Array
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[0] => Array
(
[name] => {:en}Baliati Palace{:}{:bn}বালিয়াটি জমিদার বাড়ি{:}
[post_id] => 2507
[post_link] => http://offroadbangladesh.com/places/baliati-palace/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/Baliati-Palace-by-Tanvir-and-Asraful-Alam-300x225.jpg
[post_content] => {:en}
The great Baliati Palace (বালিয়াটি জমিদার বাড়ি) is located at the Saturia Upazila of Manikganj(সাটুরিয়া, মানিকগঞ্জ) district, in the village of Baliati. This historic building is about 200 years of old. A river named Gazikhali(গাজীখালী নদী) which is demised interim of the time, flowed at the northern side of the palace.
The palace is situated on a lush and sprawling premise, approximately 16000 square meter. There are possibly 200 rooms available inside the premise. Back side of the palace has a pond having four ghats(ঘাট). Other side of the pond has a series of sanitary lavatory.
The story starts more than hundred and fifty years ago when the Baliati Zamindars were still a force to be reckoned with in Bangladesh, situated about 35 miles northwest of Dhaka and 5 miles east of Manikgonj district headquarters. The palaces used to be also known as “Dosh-ani-Zaminder bari” due to inheritance of a portion of the main complex from Roy Chand by the well wishers of his first wife among the Zaminders. Kishorilal Roy Chowdhury and Roybahadur Harendra Kumer Roy Chowdhury realized soon enough the necessity of knowledge which compelled them to establish the Jagarnath College and K.L Jubily High school. The Baliati Zaminderbari originally consisted of five similar but separate blocks. The south façade of grand palace presents an attractive frontage of about 400 feet of the extant four blocks of the palace, the two central blocks are two-storied and the other two terminal ones are three-storied. The lofty encircling walls of the imposing Zaminderbari complex are punctuated by three superb gateways, identical in their architectural features. This remarkable complex has been acquired by the Bangladesh archeological department and has been given a new name “Baliati Palace” as a protected cultural property.In exploring the expressiveness of this marvelous structure with time, culture and mood, the attached twelve snaps tell the story by dividing it into three constituent parts. First part expresses the thematic preamble of time and prestige, and style. The second part sequentially put expedition of the underlying interior in the picture capturing architectural details, vista and shape and shadow. Last part tells the present story of the exterior in light of the surrounding at present. In short, the justification of making this sequential development to bring the whole story inside out from it’s behind theme to the present.
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রাজধানী ঢাকা থেকে প্রায় ৩৫ মাইল উত্তরপশ্চিমে এবং মানিকগঞ্জ জেলা সদর থেকে ৫ মাইল পূর্বে সাটুরিয়া উপজেলায় বিখ্যাত বালিয়াটি জমিদার বাড়ি অবস্থিত। বালিয়াটি গ্রামে অবস্থিত এই প্রত্নতাত্ত্বিক নিদর্শনটি প্রায় ২০০ বছর পুরাতন। এই জমিদারবাড়িটির উত্তরে একসময় গাজীখালী নদী প্রবাহিত হত। ১৬০০০ বর্গমিটার আয়তনের বিশাল এই জমিদারবাড়িটিতে প্রায় ২০০টি কক্ষ রয়েছে। জমিদারবাড়ির পেছনে অবস্থিত পুকুরের এক প্রান্তে চারটি ঘাট আছে এবং অপর প্রান্তে বেশকিছু শৌচাগার রয়েছে।
