Array
(
[0] => Array
(
[name] => {:en}Shah Mahmud Masjid{:}{:bn}শাহ মাহমুদ মসজিদ{:}
[post_id] => 5104
[post_link] => http://offroadbangladesh.com/places/shah-mahmud-masjid/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/Shah-Mahmud-Masjid2-300x225.jpg
[post_content] => {:en}
Shah Mahmud Masjid is an attractive building at Egarosindur may be dated sometime around 1680 AD. The mosque stands at the back of a slightly raised platform, which is enclosed by a low wall with a gateway consists of an oblong structure with do-chala roof. The mosque proper is a square structure, 5.79m a side in the inside, and is emphasized with octagonal towers on the four exteriors angles. All these towers shooting high above the roof and terminating in solid kiosks with cupolas, were originally crowned with kalasa finials, still intact in the southern one. The western wall accommodates inside three mihrab –the central one semi –octagonal and the side ones rectangular. The central doorway and central mihrab are larger than their flanking counterparts. The mosque has four axially projected front ones, each corresponding to the centrally located doorways and the central mihrab. The parapets and cornices are horizontal in the usual Mughal fashion.
All the mihrabs are enriched with terracotta decoration. The mihrabs are arched having cuspings in their outer faces. The pilasters, supporting the mihrab arches, show a series of decorated bands topped by a frieze of petals. The spandrels of these arches, though now plain must have been originally enriched with terracotta plaques. Above the rectangular frame of the central mihrab there is a row of arched-niches filled with varieties of small trees containing flowers. The mosque should specially be noted for its four axially projected frontons with bordering ornamental turrets, a device which must have been borrowed from the four axial iwan-type gateways of the Persian influenced north Indian Mughal standard mosques of Fathpur, Agra and Delhi.
The mosque has a very large dome at the top. Four corners of the mosque are having octagonal columns and the middle of the walls are having eight small columns (each wall two). The Shah Mahmud mosque has stylish terracotta at the eastern wall. Also it has expensive (considering that period) decoration at the top of the walls, columns and mini-minarets.
{:}{:bn}
এগারোসিন্দুর গ্রামে অবস্থিত অন্যতম আকর্ষণীয় এই স্থাপনাটি সম্ভবত ১৬৮০ সালের দিকে নির্মিত হয়েছিল। একটি উঁচু প্লাটফর্মের পেছনে অবস্থিত এই মসজিদটি নিচু দেয়াল দিয়ে ঘেরাও করা হয়েছে। মসজিদে ঢোকার ফটকটি আয়াতক্ষেত্রাকার এবং এটিতে দোচালা ছাদ রয়েছে। ছাদের উপর চার কোণায় অষ্টভুজ চারটি টাওয়ারসহ বর্গাক্ষেত্রাকার এই মসজিদের ভেতরের প্রতিটি দিকের দৈর্ঘ্য ৫.৭৯ মিটার। মসজিদের টাওয়ারগুলোতে ছোট কক্ষ ছিল এবং টাওয়ারগুলো অলংকার দিয়ে সাজানো হয়েছিল। দক্ষিন দিকের টাওয়ারে এখনও সেসব অলংকারের দেখা মেলে। মসজিদের পশ্চিম দেয়ালে তিনটি মিহরাব আছে যেগুলোর মধ্যে মাঝের মিহরাবটি অষ্টভুজ আকারের এবং বাকি পাশের দুটি মিহরাব বর্গক্ষেত্রাকার। মসজিদের মাঝখানের মিহরাব এবং দরজাটি অন্যান্য মিহরাব ও দরজাগুলোর চেয়ে আকারে বড়। মসজিদের প্রাচীর এবং কার্নিশগুলো মুঘল স্থাপত্যের মত সমান্তরাল।
মসজিদের ধনুকাকারের মিহরাবসমূহে টেরাকোটার নকশা করা রয়েছে। মসজিদের মিহরাবের সাথেকার প্রতিটি কলামে পাতা এবং শৃঙ্খলের নকশা রয়েছে এবং ধনুকাকার মিহরাব এবং ছাদের সংযোগস্থলে একসময় টেরাকোটার ফলক ছিল বলে বোঝা যায়। এখানকার মাঝখানের মিহরাবের উপরে বিভিন্ন ফুল সমেত ছোট গাছের নকশা রয়েছে। মসজিদের সম্মুখভাগের চারটি চূড়ার নকশার উত্তর ভারতের ফতেহপুর, আগ্রা এবং দিল্লির মুঘল আমলের মসজিদগুলোর পারস্য নকশার সাথে মিল পাওয়া যায়।
মসজিদের উপরে একটি বিশালাকার গম্বুজ রয়েছে এবং এখানকার পূর্বদিকের দেয়ালে টেরাকোটার কাজ ছাড়াও দেয়ালের উপরে, কলামে এবং মিনি মিনারে সে আমলের ব্যয়বহুল নকশার কাজ রয়েছে।
ছবির জন্য এখানে ক্লিক করুন http://www.panoramio.com/photo/91597929
http://www.panoramio.com/photo/91597914
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)
[1] => Array
(
[name] => Tengor Shahi Jame Mosque
[post_id] => 8140
[post_link] => http://offroadbangladesh.com/places/tengor-shahi-jame-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/04/P_20150520_173352-169x300.jpg
[post_content] =>
Tengor Shahi Jame Mosque is a single-domed square shaped mosque and built entirely of brick.Through the analysis of An Arabic inscription, originally fixed over the central archway of eastern wall, can now be found fixed to an enclosure wall of a nearby newly built mosque, locally known as Pashchimpada masjid (mosque). According to the inscription, the Rikabi Bazar Mosque was built by one Malik Abdullah Miah, son of Amin Khan Fakir Miah, in 1569 AD during the reign of Sultan sulaiman karrani.
