Array
(
[0] => Array
(
[name] => {:en}Bangladesh National Museum{:}{:bn}বাংলাদেশ জাতীয় জাদুঘর{:}
[post_id] => 4469
[post_link] => http://offroadbangladesh.com/bn/places/bangladesh-national-museum/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/national-museum-Yazdi-Syed-Madakur-Mohammad1-300x225.jpg
[post_content] => {:en}
The Museum was established in 1913 is a four storied building with forty galleries under its 4 departments of natural history, History and Classical Art, Ethnography and decorative art and Contemporary art and World civilization.
The museum has a vast and elaborate collection of old coins, books on art, ivory and silver filigree works, images made with metal, many textiles including the famed Muslin fabric and Nakshi Kantha, arms and ammunitions from the Mughal time, series of painting and sculptures dating back to the Buddhist and Muslim period, handicrafts and models of the village and city life and most importantly- priceless articles of the liberation war of Bangladesh which signifies the backbone of the history of Bangladesh can be found there.
The ground floor consists of some old guns at the entrance and the hall where the people book their tickets or assemble to hear the history of the museum. The hall leads to a grand staircase. Beside the hall, there is a smaller room which also acts like the hall (it is also used by the guides to tell the visitors about the history) and a simple staircase.
{:}{:bn}
১৯১৩ সালে একটি চারতলা ভবনে এই জাদুঘরটি প্রতিষ্ঠিত হয়। এখানে প্রকৃতির ইতিহাস, বিশ্বসভ্যতা, মানবজাতির বিবর্তন, সমসাময়িক চিত্রকর্ম সহ বিভিন্ন বিভাগে মোট চল্লিশটি গ্যালারি রয়েছে।
জাদুঘরের বিশাল সংগ্রহের মধ্যে রয়েছেঃ প্রাচীনমুদ্রা, শিল্পকর্ম, রুপার গয়না, হাতিরদাঁত, নকশীকাঁথা ও বিখ্যাত মসলিন কাপড়, মুঘল আমলের অস্ত্র ও গোলাবারুদ, বৌদ্ধ এবং মুসলিম শাসনামলের চিত্রকর্ম এবং মূর্তি, বিষ্ণুমূর্তি, শহর এবং গ্রামের জীবনযাত্রার বিন্যাস, গ্রামবাংলার হাতেরকাজ, বাংলাদেশের মহান মুক্তিযুদ্ধের অমূল্য স্মারক ও দলিল সহ বহু মূল্যবান এবং দুর্লভ জিনিস।
জাদুঘরের মূল ভবনে প্রবেশের ঠিক আগেই (যেখানে দর্শনার্থীরা জাদুঘরের ইতিহাস শুনতে জড়ো হন) এবং প্রবেশের সাথে সাথে হলরুমে বেশকিছু প্রাচীন কামান চোখে পরবে। জাদুঘরে প্রবেশের পর হল রুম অতিক্রম করে বিভিন্ন তলায় যাওয়ার জন্য সিঁড়ি দেখতে পাবেন। জাদুঘরের বিভিন্ন গ্যালারির পাশাপাশি একটি ছোট কক্ষও রয়েছে যেখানে গাইডরা দর্শনার্থীদের ইতিহাস সম্পর্কে বর্ণনা করে থাকেন।
{:}
)
[1] => Array
(
[name] => Lakshindarer Gokul Medh
[post_id] => 1378
[post_link] => http://offroadbangladesh.com/bn/places/lakshindarer-medh-gokul/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/Lakshindarer-Medh-Gokul-rakib-bd21-300x225.jpg
[post_content] => The name
Lakshindarer Gokul Medh is taken from famous folk tale Laksinder and Behula. It was excavated in 1934-1936 and it exposed the antique of a temple. It has a high podium and it can hold 172 rectangular blind cell of different types. Terracotta plaques and other objects were found while digging during the Pala period (6
th-7
th) century.
The mound derived its name from the popular romantic folk tale entitled Behula and Lakshindar. Connected with the same story is found another smaller mound, locally known as ‘Netai Dhopanir Pat’, situated to the close east of the Medh.
