Array
(
[0] => Array
(
[name] => Raja Viratnagar
[post_id] => 4446
[post_link] => http://offroadbangladesh.com/places/raja-biratnagar/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/DSC08731-Copy-300x225.jpg
[post_content] =>
Raja Viratnagar (রাজা বিরাটনগর) palace is the most valuable historical place of Gaibandha. Raja Virat and Panchopandob (পঞ্চপাণ্ডব) whose name are seen in the play Mahabharat. In 1960, Major Sherwill mentioned this as a “Brad Rajar Ghar”. Once upon a time, there was a huge fort in this place.
Great historian Rakhaldas Bondopaddhay (রাখালদাস বন্দ্যোপাধ্যায়) published a report in 1925-26 where he mentioned five bronze sculptures and 4-5 mound which were discovered in during the year 1910. Raja Virat had a huge barns (গোশালা) and about 60000 cows were about. The two younger brother of Panchapandob, namely Nakul (নকুল) and Shodeb (সহদেব), had the responsibility to take care of that barns. For that reason, the word Gaibandha came from the word barns.
)
[1] => Array
(
[name] => {:en}Rose Garden Palace{:}{:bn}রোজ গার্ডেন প্যালেস{:}
[post_id] => 1529
[post_link] => http://offroadbangladesh.com/places/rose-garden-palace/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/rose-garden-1-300x225.jpg
[post_content] => {:en}
The Rose Garden Palace was built by a Hindu Zamindar Hrikesh Das in the late 19th century. Around that time jalsas (parties) held at Baldha Garden were an important part of the social life of the city's wealthier Hindu residents. The story goes that Hrishikesh, a Zamindar of lower caste background, being insulted on this account by someone at one of the jalsas at Baldha Garden, decided to create his own garden to outshine that of Baldha. Here he staged jalsas of his own. The centerpiece of the garden is an elegant pavilion. However, this was not created as a residence, but rather a setting for entertainment such as musical performances (although subsequent owners did use it as a house). This extravagant lifestyle caused Hrikesh to go bankrupt and he was forced to sell the property.
The palace was bought by Khan Bahadur Kazi Abdur Rashid from Hrikesh in 1936 and renamed the building Rashid Manzil. His eldest son Kazi Mohammed Bashir (Humayun) who carried his name and fame until this generation.
The building, which remains a private property to date, has been renovated by its owners keeping the original character fully maintained. At present it is owned by Qazi Abdur Raqib, Barrister, who has leased it out to the Bengal Motion Picture Studios Limited.
The building has Corinthian columns and has eight apartments including a central hall on its ground floor. The upper floor has a further five apartments including a large dance hall in the middle. In the front yard, there was a fountain originally, the structure of which still remains. There are several classical marble statues in the garden, although the rosegarden that gave the mansion its name does not exist anymore.
The lodge contains on the ground floor eight apartments including a central hall whilst the upper floor has a further five apartments including a large dance hall measuring in the middle. At the back of the building to the east there is a veranda triple-arched entrance porch which leads to a staircase for the upper storey. Originally there was an ornamental fountain in the garden and a number of classical marble statue.
{:}{:bn}
১৯ শতকের শেষের দিকে হিন্দু জমিদার হৃষিকেস দাস রোজ গার্ডেন প্যালেসটি নির্মাণ করেন। সেসময়, বলধা গার্ডেনে অনুষ্ঠিত হওয়া জলসাগুলো শহরের বিত্তবান হিন্দুদের সামাজিক জীবনের গুরুত্বপূর্ণ অংশ ছিল। বলধা গার্ডেনের এমনই এক জলসায় হৃষিকেস দাস নামক এক নিম্নবর্ণের জমিদারকে অপমান করা হয় এবং এর ফলে তিনি নিজেই বাগানবাড়ি স্থাপনের সিদ্ধান্ত গ্রহন করেন। হৃষিকেস দাস তাঁর নিজস্ব বাগানবাড়িতে জলসার আয়োজন করতেন। তাঁর বাগানের মূল আকর্ষণ ছিল একটি নয়নাভিরাম সাজঘর। তবে বাগানবাড়িটি শুধুমাত্র বিনোদনের জন্য তৈরি করা হয়েছিল (যদিও পরবর্তী মালিকরা এটি বসবাসের জন্যেও ব্যবহার করতেন)। বিলাসবহুল জীবনযাপনের কারনে হৃষিকেস দাস দেউলিয়া হয়ে যান এবং ফলশ্রুতিতে তাঁকে তাঁর সম্পত্তি বিক্রি করে দিতে হয়েছিল।
১৯৩৬ সালে খান বাহাদুর কাজী আব্দুর রশিদ এই প্রাসাদটি হৃষিকেস দাসের কাছ থেকে কিনে নেন এবং প্রাসাদটির নামকরণ করেন রশিদ মঞ্জিল। তাঁর বড় ছেলে কাজী মোহাম্মদ বশির (হুমায়ুন) আজ অবধি তাঁদের নাম ও খ্যাতিকে ধরে রেখেছেন।
আজ অবধি ব্যাক্তিগত সম্পত্তি এই ভবনটির মূল আবেদন ধরে রেখে ভবনটিকে রক্ষনাবেক্ষন করা হচ্ছে। বর্তমানে এই প্রাসাদটির মালিক ব্যারিস্টার কাজী আব্দুর রকিব প্রাসাদটি বেঙ্গল মোশন পিকচার স্টুডিও লিমিটেডের কাছে ভাড়া দিয়েছেন।
