Array
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[0] => Array
(
[name] => {:en}Mahisantosh{:}{:bn}মহীসন্তোষ{:}
[post_id] => 5807
[post_link] => http://offroadbangladesh.com/places/mahisantosh/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/offroadbangladeshlogo2-300x178.png
[post_content] => {:en}
Mahisantosh an important center of administration and learning in the medieval period. Present Mahiganj and Santosh under Patnitala in Naogaon district were known as Mahisantosh. There is a legend that a darvesh (saint) came to the place on the back of a fish and hence the name. There is also a tradition that the place was named after mahipala I (c 995-1043 AD). The general plan of the site and the discovery of some military weapons, particularly a gun and some swords, now on display at the varendra research museum, indicate that it was a fortified military outpost with ditches and ramparts and sprang up long before the coming of the Muslims. The discovery of an inscription in a mihrab with the inscribed images of Visnu and Surya on the reverse testify that Mahisantosh existed as an important centre before it was made the headquarters of a Sarkar by the Muslims.
The place emerged, in the mid thirteenth century, as a seat of learning. Shaikh Yahiya Maneri is reported to have received his education there under the guidance of the celebrated Shaikh Taqiuddin. Persian sources tend to suggest that this place became a repository for the saints of the Suhrawardi Order. It became a mint town in 1459 during the reign of Ruknuddin Barbak shah (1459-1474) and was renamed Barbakabad after the sultan. The construction of a good number of mosques during the Sultanate indicates that the town had been flourishing with a considerable number of Muslim populations. It continued to be a mint town up to 1521. Barbakabad occurs as a Sarkar and a city in the Ain-I-Akbari. As an urban centre it might have lost its importance towards the close of the sixteenth century. From the seventeenth century it ceases to be mentioned as a place of note.
The extensive area, now in ruins, is covered with thick jungle. There are 4 or 5 mosques, a tomb of Muhammad Shiran Khalji and two tombs of saints, all in ruins. The tomb of Shiran, mentioned in Tabaqat-I-Nasiri, is now unrecognizable in the scattered ruins of some brick structures, compounds, a tank, and a walled garh.
Written by: Md Akhtaruzzaman
{:}{:bn}
মহীসন্তোষ নওগাঁ জেলা সদর থেকে প্রায় ৬২ কিলোমিটার দূরে অবস্থিত। রুকুনউদ্দিন বাবর শাহর শাসনকালে এটি প্রধান শহর ছিল। এখানে একটি প্রাচীন মসজিদ আছে এবং রাজিপুরের অবশিষ্ট এখানে দৃশ্যমান।
{:}
)
[1] => Array
(
[name] => Teota Zamindar Palace
[post_id] => 13757
[post_link] => http://offroadbangladesh.com/places/teota-zamindar-palace/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/08/Teota-Zamindar-Palace-2-300x225.jpg
[post_content] =>
Teota Zamindar Palace (তেওতা জমিদার বাড়ী) is located at the Shibalaya (শিবালায়া) Upazila of Manikganj District. This palace is locally known as Teota Rajbari (তেওতা রাজবাড়ি) and Teota Zamindar Bari (তেওতা জমিদার বাড়ী). This palace is possibly over 300 years old. This old dilapidated palace was the home of two brothers named Babu Hemsankar Ray ( বাবু হেমসংকর রায়) and Babu Joy Sankar Ray (বাবু জয় সংকর রায়) who were the ruler of Teota. The whole premise has over 50 rooms. Currently those are occupied by the homeless people.
At the Western side of the building, there is a large pond and beside the pond a temple is located named as Noborotno Temple (নবরত্ন মন্দির). The temple is a four storied building having a glorious example of classical architecture.
The whole palace is situated just beside the bank of mighty river Jamuna. After a few miles from the palace premise, the river merged with another big river, Padma. The palace is a two storied building and from the roof you can easily see the Jamuna river.
This palace is the birth place of Promila Debi (প্রমীলা দেবী), the wife of our national poet Kazi Nazrul Islam (নজরুল ইসলাম). Poet first saw her in this palace when he came here to visit Promila's cousin-Dhiren Sen (ধীরেন সেন).
)
[2] => Array
(
[name] => Itakhola Mura
[post_id] => 5524
[post_link] => http://offroadbangladesh.com/places/itakhola-mura/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/Itakhola-Mura31-300x240.jpg
[post_content] =>
Itakhola Mura is an archaeological site in Mainamati. This site is one of the most impressive ruins. It lies in three terraces on adjacent hillocks just opposite the Rupban Mura site across the Kotbari road in Comilla. Excavations have revealed here a grand stupa complex with an attached monastery, located 42m to its north. The cultural phases of the site are stated (or overstated) to be five; the earlier three being still buried underneath the later remains.
