Array
(
[0] => Array
(
[name] => Khan Mohammad Mridha Mosque
[post_id] => 7286
[post_link] => http://offroadbangladesh.com/places/khan-mohammad-mridha-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/Khan-Mohammad-Mridha-Mosque1-300x225.jpg
[post_content] =>
Khan Mohammad Mridha Mosque is another archaic mosque from our Dhaka city. Unlike other mosques, this one has plenty of spaces around it, and not consumed by the proximity buildings.
The mosque was built over a very high vault like platform. Using the stair, anyone can go to the upper store and able to have the beauty of the antiquity. According to the inscription of the central doorway of the mosque, it was built during 1704–05 AD by someone named Khan Muhammad Mridha, and the mosque was named after him.
The mosque has three domes at the top of it and has four pillars at the four corners with traditional ornate. If you visit the mosque, you may find that the door is closed. It usually opens at the time of the prayer.
At the eastern side of the mosque, there is a tomb exists, but no epigraph over the tomb, so it is hard to find anything further about this. Also the there is a garden available at eastern side having various kind of seasonal flowers.
There are plenty of spaces around the mosque. It will allow you to observe the mosque without any obstacle unlike any other mosques from Dhaka City. Having roads at west and north of the mosque kept it detached from other buildings.
)
[1] => Array
(
[name] => {:en}Nine Dome Mosque{:}{:bn}নয় গম্বুজ মসজিদ{:}
[post_id] => 1532
[post_link] => http://offroadbangladesh.com/places/nine-dome-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/DSC02733-300x201.jpg
[post_content] => {:en}
Nine Dome Mosque is now a protected monument of the Department of Archaeology, Bangladesh. There are 3 pointed arched openings on the north, south and east sides adjoined within tall rectangular frames. The western wall is relieved with three semicircular mihrabs of which the central one is larger and is projected to the west.
The decorations of the multi-cusped mihrabs contains terracotta floral, scroll and foliage patterns within rectangular panels. Each Mihrabs center is decorated with chain and bell motif. Apexes of the arches have diaper designs and large rosettes at the spandrels. Rest three walls are relieved with only two niches in each.
The corner towers are round and are surfaced by eight bands of moldings. The exterior walls are eased with vertical panels. The curved cornice is very prominent.
{:}{:bn}
খান জাহান আলীর মাজারের অর্ধেক কিলোমিটারেরও কম দূরত্বে ঠাকুরদীঘির পশ্চিম তীরে নয় গম্বুজ মসজিদ অবস্থিত। এই মসজিদটি বর্তমানে বাংলাদেশের প্রত্নতাত্ত্বিক অধিদফতরের অধীনে একটি সংরক্ষিত নিদর্শন। মসজিদটির উত্তর, দক্ষিন এবং পূর্বদিকে লম্বা আয়াতক্ষেত্রাকার কাঠামোর মধ্যে তিনটি ধনুকআকারের ফটক রয়েছে। নয়গম্বুজবিশিষ্ট মসজিদের পশ্চিম দিকের দেয়ালে তিনটি অর্ধ গোলাকার মিহরাব রয়েছে যেগুলোর মধ্যে মাঝখানের মিহরাবটি বড় এবং পশ্চিমদিকে হেলানো। খাঁজকাটা মিহরাবগুলোতে টেরাকোটার উপর আয়াতক্ষেত্রাকার কাঠামোর মধ্যে ফুল ও পাতার নকশা রয়েছে এবং মিহরাবের মাঝখানে শিকল ও ঘণ্টার নকশা রয়েছে। মসজিদের খিলানের শীর্ষে বুটির নকশা এবং খিলান, ছাদ ও দেয়ালের মধ্যবর্তী স্থানে গোলাপের নকশা রয়েছে। নয়গম্বুজবিশিষ্ট মসজিদের অবশিষ্ট তিনটি দেয়ালের প্রতিটিতে দুটি করে খিলান রয়েছে। মসজিদটির কোণায় অবস্থিত টাওয়ারগুলো গোলাকার এবং এগুলোতে আট স্তরের ঢালাই রয়েছে।
{:}
)
[2] => Array
(
[name] => Mahisantosh Mosque
[post_id] => 5809
[post_link] => http://offroadbangladesh.com/places/mahisantosh-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/offroadbangladeshlogo2-300x178.png
[post_content] =>
Mahisantosh Mosque located near the India-Bangladesh edge about 13 km northern western of Dhamorihat Thana Sadar in Naogaon place. Mahisantosh, known from Pre-Muslim periods, came to reputation during the guideline of Sultan Ruknuddin Barbak shah (1459-1474) who raised its place to an excellent town and known as it Barbakabad after him. Many traditional hemorrhoids, located in different places of the town, can still be monitored. In 1916 the varendra analysis team conducted a traditional excavation at Mahisantosh in the remains of the Jami Masjid heap. A little element of the mosque was exposed. Very lately individuals, after removing weeds, vegetation and junk of the Jami Masjid heap have developed up a new chauchala tin shade kacha creating on the old ranking of the mosque to perform Sunday desires. From the present remains it is still possible to recover the exclusive design of the mosque.
