The Central Cooperative Bank

There is a folk art and craft museum for the visitors & tourist travelling in Sonargaon. Sonargaon Folk Art and Craft Museum remains open from morning to afternoon (9 AM to 5 PM). Wednesday and the Thursday, this museum is closed for weekend. This is prosperous with several unique collection those you'll never find at any other place. Some are lost from our country, and only those are remains. The main museum building is placed at the "Sardar Bari". "Sardar Bari" was built by a Hindu Zamindar of Sonargaon in 1901. Alike the other Zamindar house of that period, this one also looks like Indian houses, but the shape of the house was looked like the European Palaces. The baroque decoration and the elaborated painting on the plaster of the building are really eye catching.

Lok Shilpa Jadughar (Folk Art and Craft Museum) of Sonargaon was established by Bangladeshi painter Joynul Abedin on March 12, 1975.

It will cost you 10 taka to enter the museum area. Its a vast area, and will take you lots of time to round the area. You'll find a art gallery of "Zainul Abedin" inside the museum area. There are two Exhibition Galleries inside the museum. Both of them consist of some status showing the local life of Bangladeshi people, for example farming, woman working etc. Also you'll find the miniature version of the several boats from my country, which are now a days vanished after competing with the mechanical vehicles.

Panam Nagar (পানাম নগর), ancient Painam, a locality now in Sonargaon upazila of Narayanganj district. It is about 2.5 kilometre to the north of Dhaka-Chittagong highway at Mograpara point. It is said to have been the site of Hindu capital city of Sonargaon emerging in the seventh decade of the thirteenth century. The Panam area formed part of the Muslim metropolis developed on the south of the old city, and perhaps constituted the place of residence of the early Muslim governors'. After the Mughal conquest of Sonargaon (1611) the Panam area was connected with the ruling metropolis by construction of highways and bridges. Panam still possesses three brick bridges belonging to the Mughal period: Panam Bridge, Dalalpur Bridge and Panamnagar Bridge.

The existence of these bridges, and the canals enclosing the site on three sides is indicative of its being a suburban area of the medieval city. The pucca road which leads from the Mograpara crossing on the Dhaka-Chittagong highway in the direction of Panam extending up to the Neel-Kuthi looks like a dividing line between medieval Sonargaon and the present Panamnagar, the only surviving relics of the Panam area. The Panam township stands on the east of this road opposite Aminpur, and a one-arched humped bridge leads from the same road over a narrow canal to the main street of Panamnagar.

In all probability the present Panamnagar grew as a by-product of the commercial activities of the english east india company and of the Permanent Settlement. The East India Company established their factory in Panam for the purchase of muslin and other cotton fabrics. The Company, for the purchase of muslin, used to distribute annually to the weavers from their factory in Panam as much as a lakh of rupees as dadni (dadni system advance), and it is estimated that there were then 1400 families of Hindu and Muslim weavers in and around Panam.

Sonargaon developed into a center of trade in cotton fabrics, chiefly English piece goods, during the colonial period, and thereby grew the new township of Panamnagar. A group of Hindu talukdars, who came into being from among the traders in the nineteenth century, chose this site for their residence. The existing brick buildings of Panamnagar, obviously the residence of the Hindu merchant-talukdars, can be dated back to early nineteenth, and the later ones to late nineteenth and early twentieth centuries. Panamnagar which developed in the nineteenth century, continued to flourish till the end of the Second World War.

Panamnagar, a unique township, stretched in a single street 5 meter wide on the average and 600 meter in length. All the buildings have the character of urban street front houses and are lined up on either side of this street which ends up at the Panam bazar. Fifty-two houses exist in dilapidated and disused condition having 31 in the north side of the street and 21 on the south. Panamnagar appears to be well protected by artificial canals all around. Two fairly wide canals run parallel to the street on its either side and joined by a narrow canal on the western side over which is the entrance bridge (Panamnagar Bridge). On the eastern side, the canal on the south swerves rightward and goes eastward crossing the north-south road that passes through the Panam bazar. The northern canal, the Pankhiraj Khal, runs eastward to meet the Meghna-Menikhali stream.

Nawabganj is one of the prominent regions in Dhaka containing a large number of old buildings and Zamindar Bari, Amongst the archaeologically or historically famous buildings the most well-known ones are Hasnabad Church, Braja Niketon,the Baghmara Moth, the Bakshanagar Church  and the residence of Khelaram.

But there are also several lesser known old buildings, mostly set up by merchants lived that region previous years, who were traders of various kinds of produces, including salt.

Over time, many of these buildings have fallen prey to locally influential land grabbers. Most of these buildings are in a state of ruins, desperately requiring due attention. Some buildings have been acquired by the Ansar & Village Defense Party (VDP), a paramilitary force of the government, and the authorities have renovated some of these structures and maintain them fairly well.

It includes the House of Harihar Ghosh, the Ansar Commandant’s current office which is now known as Nawabganj Ansar Camp (Painna Bari & Teli Bari), Loknath Saha’s House and a few more houses.

Previously, the actual color of Khelaram Datar Kotha (খেলারাম দাতার কোঠা) was reddish (first three photographs added). But after a renovation done by the Department of archaeology, it is colored white now.

Possibly the most intriguing, interesting and uniquely confusing archeological structures of Nawabganj is the Khelaram Daata’r Kotha, which has recently been renovated. Yet they have not put up a sign board describing the building.

It is confusing, who was Khelaram? What was he known for? What is this building all about? What is the story behind it? When was it built? One could come up with several such questions, but apparently there isn’t much available documentation. It’s hardly possibly to rely on local folklore, as that is far more fiction than facts. To start with some confusion, some say the name of the founder of this structure was Khelaram Dutta, Banglapedia mentions him as Khelaram Dada, while the locals say he was known as Khelaram Daata.

According to Banglapedia he was a Zamindar, but the locals claim he was a dacoit. Since Banglapedia mentions nothing about him apart from naming him as Zamindar Khelaram Dada. So, there isn’t any other way except relating oral history along with the information of Banglapedia.

Some 200 years ago, there lived a ferocious dacoit named Khelaram, who was dreaded by the rich, but loved by the poor, because similar to Robin Hood, he generously donated much of his spoils from each mission amongst the poor people. Hence he was known as “Daata” the beneficent. But he still retained quite a bit and needed to store the loot. So he built this structure consisting of many rooms just overnight (within a short time). The building had five floors (it now has only two) and the roof had a large tank. There still is a large pond nearby. Poor people had to come to this pond to bathe, and anything they asked for was granted.

Oral History Or Myth :

Khelaram was extremely obedient to his mother. She once wanted to drink some milk and eat some ripened bananas, so Khelaram arranged the rooftop tank to be filled to the brim with ripened bananas and pure milk, so she could swim there and eat and drink to her heart’s content. But one day something Khelaram did severely angered his mother. She sternly rebuked and cursed him and then left for a bath in the pond. But as soon as she left the building, three floors of the building simply sank into the ground, leaving only the top two floors to be seen over the surface. Khelaram was not seen any more from then. Some believe he got trapped in one of the lower floors. Some believe he drowned in the pond, trying to save his mother. Within a short time, all his belongings got stolen, leaving behind just an empty house.