The Stupa Complex was originally built as a solid stupa in the traditional style on a 13.1 meter square basement. However, it has one peculiarity; a small sanctum (2.4 m x 2.1 m) built in the center of its eastern or front side.
Subsequently, the shrine was enlarged and elaborated by additions and alterations, especially by adding three long narrow chapels in the eastern side after blocking the old sanctum; thus giving the structure an oblong shape (41.4 m x 24m). In this particular feature, it is strikingly similar to the Rupban Mura shrine. The side chapels were ultimately blocked up, leaving space for a few cubicles for installing cult images, as in other parts of the shrine. This establishment is surrounded by a 2.6 m wide circumlocutory passage and is enclosed by a 1.2 m thick boundary wall.
This holy precinct is again enclosed within a much larger, well-defined, and better preserved boundary wall (79 m x 56 m), in the slightly lower second terrace. It contains three interesting subsidiary shrines, two in two corners of the eastern side, and the other, a slightly larger one, at the back in the west. An elaborate entrance with 22 broad steps at the Center of the eastern side leads to the much lower third terrace. The outer face of its damaged boundary wall in this front side is excellently decorated with offsets, sunken panels, and ornamental designs.
Five votive stupas lie at the base of the long staircase, three of them in a north south row within a well-defined enclosure, all semi-cruciform in shape, like that of the larger subsidiary shrines in the western side of the second terrace. They certainly represent an experimental early stage in the development of the cruciform style in Buddhist architecture that we see in mature form at shalvan vihara, paharpur, Vikramashila and many other sites. These structures may reasonably be dated as belonging to 7th-8th centuries AD.
The Monastery This medium sized monastery of the usual square shape with 19 cells and one entrance hall was built around an open courtyard, 16.2m. Square, on a separate mound. Its monumental gateway complex, 17.6m x 8.5m, projecting outwards, lies at the Centre of the eastern wing. Some of the cells have brick-built bedsteads. This structure was badly damaged by brick-hunters in 1944-45.
Mentionable antiquities from the site, besides the stucco image, are three round pellets of solid gold, (19 tolas), and a copperplate inscription, discovered during clearance work after the excavations. The copperplate has not yet been deciphered.
)
[3] => Array
(
[name] => {:en}Parulia Mosque{:}{:bn}পারুলিয়া মসজিদ{:}
[post_id] => 4137
[post_link] => http://offroadbangladesh.com/places/parulia-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/DSCN1052-300x225.jpg
[post_content] => {:en}
Parulia Mosque,According to a Persy inscription attached in the main gateway of the mosque; Bibi Jainab, a daughter of Nasir shah and wife of Diwan Sharif, built this mosque in 1126 AH/ 1714 AD. Internally,it is 18.29m in long, 5.18m wide and the wall of the mosque is 1.52m thick. Two lateral arches divided the interior of the mosque into three square sections. Three domes cover the roof of these three sections. The domes are crowned with lotus and kalasa finials. There are banded octagonal corner towers at four corners of the mosque. It was an exception that all the corner towers reached up to the cornice. In the Mughal style corner towers generally reach above the cornice.
There are five archways in the mosque, three at the eastern wall and one each at northern and southern walls. The central archway is bigger than the other four which are all in same size and shape. The upper portion of the outer side of the main gateway is under a half-domed roof and is recessed in a rectangular structure. Three mihrabs are at the western wall corresponding to the three archways of the eastern wall. All the mihrabs and the archways are stuck in rectangular structure, which are ornamented with merlons. There are arched niches on both sides of the mihrabs and archways. Archways and mihrabs are marked by their outward projection. Rectangular and square panels decoration are in both sides of the outer face of the archways.
The mosque was partially damaged by earthquakes in 1897 and was renovated later on. There is a square shaped open courtyard in front of the mosque, which is surrounded by a wall not very high. A beautiful gateway is in the eastern side of this wall.
There are two ponds at the northern and southern side of the Mosque which has increased the beauty of Mosque. And it makes the environment of Mosque Premises cool.
There is a one domed square tomb of Diwan Sharif and Bibi Jainab on the western side of the mosque. Every year at some particular month many people of cultural diversity have come here to celebrate a fair (Local term oros). They open so many itinerant shop of snacks and different kinds of toys. People come to pray and wish to have something (Spiritual) which is related with the well being of their life.
