Brief
Itakhola Mura is an archaeological site in Mainamati. This site is one of the most impressive ruins. It lies in three terraces on adjacent hillocks just opposite the Rupban Mura site across the Kotbari road in Comilla. Excavations have revealed here a grand stupa complex with an attached monastery, located 42m to its north. The cultural phases of the site are stated (or overstated) to be five; the earlier three being still buried underneath the later remains.
The Stupa Complex was originally built as a solid stupa in the traditional style on a 13.1 meter square basement. However, it has one peculiarity; a small sanctum (2.4 m x 2.1 m) built in the center of its eastern or front side.
Subsequently, the shrine was enlarged and elaborated by additions and alterations, especially by adding three long narrow chapels in the eastern side after blocking the old sanctum; thus giving the structure an oblong shape (41.4 m x 24m). In this particular feature, it is strikingly similar to the Rupban Mura shrine. The side chapels were ultimately blocked up, leaving space for a few cubicles for installing cult images, as in other parts of the shrine. This establishment is surrounded by a 2.6 m wide circumlocutory passage and is enclosed by a 1.2 m thick boundary wall.
This holy precinct is again enclosed within a much larger, well-defined, and better preserved boundary wall (79 m x 56 m), in the slightly lower second terrace. It contains three interesting subsidiary shrines, two in two corners of the eastern side, and the other, a slightly larger one, at the back in the west. An elaborate entrance with 22 broad steps at the Center of the eastern side leads to the much lower third terrace. The outer face of its damaged boundary wall in this front side is excellently decorated with offsets, sunken panels, and ornamental designs.
Five votive stupas lie at the base of the long staircase, three of them in a north south row within a well-defined enclosure, all semi-cruciform in shape, like that of the larger subsidiary shrines in the western side of the second terrace. They certainly represent an experimental early stage in the development of the cruciform style in Buddhist architecture that we see in mature form at shalvan vihara, paharpur, Vikramashila and many other sites. These structures may reasonably be dated as belonging to 7th-8th centuries AD.
The Monastery This medium sized monastery of the usual square shape with 19 cells and one entrance hall was built around an open courtyard, 16.2m. Square, on a separate mound. Its monumental gateway complex, 17.6m x 8.5m, projecting outwards, lies at the Centre of the eastern wing. Some of the cells have brick-built bedsteads. This structure was badly damaged by brick-hunters in 1944-45.
Mentionable antiquities from the site, besides the stucco image, are three round pellets of solid gold, (19 tolas), and a copperplate inscription, discovered during clearance work after the excavations. The copperplate has not yet been deciphered.
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[0] => Array
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[name] => Charpatra Mura
[post_id] => 5158
[post_link] => http://offroadbangladesh.com/places/charpatra-mura/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/Charpatar-Mura-Source-Heritage-Bangladesh1-300x200.jpg
[post_content] =>
Charpatra Mura is a small but interesting archaeological site in Mainamati. It is situated in the northern part of the Lalmai ridge at about the center of the Comilla Cantonment area. A small Hindu shrine, 45.7m × 16.8m, was uncovered here. The shape and architectural design and decoration are unique; differing basically both from the Buddhist architecture of Mainamati and the traditional Hindu temple architecture of the Gupta or other Indian types. It appears to represent a synthetic Bengal type that has evolved gradually by assimilating certain elements and features of local Buddhist architecture.
The temple has two distinct parts, an open pillared hall in the badly damaged front part and a cell at the back in the west. The latter part was found less damaged and decayed, that is to say, better preserved and undisturbed. It could therefore be properly excavated and uncovered. The exterior of this cella or temple proper at the back shows a fantastically complex and variegated shape produced by a multiplicity of angles and corners resulting from a combination of symmetrical projections and offsets at lateral and vertical planes, maintaining, nevertheless, a delicate balance between exotic growth and basic strength and proportions of the original form and the traditional plan. The overall effect is highly pleasing.
