Mung Rajbari Palace of the Mogh Chief

Nawab Faizunnesa Choudhurani (1834–1903) was Zamindar of Homnabad-Pashchimgaon Estate in present-day Comilla District, Bangladesh. She is most famous for her campaign for female education and other social issues. In appreciation of her social work, in 1889 Queen Victoria awarded Faizunnesa the title of "Nawab", making her the first female Nawab in South Asia.

Early life and background: Nawab Faizunnesa Chowdhurani was born in 1834 in the village of Pashchimgaon under Laksham in the district of Comilla. Her father was Ahmed Ali Chowdhury, a descendent of the Mughal emperors and zamindar of Homnabad-Pashchimgaon estate. Faizunnessa was raised in a conservative Muslim family, where the women would maintain a strict purdah system. She received no formal education but she educated herself in her library during leisure time. She was proficient in Arabic, Persian, Sanskrit and Bengali language. In 1860, Faizunnesa was married to a distant cousin and neighboring Zamindar, Muhammad Gazi, becoming his second wife. But the couple became separated for an unknown reason and Faizunnesa began to live with her paternal family.

Career and philanthropy: After her mother's death in 1883, Faizunnesa inherited her property and became Zamindar of Pashchimgaon. She became increasingly involved in social work after becoming Zamindar. In 1873, Faizunnesa Choudhurani established a high school for girls in Comilla, which is one of the earliest female schools privately established in Indian subcontinent, which is now called Nawab Faizunnesa Government Girls' High School. She also founded a school at Pashchimgaon that was later upgraded to a college and now named as Nawab Faizunnesa Degree College.

In 1893, Faizunnesa established a charitable dispensary in her village for women in purdah, particularly destitute women. She also built a hospital for women, Faizunnesa Zenana Hospital in Comilla. In addition, she built mosques and contributed towards the development of roads and ponds. Faizunnesa patronized different newspapers and periodicals, including Bandhab, Dhaka Prakash, Musalman Bandhu, Sudhakar, and Islam Pracharak. Before her death in 1903 she donated her entire property to the nation.

Munshiganj, or Bikrampur as it was formerly known as home to a number of rich landlords and merchants, who lived in palatial houses, built on large estates. Most of these perished in course of time as the mighty Padma River devoured most of Bikrampur. Of all that remain in today’s Munshiganj, the largest is the house at Abdullahpur, known as Tokani Pal House (টোকানী পাল বাড়ি). There isn’t enough source to know about who built this house, but Tokani Pal, an elderly merchant from Barisal, bought this 7 acre estate and moved in here sometime in the early 1890s. His second wife Nabanga Sundary and all six sons from his two marriages accompanied him.

The estate now consists of 11 buildings and six ponds. The sprawling gardens have hundreds of trees – fruit bearing, medicinal, or for wood itself. And there were once several hundreds of flowering plants. But when Tokani arrived, the estate was in a mess. Kamini Pal, the eldest son of Tokani,took charge of cleaning up the estate. He chose a place to set up a temple, dedicated to Radha-Shyam, of whom they had been followers for generations. By this time, the masons of Abdullahpur had made a name in craftsmanship and expertise, and Arfan Ostagar was the most revered of all. He was hired, for a daily fee of five quarters and a pack of tobacco. His designer had to be paid an additional three quarters. A 15X6 feet room was planned to build, with a wide sprawling varanda, where followers could sing devotional songs every evening. The room would have a large platform, on which would rest a large metal statue of Radha-Shyam. The exterior wall would be decorated with fine ceramic designs. Once completed, the temple became a marvel, people from far and wide came over to see.

The Pal’s principal business was surrounded around the Kamala river port of Bikrampur, which was known as the Second Kolkata. Betelnuts, mustard, lentils etc would arrive from Barisal or Chandpur, and would be traded with Kolkata. Almost 20,000 laborers worked daily at this port, where the second largest wholesalers were the Pals. They set up warehouses at places as far as Barisal, Jhalokathhi or Shwarupkathhi, or Chandpur. Kamini Pal also became the most prominent money-lender. Dwarkanath became a prominent dealer in Kerosene oil. Other brothers also chipped in here and there. Business for the Pals was running well.

After the Partition of India, a large section of the family moved to Kolkata. Those who remained to protect the family businesses, soon found it difficult, as business with Kolkata became complicated. They had to explore new business avenues, but that wasn’t too easy.

In 1971, Hindus were being tortured or killed, their businesses were being shut down, their houses were being torched. The Pal estate being protected with a strong high boundary wall became a safe refuge, not only for members of this family, but for members of extended families, and also for friends and their families. About 500 people had found safe shelter here, until one dark night, when the Pakistani Army entered the compounds, killed several family members, and set the main houses of fire. The entire clan moved to India through Agartala.

Almost two years later, Shashadhar Pal, the second son of Dwarkanath Pal, who by then was head of the clan, returned with his family. But by this time major parts of the estate had been grabbed and taken over by others. He tried to revive some of the businesses, but did not quite succeed. His family members went back to Kolkata, but he decided to stay back, reminiscing his childhood memories, and gradually selling off part of their properties. He lived either in one of the houses within this estate, or in the other Pal House, which also was built by his uncle Kamini Pal several decades ago. He passed away in the late 1990s.

Ghughudanga Zamindar Bari was the residential palace Ghughu-Danga Zamindar Family. It is located onthe side of the River Purnovoba in Dinajpur District. The Zamindar Bari or palace was now damaged byattacking the Pakistani army in 1971 War of Bangladesh. It was built in the Indo-Saracenic renaissance architecture.It is situated six mile away from Dinajpur sadar at Auliapur Union in Dinajpur.

