Array
(
[0] => Array
(
[name] => {:en}Ashrafpur Mosque{:}{:bn}আশরাফপুর মসজিদ{:}
[post_id] => 4267
[post_link] => http://offroadbangladesh.com/bn/places/ashrafpur-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/DSCN10881-300x225.jpg
[post_content] => {:en}Ashrafpur is an ancient village of Shibpur Upazila under Narsingdi district. In this village there was two seventh century’s copperplate inscription discovered. Ashrafpur Mosque is situated 1 kilometer south to the finding place of these copperplates. An inscribed stone of this Mosque,Once which was attached to the mosque and now preserved in the Bangladesh national museum, reveals that the mosque was built in 930 AH/ 1524 AD by Dilwar Khan during the reign of Sultan Nasiruddin Abul Muzaffar Nusrat Shah (1519-1532).
The mosque, ruined by the earthquake of 1897, was abandoned, prayer in it discontinued and in course of time it got shrouded by jungle. In 1940 the jungle was cleared and the mosque recovered under the leadership of Mowlana Syed Ali. Even at that time the Mihrab and a portion of the western wall was extant. It was a single domed small mosque built in the sultanate style. Later on, a three-domed modern mosque has been built on the same site where once stood the Sultani mosque.{:}{:bn}
আশরাফপুর গ্রামে যে স্থানে ৭ শতকের দুটো তাম্রফলক পাওয়া গিয়েছিল সেই স্থানের ১ কিলোমিটার দক্ষিনে আশরাফপুর মসজিদটি অবস্থিত। আশরাফপুর মসজিদের শিলালিপিটি বর্তমানে জাতীয় জাদুঘরে সংরক্ষিত আছে। শিলালিপি থেকে জানা যায় যে ৯৩০ হিজরী এবং ১৫২৪ খ্রিস্টাব্দে সুলতান নাসিরউদ্দিন আবুল মুজাফফর নুসরাত শাহ এর শাসনামলে (১৫১৯-১৫৩২) জনৈক দিলওয়ার খান এই মসজিদটি নির্মাণ করিয়েছিলেন।
১৮৯৭ সালের ভয়াবহ ভুমিকম্পে ক্ষতিগ্রস্থ হবার পর মসজিদটিকে পরিত্যাক্ত করা হয় এবং ধীরে ধীরে মসজিদটি জঙ্গলে ঢেকে যায়। ১৯৪০ সালে মওলানা সৈয়দ আলীর নেতৃত্বে জঙ্গল পরিষ্কারের পর মসজিদটিকে উদ্ধার করা হয়। সেসময় মসজিদের মিহরাব এবং পশ্চিমদিকের দেয়ালের অস্তিত্ব ছিল। এক গম্বুজ বিশিষ্ট ছোট এই মসজিদটি সুলতানাত শৈলীতে নির্মাণ করা হয়েছিল। পরবর্তীতে এই মসজিদের স্থানেই একটি তিন গম্বুজ বিশিষ্ট আধুনিক মসজিদ নির্মাণ করা হয়।
আশরাফপুরের তাম্রফলকের অভিলিখন:
নরসিংদী জেলার শিবপুর উপজেলায় অবস্থিত আশরাফপুর গ্রামটি প্রত্নতাত্ত্বিক নিদর্শনের জন্য খুবই গুরুত্বপূর্ণ। ১১৮৫ সালে মিয়া বখশ খান নামের একজন গ্রামবাসী এখানে একটি মাটির স্তূপ থেকে ৭ শতকের দুটি তাম্রফলকের সন্ধান পান। তাম্রফলকের অভিলিখন থেকে জানা যায় খাডগা বংশের জনৈক দেবখাডগা এখানকার বৌদ্ধ সংঘ এবং বিহারকে কিছু জমি দান করেছিলেন। এখানে মাটি খনন করে কিছু প্রাচীন ইট এবং একটি ধ্বংসপ্রাপ্ত দেয়ালের অংশবিশেষও উদ্ধার করা হয়।
এই স্থানে আনুষ্ঠানিকভাবে খননকাজ করা না হলেও মানুষের বসতি নির্মাণের সময় কিছু খনন করার প্রয়োজন হয়েছিল। ইতিহাসবিদরা মনে করেন এখানে অবস্থিত বৌদ্ধ বিহারটি ছিল অত্র অঞ্চলে বৌদ্ধ ধর্ম চর্চা এবং শিক্ষার একটি কেন্দ্র।
{:}
)
[1] => Array
(
[name] => {:en}Zinda Pir Mosque{:}{:bn}জিন্দা পীরের মসজিদ{:}
[post_id] => 6753
[post_link] => http://offroadbangladesh.com/bn/places/zinda-pir-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/Bagerhat-Jinda-Pir-Mosque-011-300x225.jpg
[post_content] => {:en}
Zinda Pir Mosque (জিন্দা পীরের মসজিদ) is very near from the Khan Jahan Ali Mazar. This is a small square shaped mosque having a dimension 6x6 (in meter). It has a single dome at the top. The Eastern side of the wall has three doors and other twos (not Western) are having a single door. This mosque was in ruin and restored during 2002.
