Brief
Locally this site is known as “Rupban Mura”. After excavation, the sign of a shrine, a monastery and an octagonal votive stupa were found. Among the antiquities, one Gupta imitation gold coin, 04 coins of debased metal, 3 silver coins and a bulky sand stone, Buddha image of post gupta period are mention worthy. On the basis of all the evidences found here, the original monastery and shrine may be dated prior to the 8th Century A.D.
Rupban Mura an important archaeological site of Mainamati lying on a hillock just between the modern BARD and BDR establishments in the Kotbari area on the south of the Comilla-Kalirbazar road. Excavations have revealed here the remains of a remarkable semi-cruciform shrine of medium size (28.2m east – west, 28m north – south), together with a number of subsidiary structures, including an octagonal stupa and another one on a square base. A boundary wall within the oblong stupa courtyard encloses all these. Its regular entrance is on the east, facing the monastery entrance. Deep diggings have revealed three main periods of building and repairs and rebuilding, the earliest corresponding to c.6th-7th centuries AD. Very few remains of the latest period (10th-11th century AD) survive now in this very heavily disturbed site.
The Cruciform Shrine Originally built as a solid stupa on a square base, it was subsequently converted into a semi-cruciform shrine in the second period (8th century AD). It has a peculiarity not noticed elsewhere. Instead of a single chapel built in each of the long arm of the cross, a group of three long narrow chapels was built in the eastern (front) side of the shrine.
In the middle chapel the colossal stone Buddha, now exhibited in Mainamati Museum, was discovered. The same peculiarity is noticed in the adjacent Itakhola Mura grand stupa, also on the eastern side facing the entrance. Fragments of bronze images found in other chapels suggest installation of such images there.
The Monastery The small 34.1m square monastery of the site was built separately, 31m.The South-east of the cruciform stupa. It has a prominent gateway complex (12.5m x 6.9m) projecting outwards in the middle of the northern wing. Built in the usual square plan, it originally had a total of 24 cells in four wings, subsequently reduced to 18 in the second period. The southern wing, occupying an area of 11.7m, was abandoned, due certainly too irreparable damages, and a row of new cells was built in its front, thus making the shape of the monastery oblong (34.1m x 24.8m). Corbelled niches and brick-built bedsteads can be noticed in the 2nd period cells. A broad corbelled drain was built in the courtyard to drain out rainwater. Significant discoveries from the site include, besides the colossal stone Buddha, five debased gold coins of Balabhatta, the Khadga ruler.
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[name] => Betila House: The Forgotten Palace of Manikganj
[post_id] => 17193
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The Betila (বেতিলা) House in Manikganj was built about a century ago by Jyoti Babu (জ্যোতি বাবু) and Satya Babu (সত্য বাবু), a couple of affluent merchants involved in the trade of Jute, the golden fibre of Bangladesh. This palatial house is located in a remote area named Betila which is within the parameters of the modern day Manikganj proper. Explorers/travelers searching for heritage sites in Manikganj over the internet may come across several links of the famous Baliati Zamindar’s Palace but never find any links on Betila. This is primarily because the Betila House was not a Zamindar’s (Land Owner) palace, and secondly since it is located in such a remote area, people hardly know about it. Rich people of those era are known to build such palatial houses in remote areas and live lavish lives, even though they were not 'Zamindars' or royalty.
For someone looking for heritage sites, the Betila Mitra Union of Manikganj would be a fabulous one to come across. It’s situated in semi rural setting (being not too distant from urban areas) and doesn't seem particularly unique on first impression but once you begin to explore it's culture and heritage, beautiful places like the Betila House amongst several others begin to surface. The seemingly tame Betila Canal runs across the area, connecting two major rivers Kaliganga (কালিগঙ্গা) and Dhaleshwari (ধলেশ্বরী) but like most waterways of Bangladesh, one can anticipate its ferocity in full monsoon season when rising water levels which is also evident in the way it has eroded both its banks, specially at the lone bridge that was constructed some time back.
On both the banks one will come across a series of heritage buildings, the pinnacle being on the eastern bank, the Betila Palatial house surrounded by rich foliage. It’s a combined structure of two separate buildings both of which are two-storied, standing almost intact, side by side and with an expansive open field before them.
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[name] => Itakhola Mura
[post_id] => 5524
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Itakhola Mura is an archaeological site in Mainamati. This site is one of the most impressive ruins. It lies in three terraces on adjacent hillocks just opposite the Rupban Mura site across the Kotbari road in Comilla. Excavations have revealed here a grand stupa complex with an attached monastery, located 42m to its north. The cultural phases of the site are stated (or overstated) to be five; the earlier three being still buried underneath the later remains.
The Stupa Complex was originally built as a solid stupa in the traditional style on a 13.1 meter square basement. However, it has one peculiarity; a small sanctum (2.4 m x 2.1 m) built in the center of its eastern or front side.
