




Brief
Natore Rajbari (also known as Pagla Raja’s Palace, Natore Palace) was a prominent royal palace in Natore, Bangladesh. It was the residence and seat of the Rajshahi Raj family of Zamindars. Famous queen Rani Bhabani lived here and after the death of her husband, expanded both the estate and the palace.
Natore Zamindars was one of the largest Zamindaris of Bengal. The originators of this Zamindari were Ramjivan and Raghunandan both sons of Kamdev. Ramjivan’s daughter-in-law was Rani Bhabani (1716-1795), a legendary name in Bengal politics in the 18th century and an endearing personality in every home of the country due to her boundless generosity and public spirit. After becoming Zamindar Ramjivan built his Rajbari at Natore occupying a huge area of 50.42 acres of land and it is enclosed within two rings of defensive moats-one within the other. The moats are now dotted with large tanks, orchards and flower gardens surrounding the derelict ruins of the seven surviving detached palaces. Of these only four deserve description while the rest are in advanced stage of disintegration and are of no architectural significance.
After the death of the great queen, her adopted son Ramkrishna ruled the area. After his death, his two sons Sibnath and Vishwanath became the co-sharers of the Natore Zamindari in 1778. The whole Zamindari was divided between them, and the part of the eldest son was known as “Boro Taraf” and the part of the youngest son was known as “Chhoto Taraf”. The Rajbari was protected on all sides by ditches. There were nine buildings in this Rajbari. They are the palace of Boro Taraf, The palace of Choto Taraf, Kachari Bhavan and Guard House of Boro taraf, Kachari Bhavan of Choto Taraf, Rani Bhavan, Guest House, Madhu Rani Bhavan etc.
The main palace block (Boro Torof), now housing the newly created deputy commissioner’s office, faces a large open lawn to the south. Two other single-storied blocks, placed on the west and the south, look over the lawn and are laid out in the form of an English “U” with the open side on the east. The main northern block, facing south, has a frontage of about 100′-0″ with a prominently projecting porch in the middle and two slightly projecting bays at either end, all carrying triangular pediments above. The elegant central porch is supported on a series of Corinthian columns and semi-circular arches in the typical classical Roman style and the veranda in front of the apartments are also similarly relieved. The whole facade is tastefully decorated with geometric and floral panels in plasterwork. This block contains twelve spacious apartments, disposed on either side of the large reception hall (7.47m × 16.01m) which is located in the middle. The access to the reception hall (60′-0″x 30′-0″) is gained through another large hall and is backed by a 10′-0″ wide veranda on the north.
The lofty ceiling of the central hall, rises to a height of 30′-0″ and is lit by eighteen clerestory windows, originally fitted with colored glass panes, whilst the roof of the other rooms are considerably lower in height. The entire floor of this block is laid in black and white imported marble. The back veranda is supported on twenty pairs of Corinthian columns, the capitals of which contain within its acanthus leaves, some classical nude female figures. The western block, placed at right angles to the main block, has about a 200′-0″ frontage and faces the lawn on the east. It is also a single-storied building with an arched projecting bay in the middle. A strip of veranda, supported on a series of paired Doric columns, runs the entire length of the block. Entering through the arched central bay there is access into an open of longed court, occupied by typical ‘nat-mandap’. Beyond and further to the west, is a Krishna temple. This family shrine has a 50’-0” wide frontage, backed by a 10’-0” wide veranda which carried on a series of double Corinthian columns.
This ‘nat-mandap’ has a humped tin roof supported on a series of iron pillars. Placed at right angles to this block is another north facing single-storied building, which is about 150’-0” long and has central projecting porch. The porch entrance leads on to a long veranda running the entire length of the building behind which there are a series of apartments of varying sizes, somewhat similarly disposed as the former. A long veranda to the rear of this building overlooks a large tank. A series of Corinthian columns, which support veranda, projects as a semi-circle in the middle. The rear of this handsome block is tastefully decorated in plasterwork. The building at present is occupied by the office of the superintendent of police.
To the south-west rears of the second block a couple of very ruined single-storied residential buildings overlook a large tank from its northern bank. The smaller of these two structures presenting a 50’-0” frontage with a veranda, is relieved with a series of paired Doric columns while the larger adjacent block has a 100’-0” frontage with a veranda carried on a row of double Corinthian columns. Sadly both these ruins are now thickly covered with encroaching thickets and accumulating debris. However, the main palace block of the ‘Chhota-Taraf’, perched picturesquely on the western bank of this large tank and now occupied by the District Judge’s Court, is an imposing structure. The 70’-0” long façade has a prominently projecting central triple-arched portico.
