




Brief
Previously, the actual color of Khelaram Datar Kotha (খেলারাম দাতার কোঠা) was reddish (first three photographs added). But after a renovation done by the Department of archaeology, it is colored white now.
Possibly the most intriguing, interesting and uniquely confusing archeological structures of Nawabganj is the Khelaram Daata’r Kotha, which has recently been renovated. Yet they have not put up a sign board describing the building.
It is confusing, who was Khelaram? What was he known for? What is this building all about? What is the story behind it? When was it built? One could come up with several such questions, but apparently there isn’t much available documentation. It’s hardly possibly to rely on local folklore, as that is far more fiction than facts. To start with some confusion, some say the name of the founder of this structure was Khelaram Dutta, Banglapedia mentions him as Khelaram Dada, while the locals say he was known as Khelaram Daata.
According to Banglapedia he was a Zamindar, but the locals claim he was a dacoit. Since Banglapedia mentions nothing about him apart from naming him as Zamindar Khelaram Dada. So, there isn’t any other way except relating oral history along with the information of Banglapedia.
Some 200 years ago, there lived a ferocious dacoit named Khelaram, who was dreaded by the rich, but loved by the poor, because similar to Robin Hood, he generously donated much of his spoils from each mission amongst the poor people. Hence he was known as “Daata” the beneficent. But he still retained quite a bit and needed to store the loot. So he built this structure consisting of many rooms just overnight (within a short time). The building had five floors (it now has only two) and the roof had a large tank. There still is a large pond nearby. Poor people had to come to this pond to bathe, and anything they asked for was granted.
Oral History Or Myth :
Khelaram was extremely obedient to his mother. She once wanted to drink some milk and eat some ripened bananas, so Khelaram arranged the rooftop tank to be filled to the brim with ripened bananas and pure milk, so she could swim there and eat and drink to her heart’s content. But one day something Khelaram did severely angered his mother. She sternly rebuked and cursed him and then left for a bath in the pond. But as soon as she left the building, three floors of the building simply sank into the ground, leaving only the top two floors to be seen over the surface. Khelaram was not seen any more from then. Some believe he got trapped in one of the lower floors. Some believe he drowned in the pond, trying to save his mother. Within a short time, all his belongings got stolen, leaving behind just an empty house.
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[name] => {:en}Boro Kuthi{:}{:bn}বড়কুঠি{:}
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Boro Kuthi is located in Shaheb bazar of Rajshahi town. An attempt was taken by Rajshahi City Corporation for turning the historical Dutch building into a heritage sight. There are 12 rooms here and it is 2 storied. Dutch and British traders used it for trading silk. After demise of Nawab Sirajud Dowla in 1757 it was bought by East Indian Company. Later it was sold to Robert Watson and Company. After 1947 partition Government used it as their supply center. In 1953 it was taken over by Rajshahi University.
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বড়কুঠি রাজশাহী শহরের সাহেব বাজারে অবস্থিত। এই দোতালা ভবনটিতে ১২টি কক্ষ আছে। ডাচ ও ইংরেজ বনিকরা ভবনটি রেশমের বাণিজ্য করতে ব্যবহার করত। ১৭৫৭ সালে নবাব সিরাজ উদ দৌলার মৃত্যুর পর ইস্ট ইন্ডিয়া কোম্পানি ভবনটি কিনে নেয়। পরবর্তীতে এটি রবার্ট ওয়াটসন এন্ড কোম্পানির কাছে বিক্রি করা হয়। ১৯৪৭ সালে দেশ বিভাগের পর সরকার এটি তাদের সাপ্লাই সেন্টার হিসেবে ব্যাবহার করে। ১৯৫৩ সালে রাজশাহী বিশ্ববিদ্যালয় ভবনটি অধিগ্রহন করে। রাজশাহী সিটি কর্পোরেশন প্রচেষ্টা নিয়েছিল ডাচদের স্মৃতি বিজরিত এই ভবনটিকে একটি ঐতিহ্যবাহী স্থানে পরিণত করতে।
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[name] => Nahabatkhana
[post_id] => 11529
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Nahabatkhana (নহবতখানা) or Probeshdar (প্রবেশদ্বার) is one of the well known features in Mograpara, Sonargaon Upazila in Narayanganj. This gateway or entrance was built in at the end of 17th century. According to the description of 'Zames Wise' (civil surgeon of Dhaka in 1860s), it is located at South Ward from the Hazrat Abu Tawama Mazar and Ibrahim Mosque. There are two doors being traced on north & south side of this feature.
