Court Masjid

Mahajampur was an ancient Muslim ruled region. This region is situated few miles north to Sonargaon town area. There is a Mosque found here, named Mahajampur Ahamad Shah Mosque, which was built around in 16^th C.E. The style of bricks engraving and placement of dome charms the visitors. There are so many Scholars who had described the location and beauty of this mosque at different time in various writing. Among them, ‘Parvin Hasan & A.K.M. Zakaria’ described its beauty in their writing.

Many ancient evidences of human settlement has been found along with this Mosque & Mazar structure. Archaeologist found a big quantity of ancient bricks wherever they conducted excavation in that region. Two inscriptions being discovered from this Mosque. From one of those inscriptions we came to know about Sultan Shams Uddin Ahmad Shah (1432-1436 AD), which make it named after by his name. But, it has been said that someone named Firoz khan built that Mosque.

This is a six domed Mosque, which is built following the stylistic beauty of Baba Adam Shahid Mosque. Domes over the roof are bearing the evidences of Sultani Architecture of Bengal. It contains various design and decorations which is certainly something needs to be observed meticulously.

Mahisantosh Mosque located near the India-Bangladesh edge about 13 km northern western of Dhamorihat Thana Sadar in Naogaon place. Mahisantosh, known from Pre-Muslim periods, came to reputation during the guideline of Sultan Ruknuddin Barbak shah (1459-1474) who raised its place to an excellent town and known as it Barbakabad after him. Many traditional hemorrhoids, located in different places of the town, can still be monitored. In 1916 the varendra analysis team conducted a traditional excavation at Mahisantosh in the remains of the Jami Masjid heap. A little element of the mosque was exposed. Very lately individuals, after removing weeds, vegetation and junk of the Jami Masjid heap have developed up a new chauchala tin shade kacha creating on the old ranking of the mosque to perform Sunday desires. From the present remains it is still possible to recover the exclusive design of the mosque.

The 2.25m large materials of the rectangle-shaped mosque (24m X 16.20m externally) with semi-octagonal place techniques at the four aspects were designed of rock and bricks; the main was designed of rocks and the inner and external activities were secured with rock places. The top aspect act was provided with five (arched) doorways. Most probably the main one was larger than the flanking ones. There were three (arched) areas each on the south east aspect of and southern region aspects.

The inner of the mosque (19.50m X 11.70m) was divided by two selections of rock assistance supports, each having four assistance supports. Each main was status on an office rock foundation. The foundation of each main was divided into three sections: the decreased place, about 0.40m, was rectangle-shaped shape with pie design on its face; the middle element, about 1.55m, was decagonal with pattern and gong components and the greater element, about 0.96m, was polygonal (16 sided) with pattern and gong components and suspended pearl-string of 50% team design.

The main nave of the mosque, larger than the element ones, had three rectangle-shaped places and was perhaps secured over by Persia chauchala bins. Hemispherical domes, 12 in all, might have secured the element chicken wings. Thus the ceiling top program was almost just like that of the shatgumbad mosque at Bagerhat (1459 AD).

There are five mihrabs in the Qibla materials invert the top side aspect possibilities. The main mihrab, a little bit larger than the element ones, was removed from here and is now managed in the varendra analysis collection. Originally it was designed from 1 product of rock with amazing eye-catching schemes; pattern and gong, lotus and palmetto are its main ingredients. The extant mihrab at the southern region end also contains amazing developed design. It seems to have been designed of three places of rock. The main element of the mihrab industry is developed with attractive pattern and gong art work. On the element of the pattern is suspended a hand crafted series. A complete bloomed lotus weighs from the end of the pattern. The sidepieces of the rock places have geometric styles in round and rectangle-shaped shape types. The rosettes in the top and platform increase the beauty of the mihrab. It may be described here that the pattern and gong design, a very familiar eye-catching program, is also seen in mosques like darasbari, chhota sona and kusumba.

