Brief
Northbrook Hall, also called Lalkuthi (লালকুঠি), is an Indo-Saracen building, and a fusion of Mughal architecture and European Renaissance architectural styles. The semi-circular horseshoe arches contain the main entrance on the north side. The four octagonal minarets on the north side, along with pinnacles and ornamental parapet, show the Muslim and Mughal features. The windows, doors and walls were ornate, following the European style, but the domes at the top of the building were ornate following the Muslim style.
In 1874, Indian Governor Thomas George Baring, Lord Northbrook, the Viceroy of India between 1872 and 1876, came to visit Dhaka. In order to make his visit memorable, Raja Rai Bahadur, along with eminent Zamidars and affluent citizens of Dhaka, donated 10 thousand and 5 thousand taka each to build the Town Hall in 1879. Abhay Chandra Das was the committee secretary. In 1880, the Commissioner of Dhaka inaugurated it and the personal orchestra of Nawab Abdul Ghani was brought to entertain the commissioner and the guests on inauguration.
On February 8, 1882, a public library was added on the south-east side of the Hall. It was named the Northbrook Public Library and became known for its literary collection. Many books were ruined during the 1971 Liberation War. To re-establish the library, the Maharaja of Tripura donated 1000 TK, the Zamidar of Baliati Brojendro Kumar Roy 1000 TK, Queen Shornomoi 700 TK, Kalikhrishno 500 TK and Bishaishori Devi donated 500 TK. In 1887, the library opened with 1000 books.
A clubhouse was added to the south-side and called Johnson Hall. At Northbrook Hall, Nobel Laureate poet Rabindranath Tagore was honoured by Dhaka Municipality and the People’s Association on 7 February 1926. In 1950, Northbrook Hall was used as a telegram office, and later as the Central Women’s College. The building is the property of Dhaka Municipality Corporation.
The Buriganga River could be seen from the Northbrook hall when it was built but by 1930, the riverfront and the river was obscured. The area lost its importance and residential character and had transformed into a commercial area. In 1998, a government education office was built by the side of Northbrook Hall, part of which is now used by a decorator, and a pentagram fountain in front of the north entrance now completely obscures the view.
The Northbrook Hall is one of the protected buildings under the Department of Archaeology. Over the years, several phases of restoration work were undertaken by the Department of Archaeology, in coordination with the Dhaka Municipality Corporation. As the bed on the ornamentations and surface painting on most occasions. However, as the building is more than 130 years old, on few instances, comparatively major restoration uilding has been actively in use for over a century, only minor restorations were requirworks were required, especially for the condensation of the plaster work and paint.
The restoration works at the Northbrook Hall were more convenient for the Department of Archaeology, as the Dhaka Municipality Corporation actively supported the projects; along with the users, the local community. As there has been no disruption in the use of the building for over a century, the original details of the jalli work and surface ornamentations has survived in very good shape. Also, as the building is actively used and in relatively good shape compared to the other vulnerable heritage, no special fund was required for the conservation (as seen in the other examples like Panamnagar). The users of the building took partial responsibility of the minor restoration works under the supervision of the Department of Archaeology. The Northbrook Hall can be considered one of the more successful formal conservation projects undertaken by the Department of Archaeology.
One of the major threats for the heritage building is the encroaching structures, like an assembly hall and a few community canters built surrounding the building. Another critical factor is the ‘List of Protected Heritage’ published in 2009. Before the list was published, the collaboration between the local community, Dhaka Municipal Corporation and the Department of Archaeology was flexible. Perhaps, this is one of the reasons why the building is better conserved.
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Beauty Boarding, the writer-publisher rendezvous, has changed drastically in Bangla Bazaar over the years. This old motel-cum-restaurant situated at the end of the Bangla Bazaar street, on the verge of Paridas road, once was the hub for creative and progressive chit-chatting.
It has been said that, Once Bangabandhu Sheikh Mujibur Rahman came to Beauty Boarding for its famous adda (chitchat). Currently the place is managed by Tarok Saha and Somor Saha, sons of Prohallad Saha who was killed in 1971 along with 17 other staffs and boarders of this place.
Before the liberation war movement, this place was frequented by creative people from various fields – writers, artists, film directors, politicians, singers and composers. Now-a-days, a group of writers arranges a get-together once a year in memory of that time. The menacing traffic of Old Dhaka as the sole reason for losing the culture of gossiping at Bangla Bazaar that had developed centering Beauty Boarding years ago.
Poet Nazrul used to come to 14 Bangla Bazaar, where was the office of Begum magazine, and the writer Nasir Ali used to sit at Nawroze, which was the reason to turn this place a hub for writers. However, Now a days there is no longer need for such a gathering, as writers do not need to come to the publishers for submitting their works or proof reading. With the advent of technology they can do those things from their home. Rather, he finds coming to Bangla Bazaar just for chitchat, a waste of time.
