Khwaja Shahbaz Mosque and Tomb

Korotia Zamindar Bari (করটিয়া জমিদার বাড়ি) is located at the Korotia of Tangail (করটিয়া, টাঙ্গাইল). The famous Zamindar (জমিদার) of Tangail, Wajed Ali Khan Panni (ওয়াজেদ আলী খান পান্নি) built that palace beside the Putia River (পুটিয়া নদী) at Korotia (করটিয়া). The whole Zamindar palace premise having 1000m x 500m dimension comprises of lot of old buildings and ponds.

The main gate of the building is currently locked and no outsiders are entertained to have an entry. So if you go there, make sure you can have an entry, or you have to return from there without visiting that archaic building. According to the local people, the palace is open for public at 1st and 12th boishak (বৈশাখ) of Bengali calendar, and the two Eid days.

Near the Zamindar Bari (জমিদার বাড়ি) an old mosque is available. The mosque is having eight domes in two rows. First row is having five equal sized smaller domes and the second one is having three domes where middle one is the largest. At the eastern side of the mosque, a 15 feet tall minaret is available with old stairs. I don't know the exact built date of the mosque. If you know, you can share as a comment at below.

টাঙ্গাইলের করটিয়ায় পুটিয়া নদীর পাশে ওয়াজেদ আলী খান পন্নী এই বিখ্যাত জমিদারবাড়িটি নির্মাণ করেন। ১০০০ মিটার x ৫০০ মিটার এলাকায় অবস্থিত জমিদারবাড়ির আশেপাশে বেশকিছু প্রাচীন ভবন ও পুকুর রয়েছে।

জমিদারবাড়ির মূল ফটকটি বর্তমানে তালাবদ্ধ রাখা হয় এবং বাইরের কাউকে এখানে ঢুকতে দেওয়া হয়না। তাই এই জমিদারবাড়িটি দেখতে গেলে নিশ্চিত করে যাওয়া উচিত যে আপনি ভিতরে ঢুকতে পারবেন। অন্যথায় এই ঐতিহাসিক স্থাপনাটি আপনাকে না দেখেই ফিরতে হবে। স্থানীয়দের কাছ থেকে জানা যায় যে, বাংলা বৈশাখ মাসের এক এবং বারো তারিখে ছাড়াও দুই ঈদের দিন জমিদারবাড়িটি জনসাধারণের জন্য উন্মুক্ত করে দেওয়া হয়।

জমিদারবাড়ির কাছেই রয়েছে একটি প্রাচীন মসজিদ। মসজিদটিতে দুই সারিতে আটটি গম্বুজ রয়েছে। প্রথম সারিতে পাঁচটি একই আকারের ছোট গম্বুজ রয়েছে এবং দ্বিতীয় সারির তিনটি গম্বুজের মধ্যে মাঝেরটি আকারে বড়। মসজিদের পূর্বদিকে পুরাতন সিঁড়ি বিশিষ্ট একটি ১৫ ফুট উঁচু মিনার রয়েছে। মসজিদটির নির্মাণের সময় সম্পর্কে জানা যায়নি।

Jamalpur Shahi Mosque is one of the oldest mosque in Gaibandha district. It was built by Hazrat Maulana Shah Jamal (R). There are no specific inscription behind the proper construction period of this mosque. There is a Folklore that a war had been occurred between Hazrat Shah Jamal and contemporary Hindu Raja Khirodhar (ক্ষীরোধার) where Raja Khirodhar was defeated by Shah Jamal (R). For preserving this victory, Hazrat Shah Zamal (R) built this mosque just in one night.

The people who are living here, have strongly believe about this Myth. There is also a pond in front of the mosque which was also built by Shah Zamal in one night.

Mahisantosh Mosque located near the India-Bangladesh edge about 13 km northern western of Dhamorihat Thana Sadar in Naogaon place. Mahisantosh, known from Pre-Muslim periods, came to reputation during the guideline of Sultan Ruknuddin Barbak shah (1459-1474) who raised its place to an excellent town and known as it Barbakabad after him. Many traditional hemorrhoids, located in different places of the town, can still be monitored. In 1916 the varendra analysis team conducted a traditional excavation at Mahisantosh in the remains of the Jami Masjid heap. A little element of the mosque was exposed. Very lately individuals, after removing weeds, vegetation and junk of the Jami Masjid heap have developed up a new chauchala tin shade kacha creating on the old ranking of the mosque to perform Sunday desires. From the present remains it is still possible to recover the exclusive design of the mosque.

