঙ্গি রয়েছে। মসজিদটিতে কোন মিনার নেই এবং মাঝখানের ফটকের দুই পাশেই বহু খাঁজবিশিষ্ট দুটি আয়াতক্ষেত্রাকার প্যানেল রয়েছে। ছোট পিলারসমূহের উপরে বাবা আদম মসজিদের খিলানগুলো দাড়িয়ে আছে যেগুলোতে টেরাকোটার চমৎকার ঝুলে থাকা ফুলের নকশা করা আছে।  বাবা আদম মসজিদের বহিরাংশের মত নকশা সিরাজগঞ্জের শাহজাদপুর মসজিদের বহিরাংশেও দেখা যায়।

বাবা আদমের মসজিদের নকশা এবং স্থাপত্যশৈলীতে সেসময় বাংলায় সুলতানি আমলের স্থাপত্যশৈলীর চরিত্র দেখতে পাওয়া যায়। এই অঞ্চলের (বাংলাদেশের) মসজিদগুলোতে সুলতানি স্থাপত্যশৈলীর পূর্ণ রুপের মসজিদ ছাড়াও এখানে একটি দরগা রয়েছে যেটি বাবা আদমের মাজার নামে পরিচিত। লোককথায় আছে যে বাবা আদম শহিদ একটি ধর্মযুদ্ধে নিহত হবার পর তাঁকে এখানে দাফন করা হয়। নির্ভরযোগ্য সূত্রের অভাবে এই দরগার ইতিহাস সঠিকভাবে জানা যায়নি। মসজিদের উঠানের দক্ষিন-পূর্বদিকে একটি নবনির্মিত ছোট দরগা রয়েছে। পূর্বে দরগার উপর কোন ছাদ ছিল না। বর্তমানে অবস্থিত দরগাটি বর্গাকার (যার প্রতিটি বাহু ৭.৬২ মিটার এবং এটিতে কোন শিলালিপি নেই তাই কবে এটি নির্মিত হয়েছিল তারও কোন তারিখের উল্ল্যেখ নেই। দরগার পাশে অবস্থিত কবরটি অতি সাধারণ তাই এটির কোন স্থাপত্যশৈলীর দিক দিয়ে কবরটির কোন গুরুত্ব নেই আর তাই প্রত্নতাত্ত্বিক অধিদফতর কবরটি সংরক্ষণও করছে না।

Sat Masjid is located in the Mohammadpur area of Dhaka city, the building exhibits seven domes- three over the prayer chamber and four over the corner towers. Hence it is known as Sat Gombuz (seven domed) Mosque. The mosque occupies the western end of a slightly raised masonry plinth 26.82m by 25.60m, which is enclosed by a low wall with a gateway in the middle of the eastern side. This arched gateway with flanking ornamental turrets is exactly in alignment with the central doorway of the mosque proper. The top of the gateway could be approached from either the north or the south by an ascending flight of steps.

The mosque proper forms a large rectangle 14.33m by 4.88m on the inside and is emphasised with massive hollow domed towers of octagonal design on the exterior angles. The prayer chamber is entered through arched doorways - three in the east and one each on the north and south sides.

Corresponding to the three eastern archways there are three semi-octagonal mihrabs inside the western wall. Beside the central mihrab there is a three-stepped masonry pulpit. The central archway and the central mihrab, including two other archways on the north and south walls, have outwardly projected frontons depicting ornamental turrets on either flank.

The interior of the mosque is divided by two wide arches into three conventional divisions - a large central square bay and a smaller rectangular bay on either side. The roof is covered with three slightly bulbous domes on octagonal drums, the central one being bigger than its flanking counterparts. The large central dome is supported by the wide arches together with the two blocked arches over the central mihrab and central archway and the triangular pendentives on the upper angles. But in covering the side rectangles with domes a clever method has been adopted. In order to make a circular base for the dome, the rectangular space has first been made square above by creating half-domed vaults on the east and west walls. These half-domed vaults together with a further series of pendentives on the corners directly support the small domes.

The corner towers have flanking turrets like those in Khwaja Shahbaz’s Mosque and musa khan mosque, both in Dhaka city. Each of these consists of two storeys and is a monument by itself. The lower storey is pierced with four cardinally set arched openings in the north-south and east-west axis. Internally the roof of the lower storey is domical, but its reverse side is flat and forms the floor of the upper storey.