Array
(
[0] => Array
(
[name] => Panam Rajbari
[post_id] => 11576
[post_link] => http://offroadbangladesh.com/bn/places/panam-rajbari/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/07/SAM_01811-240x300.jpg
[post_content] =>
Poddar bari, or according to the local people, the "Panam Rajbari". This is a bit eastern side to the panam city. If someone wants to visit the place, then there is no way except passing through the panam city. This is currently a private property, and there is a picnic spot inside the boundary of the place. The owner of the place used to live at the newly built building beside the old one. But the old one is still empty.
After getting permission you can easily enter the area. Its not known when the building was actually built. But from the structure, and the design, it appears that it was built by some rich merchant during the 1900 AD. The structure and the design is almost identical to the Sonargaon Folk art and craft Museum. Inside the building, the yard is identical to the museum building of sonargaon.
The building comprises of numerous number of rooms. And interestingly you can move from one room to another one easily. There is no window at the rooms, and also no doors, most of those are taken down, or stolen, or something else. Since its a bit darker inside the building, its a hideout for the bats. When camera flashed, we have seen several bats were flying and making noisy sound. Also there nest of other birds which are making continuum sound, but we bet you won't feel bored by those. Those are really nice to hear. So if you are at sonargaon, please don't leave the place by only visiting the panam city. It will worth if you visit the place.
)
[1] => Array
(
[name] => Dayarampur Rajbari
[post_id] => 17288
[post_link] => http://offroadbangladesh.com/bn/places/dayarampur-rajbari-2/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/08/Dayarampur-Rajbari18-300x225.jpg
[post_content] =>
Dayarampur Rajbari (দয়ারামপুর রাজবাড়ি) is located in Bagatipara Upazila, inside of the Qadirabad Cantonment under the administration of Bangladesh Army. After taking the oath of the Zamindari, Pramadanath (প্রমদানাথ) Roy (1873-1925), the elder son of then Dighapatia King Promothonath (প্রমথনাথ) Roy (1849-1883), established the Junior Raj Dayarampur Estate in a place named Nondikuza (নন্দীকুজা) on the bank of river Boral and built this Rajbari for his three younger brothers. They are Kumar Bosontokumar Roy (1874-1925), Kumar Sharatkumar Roy (1876-1946) and Kumar Hemendrakumar Roy (1877-1943).
This place was named after Dayaram (দয়ারাম) Roy (1680-1760), the great efficient Dewan of Queen Bhabani (1716-1795) of Natore and the establisher of Dighapatia Royal Family. After the death of Kumar Bosontokumar Roy, Kumar Sharatkumar Roy took the responsibility of the whole Dayarampur Estate and stayed this palace till death. After the eradication of Zamindar dominion, they went to India.
Source: History of Natore, by Samar Pal
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[2] => Array
(
[name] => Itakhola Mura
[post_id] => 5524
[post_link] => http://offroadbangladesh.com/bn/places/itakhola-mura/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/Itakhola-Mura31-300x240.jpg
[post_content] =>
Itakhola Mura is an archaeological site in Mainamati. This site is one of the most impressive ruins. It lies in three terraces on adjacent hillocks just opposite the Rupban Mura site across the Kotbari road in Comilla. Excavations have revealed here a grand stupa complex with an attached monastery, located 42m to its north. The cultural phases of the site are stated (or overstated) to be five; the earlier three being still buried underneath the later remains.
The Stupa Complex was originally built as a solid stupa in the traditional style on a 13.1 meter square basement. However, it has one peculiarity; a small sanctum (2.4 m x 2.1 m) built in the center of its eastern or front side.
Subsequently, the shrine was enlarged and elaborated by additions and alterations, especially by adding three long narrow chapels in the eastern side after blocking the old sanctum; thus giving the structure an oblong shape (41.4 m x 24m). In this particular feature, it is strikingly similar to the Rupban Mura shrine. The side chapels were ultimately blocked up, leaving space for a few cubicles for installing cult images, as in other parts of the shrine. This establishment is surrounded by a 2.6 m wide circumlocutory passage and is enclosed by a 1.2 m thick boundary wall.
This holy precinct is again enclosed within a much larger, well-defined, and better preserved boundary wall (79 m x 56 m), in the slightly lower second terrace. It contains three interesting subsidiary shrines, two in two corners of the eastern side, and the other, a slightly larger one, at the back in the west. An elaborate entrance with 22 broad steps at the Center of the eastern side leads to the much lower third terrace. The outer face of its damaged boundary wall in this front side is excellently decorated with offsets, sunken panels, and ornamental designs.
Five votive stupas lie at the base of the long staircase, three of them in a north south row within a well-defined enclosure, all semi-cruciform in shape, like that of the larger subsidiary shrines in the western side of the second terrace. They certainly represent an experimental early stage in the development of the cruciform style in Buddhist architecture that we see in mature form at shalvan vihara, paharpur, Vikramashila and many other sites. These structures may reasonably be dated as belonging to 7th-8th centuries AD.
The Monastery This medium sized monastery of the usual square shape with 19 cells and one entrance hall was built around an open courtyard, 16.2m. Square, on a separate mound. Its monumental gateway complex, 17.6m x 8.5m, projecting outwards, lies at the Centre of the eastern wing. Some of the cells have brick-built bedsteads. This structure was badly damaged by brick-hunters in 1944-45.
Mentionable antiquities from the site, besides the stucco image, are three round pellets of solid gold, (19 tolas), and a copperplate inscription, discovered during clearance work after the excavations. The copperplate has not yet been deciphered.
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[3] => Array
(
[name] => Jora Kali Temple of Muktagacha
[post_id] => 22247
[post_link] => http://offroadbangladesh.com/bn/places/jora-kali-temple-muktagacha/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/10/P_20151014_134059_1_p-169x300.jpg
[post_content] => Sri Sri Anondomoyi (শ্রী শ্রী আনন্দময়ী) Kali temple is located at the nucleus of Muktagacha Upazila. This temple is dedicated to Nirmola Debi (নির্মলা দেবী), Mother of Maharaja Shoshikanto Acharya (শশীকান্ত আচার্য). A traveler may get confused by the name of this temple as it comes with different words in websites and it's place. In websites, it is known as Sri Sri Anondomoyi (শ্রী শ্রী আনন্দময়ী) Kali temple where as in place, it’s named as Sri Sri Shiva Moheshwar (শ্রী শ্রী শিব মহেশ্বর) Temple and locally it is known as Jora kali Temple of Muktagacha.
Whatsoever the name is, ORB Team came to know from different places and later visited this attraction physically to reveal it's history. It was established in the year 1820 by the patronize of Shoshikanto Acharya (one of the great Zamindars of Muktagacha). Basically this two adjacent temple is a great example of mirror structure in Bengal. It has three arch shaped doorways at the front side. From the surface level, it is almost 1o meter high with so many decoration in its wall. The structural design of this temple is look like the other Moth (মঠ) structure in Bengal.
There is a large pond in the temple premises and it was dug at the time of establishment. Maharaja Shoshikanto Acharya donated his many assets for the daily expenses of worshipping in the temple. Among those lands significant areas are in Muktagacha Upazila, Gabtoli and Khamar Bazar area. Though none of those assets now owned by the temple.
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