Brief
Northbrook Hall, also called Lalkuthi (লালকুঠি), is an Indo-Saracen building, and a fusion of Mughal architecture and European Renaissance architectural styles. The semi-circular horseshoe arches contain the main entrance on the north side. The four octagonal minarets on the north side, along with pinnacles and ornamental parapet, show the Muslim and Mughal features. The windows, doors and walls were ornate, following the European style, but the domes at the top of the building were ornate following the Muslim style.
In 1874, Indian Governor Thomas George Baring, Lord Northbrook, the Viceroy of India between 1872 and 1876, came to visit Dhaka. In order to make his visit memorable, Raja Rai Bahadur, along with eminent Zamidars and affluent citizens of Dhaka, donated 10 thousand and 5 thousand taka each to build the Town Hall in 1879. Abhay Chandra Das was the committee secretary. In 1880, the Commissioner of Dhaka inaugurated it and the personal orchestra of Nawab Abdul Ghani was brought to entertain the commissioner and the guests on inauguration.
On February 8, 1882, a public library was added on the south-east side of the Hall. It was named the Northbrook Public Library and became known for its literary collection. Many books were ruined during the 1971 Liberation War. To re-establish the library, the Maharaja of Tripura donated 1000 TK, the Zamidar of Baliati Brojendro Kumar Roy 1000 TK, Queen Shornomoi 700 TK, Kalikhrishno 500 TK and Bishaishori Devi donated 500 TK. In 1887, the library opened with 1000 books.
A clubhouse was added to the south-side and called Johnson Hall. At Northbrook Hall, Nobel Laureate poet Rabindranath Tagore was honoured by Dhaka Municipality and the People’s Association on 7 February 1926. In 1950, Northbrook Hall was used as a telegram office, and later as the Central Women’s College. The building is the property of Dhaka Municipality Corporation.
The Buriganga River could be seen from the Northbrook hall when it was built but by 1930, the riverfront and the river was obscured. The area lost its importance and residential character and had transformed into a commercial area. In 1998, a government education office was built by the side of Northbrook Hall, part of which is now used by a decorator, and a pentagram fountain in front of the north entrance now completely obscures the view.
The Northbrook Hall is one of the protected buildings under the Department of Archaeology. Over the years, several phases of restoration work were undertaken by the Department of Archaeology, in coordination with the Dhaka Municipality Corporation. As the bed on the ornamentations and surface painting on most occasions. However, as the building is more than 130 years old, on few instances, comparatively major restoration uilding has been actively in use for over a century, only minor restorations were requirworks were required, especially for the condensation of the plaster work and paint.
The restoration works at the Northbrook Hall were more convenient for the Department of Archaeology, as the Dhaka Municipality Corporation actively supported the projects; along with the users, the local community. As there has been no disruption in the use of the building for over a century, the original details of the jalli work and surface ornamentations has survived in very good shape. Also, as the building is actively used and in relatively good shape compared to the other vulnerable heritage, no special fund was required for the conservation (as seen in the other examples like Panamnagar). The users of the building took partial responsibility of the minor restoration works under the supervision of the Department of Archaeology. The Northbrook Hall can be considered one of the more successful formal conservation projects undertaken by the Department of Archaeology.
One of the major threats for the heritage building is the encroaching structures, like an assembly hall and a few community canters built surrounding the building. Another critical factor is the ‘List of Protected Heritage’ published in 2009. Before the list was published, the collaboration between the local community, Dhaka Municipal Corporation and the Department of Archaeology was flexible. Perhaps, this is one of the reasons why the building is better conserved.
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[name] => Belabo Bazar Mosque
[post_id] => 7930
[post_link] => http://offroadbangladesh.com/places/belabo-bazar-mosque/
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[post_content] =>
Belabo Bazar Mosque,a grand mosque constructed with Tk 35 million, was inaugurated on 8th of November 2008. At least 12,000 people can say their prayers at a time at the mosque of 200 feet length and 125 feet width. Renowned industrialist of Narsingdi district Abdul Kadir Mollah carried the whole construction cost of the mosque.
The first founder and land owner of the Moque named 'Alhajj Mahmud Ali Bhuiyan' donated his land for building this Mosque. Who is known as 'Mamdi Bepari'. Later Abdul Kadir Mollah announced his grand donation on a public place in Belabo to build this Mosque as a Mega Structure. Local people feels proud to be the inhabitants of this Upazila. Many people from different direction come to visit this Mosque everyday.
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[name] => House of Poet Quazi Kader Newaj
[post_id] => 18491
[post_link] => http://offroadbangladesh.com/places/house-of-poet-quazi-kader-newaj-2/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/09/house-of-poet-Quazi-Kader-Newaj2-300x225.jpg
[post_content] =>
Historic and archaeological importance of the majestic house of poet Quazi Kader Newaj, an icon of Bangla literature, has been lying uncared in Sreepur upazila town under Magura district, as the authorities concerned are ignoring its tourism potentials.
The poet is specially recalled for his masterpiece of poetry ‘Shikhaker Marjada’. The poet was also a freedom fighter as he played an important role during the liberation war. He was also a good teacher. The poet and his kin were buried along this majestic building.
The splendid building still stands tall along the bank of the Kumar River beckoning the people passing by it to have a look of its grandeur and magnificence. None can resist the temptation of taking a look at the captivating old structure when one passes by it.
