Array
(
[0] => Array
(
[name] => {:en}Kirtipasha Palace{:}{:bn}কীর্তিপাশা প্রাসাদ{:}
[post_id] => 989
[post_link] => http://offroadbangladesh.com/places/kirtipasha-palace/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/01/Kirtipasha-Jomidar-Bari-Jhalakathi-211-300x225.jpg
[post_content] => {:en}
Kirtipasha Palace was named after King Kirty Narayana. Ramjibon sen founded the Kirtipasha palace. The jewels of the family are namely Rohini Roy and Tapon Roy. The contribution of Rohini Roy is Rohiniganj. There is a hospital in that area that is older than the Jhalakathi district hospital. There is also a family living near to the Shiva temple and Shiva's statue.
Kirtipasha Zamindar Bari (কীর্ত্তিপাশা জমিদার বাড়ী) is located at the village Kirtipasha (কীর্ত্তিপাশা) of Jhalokathi district. This is probably a century old house. Now a days, it is abandoned and in a dilapidated condition. For most of the cases only the walls are standing, and the floors or ceilings are disappeared.
The name of the village is after the Zamindar Kirtinarayan Pasha (জমিদার কীর্তি নারায়ণ). And the founder of the Zamindar Bari was Ramjibon Sen. Only one of the building from this massive property was in good condition. Right now that one is a part of a girl's school along with newly built buildings. The Zamindar Bari premise has a Shiva temple inside. And the remaining of a beautiful temple is also exists these days (only the columns and pillars).
{:}{:bn}
কীর্তিপাশা প্রাসাদটি ঝালকাঠি জেলার রাজাপুর উপজেলায় অবস্থিত। কীর্তিপাশা প্রাসাদ নির্মাণ করেন রামজীবন সেন এবং রাজা কীর্তি নারায়নের নামে প্রাসাদটির নামকরন করেন। রোহিণী রায় এবং তপন রায় এই পরিবারটির ‘রত্ন’ বলে পরিচিত। রোহিনিগঞ্জ প্রতিষ্ঠা করেন রোহিণী রায় যেখানে ঝালকাঠি জেলা হাসপাতালের চেয়েও একটি পুরানো হাসপাতাল রয়েছে। এছাড়া এখানে শিবের মূর্তিসহ একটি পারিবারিক শিবমন্দির আছে।
{:}
)
[1] => Array
(
[name] => {:en}Boktnagar Zamindar Bari and Mosque{:}{:bn}বক্তনগর জমিদার বাড়ী ও মসজিদ{:}
[post_id] => 5541
[post_link] => http://offroadbangladesh.com/places/boktnagar-zamindar-bari-and-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/boktonogor-jomidar-bari-bandura-11-300x225.jpg
[post_content] => {:en}
Beside the bank of the Ichhamoti river (ইছামতি নদী), you'll find an old house that is currently abandoned. No inscription was found about the house. From the architecture of the old house, you can only guess that it was a house of a wealthy man who could have been a Zamindar (জমিদার) or a rich merchant. Boktnogor/Boktonogor(বকতনগর/বক্তনগর) is a place located near the Shikari Para(শিকারী পারা) after Bandura bazaar(বান্দুরা বাজার).
This well-built edifice has lot of rooms inside. Front side of the house is still firm, but damaged at the back sides. Still now a days the house has a lot of open spaces around including ponds. At the south-west corner of the mansion, another edifice is available. This one is an old mosque. Again it is unsure about the builder of the mosque.
If the owner of the mosque and the house is the same person, then the owner must be a Muslim. The village name is Boktnagar (বক্তনগর) which should came from Bokht Nogor (বখত নগর). Possibly someone lived there named Bokht (বখত) and sounds a Muslim name, but all are predictions.
The mosque is a small one having three domes at the top. Middle one is a bit larger compare to other twos. Just above the main gate, and inscription is found written in Arabic. The mosque has a pond at the southern side and a graveyard at the eastern side.