A few very significant objects were discovered in this monument. These are a bronze relic casket and four copperplate grants - three of them issued by the last two kings of the chandra dynasty and the fourth by a Later-Deva king, all in favor of a Ladaha Madhava (Visnu) temple situated in devaparvata. One record identifies the locality as Pattikeraka. On the basis of our present knowledge and information, it may be stated with absolute certainty that this new settlement was definitely located in the Lalmai -Mainamati area, and occupied a part or the whole of the old city of Devaparvata, and that the Ladaha Madhava temple of the inscriptions may reasonably be identified with the excavated Charpatra Mura temple.
The temple was probably reconstructed, if not originally built, by the Chandra King Shri-Ladahachandra (c 1000-1020 AD) who derived his name from that of the consecrated deity. Alternatively, the deity derived its name from that of the builder king who appears to have been especially devoted to him. This king issued two of the four grants found here. The appellation, Charpatra Mura, is related to the discovery of four copperplates.
Written by: M Harunur Rashid
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[name] => Betila House: The Forgotten Palace of Manikganj
[post_id] => 17193
[post_link] => http://offroadbangladesh.com/places/betila-house/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/08/Betila-House-2-300x163.jpg
[post_content] =>
The Betila (বেতিলা) House in Manikganj was built about a century ago by Jyoti Babu (জ্যোতি বাবু) and Satya Babu (সত্য বাবু), a couple of affluent merchants involved in the trade of Jute, the golden fibre of Bangladesh. This palatial house is located in a remote area named Betila which is within the parameters of the modern day Manikganj proper. Explorers/travelers searching for heritage sites in Manikganj over the internet may come across several links of the famous Baliati Zamindar’s Palace but never find any links on Betila. This is primarily because the Betila House was not a Zamindar’s (Land Owner) palace, and secondly since it is located in such a remote area, people hardly know about it. Rich people of those era are known to build such palatial houses in remote areas and live lavish lives, even though they were not 'Zamindars' or royalty.
For someone looking for heritage sites, the Betila Mitra Union of Manikganj would be a fabulous one to come across. It’s situated in semi rural setting (being not too distant from urban areas) and doesn't seem particularly unique on first impression but once you begin to explore it's culture and heritage, beautiful places like the Betila House amongst several others begin to surface. The seemingly tame Betila Canal runs across the area, connecting two major rivers Kaliganga (কালিগঙ্গা) and Dhaleshwari (ধলেশ্বরী) but like most waterways of Bangladesh, one can anticipate its ferocity in full monsoon season when rising water levels which is also evident in the way it has eroded both its banks, specially at the lone bridge that was constructed some time back.
On both the banks one will come across a series of heritage buildings, the pinnacle being on the eastern bank, the Betila Palatial house surrounded by rich foliage. It’s a combined structure of two separate buildings both of which are two-storied, standing almost intact, side by side and with an expansive open field before them.
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[name] => {:en}Ashrafpur Mosque{:}{:bn}আশরাফপুর মসজিদ{:}
[post_id] => 4267
[post_link] => http://offroadbangladesh.com/places/ashrafpur-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/DSCN10881-300x225.jpg
[post_content] => {:en}Ashrafpur is an ancient village of Shibpur Upazila under Narsingdi district. In this village there was two seventh century’s copperplate inscription discovered. Ashrafpur Mosque is situated 1 kilometer south to the finding place of these copperplates. An inscribed stone of this Mosque,Once which was attached to the mosque and now preserved in the Bangladesh national museum, reveals that the mosque was built in 930 AH/ 1524 AD by Dilwar Khan during the reign of Sultan Nasiruddin Abul Muzaffar Nusrat Shah (1519-1532).