The walls of this mosque are about 2.13m thick.There were four corner-towers in the four exterior angles of the building, but these were removed at the time of renovation work. The mosque has five arched-doorways, three in the east and one each on the north and south sides. The north and south doors are now used as windows. All the arches are of the two-centered pointed variety. The central archway in the east is bigger than the flanking ones. Corresponding to the three eastern archways there are three renovated semi-circular mihrabs inside the qibla wall that are set within rectangular frames. Like the central doorway, the central mihrab is bigger than its flanking counterparts. The north and south walls have two alcoves on either side of the archway. The square prayer hall of the mosque is covered with a large brick shouldered dome, which rests on the four blocked arches over the central mihrab and the three axial doorways springing from the brick pilasters, two inside each wall, in combination with Bengali pendentives and half-domed squinches on the upper angles.
Architectural Features: Architectural features of this mosque include massive walls, a large dome, two-centered pointed archways and a dome supported by blocked arches springing from brick pilanters in combination with pendentive and half-domed squinches. These are very feature similar to the Goaldi Mosque in sonargaon and baba saleh’s mosque in Bandar, both in narayanganj district
An octagonal drum can be seen externally in the lower part of the dome. The parapets and the inner side of the dome is decorated with rows of blind merlons, and each rectangular frame of the three mihrabs is crowned by a frieze of blind merlons. These are not original ornamentations. The outer walls of the mosque were once ornamented with terracotta plaques, but now these are all missing. The mosque is at present covered with cement plaster.
)
[2] => Array
(
[name] => {:en}Majlis Awlia Mosque or Pathrail Mosque{:}{:bn}মজলিশ আউলিয়া মসজিদ অথবা পাথরাইল মসজিদ {:}
[post_id] => 5904
[post_link] => http://offroadbangladesh.com/places/majlis-awlia-mosque-or-pathrail-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/03/Bhanga-Patrail-Mosque3-300x240.jpg
[post_content] => {:en}
This mosque is known as "Pathrail Mosque". But to the local people, it has other names, and it will be easier for you to find the place if you remember the other twos. People used to call this as "Dighir Par Mosque", also it has a name that is listed at Bangladesh government, "Majlis Awlia Mosque". This Masjid has three domes at the top of it. After taking the mosque under the Archaeological Heritages of Bangladesh, the government did some furnishing task over the mosque, so that it doesn't collapse, or doesn't become a ruin.
This mosque was built during anytime between 1393 AD to 1410 AD. The pundits are assuming that the mosque was built by the great ruler, Sultan Azam Shah. At the Southern side of the mosque, "Majlis Awlia Khan", the mosque was named after his name. There is a majar just near the mosque. The mazar was formed using the name of "Mastan Darbesh Nazimuddin Dewan" and "Fakir Salimuddin Dewan". There was a large Dighi(water tank) was created just near the mosque. The water tank was made to ease the water problem of the peasant. Thats why people used to call the mosque as "Dighir par jame moshjid".
{:}{:bn}
পাথরাইল মসজিদ নামে পরিচিত এই মসজিদটির অন্য আরও দুটি নাম আছে। এগুলো হলঃ দীঘিরপাড় মসজিদ এবং মজলিশ আউলিয়া মসজিদ। মসজিদের নামগুলো মনে রাখলে আপনার মসজিদটিকে খুঁজে পেতে সুবিধা হবে। প্রত্নতত্ত্ব অধিদফতরের অধিগ্রহনের পর তিন গম্বুজ বিশিষ্ট এই মসজিদটি রক্ষার জন্য বেশকিছু রক্ষণাবেক্ষণের কাজ করে সরকার। সম্ভবত ১৩৯৩ থেকে ১৪১০ সালের মধ্যে মসজিদটি নির্মিত হয়েছিল। তবে, ইতিহাসবিদদের ধারনা সুলতান আজম শাহর শাসনামলে মসজিদটি নির্মিত হয়। মসজিদের দক্ষিনে রয়েছে ‘মজলিশ আউলিয়া খান’ যার নামে মসজিদের নামকরণ করা হয়েছে। মসজিদের কাছেই ‘মাস্তান দরবেশ নাজিমউদ্দিন দেওয়ান’ এবং ‘ফকির সালিমউদ্দিন দেওয়ানের মাজার রয়েছে। মসজিদের কাছে পানির সংকট নিরসনের জন্য একটি বিশাল দিঘীও খনন করা হয়েছিল আর একারনেই স্থানীয়রা মসজিদটিকে ‘দীঘিরপাড় জামে মসজিদ’ নামে বলে থাকে।
{:}
)
[3] => Array
(
[name] => Mahisantosh Mosque
[post_id] => 5809
[post_link] => http://offroadbangladesh.com/places/mahisantosh-mosque/
[thumb_link] => http://offroadbangladesh.com/wp-content/uploads/2015/02/offroadbangladeshlogo2-300x178.png
[post_content] =>
Mahisantosh Mosque located near the India-Bangladesh edge about 13 km northern western of Dhamorihat Thana Sadar in Naogaon place. Mahisantosh, known from Pre-Muslim periods, came to reputation during the guideline of Sultan Ruknuddin Barbak shah (1459-1474) who raised its place to an excellent town and known as it Barbakabad after him. Many traditional hemorrhoids, located in different places of the town, can still be monitored. In 1916 the varendra analysis team conducted a traditional excavation at Mahisantosh in the remains of the Jami Masjid heap. A little element of the mosque was exposed. Very lately individuals, after removing weeds, vegetation and junk of the Jami Masjid heap have developed up a new chauchala tin shade kacha creating on the old ranking of the mosque to perform Sunday desires. From the present remains it is still possible to recover the exclusive design of the mosque.