The great Baliati Palace (বালিয়াটি জমিদার বাড়ি) is located at the Saturia Upazila of Manikganj(সাটুরিয়া, মানিকগঞ্জ) district, in the village of Baliati. This historic building is about 200 years of old. A river named Gazikhali(গাজীখালী নদী) which is demised interim of the time, flowed at the northern side of the palace.

The palace is situated on a lush and sprawling premise, approximately 16000 square meter. There are possibly 200 rooms available inside the premise. Back side of the palace has a pond having four ghats(ঘাট). Other side of the pond has a series of sanitary lavatory.

The story starts more than hundred and fifty years ago when the Baliati Zamindars were still a force to be reckoned with in Bangladesh, situated about 35 miles northwest of Dhaka and 5 miles east of Manikgonj district headquarters. The palaces used to be also known as “Dosh-ani-Zaminder bari” due to inheritance of a portion of the main complex from Roy Chand by the well wishers of his first wife among the Zaminders. Kishorilal Roy Chowdhury and Roybahadur Harendra Kumer Roy Chowdhury realized soon enough the necessity of knowledge which compelled them to establish the Jagarnath College and K.L Jubily High school. The Baliati Zaminderbari originally consisted of five similar but separate blocks. The south façade of grand palace presents an attractive frontage of about 400 feet of the extant four blocks of the palace, the two central blocks are two-storied and the other two terminal ones are three-storied. The lofty encircling walls of the imposing Zaminderbari complex are punctuated by three superb gateways, identical in their architectural features. This remarkable complex has been acquired by the Bangladesh archeological department and has been given a new name “Baliati Palace” as a protected cultural property.In exploring the expressiveness of this marvelous structure with time, culture and mood, the attached twelve snaps tell the story by  dividing it into three constituent parts. First part expresses the thematic preamble of time and prestige, and style. The second part sequentially put expedition of the underlying interior in the picture capturing architectural details, vista and shape and shadow. Last part tells the present story of the exterior in light of the surrounding at present. In short, the justification of making this sequential development to bring the whole story inside out from it’s behind theme to the present.

রাজধানী ঢাকা থেকে প্রায় ৩৫ মাইল উত্তরপশ্চিমে এবং মানিকগঞ্জ জেলা সদর থেকে ৫ মাইল পূর্বে সাটুরিয়া উপজেলায় বিখ্যাত বালিয়াটি জমিদার বাড়ি অবস্থিত। বালিয়াটি গ্রামে অবস্থিত এই প্রত্নতাত্ত্বিক নিদর্শনটি প্রায় ২০০ বছর পুরাতন। এই জমিদারবাড়িটির উত্তরে একসময় গাজীখালী নদী প্রবাহিত হত। ১৬০০০ বর্গমিটার আয়তনের বিশাল এই জমিদারবাড়িটিতে প্রায় ২০০টি কক্ষ রয়েছে। জমিদারবাড়ির পেছনে অবস্থিত পুকুরের এক প্রান্তে চারটি ঘাট আছে এবং অপর প্রান্তে বেশকিছু শৌচাগার রয়েছে।

জমিদারবাড়ির একটি অংশ রায় চাঁদের কাছ থেকে অন্যান্য জমিদারদের প্রথম স্ত্রীদের উত্তরাধিকার সূত্রে প্রাপ্তির কারনে এই প্রাসাদটি ‘দশ-আনি-জমিদারবাড়ি’ নামে পরিচিত ছিল। জমিদার কিশোরিলাল চৌধুরী এবং রায়বাহাদুর হরেন্দ্র কুমার রায় চৌধুরী এই অঞ্চলের মানুষের মধ্যে জ্ঞান বৃদ্ধির প্রয়োজনীয়তা উপলব্ধি করেন এবং এই কারনে জগন্নাথ কলেজ এবং কে এল জুবিলী হাইস্কুল প্রতিষ্ঠা করেন। মূল জমিদারবাড়িতে পাঁচটি একই রকম কিন্তু ভিন্ন ভাগ ছিল। জমিদারবাড়ির দক্ষিনে বর্তমানে স্থায়ী ৪টি আকর্ষণীয় অংশ অবস্থিত। এগুলোর মধ্যে মাঝের দুটি অংশ হল দোতলা এবং পাশের বাকি তিনটি অংশ তিনতলা। জমিদারবাড়িকে ঘিরে থাকা সুউচ্চ প্রাচীরে তিনটি চমৎকার স্থাপত্যশৈলীর ফটক রয়েছে। বর্তমানে ‘বালিয়াতি প্রাসাদ’ নামকরণ করে বাংলাদেশ প্রত্নতত্ত্ব অধিদফতর এই জমিদারবাড়িটির অধিগ্রহন করে দেখাশোনা করছে।    সময় এবং সংস্কৃতির সাথে সামঞ্জস্য রেখে জমিদারবাড়িটিকে তিনভাগে ভাগ করা হয়েছে বারোটি অধ্যায়ের মাধ্যমে। প্রথমভাগে সময়, শৈলী এবং ঐতিহ্যকে তুলে ধরা হয়েছে। দ্বিতীয়ভাগে জমিদারবাড়ির স্থাপত্যশৈলীর বিস্তারিত বিবরন ক্রমঅনুযায়ী বর্ণনা করা হয়েছে। শেষভাগে বর্তমান প্রেক্ষাপটে জমিদারবাড়ির গুরুত্বকে ফুটিয়ে তোলা হয়েছে। এক কথায় বলা যায়  প্রথম থেকে বর্তমান পর্যন্ত এই জমিদারবাড়ির ইতিহাস চমৎকারভাবে ক্রমঅনুযায়ী বর্ণনা করা হয়েছে।