The mosque, ruined by the earthquake of 1897, was abandoned, prayer in it discontinued and in course of time it got shrouded by jungle. In 1940 the jungle was cleared and the mosque recovered under the leadership of Mowlana Syed Ali. Even at that time the Mihrab and a portion of the western wall was extant. It was a single domed small mosque built in the sultanate style. Later on, a three-domed modern mosque has been built on the same site where once stood the Sultani mosque.{:}{:bn}
আশরাফপুর গ্রামে যে স্থানে ৭ শতকের দুটো তাম্রফলক পাওয়া গিয়েছিল সেই স্থানের ১ কিলোমিটার দক্ষিনে আশরাফপুর মসজিদটি অবস্থিত। আশরাফপুর মসজিদের শিলালিপিটি বর্তমানে জাতীয় জাদুঘরে সংরক্ষিত আছে। শিলালিপি থেকে জানা যায় যে ৯৩০ হিজরী এবং ১৫২৪ খ্রিস্টাব্দে সুলতান নাসিরউদ্দিন আবুল মুজাফফর নুসরাত শাহ এর শাসনামলে (১৫১৯-১৫৩২) জনৈক দিলওয়ার খান এই মসজিদটি নির্মাণ করিয়েছিলেন।
১৮৯৭ সালের ভয়াবহ ভুমিকম্পে ক্ষতিগ্রস্থ হবার পর মসজিদটিকে পরিত্যাক্ত করা হয় এবং ধীরে ধীরে মসজিদটি জঙ্গলে ঢেকে যায়। ১৯৪০ সালে মওলানা সৈয়দ আলীর নেতৃত্বে জঙ্গল পরিষ্কারের পর মসজিদটিকে উদ্ধার করা হয়। সেসময় মসজিদের মিহরাব এবং পশ্চিমদিকের দেয়ালের অস্তিত্ব ছিল। এক গম্বুজ বিশিষ্ট ছোট এই মসজিদটি সুলতানাত শৈলীতে নির্মাণ করা হয়েছিল। পরবর্তীতে এই মসজিদের স্থানেই একটি তিন গম্বুজ বিশিষ্ট আধুনিক মসজিদ নির্মাণ করা হয়।
আশরাফপুরের তাম্রফলকের অভিলিখন:
নরসিংদী জেলার শিবপুর উপজেলায় অবস্থিত আশরাফপুর গ্রামটি প্রত্নতাত্ত্বিক নিদর্শনের জন্য খুবই গুরুত্বপূর্ণ। ১১৮৫ সালে মিয়া বখশ খান নামের একজন গ্রামবাসী এখানে একটি মাটির স্তূপ থেকে ৭ শতকের দুটি তাম্রফলকের সন্ধান পান। তাম্রফলকের অভিলিখন থেকে জানা যায় খাডগা বংশের জনৈক দেবখাডগা এখানকার বৌদ্ধ সংঘ এবং বিহারকে কিছু জমি দান করেছিলেন। এখানে মাটি খনন করে কিছু প্রাচীন ইট এবং একটি ধ্বংসপ্রাপ্ত দেয়ালের অংশবিশেষও উদ্ধার করা হয়।
এই স্থানে আনুষ্ঠানিকভাবে খননকাজ করা না হলেও মানুষের বসতি নির্মাণের সময় কিছু খনন করার প্রয়োজন হয়েছিল। ইতিহাসবিদরা মনে করেন এখানে অবস্থিত বৌদ্ধ বিহারটি ছিল অত্র অঞ্চলে বৌদ্ধ ধর্ম চর্চা এবং শিক্ষার একটি কেন্দ্র।
{:}
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[3] => Array
(
[name] => Chilla kotha
[post_id] => 11310
[post_link] => http://offroadbangladesh.com/places/chilla-kotha/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/07/IMG_63031-300x225.jpg
[post_content] =>
Chilla kotha is a one storeyed rectangular shaped building which is locally known as Andhar kotha. There are three rooms existing inside the whole building. These rooms are almost same in dimension. The interesting thing is there is a secret room in the underground level, which is connected with a staircase to way out at the south-east corner of this building. The underground room is so dark as there is no ventilation system or window inside of it. There are some rectangular shaped panel outside the building.
The specific time period of this architecture is not known. Historians could dig the history as far as possible and from their review we got to know that the time period of Crori City of Panam Nogor and Chillakatha is the same.
Myth: Local people believes that it was being used as a meditation and praying place for different Muslim Saint & Sadhus. Specially, there is a belief among the local people that when some saints do their praying & meditation inside the Under ground room of this building then it was enlightened with a picture of Mekka Sharif. Some people also said that it was being used as a torcher cell for punishing people commited crime went against the rituals of Islam. In every year from the 25th of January a very local festival named ‘Oros sharif’ has been celebrated annually. Many people from different direction come to join this event.
Recently this building is almost being abandoned. The outer front side has been demolished and being decaying day by day. Necessary steps should be taken to conserve and preserve it for future generation.
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