The central part of the building, occupied by the reception hall projects above the flanking wings and is crowned by a pyramidal roof with clerestory windows. The parapet of the porch is decorated in plasterwork with two short projecting bays at either end of the building, each decorated with two pairs of Corinthian columns, which are topped by triangular pediments. Entering this palace block though the porch one encounters a long 10’-0” wide veranda with a black and white marble floor. Behind the veranda there is a row of apartments which lead on to the vast reception hall, measuring 7.32 meter x 15.55meter.
The lofty ceiling of reception hall is another hall measuring 50’-0”x20’-0” with a projecting balcony at the far end which overlooks the encircling moat. Although there are fifteen apartments including the central hall. The rear of the building also is tastefully relieved with Ionic capitals, floral motifs and bearded human heads in stucco. The two large halls of the palace, probably flagged in marble, are now devoid of their original floor, but the other apartments have white and black marble floors. Curiously the capitals most of the columns are of composite character with acanthus leaves intertwining Ionic roundels.
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[name] => Alexander Castle
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Alexander Castle is one of the most amazing and renowned structure in Mymensingh District. It was built by Maharaja Suryo Kanta Acharya Chowdhury(মহারাজ সুর্যকান্ত আচার্য চৌধুরী) in 1879 in the memory of the 1st zilla magistrate of Mymensingh Mr. N .S Alexander at the time of Jubili festival. It covers an area of 27.155 acres.
It is a nice small archaic building having two Greek statue at both sides of the front gate. Though the arms of those statues are currently broken, but still those looks great. The whole building is placed over a high plinth, probably to avoid the flood from the nearness river.
It cost 45000 taka at that time. Alexander Castle is a two storied building made by metals and woods in a high concrete base. This building was used as a rest house for the guests of Maharaja Maharaja Soshi Kanta Acharya Chowdhury. Many great personalities of the world stayed at this castle when visiting Mymensingh city. Nobel Laureate poet Rabindranath Tagore arrived in Mymensingh around the midday of 15 February 1926. He stayed in the Alexander Castle as a guest for 4days. Mahatma Gandhi also stayed in this castle in 1926.
Lord carzon, Chittaranjan Das, Nawab Sir Salimullah, Kamal Pasha also visited Alexander Castle. This house was decorated by royal furnitures and items at that time. There is a big field in front of this house. You can see two fascinating silver statue which makes the place more beautiful. There is also a big garden and a pond still remains behind the castle. It is said that Maharaja used to keep big cats in his garden so he surrounded the garden with big still cages.At present this house is being used as library of teachers training college(male) in Mymensingh.
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[post_id] => 1502
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The Liberation war museum (LWM) was established in 1996, to Honor the Bangladeshi people’s heroic struggle for democracy and national rights through the armed resistance against the Pakistan Army; after it had unleashed one of the worst genocides in history upon the people of then East Pakistan in the middle of night, 25 March 1971. The nine months long war led to the emergence of independent Bangladesh as a secular democratic state in December 1971. The museum bring to view the untold stories of courage and determination, victory and defiance, heroics and heartbreaks. It is run by a Board of Trustees with overwhelming support of all sections of people and is the outcome of citizen’s effort at all levels. It is now recognized-nationally and internationally, as a reliable and credible institution protecting the history of the emergence of Bangladesh.
Currently the Museum's collection boasts about 14000 objects that include rare photograph, documents, media coverage and materials used by freedom fighters and martyrs of the Liberation War. In 1999, the museum, with the assistance of Bangladesh Army, excavated two killing fields in Dhaka suburb and these human remains of 1971 genocide added a more real dimension to the displays in the museum. Due to space constraints in the rented premises, the museum can exhibit about 1300 objects. A plan to build to proper museum on its own land is on the cards and the museum should be housed in its own premises by 2014.
Liberation War Museum is outcome of citizen's effort and is run by a Board of Trustee. It is now recognized, nationally and internationally, as credible institution on history of Bangladesh independence. The museum through its special programmes endeavors to link history of liberation war with contemporary pressing social and human right issues. LWM is founder member of International Coalition of Historic Site Museum of Conscience and institutional member of American Association of Museums.