{:}{:bn}
নরসিংদী জেলার পলাশ উপজেলার পারুলিয়ায় এই মসজিদটি অবস্থিত। মসজিদের মূল ফটকে রক্ষিত একটি পারস্য শিলালিপি থেকে জানা যায় ১১২৬ হিজরী/১৭১৪ সালে জনৈক নাসির নামক ব্যাক্তির কন্যা এবং দিওয়ান শরীফ নামক ব্যাক্তির স্ত্রী বিবি জয়নাব এই মসজিদটি নির্মাণ করেন। মসজিদটির অভ্যন্তরের দৈর্ঘ্য ১৮.২৯ মিটার, প্রস্থ ৫.১৮ মিটার এবং মসজিদের দেয়ালের ঘনত্ব ১.৫২ মিটার। দুটি ধনুকআকৃতির সমান্তরাল পথের মাধ্যমে মসজিদের অভ্যন্তরকে তিনটি বর্গাকারভাগে ভাগ করা হয়েছে। প্রতিটি ভাগের উপরেই একটি করে গম্বুজ রয়েছে। প্রতিটি গম্বুজে নকশা ও অলংকার খোদাই করা আছে। ব্যাতিক্রম হিসেবে মসজিদের চারকোণায় অষ্টভুজ টাওয়ার রয়েছে যেগুলোর প্রতিটির উচ্চতা কার্নিশ পর্যন্ত। মুঘল স্থাপত্যশৈলীতে কোনার টাওয়ারগুলোর উচ্চতা সাধারণত কার্নিশকে ছাড়িয়ে যায়। মসজিদটির মোট পাঁচটি ধনুকআকৃতির ফটকের মধ্যে পূর্বদিকের দেয়ালে তিনটি, উত্তর ও দক্ষিন দিকের দেয়ালে একটি ফটক রয়েছে। মসজিদের মাঝখানের ফটকটি অন্যান্য ফটকের চেয়ে বড়। মসজিদের মূল ফটকের বাইরের দিকটি উপরিভাগ অর্ধগম্বুজ আকৃতির ছাদের নীচে অবস্থিত যেটি একটি আয়াতক্ষেত্রাকার কাঠামোর উপর নির্মাণ করা হয়েছে। অন্যান্য ফটকগুলো সামান্য নিচু আয়াতক্ষেত্রাকার কাঠামোর উপর নির্মাণ করা হয়েছে। মসজিদের পশ্চিমদিকের দেয়ালে পূর্বদিকের ফটকগুলো বরাবর তিনটি মিহরাব অবস্থিত। সবকটি মিহরাব এবং ধনুকআকৃতির ফটকগুলো অলংকারখচিত আয়াতক্ষেত্রাকার কাঠামোর উপর নির্মাণ করা হয়েছে। মিহরাব এবং ফটকের উভয়দিকেই ধনুকআকৃতির কোটর রয়েছে। ফটকগুলোর বাইরের অংশে বর্গাক্ষেত্রাকার এবং আয়াতক্ষেত্রাকার নকশা রয়েছে। ১৮৯৭ সালের ভুমিকম্পে মসজিদটি আংশিক ক্ষতিগ্রস্ত হলেও পরবর্তীতে মসজিদটি মেরামত করা হয়। মসজিদের সামনের বর্গাক্ষেত্রাকার আঙ্গিনাটি প্রাচীর দিয়ে ঘেরা। তবে প্রাচীরের উচ্চতা খুব বেশি নয় তবে প্রাচীরের পূর্বদিকেএকটি চমৎকার ফটক রয়েছে।পারুলিয়া মসজিদের উত্তর ও দক্ষিণদিকে অবস্থিত দুটি পুকুর মসজিদ অঙ্গনকে ঠাণ্ডা রাখার পাশাপাশি মসজিদের সৌন্দর্য বহুগুনে বৃদ্ধি করেছে।
মসজিদের পশ্চিমে দিওয়ান শরীফ এবং বিবি জয়নাবের এক গম্বুজবিশিষ্ট দরগা অবস্থিত। প্রতিবছর এখানে বছরের একটি নির্দিষ্ট মাসে মেলা (স্থানীয়ভাবে ওরশ বলা হয়) অনুষ্ঠিত হয় যেখানে বিভিন্ন সংস্কৃতির মানুষজন অংশ নিয়ে থাকে। এসময় এখানে বিভিন্ন খাবার ও খেলনা পাওয়া যায়। মানুষ এখানে এসে প্রার্থনা করে এবং নিজেদের জীবনের সমৃদ্ধির জন্য কিছু চেয়ে থাকে।
{:}
)
)
