Brief
Itakhola Mura is an archaeological site in Mainamati. This site is one of the most impressive ruins. It lies in three terraces on adjacent hillocks just opposite the Rupban Mura site across the Kotbari road in Comilla. Excavations have revealed here a grand stupa complex with an attached monastery, located 42m to its north. The cultural phases of the site are stated (or overstated) to be five; the earlier three being still buried underneath the later remains.
The Stupa Complex was originally built as a solid stupa in the traditional style on a 13.1 meter square basement. However, it has one peculiarity; a small sanctum (2.4 m x 2.1 m) built in the center of its eastern or front side.
Subsequently, the shrine was enlarged and elaborated by additions and alterations, especially by adding three long narrow chapels in the eastern side after blocking the old sanctum; thus giving the structure an oblong shape (41.4 m x 24m). In this particular feature, it is strikingly similar to the Rupban Mura shrine. The side chapels were ultimately blocked up, leaving space for a few cubicles for installing cult images, as in other parts of the shrine. This establishment is surrounded by a 2.6 m wide circumlocutory passage and is enclosed by a 1.2 m thick boundary wall.
This holy precinct is again enclosed within a much larger, well-defined, and better preserved boundary wall (79 m x 56 m), in the slightly lower second terrace. It contains three interesting subsidiary shrines, two in two corners of the eastern side, and the other, a slightly larger one, at the back in the west. An elaborate entrance with 22 broad steps at the Center of the eastern side leads to the much lower third terrace. The outer face of its damaged boundary wall in this front side is excellently decorated with offsets, sunken panels, and ornamental designs.
Five votive stupas lie at the base of the long staircase, three of them in a north south row within a well-defined enclosure, all semi-cruciform in shape, like that of the larger subsidiary shrines in the western side of the second terrace. They certainly represent an experimental early stage in the development of the cruciform style in Buddhist architecture that we see in mature form at shalvan vihara, paharpur, Vikramashila and many other sites. These structures may reasonably be dated as belonging to 7th-8th centuries AD.
The Monastery This medium sized monastery of the usual square shape with 19 cells and one entrance hall was built around an open courtyard, 16.2m. Square, on a separate mound. Its monumental gateway complex, 17.6m x 8.5m, projecting outwards, lies at the Centre of the eastern wing. Some of the cells have brick-built bedsteads. This structure was badly damaged by brick-hunters in 1944-45.
Mentionable antiquities from the site, besides the stucco image, are three round pellets of solid gold, (19 tolas), and a copperplate inscription, discovered during clearance work after the excavations. The copperplate has not yet been deciphered.
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[name] => Charpatra Mura
[post_id] => 5158
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Charpatra Mura is a small but interesting archaeological site in Mainamati. It is situated in the northern part of the Lalmai ridge at about the center of the Comilla Cantonment area. A small Hindu shrine, 45.7m × 16.8m, was uncovered here. The shape and architectural design and decoration are unique; differing basically both from the Buddhist architecture of Mainamati and the traditional Hindu temple architecture of the Gupta or other Indian types. It appears to represent a synthetic Bengal type that has evolved gradually by assimilating certain elements and features of local Buddhist architecture.
The temple has two distinct parts, an open pillared hall in the badly damaged front part and a cell at the back in the west. The latter part was found less damaged and decayed, that is to say, better preserved and undisturbed. It could therefore be properly excavated and uncovered. The exterior of this cella or temple proper at the back shows a fantastically complex and variegated shape produced by a multiplicity of angles and corners resulting from a combination of symmetrical projections and offsets at lateral and vertical planes, maintaining, nevertheless, a delicate balance between exotic growth and basic strength and proportions of the original form and the traditional plan. The overall effect is highly pleasing.
A few very significant objects were discovered in this monument. These are a bronze relic casket and four copperplate grants - three of them issued by the last two kings of the chandra dynasty and the fourth by a Later-Deva king, all in favor of a Ladaha Madhava (Visnu) temple situated in devaparvata. One record identifies the locality as Pattikeraka. On the basis of our present knowledge and information, it may be stated with absolute certainty that this new settlement was definitely located in the Lalmai -Mainamati area, and occupied a part or the whole of the old city of Devaparvata, and that the Ladaha Madhava temple of the inscriptions may reasonably be identified with the excavated Charpatra Mura temple.
