Korotia Zamindar Bari and Mosque

Poddar bari, or according to the local people, the "Panam Rajbari". This is a bit eastern side to the panam city. If someone wants to visit the place, then there is no way except passing through the panam city. This is currently a private property, and there is a picnic spot inside the boundary of the place.  The owner of the place used to live at the newly built building beside the old one. But the old one is still empty.

After getting permission you can easily enter the area. Its not known when the building was actually built. But from the structure, and the design, it appears that it was built by some rich merchant during the 1900 AD. The structure and the design is almost identical to the Sonargaon Folk art and craft Museum. Inside the building, the yard is identical to the museum building of sonargaon.

The building comprises of numerous number of rooms. And interestingly you can move from one room to another one easily. There is no window at the rooms, and also no doors, most of those are taken down, or stolen, or something else. Since its a bit darker inside the building, its a hideout for the bats. When camera flashed, we have seen several bats were flying and making noisy sound. Also there nest of other birds which are making continuum sound, but we bet you won't feel bored by those. Those are really nice to hear. So if you are at sonargaon, please don't leave the place by only visiting the panam city. It will worth if you visit the place.

Horipur Boro Bari, also known as Horipur Zamindar Bari is a mammoth mansion that is located at the Horipur village of Nasirnagar Upazila of Brahmanbaria district. This is exactly adjacent to the bank of the river Titash. From outside it’s hard to get any essence of its antiquity and beauty. This is a capacious mansion having plenty of rooms at the both floor.

From the inscription from a Moth near the area it is found that the owner was Zamindar Krishna Prasad Ray Choudhury (জমিদার কৃষ্ণ প্রসাদ রায় চৌধুরী) who built that around 1343 of Bengali Calendar. At the front side it has a Ghat for taking bath (also may be for taking part in a family gossip during after noon).

Right now, the situation of the building is not good. This is now occupied by lot of poor families (Hindu people from their dress up and religious practice). Due to lack of care, most of the walls are decaying. It’s a two stored building and few portion of the second floor is risky. But still people are living at the ground floor.

The mammoth size, stylish architecture, etc simply implies that how sumptuous the owner was. Though most of the parts are diminished but still there is a portion of a Pasha Ghor exists at the second floor. Probably the owner used to play Pasha with his mates. May be it was a dance floor where the rich Baijee (Dictionary: Dancer) used to perform every night.

Since this is exactly beside the river Titash, lot of people use to visit here with a boat as a part of their picnic. As per the local, this type of picnic party uses to visit frequently during the weekends. And still people from Dhaka know very little about this place. You can explore the river after visiting this old Zamindar Bari. But you may not find any boat for hiring around there. Most of those are the private boats. May be you can request them to use for a while. Just about few hundreds meter apart from the building you'll find a cremation place which was built by the same owner.

Uttara Gonobhaban, often called Dighapatia Raj (sometimes called Dighapatia Raj Paribar literally Dighapatia Royal Family) was a zamindari in present day Rajshahi, which was ruled by this dynasty of 7 generations of Rajas from late 17th century till the mid-20th century; when the democratic government took power after the end of the British Monarchy’s rule in India, in 1950, the East Pakistan government abolished aristocracies and the zamindari system in present day Bangladesh. The family was seated at the Dighapatia Palace.

The family contributed largely to the development in education, infrastructure and culture of Rajshahi and North Bengal. They were especially famous for their generosity and public spirit. The Rajas built the Varendra Research Museum among other institutions of culture and education. The Rajas of Dighapatia were seated at the Dighapatia Palace. They received royal titles and titles of honor from the Mughal Empire such as Raja, Maharaja and Raja Bahadur and other titles from the British Crown, such as the Indian Orders of Knighthood.

It is also known as Maharajas palace. Raja of Dighpatia built it but it is used as residence for head of states in North Bengal. During regime of British Raj, East Pakistan many meetings took place. There is a marble front of late Raja Pramathanath Roy of Dighapatia.

The first Raja was Dayaram Roy who, at a very young age, received the help from Raja Ramjivan Roy, the first Raja of the Natore Raj family, and eventually became his dewan. Raja Dayaram led the army of Raja Ramjivan in aid of the Nawab of Bengal in 1716 and overthrew the rebellious Raja Sitaram Ray, who was a zamindar(and later king, or Raja) of neighboring Bhusna state. The sack of Muhammadpur, Raja Sitaram's capital, later enabled him to ultimately lay the foundation of the Dighapatia dynasty. For his loyalty, he received large tracts of land in Rajshahi and Jessore as grants and later acquired zamindari in Bogra and Mymensingh.

Nawab Murshid Quli Khan, who was the nawab of Bengal under Emperor Aurangzeb conferred on him the title of 'Rai-Raiyan' in recognition of his services. When the Earl Cornwallis introduced the Permanent Settlement Act, a large number of the old feudal lords and zamindars created during the time of the Nawab Murshid Quli Khan could not meet land revenue standards and thus became defaulters. Their estates were sold up to a new class of wealthy lords. The Dighapatia Raj was one of the few remnants of the old decaying 'jagirdars'. They were avidly following European dress, wine, horse race and various such other external glamour of life. The princely western influence is reflected not only in their palace architecture but also in their furniture and other interior decorations. However, during certain ceremonial occasions they donned extravagant robes, jeweled turbans and carried priceless inlaid swords in dainty scabbard tucked at their waists, following the bygone fashions of the Mughal nobility even when the Mughal dynasty and their imperial rule had faded. Pran Nath Roy and Pramada Nath Roy were some of the important zamindars of Dighapatia.