জমিদারবাড়ির একটি অংশ রায় চাঁদের কাছ থেকে অন্যান্য জমিদারদের প্রথম স্ত্রীদের উত্তরাধিকার সূত্রে প্রাপ্তির কারনে এই প্রাসাদটি ‘দশ-আনি-জমিদারবাড়ি’ নামে পরিচিত ছিল। জমিদার কিশোরিলাল চৌধুরী এবং রায়বাহাদুর হরেন্দ্র কুমার রায় চৌধুরী এই অঞ্চলের মানুষের মধ্যে জ্ঞান বৃদ্ধির প্রয়োজনীয়তা উপলব্ধি করেন এবং এই কারনে জগন্নাথ কলেজ এবং কে এল জুবিলী হাইস্কুল প্রতিষ্ঠা করেন। মূল জমিদারবাড়িতে পাঁচটি একই রকম কিন্তু ভিন্ন ভাগ ছিল। জমিদারবাড়ির দক্ষিনে বর্তমানে স্থায়ী ৪টি আকর্ষণীয় অংশ অবস্থিত। এগুলোর মধ্যে মাঝের দুটি অংশ হল দোতলা এবং পাশের বাকি তিনটি অংশ তিনতলা। জমিদারবাড়িকে ঘিরে থাকা সুউচ্চ প্রাচীরে তিনটি চমৎকার স্থাপত্যশৈলীর ফটক রয়েছে। বর্তমানে ‘বালিয়াতি প্রাসাদ’ নামকরণ করে বাংলাদেশ প্রত্নতত্ত্ব অধিদফতর এই জমিদারবাড়িটির অধিগ্রহন করে দেখাশোনা করছে। সময় এবং সংস্কৃতির সাথে সামঞ্জস্য রেখে জমিদারবাড়িটিকে তিনভাগে ভাগ করা হয়েছে বারোটি অধ্যায়ের মাধ্যমে। প্রথমভাগে সময়, শৈলী এবং ঐতিহ্যকে তুলে ধরা হয়েছে। দ্বিতীয়ভাগে জমিদারবাড়ির স্থাপত্যশৈলীর বিস্তারিত বিবরন ক্রমঅনুযায়ী বর্ণনা করা হয়েছে। শেষভাগে বর্তমান প্রেক্ষাপটে জমিদারবাড়ির গুরুত্বকে ফুটিয়ে তোলা হয়েছে। এক কথায় বলা যায় প্রথম থেকে বর্তমান পর্যন্ত এই জমিদারবাড়ির ইতিহাস চমৎকারভাবে ক্রমঅনুযায়ী বর্ণনা করা হয়েছে।
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[1] => Array
(
[name] => Panam Nagar
[post_id] => 11238
[post_link] => http://offroadbangladesh.com/places/panam-nagar/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/07/229750_223480837697299_316414_n1-225x300.jpg
[post_content] =>
Panam Nagar (পানাম নগর), ancient Painam, a locality now in Sonargaon upazila of Narayanganj district. It is about 2.5 kilometre to the north of Dhaka-Chittagong highway at Mograpara point. It is said to have been the site of Hindu capital city of Sonargaon emerging in the seventh decade of the thirteenth century. The Panam area formed part of the Muslim metropolis developed on the south of the old city, and perhaps constituted the place of residence of the early Muslim governors'. After the Mughal conquest of Sonargaon (1611) the Panam area was connected with the ruling metropolis by construction of highways and bridges. Panam still possesses three brick bridges belonging to the Mughal period: Panam Bridge, Dalalpur Bridge and Panamnagar Bridge.
The existence of these bridges, and the canals enclosing the site on three sides is indicative of its being a suburban area of the medieval city. The pucca road which leads from the Mograpara crossing on the Dhaka-Chittagong highway in the direction of Panam extending up to the Neel-Kuthi looks like a dividing line between medieval Sonargaon and the present Panamnagar, the only surviving relics of the Panam area. The Panam township stands on the east of this road opposite Aminpur, and a one-arched humped bridge leads from the same road over a narrow canal to the main street of Panamnagar.
In all probability the present Panamnagar grew as a by-product of the commercial activities of the english east india company and of the Permanent Settlement. The East India Company established their factory in Panam for the purchase of muslin and other cotton fabrics. The Company, for the purchase of muslin, used to distribute annually to the weavers from their factory in Panam as much as a lakh of rupees as dadni (dadni system advance), and it is estimated that there were then 1400 families of Hindu and Muslim weavers in and around Panam.
Sonargaon developed into a center of trade in cotton fabrics, chiefly English piece goods, during the colonial period, and thereby grew the new township of Panamnagar. A group of Hindu talukdars, who came into being from among the traders in the nineteenth century, chose this site for their residence. The existing brick buildings of Panamnagar, obviously the residence of the Hindu merchant-talukdars, can be dated back to early nineteenth, and the later ones to late nineteenth and early twentieth centuries. Panamnagar which developed in the nineteenth century, continued to flourish till the end of the Second World War.
