Jora Kali Temple of Muktagacha

The year was 1888. Viceroy Lord Dufferin of India was scheduled to visit these parts on an official tour during the then British Raj. A grand Ballroom Dancing program was organized by the English in honor of the Viceroy. And thus began a search for a suitable venue which was not only beautiful enough to be fitting of such an occasion but was also equipped with all appropriate amenities and facilities. In line with this requirement, three houses were short listed: Ahsan Manzil, the current Banga Bhaban (President’s Residence) & the Ruplal House. Finally, due to modernity of all the facilities available, its incomparable beauty and it’s grand architectural style the Ruplal House was chosen as the site for this grand program.

Ruplal House (Rooplal House) is located at Farashganj, just beside the bank of the Buriganga River. It was built by two prominent merchant brothers from Dhaka, Ruplal and Raghunath Das. It cannot exactly be determined how old the building actually is, but according to the locals there it may be around 150-200 years old.

Apart from Ruplal House, there is another adjoining buildings both of which have almost similar architectural styles, but the Ruplal House is the most beautiful one among the others. Nowadays Ruplal House is known as Zakir House, and the other one is known as Noorjahan House. However, nowadays inside both the buildings you'll find a vibrant spice and vegetable market.

The house has more than 50 rooms including a Hall Room, all of which are large and spacious consistent with the architecture of those time. The building has large cylindrical columns in line with the architectural styles of Ancient Greek buildings. Also top of the building, especially the ledges are also decorated with intricate designs reminiscent of Greek Architure as well as the Victorian Castles of England. But now a days, mostly due to the lack of maintenance, trees and unbridled weeds have grown up the wall of the building.

No one is available there to clean the premises &/or maintain it and also inside the building you'll find unauthorized people living. Recently Bangladesh government has announced this as archaeological property, but as of yet no action taken to preserve it.

Chilla kotha is a one storeyed rectangular shaped building which is locally known as Andhar kotha. There are three rooms existing inside the whole building. These rooms are almost same in dimension. The interesting thing is there is a secret room in the underground level, which is connected with a staircase to way out at the south-east corner of this building. The underground room is so dark as there is no ventilation system or window inside of it. There are some rectangular shaped panel outside the building.

The specific time period of this architecture is not known. Historians could dig the history as far as possible and from their review we got to know that the time period of Crori City of Panam Nogor and Chillakatha is the same.

Myth: Local people believes that it was being used as a meditation and praying place for different Muslim Saint & Sadhus. Specially, there is a belief among the local people that when some saints do their praying & meditation inside the Under ground room of this building then it was enlightened with  a picture of Mekka Sharif. Some people also said that it was being used as a torcher cell for punishing people commited crime went against the rituals of Islam. In  every year from the 25^th of January a very local festival named ‘Oros sharif’ has been celebrated annually. Many people from different direction come to join this event.

Recently this building is almost being abandoned. The outer front side has been demolished and being decaying day by day. Necessary steps should be taken to conserve and preserve it for future generation.

Mymensingh city is one of the old cities in Bangladesh. Historically & archaeologically it is very important from tourism point of views. Once a traveler wants to travel in this district, he/she will find several places to visit. Muktagacha Zamindar House (মুক্তাগাছা জমিদার বাড়ী) is one of those.

This old palace is located at the heart of the Muktagacha(মুক্তাগাছা) Upazila, 16km west to the Sadar Upazila. Previously the name of Muktagacha was Binodbari (বিনোদবাড়ী). It is believed that the Zamindars actually came from the Natore (নাটোর) or Bogra (বগুড়া) of our North Bengal. When the first ruler named Srikrishna Acharya (শ্রীকৃষ্ণ আচার্য) arrived here, a local inhabitant named Muktaram Kormokar (মুক্তারাম কর্মকার) welcomed them with a large lamp stand that was made from brass. In that portion of our country, people call a lamp stand as Gachha (গাছা)). This gratitude pleased the Zamindar and they have renamed the area as Muktagacha (মুক্তা গাছা) using that inhabitant's name and the lamp stand's local name.

Srikrishna Acharya (শ্রীকৃষ্ণ আচার্য) established the Zamindari at Muktagacha formerly known as Binodbari. Later, his four sons Ram Ram, Hore Ram (হরে রাম), Bishnu (বিষ্ণু), Shibram (শিবরাম)and their inheritor conducted the Zamindari. The Owner of the Muktagacha Rajabari was Jogot Kishor Acarya (জগত কিশোর আচার্য), the son of Hore Ram Acharya (হরে রাম আচার্য). His ancestors started to build that Palace in the year 1750-60 which signifies that the structure is almost 300 yrs old.

However, this old house from Muktagacha covers a vast area, though most of the structures are in very poor condition. Few things were stolen by the locals, and others are just dilapidated for not taking any care. We observed two storied iron & steel made house (though floors are all gone, only structure is standing there).

Most of the rulers from this family were cruel and hostile to the peasants. They have lot of allegations against them including raping, torturing, etc. It was considered as a crime whenever a peasant from that area use to cross the Zamindar House using any shoe or umbrella. Guards use to beat them whenever someone committed such crime.

Charpatra Mura is a small but interesting archaeological site in Mainamati. It is situated in the northern part of the Lalmai ridge at about the center of the Comilla Cantonment area. A small Hindu shrine, 45.7m × 16.8m, was uncovered here. The shape and architectural design and decoration are unique; differing basically both from the Buddhist architecture of Mainamati and the traditional Hindu temple architecture of the Gupta or other Indian types. It appears to represent a synthetic Bengal type that has evolved gradually by assimilating certain elements and features of local Buddhist architecture.

The temple has two distinct parts, an open pillared hall in the badly damaged front part and a cell at the back in the west. The latter part was found less damaged and decayed, that is to say, better preserved and undisturbed. It could therefore be properly excavated and uncovered. The exterior of this cella or temple proper at the back shows a fantastically complex and variegated shape produced by a multiplicity of angles and corners resulting from a combination of symmetrical projections and offsets at lateral and vertical planes, maintaining, nevertheless, a delicate balance between exotic growth and basic strength and proportions of the original form and the traditional plan. The overall effect is highly pleasing.

A few very significant objects were discovered in this monument. These are a bronze relic casket and four copperplate grants - three of them issued by the last two kings of the chandra dynasty and the fourth by a Later-Deva king, all in favor of a Ladaha Madhava (Visnu) temple situated in devaparvata. One record identifies the locality as Pattikeraka. On the basis of our present knowledge and information, it may be stated with absolute certainty that this new settlement was definitely located in the Lalmai -Mainamati area, and occupied a part or the whole of the old city of Devaparvata, and that the Ladaha Madhava temple of the inscriptions may reasonably be identified with the excavated Charpatra Mura temple.

The temple was probably reconstructed, if not originally built, by the Chandra King Shri-Ladahachandra (c 1000-1020 AD) who derived his name from that of the consecrated deity. Alternatively, the deity derived its name from that of the builder king who appears to have been especially devoted to him. This king issued two of the four grants found here. The appellation, Charpatra Mura, is related to the discovery of four copperplates.

Written by: M Harunur Rashid