The 2.25m large materials of the rectangle-shaped mosque (24m X 16.20m externally) with semi-octagonal place techniques at the four aspects were designed of rock and bricks; the main was designed of rocks and the inner and external activities were secured with rock places. The top aspect act was provided with five (arched) doorways. Most probably the main one was larger than the flanking ones. There were three (arched) areas each on the south east aspect of and southern region aspects.
The inner of the mosque (19.50m X 11.70m) was divided by two selections of rock assistance supports, each having four assistance supports. Each main was status on an office rock foundation. The foundation of each main was divided into three sections: the decreased place, about 0.40m, was rectangle-shaped shape with pie design on its face; the middle element, about 1.55m, was decagonal with pattern and gong components and the greater element, about 0.96m, was polygonal (16 sided) with pattern and gong components and suspended pearl-string of 50% team design.
The main nave of the mosque, larger than the element ones, had three rectangle-shaped places and was perhaps secured over by Persia chauchala bins. Hemispherical domes, 12 in all, might have secured the element chicken wings. Thus the ceiling top program was almost just like that of the shatgumbad mosque at Bagerhat (1459 AD).
There are five mihrabs in the Qibla materials invert the top side aspect possibilities. The main mihrab, a little bit larger than the element ones, was removed from here and is now managed in the varendra analysis collection. Originally it was designed from 1 product of rock with amazing eye-catching schemes; pattern and gong, lotus and palmetto are its main ingredients. The extant mihrab at the southern region end also contains amazing developed design. It seems to have been designed of three places of rock. The main element of the mihrab industry is developed with attractive pattern and gong art work. On the element of the pattern is suspended a hand crafted series. A complete bloomed lotus weighs from the end of the pattern. The sidepieces of the rock places have geometric styles in round and rectangle-shaped shape types. The rosettes in the top and platform increase the beauty of the mihrab. It may be described here that the pattern and gong design, a very familiar eye-catching program, is also seen in mosques like darasbari, chhota sona and kusumba.
Stone-blocks calming propagate in and around the mosque involved eye-catching components on their activities. These developed stone-blocks indicate that the external outside of the materials of the mosque may have been developed with rock styles. The attractive devices are mostly geometric in design with flowery styles, palmette, nailheads, pie styles, look for components, pattern and gong components and suspended 50 % round jewelry. Some developed clay-based rocks were also exposed at a lot of period of removing junk. These clay-based rocks might have been used on the inner encounter of the drums equipment of the domes. Similar eye-catching program is seen in other mosques e.g., Darasabari, Chhota Sona and Kusumba.
When the Varendra Research Community conducted excavation on the website they discovered an epigraph product. It authorized the growth of a mosque during the guideline of Alauddin Husain shah in 912 AH/1506 AD. Very lately, another epigraph product was exposed at a lot of period of removing junk from the mosque. Currently it is calming before aspect of the lately designed kacha mosque creating. The epigraph contains two selections of writing and is developed on dark-colored basalt rock. It keep in mind the development of a mosque in a lot of period of Sultan Ruknuddin Barbak Shah by Ulugh Khan Hasan in the 867 AH/1463 AD.
Growth of these two individual from the same ruinous mosque improves some issues about the period of your energy and energy of growth of the mosque. Was the mosque developed in a lot of period of Sultan Barbak Shah or during a lot of period of Alauddin Husain Shah? Was it developed in a lot of period of Barbak Shah and therefore redesigned (or reconstructed) during the guideline of Alauddin Husain Shah? Or, was one of these two individual collected from outside and kept in the mosque when the mosque was in an amazing condition of preservation? It is not possible to figure out any of the above possibilities. It is, however, quite likely that the mosque was developed during the guideline of Sultan Barbak Shah in 867 AH (1463 AD) and knowledgeable a renovating during a lot of period of Sultan Alauddin Husain Shah in 912 AH (1506 AD).