Panamnagar, a unique township, stretched in a single street 5 meter wide on the average and 600 meter in length. All the buildings have the character of urban street front houses and are lined up on either side of this street which ends up at the Panam bazar. Fifty-two houses exist in dilapidated and disused condition having 31 in the north side of the street and 21 on the south. Panamnagar appears to be well protected by artificial canals all around. Two fairly wide canals run parallel to the street on its either side and joined by a narrow canal on the western side over which is the entrance bridge (Panamnagar Bridge). On the eastern side, the canal on the south swerves rightward and goes eastward crossing the north-south road that passes through the Panam bazar. The northern canal, the Pankhiraj Khal, runs eastward to meet the Meghna-Menikhali stream.
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[2] => Array
(
[name] => Rabindranath Tagore's Kacharibari
[post_id] => 3076
[post_link] => http://offroadbangladesh.com/places/rabindranath-tagores-kacharibari/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/Shajadpur-RabindraKachari-Bari-Sirajgonj2-300x204.jpg
[post_content] =>
It was the parental Zamidari house of Rabindranath Tagore. It contains belongings of the famous poet such as dishes, bathtubs, hookahs, piano, sofa, metal vessels etc. The musical instruments present there such as piano are damaged and not used now. It is now used as a museum. It is frequently visited by many. There is lack of space and no parking facilities. There are a lot of cracks in the building which might be a source of concern for the tourists.
Shajadpur Rabindra Kachari Bari is a two-storied building situated in Shahjadpur of Sirajgonj district. The building itself is historic structure due to its relation with Novel levrest Rabindra Nath Tagore. A number of objects belonging to Tagor's personal life are now on its display.
Shajadpur Rabindra Kachari Bari is a two-storied building situated in Shahjadpur of Sirajgonj district. The building itself is historic structure due to its relation with Novel leverets Rabindra Nath Tagore. A number of objects belonging to Tagor's personal life are now on its display. Visiting hours for museums: 1st April to 30th September: Tuesday to Saturday: (10 am to 6 pm & Leisure: 1 pm to 1.30 pm) Friday: 10 am to 12.30 pm and 2.30 pm to 6pm Monday: 2.30 pm to 6 pm 1st October to 30th March Tuesday to Saturday: (9 am to 5 pm & Leisure: 1 pm to 1.30 pm) Friday: 9 am to 12.30 pm and 2 pm to 5 pm Monday: 1.30 pm to 5pm.
Source: LGED website
)
[3] => Array
(
[name] => Sonakanda Fort
[post_id] => 10801
[post_link] => http://offroadbangladesh.com/places/sonakanda-fort/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/07/17662494639_eac4172f39_b1-300x200.jpg
[post_content] =>
Sonakanda Fort (সোনাকান্দা দুর্গ) a Mughal river-fort located on the eastern bank of the Shitalakshya (শীতলক্ষ্যা) at port area. A group of river forts, constructed by the Mughals, guarded the water routes to Dhaka and other places of strategic importance and the Sonakanda Fort is one of them. The fort, under the protection of the Department of Archaeology and Museums, has been restored and repaired several times. The defensive walls and the massive artillery platform are still in existence. It is quadrangular in plan,measuring 86.56 m × 57.0 m and surrounded by a 1.06 m thick brick-wall, 3.05 meter in height, with inner and intermediate bastions.
The wall is built solid at the bottom. There is a circular artillery platform with a staircase on the west side, which leads up to the raised artillery platform to be entered by a five-foil arched gateway. The artillery platform, meant for a big calibre cannon aiming at the attackers coming up the river, is a new feature of the Mughal river forts in Bengal.
The platform has two circles of which the inner is 15.70m and the outer is 19.35m in diameter respectively. It is 6.09m in height and surrounded by walls. The corner bastions on both sides of the western wing are wider than those of the eastern wing, which are 4.26m, while the two on the western wing are 6.85m in diameter. The fort has two main parts; one is a fortified rampart wall of enormous dimension, which has numerous wide and narrow loopholes. And the other part, the most important one, is a raised outwork on the western face. Excepting the artillery platform, there is no trace of any permanent structure within the fortification walls. All round, the walls are crowned by machicolated merlons, which are on average one metre high.
The fort is provided with a single entrance gate on the north. The arched gateway is placed within a rectangular frame and both the sides are decorated with several plastered panels. The lofty arch of the entrance gateway is of the four-centred variety. There are four corner bastions. Unlike the bastions of the forts at Hajiganj and Idrakpur the bastions of this fort are octagonal in plan.
The fort is not dated by any inscription. Though the construction of this fort is attributed to Mir Jumla, there is no evidence for this. On stylistic similarities with other Mughal river-forts in and around Dhaka it is datable to the mid-17th century.
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