A story has been circulated among the local people that there was a musical Instrument around this feature which was being used for different purposes. Mainly, this instrument being used to awake people to take Seheri (সেহরি) and Iftar (ইফতার) at the month of Ramadan. Another notion is said that, it was being used to notify poor people and Musafir for Kangalivoj (কাঙ্গালিভোজ). This instrument was used for inviting people too. Now, one of the doorways of Nahabatkhana is used by public, and another one is preserved with less care.
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[name] => House of Poet Quazi Kader Newaj
[post_id] => 18491
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Historic and archaeological importance of the majestic house of poet Quazi Kader Newaj, an icon of Bangla literature, has been lying uncared in Sreepur upazila town under Magura district, as the authorities concerned are ignoring its tourism potentials.
The poet is specially recalled for his masterpiece of poetry ‘Shikhaker Marjada’. The poet was also a freedom fighter as he played an important role during the liberation war. He was also a good teacher. The poet and his kin were buried along this majestic building.
The splendid building still stands tall along the bank of the Kumar River beckoning the people passing by it to have a look of its grandeur and magnificence. None can resist the temptation of taking a look at the captivating old structure when one passes by it.
In the absence of proper maintenance and renovation, weeds have grown in and around the house while the mossy bricks are crumbling down from the decaying structure. The house has lost much of its charm of terracotta due to the authorities’ negligence. Locals have already taken away many of the bricks, plaques, wooden doors and windows. The house has become a safe haven for drug addicts and gamblers due to lack of proper initiatives for its preservation and maintenance. Local people use the building as their cowshed and it has turned into the public toilet.
Unfortunately, the government has done nothing to renovate the palace, though the historic site can fetch a large amount of revenue every year.
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[name] => Goaldi Mosque
[post_id] => 10965
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Sonargaon contains quite a number of Archaeological evidences, helping the scholars to reconstruct the Medieval History of Sonargaon area of Bangladesh. Goaldi Mosque, one of the very few surviving medieval monuments in the city of Sonargaon. About 6 km north-west of the little township of Panam, near Sonargaon in Narayanganj district, there are two such precariously surviving old single-domed mosques in the sequestered hamlet of Goaldi, virtually hidden behind thick bamboo brakes and clusters of mango and jackfruit tree groves.
Built in 1519, the graceful, single-domed Goaldi Mosque is the most impressive of the few extant monuments of the old capital city, and a good example of pre-Mughal architecture. This mosque is one of the few remnants from the Sultanate period in Sonargaon, during the reign of Sultan Hussain Shah in 925 Hijri (1519 AD). It was built by Mulla Hizabar Akbar Khan in the early 16th century, during the reign of Alauddin Husain Shah at a place called Goaldi - half a mile northeast of Panam village in Sonargaon. Sonargaon was the administrative center of medieval Muslim rulers of East Bengal. It became as the capital of Bengal during Isa Khan's ruling. The area falls under present-day Narayanganj District, Bangladesh. This mosque is more elegant and ornate in comparison to the earlier Sultanate mosques at Bagerhat.
There are some ornamental black stone pillars inside the prayer hall for the support of the roof. Corresponding to the three arched doorways on the east there are three richly decorated mihrabs on the west wall, of which the central one is bigger and beautifully embellished with curved floral and arabesque relief on dark black stone, but the flanking side mihrabs are ornamented with delicate terracotta floral and geometric patterns. The central stone mihrab is framed within an arched panel with an expanded sunflower motif in the centre. Below that the spandrels of the multi-cusped arch of the mihrab are decorated within a rectangular frame. The engrailed arched recess is carried on stunted octagonal pillars faceted at stages. Four round-banded turrets at the outer corners rise up to the curvilinear cornice.
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