)
[3] => Array
(
[name] => {:en}Shah Mahmud Masjid{:}{:bn}শাহ মাহমুদ মসজিদ{:}
[post_id] => 5104
[post_link] => http://offroadbangladesh.com/places/shah-mahmud-masjid/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/Shah-Mahmud-Masjid2-300x225.jpg
[post_content] => {:en}
Shah Mahmud Masjid is an attractive building at Egarosindur may be dated sometime around 1680 AD. The mosque stands at the back of a slightly raised platform, which is enclosed by a low wall with a gateway consists of an oblong structure with do-chala roof. The mosque proper is a square structure, 5.79m a side in the inside, and is emphasized with octagonal towers on the four exteriors angles. All these towers shooting high above the roof and terminating in solid kiosks with cupolas, were originally crowned with kalasa finials, still intact in the southern one. The western wall accommodates inside three mihrab –the central one semi –octagonal and the side ones rectangular. The central doorway and central mihrab are larger than their flanking counterparts. The mosque has four axially projected front ones, each corresponding to the centrally located doorways and the central mihrab. The parapets and cornices are horizontal in the usual Mughal fashion.
All the mihrabs are enriched with terracotta decoration. The mihrabs are arched having cuspings in their outer faces. The pilasters, supporting the mihrab arches, show a series of decorated bands topped by a frieze of petals. The spandrels of these arches, though now plain must have been originally enriched with terracotta plaques. Above the rectangular frame of the central mihrab there is a row of arched-niches filled with varieties of small trees containing flowers. The mosque should specially be noted for its four axially projected frontons with bordering ornamental turrets, a device which must have been borrowed from the four axial iwan-type gateways of the Persian influenced north Indian Mughal standard mosques of Fathpur, Agra and Delhi.
The mosque has a very large dome at the top. Four corners of the mosque are having octagonal columns and the middle of the walls are having eight small columns (each wall two). The Shah Mahmud mosque has stylish terracotta at the eastern wall. Also it has expensive (considering that period) decoration at the top of the walls, columns and mini-minarets.
{:}{:bn}
এগারোসিন্দুর গ্রামে অবস্থিত অন্যতম আকর্ষণীয় এই স্থাপনাটি সম্ভবত ১৬৮০ সালের দিকে নির্মিত হয়েছিল। একটি উঁচু প্লাটফর্মের পেছনে অবস্থিত এই মসজিদটি নিচু দেয়াল দিয়ে ঘেরাও করা হয়েছে। মসজিদে ঢোকার ফটকটি আয়াতক্ষেত্রাকার এবং এটিতে দোচালা ছাদ রয়েছে। ছাদের উপর চার কোণায় অষ্টভুজ চারটি টাওয়ারসহ বর্গাক্ষেত্রাকার এই মসজিদের ভেতরের প্রতিটি দিকের দৈর্ঘ্য ৫.৭৯ মিটার। মসজিদের টাওয়ারগুলোতে ছোট কক্ষ ছিল এবং টাওয়ারগুলো অলংকার দিয়ে সাজানো হয়েছিল। দক্ষিন দিকের টাওয়ারে এখনও সেসব অলংকারের দেখা মেলে। মসজিদের পশ্চিম দেয়ালে তিনটি মিহরাব আছে যেগুলোর মধ্যে মাঝের মিহরাবটি অষ্টভুজ আকারের এবং বাকি পাশের দুটি মিহরাব বর্গক্ষেত্রাকার। মসজিদের মাঝখানের মিহরাব এবং দরজাটি অন্যান্য মিহরাব ও দরজাগুলোর চেয়ে আকারে বড়। মসজিদের প্রাচীর এবং কার্নিশগুলো মুঘল স্থাপত্যের মত সমান্তরাল।
মসজিদের ধনুকাকারের মিহরাবসমূহে টেরাকোটার নকশা করা রয়েছে। মসজিদের মিহরাবের সাথেকার প্রতিটি কলামে পাতা এবং শৃঙ্খলের নকশা রয়েছে এবং ধনুকাকার মিহরাব এবং ছাদের সংযোগস্থলে একসময় টেরাকোটার ফলক ছিল বলে বোঝা যায়। এখানকার মাঝখানের মিহরাবের উপরে বিভিন্ন ফুল সমেত ছোট গাছের নকশা রয়েছে। মসজিদের সম্মুখভাগের চারটি চূড়ার নকশার উত্তর ভারতের ফতেহপুর, আগ্রা এবং দিল্লির মুঘল আমলের মসজিদগুলোর পারস্য নকশার সাথে মিল পাওয়া যায়।
মসজিদের উপরে একটি বিশালাকার গম্বুজ রয়েছে এবং এখানকার পূর্বদিকের দেয়ালে টেরাকোটার কাজ ছাড়াও দেয়ালের উপরে, কলামে এবং মিনি মিনারে সে আমলের ব্যয়বহুল নকশার কাজ রয়েছে।
ছবির জন্য এখানে ক্লিক করুন http://www.panoramio.com/photo/91597929
http://www.panoramio.com/photo/91597914
{:}
)
)