Stone-blocks calming propagate in and around the mosque involved eye-catching components on their activities. These developed stone-blocks indicate that the external outside of the materials of the mosque may have been developed with rock styles. The attractive devices are mostly geometric in design with flowery styles, palmette, nailheads, pie styles, look for components, pattern and gong components and suspended 50 % round jewelry. Some developed clay-based rocks were also exposed at a lot of period of removing junk. These clay-based rocks might have been used on the inner encounter of the drums equipment of the domes. Similar eye-catching program is seen in other mosques e.g., Darasabari, Chhota Sona and Kusumba.

When the Varendra Research Community conducted excavation on the website they discovered an epigraph product. It authorized the growth of a mosque during the guideline of Alauddin Husain shah in 912 AH/1506 AD. Very lately, another epigraph product was exposed at a lot of period of removing junk from the mosque. Currently it is calming before aspect of the lately designed kacha mosque creating. The epigraph contains two selections of writing and is developed on dark-colored basalt rock. It keep in mind the development of a mosque in a lot of period of Sultan Ruknuddin Barbak Shah by Ulugh Khan Hasan in the 867 AH/1463 AD.

Growth of these two individual from the same ruinous mosque improves some issues about the period of your energy and energy of growth of the mosque. Was the mosque developed in a lot of period of Sultan Barbak Shah or during a lot of period of Alauddin Husain Shah? Was it developed in a lot of period of Barbak Shah and therefore redesigned (or reconstructed) during the guideline of Alauddin Husain Shah? Or, was one of these two individual collected from outside and kept in the mosque when the mosque was in an amazing condition of preservation? It is not possible to figure out any of the above possibilities. It is, however, quite likely that the mosque was developed during the guideline of Sultan Barbak Shah in 867 AH (1463 AD) and knowledgeable a renovating during a lot of period of Sultan Alauddin Husain Shah in 912 AH (1506 AD).

Bandar Shahi Mosque (বন্দর শাহী মসজিদ )  is situated in the Bandar Municipal area. It was built in 1482 AD (886 AH) by Malik Al-Muazzam Baba Saleh, a high official under Sultan Jalaluddin Fateh Shah.

It is a square building measuring 6.20 meter a side in the interior and 9.70 meter in the exterior. It has four octagonal corner towers and a large hemispherical dome supported by two engaged black stone pillars embedded in each wall with square bases, capitals and octagonal shafts. The square inches which hold up the dome spring from the top of these pillars. The dome has a lotus and pitcher finial. The raising of the dome on a drum crowned with merlons seems to be part of Mughal renovations. There are three entrances in the east of which the central one is wider, measuring 2.20 meter high and 1.37 meter wide. The two other entrances each on the south and north sides are 2 meter high and 1 meter wide. The side entrances are of the same size as the front central one. Of the three semi-circular mihrabs, the central one is the largest and the northern mihrab is being used as a closet.

Chuna Khola Mosque or single domed square mosque is similar to Singair Mosque and Bibi Begni’s Mosque. Chuna Khola Mosque has three pointed arched entrances, rectangular frames border the north and south sides. The mosque has three Mihrabs along the west wall corresponding to the three doorways on the east. The central one is huge. Rectangular frames border the Mihrabs too with terracotta decorations. A horizontal row exists at the top. There is a Kalasa motif in the middle of the row above the central frame. The interiors of the Mihrabs are extensively decorated with terracotta motifs.

Unlike any other mosques from around, this one was having plenty of spaces around. In fact it was at the middle of the field (paddy or other seasonal). It is a single dome mosque and the dome is noticeably larger one. Also, the dome isn't placed at the center of the mosque. From my observation the dome is inclined slightly towards the Northern wall.

Apart from the beautiful semi spherical dome atop, the mosque is having three doors at the Eastern wall. And a single door each at the Northern and Southern walls. The mosque has beautiful four columns at the four corners of the mosque (similar to any other from it's contemporary). The shape of this Chunakhola Mosjid is square.