In the absence of proper maintenance and renovation, weeds have grown in and around the house while the mossy bricks are crumbling down from the decaying structure. The house has lost much of its charm of terracotta due to the authorities’ negligence. Locals have already taken away many of the bricks, plaques, wooden doors and windows. The house has become a safe haven for drug addicts and gamblers due to lack of proper initiatives for its preservation and maintenance. Local people use the building as their cowshed and it has turned into the public toilet.
Unfortunately, the government has done nothing to renovate the palace, though the historic site can fetch a large amount of revenue every year.
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[name] => Nagar Kasba
[post_id] => 8573
[post_link] => http://offroadbangladesh.com/places/nagar-kasba/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/05/Nogor-Kosba-2-300x169.jpg
[post_content] => Kasba (কসবা) is an administrative unit of the Sultani rulers (1342-1576). The administrative units, such as Iqta(ইকতা), Erta (ইরতা), Iqlim (ইখলিম), and Kasba (কসবা) have been mentioned in the contemporary texts.
So far 37 Kasbas could be traced in the region of Bangladesh, most of which had been within or near about the present district towns. The distance between one Kasba from another varied. It is noticed that official titles were associated with some of the kasbas. We can exemplify Kazir Kasba (কাজীর কসবা), Kotowaler Kasba(কোতওয়ালির কসবা), Nagar Kasba(নগর কসবা) etc. Considering the location, distance of one from another, communication system with the central or Provincial Capital, attachment of official titles etc it is assumed that Kasba were administrative units and were equivalent to districts. An administrative officer, a Quazi (কাজী) and a Kotwal(কোতওয়াল) were in charge of a Kasba.
In this complex of many buildings we can detect several names of businessman who built those in different period of time in 19th Century.
While most of the Kasbas lost their former importance during the Mughal period, Munshiganj, or Bikrampur, as it was known earlier, flourished as an important district through a rich combination of education, economy, literary & cultural pursuits. Therefore, the Nagar Kasba of Munshiganj stood with its importance through the course of time. It is believed that during the British rule, especially during the later part of the 19th century, Nagar Kasba was rebuilt as a residential area of wealthy predominantly Hindu business people, who mostly traded through the river port of Mirkadim.
After the Partition of India (1947), it is believed that most of the Hindu wealthy families migrated to Kolkata. Those who decided to stay back, to tend to their established businesses soon began to find it difficult. As sporadic communal riots continued, the exodus continued till the late 1950s. Families often left silently at night, leaving behind all their belongings. Those who still chose to stay, almost completely left for India during our Liberation War in 1971.
During these dire times, most of these full-furnished wealthy houses fell vacant and remained untended for a long time. Gradually, over time, these empty houses began to be taken over by influential locals. The descendents of these grabbers now own these properties, and live in the dilapidated buildings. It therefore is not surprising that a house that looks like it was purposely built for Hindu owners now adorns the names of Muslim people.
Even in its latest hay days in the later part of the 19th century, Nagar Kasba was a row of magnificent houses, mostly of two floors, though not too large, but built in British colonial styles. The intricate designs and motifs that remain on the walls and pillars are testament to the wealth and taste of the owners. Unfortunately, almost all are now in ruins, where some have even been demolished by present day owners.
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[3] => Array
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[name] => Tengor Shahi Jame Mosque
[post_id] => 8140
[post_link] => http://offroadbangladesh.com/places/tengor-shahi-jame-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/P_20150520_173352-169x300.jpg
[post_content] =>
Tengor Shahi Jame Mosque is a single-domed square shaped mosque and built entirely of brick.Through the analysis of An Arabic inscription, originally fixed over the central archway of eastern wall, can now be found fixed to an enclosure wall of a nearby newly built mosque, locally known as Pashchimpada masjid (mosque). According to the inscription, the Rikabi Bazar Mosque was built by one Malik Abdullah Miah, son of Amin Khan Fakir Miah, in 1569 AD during the reign of Sultan sulaiman karrani.
The walls of this mosque are about 2.13m thick.There were four corner-towers in the four exterior angles of the building, but these were removed at the time of renovation work. The mosque has five arched-doorways, three in the east and one each on the north and south sides. The north and south doors are now used as windows. All the arches are of the two-centered pointed variety. The central archway in the east is bigger than the flanking ones. Corresponding to the three eastern archways there are three renovated semi-circular mihrabs inside the qibla wall that are set within rectangular frames. Like the central doorway, the central mihrab is bigger than its flanking counterparts. The north and south walls have two alcoves on either side of the archway. The square prayer hall of the mosque is covered with a large brick shouldered dome, which rests on the four blocked arches over the central mihrab and the three axial doorways springing from the brick pilasters, two inside each wall, in combination with Bengali pendentives and half-domed squinches on the upper angles.
Architectural Features: Architectural features of this mosque include massive walls, a large dome, two-centered pointed archways and a dome supported by blocked arches springing from brick pilanters in combination with pendentive and half-domed squinches. These are very feature similar to the Goaldi Mosque in sonargaon and baba saleh’s mosque in Bandar, both in narayanganj district
An octagonal drum can be seen externally in the lower part of the dome. The parapets and the inner side of the dome is decorated with rows of blind merlons, and each rectangular frame of the three mihrabs is crowned by a frieze of blind merlons. These are not original ornamentations. The outer walls of the mosque were once ornamented with terracotta plaques, but now these are all missing. The mosque is at present covered with cement plaster.
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