Visitors of the museum realize how through popular struggle and human sacrifices fundamental principles of democracy, secularism and nationalism of Bangladesh constitution (1972) evolved. Attempts have been taken through displays and regular programmes to create a living museum where visitor/participants can draw contemporary relevance for building national unity and a tolerant society against human rights abuses.
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১৯৯৬ সালের ২২শে মার্চ উদ্বোধন হওয়া এই জাদুঘরে প্রায় দশ হাজারের অধিক নিদর্শন প্রদর্শিত হচ্ছে অথবা আর্কাইভে সংরক্ষিত আছে। বর্তমানে নিজস্ব জমিতে ঢাকার আগারগাঁও এ এই জাদুঘরের নিজস্ব ভবনের নির্মাণকাজ শেষ পর্যায়ে রয়েছে। জাদুঘরের নীচতলার গ্যালারিগুলো বাংলাদেশের প্রাচীন ইতিহাস থেকে শুরু করে অবিভক্ত বাংলায় ঘটে যাওয়া ইংরেজবিরোধী আন্দোলনের ঘটনাবলি নিয়ে সাজানো হয়েছে। এছাড়া জাদুঘরের বেশীরভাগ বিভাগই বাংলাদেশের স্বাধীনতা সংগ্রামের গৌরবোজ্জ্বল ইতিহাসকে ধারন করে আছে।
১৯৭১ সালের ২৫শে মার্চের কালরাত থেকে শুরু করে দীর্ঘ নয় মাস বর্বর পাকিস্তানী বাহিনী তৎকালীন পূর্ব পাকিস্তানের মুক্তিকামী জনগনের ওপর ইতিহাসের জঘন্যতম গণহত্যা সংঘটিত করেছিল। দীর্ঘ নয় মাসের সশস্ত্র সংগ্রাম শেষে এক সাগর রক্তের বিনিময়ে ১৯৭১ সালের ১৬ই ডিসেম্বর একটি ধর্মনিরপেক্ষ গণতান্ত্রিক দেশ হিসেবে বাংলাদেশের অভ্যুদয় ঘটে। গনতন্ত্র এবং স্বাধিকার আদায়ে এদেশের মানুষের অকুতভয় সশস্ত্র প্রতিরোধ এবং সংগ্রামকে চিরস্মরণীয় করে রাখতে ১৯৯৬ সালে প্রতিষ্ঠা করা হয় মুক্তিযুদ্ধ জাদুঘর।
অজানা সাহস এবং প্রতিজ্ঞার ঘটনাবলির পাশাপাশি এই জাদুঘরে রয়েছে বিদ্রোহ, বিজয়, সাহসিকতা এবং বুকভাঙ্গা বেদনার মর্মস্পর্শী না বলা কথা। সমাজের সর্বস্তরের মানুষের সার্বিক সহযোগিতায় একটি বোর্ড অফ ট্রাস্টি এই জাদুঘরটি পরিচালনা করছে। বর্তমানে এই জাদুঘরটি বাংলাদেশের অভ্যুদয়ের ইতিহাস সংরক্ষণের ক্ষেত্রে জাতীয় এবং আন্তর্জাতিকভাবে একটি নির্ভরযোগ্য প্রতিষ্ঠানে পরিনত হয়েছে।
বর্তমানে মুক্তিযুদ্ধ জাদুঘরের সংগ্রহে প্রায় ১৪০০০ সংগ্রহ রয়েছে। এসবের মধ্যে আছেঃ দুর্লভ ছবি, কাগজ পত্র, দেশী বিদেশী সংবাদপত্রে প্রকাশিত মুক্তিযুদ্ধের সংবাদ, মুক্তিযোদ্ধা এবং মুক্তিযুদ্ধে শহীদদের ব্যবহার করা বিভিন্ন জিনিসপত্র এবং যুদ্ধাস্ত্র। ১৯৯৯ সালে বাংলাদেশ সেনাবাহিনীর সহযোগিতায় মুক্তিযুদ্ধ জাদুঘর ঢাকার অদুরে দুটি বধ্যভূমি খনন করে এবং সেখান থেকে আবিষ্কৃত হয় গণহত্যার শিকার শহীদদের দেহাবশেষ এবং ব্যবহার করা বিভিন্ন সামগ্রী। এসকল দেহাবশেষ এবং ব্যবহার করা সামগ্রী প্রদর্শনীর মাধ্যমে জাদুঘরটি মুক্তিযুদ্ধের ইতিহাসকে জীবন্ত রূপ দান করেছে। তবে ভাড়া করা ভবনে জায়গার স্বল্পতার কারনে মাত্র ১৩০০ টি সংগ্রহ প্রদর্শিত হচ্ছে। তবে, অতি শীঘ্রই মুক্তিযুদ্ধ জাদুঘর ঢাকার আগারগাঁও এ নিজস্ব জমিতে নির্মিত নিজস্ব ভবন থেকে আরও বড় পরিসরে কার্যক্রম শুরু করতে যাচ্ছে।