১৭শ শতাব্দীর শেষ দিক থেকে ১৯শ শতকের মাঝামাঝি পর্যন্ত বর্তমান রাজশাহী শাসন করেছিল দিঘাপাতিয়া রাজ পরিবারের ৭ টি প্রজন্ম। এই রাজ পরিবারটি বসবাস করত উত্তরা গনভবনে যা দিঘাপাতিয়া রাজবাড়ি নামেও পরিচিত ছিল। এই বংশের প্রথম রাজা ছিলেন দয়ারাম রায় যিনি অল্প বয়সেই নাটোরের রাজ পরিবারের প্রথম রাজা রামজীবন রায়ের দেওয়ান নিযুক্ত হন। ১৭১৬ সালে বাংলার নবাবদের সহায়তা করতে রাজা দয়ারাম নেতৃত্ব দেন রাজা রাম জীবনের বাহিনীকে এবং পার্শ্ববর্তী ভূষনা রাজ্যের বিদ্রোহী রাজা শিতারাম রায়কে (যিনি জমিদার ছিলেন এবং পরবর্তীতে রাজা হন) উৎখাত করেন। রাজা শিতারাম রায়ের রাজধানী মুহাম্মাদপুরের পতনের ফলে রাজা দয়ারাম দিঘাপাতিয়া রাজবংশের গোড়াপত্তন করতে সমর্থ হন। বিশ্বস্ততা অর্জনের পরিপ্রেক্ষিতে তিনি রাজশাহী ও যশোরে দান হিসেবে অনেক জমি গ্রহন করেন এবং পরবর্তীতে বগুড়া ও ময়মনসিংহে জমিদার বাড়ি অধিগ্রহন করেন।

রাজা দয়ারামের কাজের স্বীকৃতি স্বরূপ সম্রাট আওরঙ্গজেবের অধীনে তৎকালীন বাংলার নবাব মুর্শিদ কুলি খান তাঁকে সম্মানসূচক ‘রায় রায়হান’ উপাধিতে ভূষিত করেন। লর্ড কর্নওয়ালিস যখন চিরস্থায়ী বন্দোবস্ত প্রথা চালু করেন, নবাব মুর্শিদ কুলি খানের সময়কার অনেক জমিদাররা জমির খাজনা দিতে ব্যর্থ হন এবং খেলাপি হয়ে যান এবং তাঁদের এলাকা বিক্রি করে দেওয়া হয় ধনী ব্যাক্তিদের কাছে। দিঘাপাতিয়ার রাজা ছিলেন বিলুপ্তপ্রায় জগিরদারদের একজন। তাঁরা পশ্চিমা জীবনযাত্রা অনুসরণ করতেন যেমন ইউরোপিয়ান পোশাক, মদ, ঘোড়দৌড় ইত্যাদি। পশিমা প্রভাব শুধু যে তাঁদের ভবনের স্থাপত্তেই প্রতিফলিত হয়েছে তাই নয় বরং তা দেখা যেতো তাঁদের আসবাব এবং অন্দরমহলের সাজে। অবশ্য, মুঘল সাম্রাজ্যকালের শেষ প্রান্তেও কোন কোন অনুষ্ঠানে তাঁরা মুঘলদের অনুকরন করত যা তাদের পোশাক, পাগড়ি, তলোয়ার ও তলোয়ার রাখার খাপ থেকে প্রতিফলিত হত। দিঘাপাতিয়ার জমিদারদের মধ্যে উল্লেখযোগ্য ছিলেন প্রান নাথ রায় এবং প্রমোদ নাথ রায়।

রাজশাহী এবং উত্তরবঙ্গের শিক্ষা, স্থাপনা এবং সংস্কৃতির উন্নয়নে এই রাজ পরিবারের অবদান অনেক যেমন এই পরিবারের রাজারা নির্মাণ করেন বরেন্দ্র গবেষণা জাদুঘর।  জনপ্রিয়তা এবং উদারতার জন্য তারা বিশেষভাবে বিখ্যাত ছিল। এই পরিবারের শাসকরা বিভিন্ন সম্মানসূচক খেতাব ও উপাধি লাভ করে যেমন মুঘলদের কাছ থেকে রাজা, মহারাজা, রাজ বাহাদুর উপাধি এবং ইংরজেদের কাছ থেকে নাইটহুড খেতাব।

মহারাজার রাজবাড়ি নামে পরিচিত এই ভবনটি দিঘাপতিয়ার রাজা নির্মাণ করলেও উত্তর বঙ্গের রাজ্য প্রধানদের বাসা হিসেবে এটি ব্যাবহার হয়েছে। ইংরেজ এবং পূর্ব পাকিস্তান আমলে অনেক সরকারি বৈঠক এখানে অনুষ্ঠিত হয়। এখানে দিঘাপতিয়ার রাজা প্রমথনাথ রায়ের মার্বেলের তৈরি ভাস্কর্য আছে।

Kakina Zamindar Bari is situated about 30 km distance from Lalmonirhat district in Kakina Union at Kakina moujai. Maharaja Mod Narayan's time Kakina was a Chakla of kocabihar. Indra Narayana Chakraborty was then the cakaladara of kakina. In 1687 the Fouzdar Ebadat khan declared war against King Mod Narayan and went to koachbihar and that time two sons of Raghu Ram Raghabendo Narayan and Ram Narayan took the support of the Fouzdar. After being filed in this war of Moghals Endra Narayan was removed from the post of Chakladar and Raghabendra Narayan was elected for Porgona 62 and Ram Narayan was elected for Kakina. As this the Chakladari of Indra Narayan Chakrawarti was finished. In 1687 that estate started in time of Ram Narayan finished in the period of Mahendra Ranjon for his unforeseen costs. When he failed to back the revenue of government his estate was sold in auction in 1925 and go under court of words. After that he left Kakina as a destitute state. He breathe last in Karsiang. For image, Click here