প্রাসাদটির নীচতলায় একটি হলরুম ছাড়াও করিনথিয়ান কলাম এবং আটটি কক্ষ রয়েছে। প্রাসাদের উপর তলার মাঝে নৃত্য করার জন্য হল ছাড়াও আরও পাঁচটি কক্ষ রয়েছে। প্রাসাদের সামনে একটি ঝর্ণা ছিল যেটির চিহ্ন আজও বিদ্যমান। প্রাসাদের বাগানে কয়েকটি মার্বেলের তৈরি মূর্তি রয়েছে যদিও স্থানটির নামকরণ যে গোলাপ বাগানের জন্য করা হয়েছে সেই গোলাপ বাগানটি এখন আর নেই।
প্রাসাদের পিছনে পূর্বদিকে একটি বারান্দা আছে যেখানে প্রবেশের জন্য ধনুকাকৃতির তিনস্তর বিশিষ্ট একটি প্রবেশপথ রয়েছে যেটি দিয়ে উপরে ওঠার সিঁড়িতে যাওয়া যায়।
{:}
)
[2] => Array
(
[name] => Nagar Kasba
[post_id] => 8573
[post_link] => http://offroadbangladesh.com/places/nagar-kasba/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/05/Nogor-Kosba-2-300x169.jpg
[post_content] => Kasba (কসবা) is an administrative unit of the Sultani rulers (1342-1576). The administrative units, such as Iqta(ইকতা), Erta (ইরতা), Iqlim (ইখলিম), and Kasba (কসবা) have been mentioned in the contemporary texts.
So far 37 Kasbas could be traced in the region of Bangladesh, most of which had been within or near about the present district towns. The distance between one Kasba from another varied. It is noticed that official titles were associated with some of the kasbas. We can exemplify Kazir Kasba (কাজীর কসবা), Kotowaler Kasba(কোতওয়ালির কসবা), Nagar Kasba(নগর কসবা) etc. Considering the location, distance of one from another, communication system with the central or Provincial Capital, attachment of official titles etc it is assumed that Kasba were administrative units and were equivalent to districts. An administrative officer, a Quazi (কাজী) and a Kotwal(কোতওয়াল) were in charge of a Kasba.
In this complex of many buildings we can detect several names of businessman who built those in different period of time in 19th Century.
While most of the Kasbas lost their former importance during the Mughal period, Munshiganj, or Bikrampur, as it was known earlier, flourished as an important district through a rich combination of education, economy, literary & cultural pursuits. Therefore, the Nagar Kasba of Munshiganj stood with its importance through the course of time. It is believed that during the British rule, especially during the later part of the 19th century, Nagar Kasba was rebuilt as a residential area of wealthy predominantly Hindu business people, who mostly traded through the river port of Mirkadim.
After the Partition of India (1947), it is believed that most of the Hindu wealthy families migrated to Kolkata. Those who decided to stay back, to tend to their established businesses soon began to find it difficult. As sporadic communal riots continued, the exodus continued till the late 1950s. Families often left silently at night, leaving behind all their belongings. Those who still chose to stay, almost completely left for India during our Liberation War in 1971.
During these dire times, most of these full-furnished wealthy houses fell vacant and remained untended for a long time. Gradually, over time, these empty houses began to be taken over by influential locals. The descendents of these grabbers now own these properties, and live in the dilapidated buildings. It therefore is not surprising that a house that looks like it was purposely built for Hindu owners now adorns the names of Muslim people.
Even in its latest hay days in the later part of the 19th century, Nagar Kasba was a row of magnificent houses, mostly of two floors, though not too large, but built in British colonial styles. The intricate designs and motifs that remain on the walls and pillars are testament to the wealth and taste of the owners. Unfortunately, almost all are now in ruins, where some have even been demolished by present day owners.
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[3] => Array
(
[name] => Chakma Rajbari
[post_id] => 756
[post_link] => http://offroadbangladesh.com/places/chakma-rajbari/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2014/12/Chakma-Rajbari-Rajib-Bangladesh-1-300x169.jpg
[post_content] =>
Chakma Rajbari is one of the most beautiful Rajbari, which is located in Rangamati. This Rajbari was constructed by Raja Tridiv Roy, father of Raja Devasish Roy in 1960 when the earlier palace went under water due to commissioning of Kaptai dam. It has been learnt that Raja Devasish Roy is in Thailand. Every year number of visitors are come here to see this beautiful House. Chakma Rajbari is one of the major visiting attractions in Rangamati. This royal house represents the tradition and culture of Chakma (চাকমা).
[embed]https://www.youtube.com/watch?v=RrCHfXy_if0[/embed]
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