The mound is situated on the west of village Gokul which is about 2km to the southwest of Mahasthangarh. It was excavated in 1934-36 and has revealed the derelict relics of a temple. The remarkable feature of this temple is its high plinth accommodating 172 rectangular blind cells of various dimensions. They rise in tiers and packed solidly with earth, so as to form a lofty massive podium, crowned originally either by a shrine or a stupa, now lost.
This novel device, functionally comparable to our modern piling system, liberally used in Bengal during five centuries preceding the Muslim conquest, was found particularly suitable for the alluvial soil of Bengal by the builders to erect their sacred buildings to an imposing height much above the flood level. However, the cellular construction is not confined to Bengal only but parallel examples occur far to the west at Ahichhatra in the Bereilly district of U.P.
Terracotta plaques and other associated objects unearthed during the excavation, which are ascribed to the late Gupta period (6th-7th century A.D.), indicate that originally this stupendous ruin at the Medh constituted an imposing terraced sub-structure of a roughly cruciform plan surmounted with a central shrine of complex outline, dedicated probably to the Buddhist Faith. Over the sub-structure is an octagonal plinth which, as mentioned, may originally have carried a stupa, but now completely gone. This stupa was replaced by a square shrine ( 8.17m square outside) and porch during the Sena period (11th-12th century A.D.).
A grand staircase on the west gave access to the shrine, but the doorway of the shrine and porch was later blocked and the floor level raised to an unknown height. The excavation inside the shrine revealed a small intrusive cell containing human skeleton-probably of an anchorite-and underlying that was found a circular brick-paved pit of 3.86m in diameter. A stone-slab of 51.2cm × 46.1cm was discovered at the center of the shrine which bore 12 shallow holes with a larger hole in the center containing a tiny gold left, about an inch square. However, nothing note worthy was discovered underneath the stone-slab.
)
[2] => Array
(
[name] => {:en}Haripur Zamindar Bari{:}{:bn}হরিপুর জমিদারবাড়ি{:}
[post_id] => 6437
[post_link] => http://offroadbangladesh.com/bn/places/haripur-zamindar-bari/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/Horipur-Zamidar-Bari-of-bangladesh-300x200-300x200.jpg
[post_content] => {:en}
The Zamindari, the area for which the Zamindar was responsible, was 300-400 years ago. Sri Jukto Babu Ghono Sham Kundu was a big businessman during that time, he had a handicraft business. He used to come to this area for business purposes. But once, by cheating, he took over this Zamindari, and started the new Zamindari which followed the Hindu religion. If you turn 60 years back then you will find the last Zamindar in the history of this area. The Zamindari was ruled by two brothers, one was Sri Jukto Babu Narayan Rai Chowdhury, and the second one was Sri Jukto Babu Bishendro Narayan Rai Chowdhury. Their father was Sri Jukto Babu Rajoshri Jogendro Narayan Rai Chowdhury and their mother was Sham Mohini Chowdhurani.
When you visit this Zamindar Bari, you will find a lot of things which hold their grandeur still, but in a ruined condition. You can see the outstanding terracotta temple, design, famous architecture and all other stuff and attractive decoration. When you visit the palace you will find some pieces of glass which are still fixed in door and window. The grills which have a different shape and design.
