Sat Masjid

The year was 1888. Viceroy Lord Dufferin of India was scheduled to visit these parts on an official tour during the then British Raj. A grand Ballroom Dancing program was organized by the English in honor of the Viceroy. And thus began a search for a suitable venue which was not only beautiful enough to be fitting of such an occasion but was also equipped with all appropriate amenities and facilities. In line with this requirement, three houses were short listed: Ahsan Manzil, the current Banga Bhaban (President’s Residence) & the Ruplal House. Finally, due to modernity of all the facilities available, its incomparable beauty and it’s grand architectural style the Ruplal House was chosen as the site for this grand program.

Ruplal House (Rooplal House) is located at Farashganj, just beside the bank of the Buriganga River. It was built by two prominent merchant brothers from Dhaka, Ruplal and Raghunath Das. It cannot exactly be determined how old the building actually is, but according to the locals there it may be around 150-200 years old.

Apart from Ruplal House, there is another adjoining buildings both of which have almost similar architectural styles, but the Ruplal House is the most beautiful one among the others. Nowadays Ruplal House is known as Zakir House, and the other one is known as Noorjahan House. However, nowadays inside both the buildings you'll find a vibrant spice and vegetable market.

The house has more than 50 rooms including a Hall Room, all of which are large and spacious consistent with the architecture of those time. The building has large cylindrical columns in line with the architectural styles of Ancient Greek buildings. Also top of the building, especially the ledges are also decorated with intricate designs reminiscent of Greek Architure as well as the Victorian Castles of England. But now a days, mostly due to the lack of maintenance, trees and unbridled weeds have grown up the wall of the building.

No one is available there to clean the premises &/or maintain it and also inside the building you'll find unauthorized people living. Recently Bangladesh government has announced this as archaeological property, but as of yet no action taken to preserve it.

It is an old house looks like a traditional Zamindar bari located in Munshiganj District. Its architectural characteristics is very similar to the other merchants house in Munshiganj region, which could be mentioned in name- Dao Bari, House of Tokani Pal, House of Choron Poddar, Old House of Makahati, House of Kamini Pal etc. It is being assumed that those palace like houses erected in contemporary time period. The owners of those palaces were mainly merchant.

Chilla kotha is a one storeyed rectangular shaped building which is locally known as Andhar kotha. There are three rooms existing inside the whole building. These rooms are almost same in dimension. The interesting thing is there is a secret room in the underground level, which is connected with a staircase to way out at the south-east corner of this building. The underground room is so dark as there is no ventilation system or window inside of it. There are some rectangular shaped panel outside the building.

The specific time period of this architecture is not known. Historians could dig the history as far as possible and from their review we got to know that the time period of Crori City of Panam Nogor and Chillakatha is the same.

Myth: Local people believes that it was being used as a meditation and praying place for different Muslim Saint & Sadhus. Specially, there is a belief among the local people that when some saints do their praying & meditation inside the Under ground room of this building then it was enlightened with  a picture of Mekka Sharif. Some people also said that it was being used as a torcher cell for punishing people commited crime went against the rituals of Islam. In  every year from the 25^th of January a very local festival named ‘Oros sharif’ has been celebrated annually. Many people from different direction come to join this event.

Recently this building is almost being abandoned. The outer front side has been demolished and being decaying day by day. Necessary steps should be taken to conserve and preserve it for future generation.

Itakhola Mura is an archaeological site in Mainamati. This site is one of the most impressive ruins. It lies in three terraces on adjacent hillocks just opposite the Rupban Mura site across the Kotbari road in Comilla. Excavations have revealed here a grand stupa complex with an attached monastery, located 42m to its north. The cultural phases of the site are stated (or overstated) to be five; the earlier three being still buried underneath the later remains.

The Stupa Complex was originally built as a solid stupa in the traditional style on a 13.1 meter square basement. However, it has one peculiarity; a small sanctum (2.4 m x 2.1 m) built in the center of its eastern or front side.

Subsequently, the shrine was enlarged and elaborated by additions and alterations, especially by adding three long narrow chapels in the eastern side after blocking the old sanctum; thus giving the structure an oblong shape (41.4 m x 24m). In this particular feature, it is strikingly similar to the Rupban Mura shrine. The side chapels were ultimately blocked up, leaving space for a few cubicles for installing cult images, as in other parts of the shrine. This establishment is surrounded by a 2.6 m wide circumlocutory passage and is enclosed by a 1.2 m thick boundary wall.

This holy precinct is again enclosed within a much larger, well-defined, and better preserved boundary wall (79 m x 56 m), in the slightly lower second terrace. It contains three interesting subsidiary shrines, two in two corners of the eastern side, and the other, a slightly larger one, at the back in the west. An elaborate entrance with 22 broad steps at the Center of the eastern side leads to the much lower third terrace. The outer face of its damaged boundary wall in this front side is excellently decorated with offsets, sunken panels, and ornamental designs.

Five votive stupas lie at the base of the long staircase, three of them in a north south row within a well-defined enclosure, all semi-cruciform in shape, like that of the larger subsidiary shrines in the western side of the second terrace. They certainly represent an experimental early stage in the development of the cruciform style in Buddhist architecture that we see in mature form at shalvan vihara, paharpur, Vikramashila and many other sites. These structures may reasonably be dated as belonging to 7th-8th centuries AD.

The Monastery This medium sized monastery of the usual square shape with 19 cells and one entrance hall was built around an open courtyard, 16.2m. Square, on a separate mound. Its monumental gateway complex, 17.6m x 8.5m, projecting outwards, lies at the Centre of the eastern wing. Some of the cells have brick-built bedsteads. This structure was badly damaged by brick-hunters in 1944-45.

Mentionable antiquities from the site, besides the stucco image, are three round pellets of solid gold, (19 tolas), and a copperplate inscription, discovered during clearance work after the excavations. The copperplate has not yet been deciphered.