The temple was probably reconstructed, if not originally built, by the Chandra King Shri-Ladahachandra (c 1000-1020 AD) who derived his name from that of the consecrated deity. Alternatively, the deity derived its name from that of the builder king who appears to have been especially devoted to him. This king issued two of the four grants found here. The appellation, Charpatra Mura, is related to the discovery of four copperplates.
Written by: M Harunur Rashid
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[name] => Teota Zamindar Palace
[post_id] => 13757
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Teota Zamindar Palace (তেওতা জমিদার বাড়ী) is located at the Shibalaya (শিবালায়া) Upazila of Manikganj District. This palace is locally known as Teota Rajbari (তেওতা রাজবাড়ি) and Teota Zamindar Bari (তেওতা জমিদার বাড়ী). This palace is possibly over 300 years old. This old dilapidated palace was the home of two brothers named Babu Hemsankar Ray ( বাবু হেমসংকর রায়) and Babu Joy Sankar Ray (বাবু জয় সংকর রায়) who were the ruler of Teota. The whole premise has over 50 rooms. Currently those are occupied by the homeless people.
At the Western side of the building, there is a large pond and beside the pond a temple is located named as Noborotno Temple (নবরত্ন মন্দির). The temple is a four storied building having a glorious example of classical architecture.
The whole palace is situated just beside the bank of mighty river Jamuna. After a few miles from the palace premise, the river merged with another big river, Padma. The palace is a two storied building and from the roof you can easily see the Jamuna river.
This palace is the birth place of Promila Debi (প্রমীলা দেবী), the wife of our national poet Kazi Nazrul Islam (নজরুল ইসলাম). Poet first saw her in this palace when he came here to visit Promila's cousin-Dhiren Sen (ধীরেন সেন).
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[name] => Armenian Church
[post_id] => 1413
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The evidence says about Armenian community in the region during 17th to 18th century and their existence. Armenian Church was build in 1781 on Armenian Street in Armanitola. The site was an American graveyard before before the church built. Agaminus Catachik, an Armenian, gave away the land to build the church. Michel Cerkess, Okotavata Setoor Sevorg, Aga Amnius, and Merkers Poges helped build the church.
Mother Teresa stayed in this church during a visit to Dhaka.
In the old graveyard, among the 350 people buried there, a statue stands at the grave of Catachik Avatik Thomas, portraying his wife. The statue was bought from Kolkata and the grave is inscribed with the words "Best of Husband." Following the domination of their homeland by Persian powers of the time, Armenians were sent by their new rulers to the Bengal region for both political and economic reasons. Although the Armenian presence in South Asia is now insignificant, their presence in Dhaka dates back to the 17th century. Armenians came to Dhaka for business, and have been acknowledged for displaying a passion for trade comparable to that of the Bengalis of the time. In Dhaka, Armenian merchants traded in jute and leather, and profitability in these businesses convinced some to move permanently to Bangladesh. The area where they lived became known as Armanitola.
In 1781 the now famous Armenian Church was built on Armenian Street in Armanitola, then a thriving business district. The site was an Armenian graveyard before the church was built, and the tombstones that have survived serve as a chronicle of Armenian life in the area. Agaminus Catachik, an Armenian, gave away the land to build the church. Michel Cerkess, Okotavata Setoor Sevorg, Aga Amnius, and Merkers Poges helped build the church.
In the fifty years following the church's construction, a clock tower was erected on its western side. Allegedly, the clock could be heard four miles away, and people synchronized their watches with the sound of the tower's bell. The clock stopped in 1880, and an earthquake destroyed the tower in 1897. The Armenian played a prominent part in the jute trade in Dhaka and are reputed to be the pioneers of that trade in the second half of the 19th century. Today, the last Armenian that takes cares of the church is Mikhail Hopcef Martirossian (Micheal Joseph Martin). He was also one of the Armenian who was in the jute trade.
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[name] => Jowari Bishi Bari
[post_id] => 17211
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[post_content] =>
Jowari Bishi Bari (জোয়ারী বিশি বাড়ি) is located in Jowari Village. Promothonath Bishi, The prominent literary of the then Indian Sub-continent, was born in this village. His house was popularly named after him, as his blessed memory is still visible. This house is considered to be the oldest house in that area, built around 150 years ago as the local said.
Now a days, this house becomes a total ruin. Trees and bushes are everywhere surrounding the house. There were used to be a main gate called “Elephant Gate” which had been destroyed by the local people. Already half of the house totally became a mess; people are staying on the other half. Only that used portion remains intact. Locals say, this place needs to be taken care of for spreading the fame work of Promothonath Bishi.
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