The 2.25m large materials of the rectangle-shaped mosque (24m X 16.20m externally) with semi-octagonal place techniques at the four aspects were designed of rock and bricks; the main was designed of rocks and the inner and external activities were secured with rock places. The top aspect act was provided with five (arched) doorways. Most probably the main one was larger than the flanking ones. There were three (arched) areas each on the south east aspect of and southern region aspects.
The inner of the mosque (19.50m X 11.70m) was divided by two selections of rock assistance supports, each having four assistance supports. Each main was status on an office rock foundation. The foundation of each main was divided into three sections: the decreased place, about 0.40m, was rectangle-shaped shape with pie design on its face; the middle element, about 1.55m, was decagonal with pattern and gong components and the greater element, about 0.96m, was polygonal (16 sided) with pattern and gong components and suspended pearl-string of 50% team design.
The main nave of the mosque, larger than the element ones, had three rectangle-shaped places and was perhaps secured over by Persia chauchala bins. Hemispherical domes, 12 in all, might have secured the element chicken wings. Thus the ceiling top program was almost just like that of the shatgumbad mosque at Bagerhat (1459 AD).
There are five mihrabs in the Qibla materials invert the top side aspect possibilities. The main mihrab, a little bit larger than the element ones, was removed from here and is now managed in the varendra analysis collection. Originally it was designed from 1 product of rock with amazing eye-catching schemes; pattern and gong, lotus and palmetto are its main ingredients. The extant mihrab at the southern region end also contains amazing developed design. It seems to have been designed of three places of rock. The main element of the mihrab industry is developed with attractive pattern and gong art work. On the element of the pattern is suspended a hand crafted series. A complete bloomed lotus weighs from the end of the pattern. The sidepieces of the rock places have geometric styles in round and rectangle-shaped shape types. The rosettes in the top and platform increase the beauty of the mihrab. It may be described here that the pattern and gong design, a very familiar eye-catching program, is also seen in mosques like darasbari, chhota sona and kusumba.
Stone-blocks calming propagate in and around the mosque involved eye-catching components on their activities. These developed stone-blocks indicate that the external outside of the materials of the mosque may have been developed with rock styles. The attractive devices are mostly geometric in design with flowery styles, palmette, nailheads, pie styles, look for components, pattern and gong components and suspended 50 % round jewelry. Some developed clay-based rocks were also exposed at a lot of period of removing junk. These clay-based rocks might have been used on the inner encounter of the drums equipment of the domes. Similar eye-catching program is seen in other mosques e.g., Darasabari, Chhota Sona and Kusumba.
When the Varendra Research Community conducted excavation on the website they discovered an epigraph product. It authorized the growth of a mosque during the guideline of Alauddin Husain shah in 912 AH/1506 AD. Very lately, another epigraph product was exposed at a lot of period of removing junk from the mosque. Currently it is calming before aspect of the lately designed kacha mosque creating. The epigraph contains two selections of writing and is developed on dark-colored basalt rock. It keep in mind the development of a mosque in a lot of period of Sultan Ruknuddin Barbak Shah by Ulugh Khan Hasan in the 867 AH/1463 AD.
Growth of these two individual from the same ruinous mosque improves some issues about the period of your energy and energy of growth of the mosque. Was the mosque developed in a lot of period of Sultan Barbak Shah or during a lot of period of Alauddin Husain Shah? Was it developed in a lot of period of Barbak Shah and therefore redesigned (or reconstructed) during the guideline of Alauddin Husain Shah? Or, was one of these two individual collected from outside and kept in the mosque when the mosque was in an amazing condition of preservation? It is not possible to figure out any of the above possibilities. It is, however, quite likely that the mosque was developed during the guideline of Sultan Barbak Shah in 867 AH (1463 AD) and knowledgeable a renovating during a lot of period of Sultan Alauddin Husain Shah in 912 AH (1506 AD).
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