{:}{:bn}
ইছামতি নদীর তীরে একটি পরিত্যাক্ত ভবন দেখতে পাবেন তবে কোন শিলালিপি না থাকায় এই ভবনটি সম্পর্কে বিস্তারিত জানা যায়নি। তবে, ভবনের স্থাপত্যশৈলী দেখে বোঝা যায় এটি ছিল একটি জমিদার বাড়ি। এই ভবনটির অভ্যন্তরে বেশকয়েকটি কক্ষ রয়েছে। জমিদারবাড়ির সামনের দিকটি এখনও মজবুত থাকলেও পেছনের দিকটি বেশ ক্ষতিগ্রস্থ হয়েছে।
এখনও ভবনটির চারপাশে একটি পুকুরসহ বেশকিছু খালি জায়গা রয়েছে। জমিদারবাড়ির দক্ষিন-পশ্চিম কোনায় একটি প্রাচীন মসজিদ রয়েছে। মসজিদটির নির্মাণের ব্যাপারেও কিছু জানা যায়নি। যদি জমিদারবাড়ি এবং মসজিদের মালিক একই ব্যাক্তি হয়ে থাকেন তবে ধরে নেওয়া যায় যে তিনি ছিলেন একজন মুসলিম। ধারনা করা হয়ে থাকে যে গ্রামতির নাম বক্তনগর হয়েছে বখতনগর শব্দ থেকে। এমনও হতে পারে যে, বখত নামক কোন মুসলিম ব্যাক্তির নামে গ্রামটির নামকরণ করা হয়েছে।
এখানে অবস্থিত মসজিদটি ছোট এবং তিনগম্বুজ বিশিষ্ট। তবে মাঝখানের গম্বুজটি অন্য দুটি গম্বুজের চেয়ে বড়। মসজিদের মূল প্রবেশ পথের উপরে আরবীতে লেখা শিলালিপি দেখা যায়। মসজিদের দক্ষিনে একটি পুকুর এবং পূর্বদিকে একটি কবরস্থান রয়েছে।
{:}
)
[2] => Array
(
[name] => Tushbhandar Zamindar Bari or Landlord House
[post_id] => 4790
[post_link] => http://offroadbangladesh.com/places/tushbhandar-zamindar-bari-or-landlord-house/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/Tushabhandar-jamindar-bari1-300x212.jpg
[post_content] =>
During the period of Maharaja Pran Narayan "Rsik Ray bigroho" happened in 1634 and in that time the origin of tushvandar Murari dev Ghosal Vottacharjo from 24 porgona/Kolkata's Jay nagar came in Koach bihar and in upuonchouki matter get a taluk anstarted to live here. During that time to do religious work land was given by upenchouki matter. Murari dev disagree to take the donation of the shudro king's beacuse he is a brammon. He appealed to take rent for the land. After that the queen agreed to take paddy bran as rent. Dew to give rent as paddy bran it was stored near landlord house in the east side and after it was sent to the Koachbihar kings house. With this bran many religious events happened in the king’s house. People says that, for the stored bran this place was named as tushvandar. By brammahan murari dev vottacharja the landlord of tushvandar was declared. And in 1935 with his death as long 400 years land owner was came into an end.
)
[3] => Array
(
[name] => Kusumba Mosque
[post_id] => 3656
[post_link] => http://offroadbangladesh.com/places/kusumba-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/84463426-300x199.jpg
[post_content] => Kusumba Mosque is named after the village of Kusumba, under the Manda upazila of Naogaon district, on the west bank of the Atrai River. It is inside a walled enclosure with a monumental gateway that has standing spaces for guards. It was built during the period of Afghan rule in Bengal under one of the last Suri rulers Ghiyasuddin Bahadur Shah, by one Suleiman who was probably a high ranking official. The inscription tablet in Arabic (only the word ‘built by’ is in Persian) dating the building to 966 AH (1558-59 AD) is fixed over its eastern central entrance.
Although built during Suri rule, it is not influenced at all by the earlier Suri architecture of North India, and is well grounded in the Bengal style. The brick building, gently curved cornice, and the engaged octagonal corner towers are typical features. The mosque, presently protected by the Department of Archaeology of Bangladesh, was badly damaged during the earthquake of 1897. Although the main fabric of the building is of brick the entire exterior walls, and the interior up to the arches of the pendentives have stone facing. The columns, platform, floor, and perforated side screens are of stone. The mosque has a rectangular plan with three bays and two aisles, three entrances on the east and two each on the north and south sides.
The central mihrab is projected in the west. The interior west (qibla) wall has two mihrabs on the floor level opposite the central and southeastern entrances, but the one in the northwestern bay is above a raised platform ascended by a staircase on the east. The presence of such a platform in a non-imperial mosque indicates that not only royalty, but nobility and high-ranking officials were also separated from the general public during prayers. The mihrabs have elaborate stone carving. They have cusped arches crowned with kalasa (water pot) motifs, supported on intricately carved stone pillars which have projections and tasseled decorations hanging from chains. Bunches of grapes and vines curve in an almost serpentine manner on the mihrab frames, and kalasas, tendrils and rosettes are reduced to dots.
The platform edge has grape vine decoration, and there are rosettes on the spandrels of the arches supporting the platform, as well as on the mihrab wall. The stone used in the exterior facing is of a coarse quality and carved in shallow relief. Mouldings are most prominent decorative feature on the outside. They divide the walls into upper and lower sections, run all along the curved cornice, around the corner towers, in a straight line below the cornice, and frame the rectangular panels in the east, south and north walls. The spandrels of the central entrance arch are filled with small kalasa and rosette motifs. The north and south sides have screened windows.
)
)