During that restoration process the mosque has lost its most of the antiquities. They believe the guy who built this mosque was a holy man. He was reciting the Holy Quran one day and disappeared. That's why the believe that the guy is not dead yet. And hence they call him Zinda Pir (জিন্দা পীর), and call the mosque as Zinda Pir Mosque (জিন্দা পীরের মসজিদ). In English, the word Zinda Pir (জিন্দা পীর) means an alive holy man. This story doesn't have any authentic source to believe. It is simply the way they believe this. This mosque premise has a lot of old graves around. Those are not having any naming and that's why it is unsure about the graves. Also it has a Mazar (মাজার) near the mosque and lot of people pray on there.
{:}{:bn}খান জাহান আলী মাজারের খুব কাছেই জিন্দা পীরের মসজিদ অবস্থিত। ছোট বর্গক্ষেত্রাকার এই মসজিদের ব্যাপ্তি ৬মিটারx৬ মিটার। একগম্বুজ বিশিষ্ট এই মসজিদের পূর্ব দিকের দেয়ালে তিনটি দরজা আছে এবং পশ্চিমদিক ব্যাতিত বাকি দুই দিকের দেয়ালে একটি করে দরজা আছে। ২০০২ সালে ধ্বংসপ্রাপ্ত এই মসজিদটিকে মেরামত করা হয়। তবে, মেরামতের সময় মসজিদটি এটির প্রাচীনতা অনেকাংশেই হারিয়েছে। স্থানীয়রা মনে করেন একজন বুজুর্গ ব্যাক্তি এই মসজিদটি নির্মাণ করেছিলেন যিনি কোরআন শরীফ তেলাওয়াত করা অবস্থায় একদিন অদৃশ্য হয়ে যান। একারণে মনে করা হয়ে থাকে যে ঐ ব্যাক্তি এখনও জীবিত আছেন আর তাই তাঁকে জিন্দা পীর বলা হয় এবং মসজিদটিকে বলা হয় জিন্দা পীরের মসজিদ। ইংরেজিতে জিন্দা পীরের অর্থ জীবন্ত পবিত্র ব্যাক্তি। এই গল্পটির কোন বিশ্বাসযোগ্য সূত্র নেই তবে স্থানীয়রা এমনটাই বিশ্বাস করে থাকে। মসজিদের প্রাঙ্গনে বেশকিছু পুরাতন কবর রয়েছে তবে কোন নামফলক না থাকায় এসব কবর সম্পর্কে নিশ্চিত হয়ে কিছু জানা যায়নি। মসজিদের কাছে একটি মাজারও আছে যেখানে প্রচুর মানুষ প্রার্থনা করে থাকে।{:}
)
[2] => Array
(
[name] => Dhamrai Bazar Jame Masjid
[post_id] => 7551
[post_link] => http://offroadbangladesh.com/bn/places/dhamrai-bazar-jame-masjid/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/IMG_20150610_114500487_HDR-300x169.jpg
[post_content] =>
Dhamrai Mosque (Dhamrai Bazar Jame Masjid) is located at Dhamrai Bazar. Dhamrai is an Upazila of Dhaka district which is beside Manikganj District. At the Dhamrai Bazar, you'll find this nicely decorated mosque.
This looks a bit old fashioned and the Minaret of the mosque is designed flamboyantly. The minaret consist of small white colored marble stones. The mosque has around 6 domes at the top of it. All of them are white colored.
[This spot needs more detail. If you have more information and photos, please be advised to add in our website. Your name will be published as a Content Contributor]
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[3] => Array
(
[name] => Walipur Alamgiri Mosque
[post_id] => 5153
[post_link] => http://offroadbangladesh.com/bn/places/walipur-alamgiri-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/WalipurAlamgiriMosque-300x214.jpg
[post_content] =>
Walipur Alamgiri Mosque is situated in Walipur village under Hajiganj Upazila of Chandpur district. There are two mosques in the same locality - one known as Shahi Alamgiri Mosque and the other as Shah Shuja Mosque. The Alamgiri mosque has suffered much due to subsequent restoration works. Nevertheless, enough still survives to give an idea of its original plan and design. A Persian inscription in fine nastaliq character, fixed over the central doorway, records the construction of the mosque by one Abdullah in 1692 AD in the reign of Alamgir Aurangzeb.