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[name] => Tangail Airport
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In 1967, Tangail Airport was established on 11 acre land by costing 11 crore taka. Mainly to save the agricultural lands from the insects in Tangail and other nearby districts, cargo airbuses were used to spread pesticides in two terms in each year. But, from the year 1974 to till date, this airport has been unused. From that time, this airport has remained unprotected.
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[name] => King Harish Chandra Mound Palace
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Buddhist monastic remains have been found at least in three places in Savar. One of which is locally known as King Harish Chandra mound Palace in Majidpur (মজিদপুর) village to the east of the Savar Market bus-stop.
King Harish Chandra Mound Palace is a protected monument by the Department of Archaeology in Bangladesh. It Was protected on 22nd of November 1920, under ancient monument preservation act 1904 and acquired by the Government of Bangladesh in 23 December, 1925.
Excavation conducted here previously in 1925-26, traces of four structures along with some lintels of terracotta, Buddha images, and an inscribed Vishnu image were found. The evidence as a whole pointed to 7th-8th century AD. Excavations in the Rajbadi mound in 1989-90 revealed a square-shaped stupa enclosed by a wide wall. A silver 'Harikela' coin, a gold coin and a number of Buddhist bronze figures have been unearthed here. A date around 7th-8th century AD has been suggested for the remains.
Regular Archaeological excavation were conducted during several seasons from 1988 to 1997. As a result of those excavation It revealed a Stupa measuring 28m×28 on the north of the mound and an oblong monastic cells on the south of the mound. It appears two building and rebuilding phase on the both of exposed remains.
By Archaeological excavations Further to its east at Rajasan, another area had been discovered containing Buddhist remains.
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[name] => Tokani Pal House
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Munshiganj, or Bikrampur as it was formerly known as home to a number of rich landlords and merchants, who lived in palatial houses, built on large estates. Most of these perished in course of time as the mighty Padma River devoured most of Bikrampur. Of all that remain in today’s Munshiganj, the largest is the house at Abdullahpur, known as Tokani Pal House (টোকানী পাল বাড়ি). There isn’t enough source to know about who built this house, but Tokani Pal, an elderly merchant from Barisal, bought this 7 acre estate and moved in here sometime in the early 1890s. His second wife Nabanga Sundary and all six sons from his two marriages accompanied him.
The estate now consists of 11 buildings and six ponds. The sprawling gardens have hundreds of trees – fruit bearing, medicinal, or for wood itself. And there were once several hundreds of flowering plants. But when Tokani arrived, the estate was in a mess. Kamini Pal, the eldest son of Tokani,took charge of cleaning up the estate. He chose a place to set up a temple, dedicated to Radha-Shyam, of whom they had been followers for generations. By this time, the masons of Abdullahpur had made a name in craftsmanship and expertise, and Arfan Ostagar was the most revered of all. He was hired, for a daily fee of five quarters and a pack of tobacco. His designer had to be paid an additional three quarters. A 15X6 feet room was planned to build, with a wide sprawling varanda, where followers could sing devotional songs every evening. The room would have a large platform, on which would rest a large metal statue of Radha-Shyam. The exterior wall would be decorated with fine ceramic designs. Once completed, the temple became a marvel, people from far and wide came over to see.
The Pal’s principal business was surrounded around the Kamala river port of Bikrampur, which was known as the Second Kolkata. Betelnuts, mustard, lentils etc would arrive from Barisal or Chandpur, and would be traded with Kolkata. Almost 20,000 laborers worked daily at this port, where the second largest wholesalers were the Pals. They set up warehouses at places as far as Barisal, Jhalokathhi or Shwarupkathhi, or Chandpur. Kamini Pal also became the most prominent money-lender. Dwarkanath became a prominent dealer in Kerosene oil. Other brothers also chipped in here and there. Business for the Pals was running well.
After the Partition of India, a large section of the family moved to Kolkata. Those who remained to protect the family businesses, soon found it difficult, as business with Kolkata became complicated. They had to explore new business avenues, but that wasn’t too easy.
In 1971, Hindus were being tortured or killed, their businesses were being shut down, their houses were being torched. The Pal estate being protected with a strong high boundary wall became a safe refuge, not only for members of this family, but for members of extended families, and also for friends and their families. About 500 people had found safe shelter here, until one dark night, when the Pakistani Army entered the compounds, killed several family members, and set the main houses of fire. The entire clan moved to India through Agartala.
Almost two years later, Shashadhar Pal, the second son of Dwarkanath Pal, who by then was head of the clan, returned with his family. But by this time major parts of the estate had been grabbed and taken over by others. He tried to revive some of the businesses, but did not quite succeed. His family members went back to Kolkata, but he decided to stay back, reminiscing his childhood memories, and gradually selling off part of their properties. He lived either in one of the houses within this estate, or in the other Pal House, which also was built by his uncle Kamini Pal several decades ago. He passed away in the late 1990s.
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