মুক্তিযুদ্ধ জাদুঘর বিশেষ বিশেষ অনুষ্ঠানের মাধ্যমে মুক্তিযুদ্ধের ইতিহাসকে সমসাময়িক বিভিন্ন আলোচিত সামাজিক এবং মানবাধিকারমূলক ঘটনার সাথে সম্পৃক্ত করে নতুন প্রজন্মের সামনে তুলে ধরার চেষ্টা করে চলেছে। মুক্তিযুদ্ধ জাদুঘর আমেরিকান এসোসিয়েশন অফ মিউজিয়ামের সদস্য ছাড়াও ইন্টারন্যাশনাল কোয়ালিশন অফ হিসটোরিক সাইট মিউজিয়াম অফ কনশেন্স এর প্রতিষ্ঠাতা সদস্য।
এই জাদুঘরে আগত দর্শনার্থীরা অনুধাবন করতে পারেন কতটা ত্যাগের মাধ্যমে এদেশে গনতন্ত্র, ধর্মনিরপেক্ষতা, এবং জাতীয়তাবাদের মৌলিক নীতিগুলোকে সংবিধানের মাধ্যমে অধিস্তিত করা হয়েছে। বিভিন্ন প্রদর্শনী এবং অনুষ্ঠানের মাধ্যমে একটি জীবন্ত জাদুঘর প্রতিষ্ঠার চেষ্টা করা হচ্ছে যাতে করে এখানে আগত দর্শনার্থীরা জাতীয় ঐক্য সৃষ্টির পাশাপাশি মানবাধিকার লঙ্ঘনের ব্যাপারে সমাজে সচেতনতার সৃষ্টি করতে পারে।
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[name] => Horipur Boro Bari
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Horipur Boro Bari, also known as Horipur Zamindar Bari is a mammoth mansion that is located at the Horipur village of Nasirnagar Upazila of Brahmanbaria district. This is exactly adjacent to the bank of the river Titash. From outside it’s hard to get any essence of its antiquity and beauty. This is a capacious mansion having plenty of rooms at the both floor.
From the inscription from a Moth near the area it is found that the owner was Zamindar Krishna Prasad Ray Choudhury (জমিদার কৃষ্ণ প্রসাদ রায় চৌধুরী) who built that around 1343 of Bengali Calendar. At the front side it has a Ghat for taking bath (also may be for taking part in a family gossip during after noon).
Right now, the situation of the building is not good. This is now occupied by lot of poor families (Hindu people from their dress up and religious practice). Due to lack of care, most of the walls are decaying. It’s a two stored building and few portion of the second floor is risky. But still people are living at the ground floor.
The mammoth size, stylish architecture, etc simply implies that how sumptuous the owner was. Though most of the parts are diminished but still there is a portion of a Pasha Ghor exists at the second floor. Probably the owner used to play Pasha with his mates. May be it was a dance floor where the rich Baijee (Dictionary: Dancer) used to perform every night.
Since this is exactly beside the river Titash, lot of people use to visit here with a boat as a part of their picnic. As per the local, this type of picnic party uses to visit frequently during the weekends. And still people from Dhaka know very little about this place. You can explore the river after visiting this old Zamindar Bari. But you may not find any boat for hiring around there. Most of those are the private boats. May be you can request them to use for a while. Just about few hundreds meter apart from the building you'll find a cremation place which was built by the same owner.