The 2.25m large materials of the rectangle-shaped mosque (24m X 16.20m externally) with semi-octagonal place techniques at the four aspects were designed of rock and bricks; the main was designed of rocks and the inner and external activities were secured with rock places. The top aspect act was provided with five (arched) doorways. Most probably the main one was larger than the flanking ones. There were three (arched) areas each on the south east aspect of and southern region aspects.

The inner of the mosque (19.50m X 11.70m) was divided by two selections of rock assistance supports, each having four assistance supports. Each main was status on an office rock foundation. The foundation of each main was divided into three sections: the decreased place, about 0.40m, was rectangle-shaped shape with pie design on its face; the middle element, about 1.55m, was decagonal with pattern and gong components and the greater element, about 0.96m, was polygonal (16 sided) with pattern and gong components and suspended pearl-string of 50% team design.

The main nave of the mosque, larger than the element ones, had three rectangle-shaped places and was perhaps secured over by Persia chauchala bins. Hemispherical domes, 12 in all, might have secured the element chicken wings. Thus the ceiling top program was almost just like that of the shatgumbad mosque at Bagerhat (1459 AD).

There are five mihrabs in the Qibla materials invert the top side aspect possibilities. The main mihrab, a little bit larger than the element ones, was removed from here and is now managed in the varendra analysis collection. Originally it was designed from 1 product of rock with amazing eye-catching schemes; pattern and gong, lotus and palmetto are its main ingredients. The extant mihrab at the southern region end also contains amazing developed design. It seems to have been designed of three places of rock. The main element of the mihrab industry is developed with attractive pattern and gong art work. On the element of the pattern is suspended a hand crafted series. A complete bloomed lotus weighs from the end of the pattern. The sidepieces of the rock places have geometric styles in round and rectangle-shaped shape types. The rosettes in the top and platform increase the beauty of the mihrab. It may be described here that the pattern and gong design, a very familiar eye-catching program, is also seen in mosques like darasbari, chhota sona and kusumba.

Stone-blocks calming propagate in and around the mosque involved eye-catching components on their activities. These developed stone-blocks indicate that the external outside of the materials of the mosque may have been developed with rock styles. The attractive devices are mostly geometric in design with flowery styles, palmette, nailheads, pie styles, look for components, pattern and gong components and suspended 50 % round jewelry. Some developed clay-based rocks were also exposed at a lot of period of removing junk. These clay-based rocks might have been used on the inner encounter of the drums equipment of the domes. Similar eye-catching program is seen in other mosques e.g., Darasabari, Chhota Sona and Kusumba.

When the Varendra Research Community conducted excavation on the website they discovered an epigraph product. It authorized the growth of a mosque during the guideline of Alauddin Husain shah in 912 AH/1506 AD. Very lately, another epigraph product was exposed at a lot of period of removing junk from the mosque. Currently it is calming before aspect of the lately designed kacha mosque creating. The epigraph contains two selections of writing and is developed on dark-colored basalt rock. It keep in mind the development of a mosque in a lot of period of Sultan Ruknuddin Barbak Shah by Ulugh Khan Hasan in the 867 AH/1463 AD.

Growth of these two individual from the same ruinous mosque improves some issues about the period of your energy and energy of growth of the mosque. Was the mosque developed in a lot of period of Sultan Barbak Shah or during a lot of period of Alauddin Husain Shah? Was it developed in a lot of period of Barbak Shah and therefore redesigned (or reconstructed) during the guideline of Alauddin Husain Shah? Or, was one of these two individual collected from outside and kept in the mosque when the mosque was in an amazing condition of preservation? It is not possible to figure out any of the above possibilities. It is, however, quite likely that the mosque was developed during the guideline of Sultan Barbak Shah in 867 AH (1463 AD) and knowledgeable a renovating during a lot of period of Sultan Alauddin Husain Shah in 912 AH (1506 AD).

This spot is located in Shibganj Upazila of Chapai Nawabganj district. Tin Gomguj mosque is a special attraction of the Mughal era. There are 3 entrances and 3 mihrabs inside the mosque. The architecture of the mosque is not much artistic. Locals pray in this mosque frequently.