Charpatra Mura

During 1850, the greater Gopalganj area was ruled by the Zamindar. At that time, they made hundreds of buildings for their residence and official purposes. The buildings were made in the traditional Zamindar Bari look and style. In the last 150 years, most of the houses were destroyed by erosion. After being taken by the government, the authority turned some of these houses into government buildings. Now, most of the houses are abandoned or occupied by local people.

There is a cluster of old buildings in the Ulpur Area which is situated in the Gopalgonj - Takerhat highway, not so far from the Gopalgonj main town. As soon as you cross the Ulpur bridge from Ulpur bazar, the buildings start to appear. The first one was used as the Union Land Office (Government) but is now abandoned. The local people over there are now using it to stock fodder.

The second was probably used as a duplex residential complex but now is being used as the Sub Post Office. The surrounding environment is good and the building is covered by bamboo stocks. In the main road, there is a large old building, which was probably the main building. Outside this building the words "Dinesh Dham" in Bengali is carved in a white slate. This building is currently occupied by some local inhabitants.

If we go farther, then we will see another broken house formerly used as the Upazilla Registry office, now almost completely in ruins. "Din-Dham" in Bengali is also carved outside he building in white stone.

The overall environment of this village is very good and peaceful. Walking for an hour in the silence of this area will be relaxing. The most attractive structure is the Temple. The walls of the temple is decorated with colorful glass & ceramics. The temple looks good but it is also abandoned so the temple has shifted into a newly constructed building.

Shila Devir Ghat is an archaeological spot which is situated at the Mahasthangarh of Shibganj from Bogra district. This ghat is just around 200 meter apart from the Mahastangarh, and it’s beside the river Korotoa.

According to the legend, the Shila Devi was the beautiful daughter of the king Parshurama, some people used to say she was the sister of the King Porshurama. After the war with King Shah Sultan, Shila Devi jumped inside the water of the Korota River to save her honor, and drowned herself.

The spot is known as the Ghat of Shila devi. But the scholars are counting this story as a myth. They believe that the original name of the place was 'Shila Dvipa', that means the island of stone. Anyway, the Hindus used to celebrate the Paus Narayani Bath annually at here.

The evidence says about Armenian community in the region during 17th to 18th century and their existence. Armenian Church was build in 1781 on Armenian Street in Armanitola. The site was an American graveyard before before the church built. Agaminus Catachik, an Armenian, gave away the land to build the church. Michel Cerkess, Okotavata Setoor Sevorg, Aga Amnius, and Merkers Poges helped build the church.

Mother Teresa stayed in this church during a visit to Dhaka.

In the old graveyard, among the 350 people buried there, a statue stands at the grave of Catachik Avatik Thomas, portraying his wife. The statue was bought from Kolkata and the grave is inscribed with the words "Best of Husband." Following the domination of their homeland by Persian powers of the time, Armenians were sent by their new rulers to the Bengal region for both political and economic reasons. Although the Armenian presence in South Asia is now insignificant, their presence in Dhaka dates back to the 17th century. Armenians came to Dhaka for business, and have been acknowledged for displaying a passion for trade comparable to that of the Bengalis of the time. In Dhaka, Armenian merchants traded in jute and leather, and profitability in these businesses convinced some to move permanently to Bangladesh. The area where they lived became known as Armanitola.

In 1781 the now famous Armenian Church was built on Armenian Street in Armanitola, then a thriving business district. The site was an Armenian graveyard before the church was built, and the tombstones that have survived serve as a chronicle of Armenian life in the area. Agaminus Catachik, an Armenian, gave away the land to build the church. Michel Cerkess, Okotavata Setoor Sevorg, Aga Amnius, and Merkers Poges helped build the church.

In the fifty years following the church's construction, a clock tower was erected on its western side. Allegedly, the clock could be heard four miles away, and people synchronized their watches with the sound of the tower's bell. The clock stopped in 1880, and an earthquake destroyed the tower in 1897. The Armenian played a prominent part in the jute trade in Dhaka and are reputed to be the pioneers of that trade in the second half of the 19th century. Today, the last Armenian that takes cares of the church is Mikhail Hopcef Martirossian (Micheal Joseph Martin). He was also one of the Armenian who was in the jute trade.

Sat Masjid is located in the Mohammadpur area of Dhaka city, the building exhibits seven domes- three over the prayer chamber and four over the corner towers. Hence it is known as Sat Gombuz (seven domed) Mosque. The mosque occupies the western end of a slightly raised masonry plinth 26.82m by 25.60m, which is enclosed by a low wall with a gateway in the middle of the eastern side. This arched gateway with flanking ornamental turrets is exactly in alignment with the central doorway of the mosque proper. The top of the gateway could be approached from either the north or the south by an ascending flight of steps.

The mosque proper forms a large rectangle 14.33m by 4.88m on the inside and is emphasised with massive hollow domed towers of octagonal design on the exterior angles. The prayer chamber is entered through arched doorways - three in the east and one each on the north and south sides.

Corresponding to the three eastern archways there are three semi-octagonal mihrabs inside the western wall. Beside the central mihrab there is a three-stepped masonry pulpit. The central archway and the central mihrab, including two other archways on the north and south walls, have outwardly projected frontons depicting ornamental turrets on either flank.

The interior of the mosque is divided by two wide arches into three conventional divisions - a large central square bay and a smaller rectangular bay on either side. The roof is covered with three slightly bulbous domes on octagonal drums, the central one being bigger than its flanking counterparts. The large central dome is supported by the wide arches together with the two blocked arches over the central mihrab and central archway and the triangular pendentives on the upper angles. But in covering the side rectangles with domes a clever method has been adopted. In order to make a circular base for the dome, the rectangular space has first been made square above by creating half-domed vaults on the east and west walls. These half-domed vaults together with a further series of pendentives on the corners directly support the small domes.

The corner towers have flanking turrets like those in Khwaja Shahbaz’s Mosque and musa khan mosque, both in Dhaka city. Each of these consists of two storeys and is a monument by itself. The lower storey is pierced with four cardinally set arched openings in the north-south and east-west axis. Internally the roof of the lower storey is domical, but its reverse side is flat and forms the floor of the upper storey.