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[name] => {:en}MAG Osmani Museum{:}{:bn}ওসমানী জাদুঘর{:}
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MAG Osmani Museum is a museum in Sylhet, Bangladesh. The ancestors’ home of Bangabir General Muhammad Ataul Gani Osmani, the Commander-in-Chief of Bangladesh Forces (12 April 1971 - 7 April 1972) has been transformed into today’s famous “Osmani Museum”. It is situated at the heart (Dhopa Dighir Par) of the Sylhet City Corporation area in renowned Sylhet Division of Bangladesh.
It is about 12 km from the Sylhet Osmani International Airport and 3 km from the Sylhet Railway Station. Maintained and organized by the Bangladesh National Museum, this museum has been established to pay rich tribute to the great hero of Bangladesh for his outstanding accomplishments. This will surely act as a stimulus to the future generations. The foundation stone was laid on 16 February 1985 and it was inaugurated on 4 March 1987 by the then president of Bangladesh H M Ershad.
‘Nur Manzil’ is by and large a tin shade building having few rooms and other amenities including an exquisite piazza in the front. One has to cross few meters from the main gate to reach the Museum. A huge portrait of the General, placed in the center of the entrance hall greets the visitors. Receptionist welcomes the guests. One has to write name and address in the register placed in the reception. A befitting sitting place is also available in the lobby.
This historic museum comprises three galleries, where personal belongings of General Osmani and a good number of historical photographs are preserved befittingly. On both western and eastern side of the building there exist two small rooms, where Assistant Keeper and Care Taker’s office are situated.
{:}{:bn}মহান মুক্তিযুদ্ধে মুক্তিবাহিনীর সর্বাধিনায়ক (১২ এপ্রিল ১৯৭১-৭ এপ্রিল ১৯৭২) বঙ্গবীর জেনারেল মুহাম্মাদ আতাউল গনি ওসমানীর পৈতৃক নিবাসটিকে বর্তমানে ‘ওসমানী জাদুঘর’ হিসেবে ব্যবহার করা হচ্ছে। এই জাদুঘরটি সিলেট ওসমানী আন্তর্জাতিক বিমানবন্দর থেকে ১২ কিলোমিটার এবং সিলেট রেলওয়ে স্টেশন থেকে ৩ কিলোমিটার দূরে অবস্থিত। বাংলাদেশের মহান মুক্তিযুদ্ধে জেনারেল ওসমানীর মহান অবদানকে শ্রদ্ধাভরে স্মরণ করতে এই জাদুঘরটি প্রতিষ্ঠা করা হয়। এই জাদুঘরটির রক্ষনাবেক্ষনের করছে বাংলাদেশ জাতীয় জাদুঘর। ১৯৮৫ সালের ১৬ই ফেব্রুয়ারি এই জাদুঘরটির ভিত্তিপ্রস্তর স্থাপন করা হয় এবং বাংলাদেশের তৎকালীন রাষ্ট্রপতি এইচ এম এরশাদ ১৯৮৭ সালের ৪ঠা মার্চ এই জাদুঘরটি উদ্বোধন করেন। এই জাদুঘরটি নিঃসন্দেহে ভবিষ্যৎ প্রজন্মকে প্রেরনা জোগাবে।
‘নুর মঞ্জিল’ হলো কয়েকটি কক্ষ সমৃদ্ধ একটি টিনশেড ভবন যেটির সামনে রয়েছে একটি চমৎকার চত্বর। জাদুঘরে পৌছাতে হলে আপনাকে মূল ফটক থেকে কয়েক মিটার অতিক্রম করতে হবে। জাদুঘরে ঢোকার মুখেই অভ্যর্থনাকারীদের পাশাপাশি জেনারেল ওসমানীর একটি বিশাল প্রতিকৃতি আপনাকে স্বাগত জানাবে। আপনাকে অভ্যর্থনা কক্ষে রক্ষিত রেজিস্টারে আপনার নাম ও ঠিকানা লিপিবদ্ধ করতে হবে। জাদুঘরের লবিতে বসার সুব্যাবস্থা রয়েছে। এই জাদুঘরের তিনটি গ্যালারীতে জেনারেল ওসমানীর ব্যবহার করা জিনিসপত্র ছাড়াও বেশকিছু ঐতিহাসিক ছবি যথাযথভাবে সংরক্ষণ করা হয়েছে। জাদুঘর ভবনের পশ্চিম এবং পূর্ব প্রান্তে জাদুঘরের তত্ত্বাবধায়ক এবং সহযোগী তত্ত্বাবধায়কের কক্ষ অবস্থিত।{:}
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