Subsequently, the shrine was enlarged and elaborated by additions and alterations, especially by adding three long narrow chapels in the eastern side after blocking the old sanctum; thus giving the structure an oblong shape (41.4 m x 24m). In this particular feature, it is strikingly similar to the Rupban Mura shrine. The side chapels were ultimately blocked up, leaving space for a few cubicles for installing cult images, as in other parts of the shrine. This establishment is surrounded by a 2.6 m wide circumlocutory passage and is enclosed by a 1.2 m thick boundary wall.
This holy precinct is again enclosed within a much larger, well-defined, and better preserved boundary wall (79 m x 56 m), in the slightly lower second terrace. It contains three interesting subsidiary shrines, two in two corners of the eastern side, and the other, a slightly larger one, at the back in the west. An elaborate entrance with 22 broad steps at the Center of the eastern side leads to the much lower third terrace. The outer face of its damaged boundary wall in this front side is excellently decorated with offsets, sunken panels, and ornamental designs.
Five votive stupas lie at the base of the long staircase, three of them in a north south row within a well-defined enclosure, all semi-cruciform in shape, like that of the larger subsidiary shrines in the western side of the second terrace. They certainly represent an experimental early stage in the development of the cruciform style in Buddhist architecture that we see in mature form at shalvan vihara, paharpur, Vikramashila and many other sites. These structures may reasonably be dated as belonging to 7th-8th centuries AD.
The Monastery This medium sized monastery of the usual square shape with 19 cells and one entrance hall was built around an open courtyard, 16.2m. Square, on a separate mound. Its monumental gateway complex, 17.6m x 8.5m, projecting outwards, lies at the Centre of the eastern wing. Some of the cells have brick-built bedsteads. This structure was badly damaged by brick-hunters in 1944-45.
Mentionable antiquities from the site, besides the stucco image, are three round pellets of solid gold, (19 tolas), and a copperplate inscription, discovered during clearance work after the excavations. The copperplate has not yet been deciphered.
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[name] => Bhai Girish Chandra Sen's Old House
[post_id] => 23726
[post_link] => http://offroadbangladesh.com/places/bhai-girish-chandra-sens-old-house/
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[post_content] => Girish Chandra Sen also known as Bhai Girish Chandra Sen ( ভাই গিরিশ চন্দ্র সেন), a Brahmo Samaj missionary, was the first person to complete the translation of the Qur'an into Bengali in 1886. It was his finest contribution to Bengali literature. Born in the village of Panchdona of Narsingdi in 1835 in the famed Dewan Baidya clan, he learnt Persian and Sanskrit in early life and started working as a copywriter in the court of the deputy magistrate in Mymensingh. He also taught for a short while at the Mymensingh Zilla School before engaging wholeheartedly in journalism and literary activities. He was attracted to the Brahmo Samaj under the influence of Keshub Chunder Sen and Bijoy Krishna Goswami and joined it as a missionary in 1871. He traveled through India and Burma to propagate his new faith.
The plasters on the walls of this two floor house have almost completely fallen off, baring the brick work, which is covered in a thick moss. The ceilings on both the floors have entirely caved in. Trees have grown all over the walls, thereby creating large cracks. The wood work from doors and windows is completely stolen. To overcome those destruction and deterioration of this old House owned by this famous Scholar, Government has taken necessary steps to renovate the building immediately.
In the year of 1869, Keshub Sen chose four persons amongst his missionaries and ordained them as professors of four old religions of the world. Girish Chandra was selected to study Islam. The others selected to study different religions were Gour Govinda Ray for Hinduism, Protap Chandra Mazoomdar for Christianity, and Aghore Nath Gupta for Buddhism.
This was a time, when even translating religious scripts from Islam was considered as desecration of the sanctity of the scripts. The Holy Qur’an was considered too sacred for translation, as such most of the Muslim scholars refrained from even trying.
A firm believer in the basic unity of all religions, Girish immersed himself in his studies and later went to Lucknow in 1876 to study Arabic, Islamic literature and the Islamic religious texts. He was involved in intense studies for about five years. His keen interest in different religions and his liberal outlook earned him the respect of followers of other religions.
On completion of his studies, he returned to Kolkata and engaged in translation of Islamic scriptures. After hard labor of six years from 1881-1886, he produced an annotated Bengali version of the Qur’an via Persian.
Girish Chandra wrote and published a total of 42 books in Bengali. His books were greatly appreciated by the Muslim community which referred to him as 'Bhai Girish Chandra'. The Muslim society, in his days, respected him enormously and gave him the title of a Maulavi.
Girish Chandra Sen spoke fluently in Bengali, Urdu & Persian. A simple soft-spoken person, he endeared himself to all those who came in contact with him. His autobiography, 'Atmajivani' (আত্মজীবনী), was published in 1906. He passed away in 1910.
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[name] => Rudrakar Moth
[post_id] => 6198
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Rudrakar is a famous place in Shariatpur. It was built 150 years ago. It's been evaluated one of the Sacred places for Hindu religious people. It stands at Rudrakar Union in Shariatpur. Everyday, people from different directions come to visit this place.
[This spot needs more detail. If you have more information and photos, please be advised to add in our website. Your name will be published as a Content Contributor]
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