{:}{:bn}
দানকৃত সম্পত্তি এই হরিপুর জমিদারবাড়ি কেউ কেউ রাজবাড়ি হিসেবেও বলে থাকে। দেশের বিভিন্ন অংশ থেকে অনেকে এই জমিদারবাড়িটি দেখতে আসেন। হরিপুর গ্রামের পশ্চিমদিকে তিতাস নদীর পাড়ে অবস্থিত তিনতলা জমিদারবাড়িটিকে বাইরে থেকে দেখে আপনি কিছুই বুঝতে পারবেন না। একটি বিশাল বারান্দা অতিক্রম করে মূল ভবনটি আপনার চোখে পরবে। জমিদারবাড়িটির স্থাপত্যশৈলী যতটা না চমৎকার তার চাইতে নয়নাভিরাম জমিদারবাড়িটির দেয়ালের কারুকাজ। জমিদারবাড়ির প্রকৃত দরজাগুলো এখন আর নেই। বর্তমানে এখানে প্রায় ৩০টি পরিবার বাস করে। বলা হয়ে থাকে প্রায় ১৭৫ বছর পূর্বে ইংরেজ শাসনামলে জমিদার গৌরি প্রসাদ রায় চৌধুরী এবং কৃষ্ণ প্রসাদ রায় চৌধুরী এই জমিদারবাড়িটি নির্মাণ করেছিলেন। কৃষ্ণ প্রসাদ রায় চৌধুরীর মৃত্যুর পর হরিপদ রায় চৌধুরী এবং শান্তি রায় চৌধুরী এই জমিদারবাড়িটির উত্তরাধিকার প্রাপ্ত হন। অতঃপর তাঁদের কাছ থেকে জমিদার বাড়িটির উত্তরাধিকার চলে যায় উপেন্দ্র রায় চৌধুরী এবং হরেন্দ্র রায় চৌধুরীর কাছে। জমিদারবাড়িটি কখনোই মেরামত না করায় দিন দিন এটি তার জৌলুস ও আবেদন হারাচ্ছে।
{:}
)
[3] => Array
(
[name] => Sat Masjid
[post_id] => 7883
[post_link] => http://offroadbangladesh.com/bn/places/satmosjid-mohammadpur/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/Sat-Masjid2-300x225.jpg
[post_content] =>
Sat Masjid is located in the Mohammadpur area of Dhaka city, the building exhibits seven domes- three over the prayer chamber and four over the corner towers. Hence it is known as Sat Gombuz (seven domed) Mosque. The mosque occupies the western end of a slightly raised masonry plinth 26.82m by 25.60m, which is enclosed by a low wall with a gateway in the middle of the eastern side. This arched gateway with flanking ornamental turrets is exactly in alignment with the central doorway of the mosque proper. The top of the gateway could be approached from either the north or the south by an ascending flight of steps.
The mosque proper forms a large rectangle 14.33m by 4.88m on the inside and is emphasised with massive hollow domed towers of octagonal design on the exterior angles. The prayer chamber is entered through arched doorways - three in the east and one each on the north and south sides.
Corresponding to the three eastern archways there are three semi-octagonal mihrabs inside the western wall. Beside the central mihrab there is a three-stepped masonry pulpit. The central archway and the central mihrab, including two other archways on the north and south walls, have outwardly projected frontons depicting ornamental turrets on either flank.
The interior of the mosque is divided by two wide arches into three conventional divisions - a large central square bay and a smaller rectangular bay on either side. The roof is covered with three slightly bulbous domes on octagonal drums, the central one being bigger than its flanking counterparts. The large central dome is supported by the wide arches together with the two blocked arches over the central mihrab and central archway and the triangular pendentives on the upper angles. But in covering the side rectangles with domes a clever method has been adopted. In order to make a circular base for the dome, the rectangular space has first been made square above by creating half-domed vaults on the east and west walls. These half-domed vaults together with a further series of pendentives on the corners directly support the small domes.
The corner towers have flanking turrets like those in Khwaja Shahbaz’s Mosque and musa khan mosque, both in Dhaka city. Each of these consists of two storeys and is a monument by itself. The lower storey is pierced with four cardinally set arched openings in the north-south and east-west axis. Internally the roof of the lower storey is domical, but its reverse side is flat and forms the floor of the upper storey.
)
)
This building has gone through several renovation and none of its antiquity left for the visitors. People only used to visit this place for its historical value. During the British period it was repaired heavily at 1807 and 1810. Also during the massive earthquake of 1897 caused a severe damage over this edifice. Now a days it just looks like a modern day’s building covering with rich tiles with heavy ornate. The Photograph was taken by Fritz Kapp in 1904 with a view of the Imambara Hussaini Dalan in Dacca (now Dhaka), overlooking the tank.