In the middle of the eastern facade of the oblong mosque (15.24 m by 8.23 m) there is a projected fronton bordered with octagonal turrets through which opens out the main doorway. This has a higher arch with a half-dome within a rectangular frame. There are two more doorways in the eastern facade, one on either side of the central opening, having an outer arch with a half-dome below. Each of the north and south walls is pierced with a pair of arched doorways. The mosque has therefore seven archways in total -three in the east and two on each of the north and south walls. The four exterior angles of the building are strengthened by octagonal towers, which are carried beyond the horizontal parapets and topped over with kalasa finials, but have now been renovated.
Two massive octagonal brick pillars divide the interior of the mosque into five square bays - a large one in the middle (5.87m a side) and two smaller ones on its either side which are arranged in the east-west axis. Archways interconnect the bays; the arches are placed directly on two free standing octagonal pillars and engaged semi-octagonal pillars. It is worth noting that these arches are continued upwards as walls to make the bays above. This special device has given the mosque a two-storied appearance internally. All the five bays are roofed over with domes crowned with lotus and kalasa finials on cylindrical drums. The domes are carried on half-domed squinches on the upper corners and the blocked arches in between the square inches in the middle of the walls.
Octagonal turrets rising high above the horizontal parapets border the outside projection of the central mihrab, like that of the central archway. Inside, there are three mihrabs in the qibla wall. The central mihrab is semi-octagonal in design, but the flanking mihrabs are of the shallow rectangular type.
The original plastering of the building has been replaced by modern cement plaster. The horizontal parapet is now plain. The facade of the central archway projection is marked with shallow rectangular panels, each being further enriched with such motifs as plants and small trees with flowers in stucco. The central mihrab arch springs from beautifully decorated pilasters and has foliaged designs at its spandrels. The rectangular frame of the central mihrab, though now barely plain, is topped over with a frieze of blind merlons. A fine specimen of Mughal stucco ornamentation is still preserved in the squinches and blocked arches in between, which support the domes above. The extrados of the squinch arches and blocked arches are ornamented with interlocking scrolls, while the tympanums of the blocked arches are minutely embellished with floral scrolls with intertwining rosettes in the centers. Above them all round the interior base of the cylindrical drum runs a slightly sunken frieze decorated with floral scrolls.
Five-domed type mosque, one of the important varieties of Bengal mosques, shows two sub-types: (a) a mosque with a large central dome and a pair of small domes on each side in the same line and (b) a mosque with a large central dome and four small domes on the corners. The present mosque is the culminating example of the second variety. Both in planning and in the execution of elevation details of the building, the architect and the artisans have left behind a clear mark of their skills and perfection of ideas. The division of the interior of the mosque into five squares has been very scientifically effected by the disposition of two octagonal short massive freestanding pillars instead of the two east-west wide arches of the previous examples of the series. Mosques on this model were not built in Bengal for a long time, but almost two centuries later the type reappeared in the Becharam Dewri Mosque (1872) in the city of Dhaka. In plan Becharam Dewri Mosque is an exact copy of the Alamgiri Mosque but inferior in quality and elevation details.
Such mosque design in Bengal started with austagram mosque and evolved through the sarail mosque and the Walipur Alamgiri Mosque. The design is really unique. Question may now arise as to the origin of this particular kind of Bengal mosques. In Turkey under the early Ottomans the mosque of Rustam Celebi (c first half of the 15th century) at Tokat provides perhaps the earliest known example of its kind with five domes - the large central one and a small one on four corners. Similar plan is also found in such other Ottoman mosques as the Guzelce Hasan Bey Mosque (1406) in Hayrabolu and the Uc Serefeli Cam (1437-47) at Edirne. These mosques are generally regarded as the precursors of the great Ottoman mosques at Istambul - Bayezid mosque (1501-06), Sulaymaniya Mosque (1550-59), and the beautiful Selimya Mosque (1569-75) at Edirne. The five-roomed or five-domed planning of the Ottoman mosques may perhaps be said to have been dictated by those of some early Muslim buildings of Syria.
In India the Jamat Khana Mosque (1310-16) at Delhi is a lone example of its kind. This mosque design continued to have been practiced in Northern India in an elaborated form in Humayun's Mosque (1530) at Agra, where four small domed-rooms, instead of two, are attached on either side of the large central domed chamber. It may, therefore, be said that the plan of the second variety of the five-domed type mosques in Bengal was not innovated by Bengal architects, and its idea is very likely to have been borrowed from the sources stated above, particularly perhaps from those of Turkey or Upper India.
Written by: MA Bari
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